Medium Art

Jeon Kang Ok currently lives and works in South Korea. Her work resides in permanent collections of Seoul Museum of Art, Seoul, Korea
 / Pohang Museum of ...

Edition 2 of 3. Medium: Cut vinyl on paper

Edition 2 of 3. Medium: Cut vinyl on paper

TECHNICAL INFORMATION Charles Hinman Kites Suite - Catapult 2013 5 color screenprint 32 x 32 in. Edition of 5 Pencil signed, dated and numbered Condition: This work is in exce...

For Nicolás, the importance of the work of art lies in taking distance from common and ordinary language. Taking poetry as an instrument of construction, where images and words becom...

Lightness of Being Crystal Edition Limited Edition Silkscreen Print of 100 with hand applied Swarovski Crystals Paper size: 20.75 x 16.5 inches Fra...

Upcycled Shirts, Resin, Nylon Fibres, Acrylic and Sodium Crystals Size US: 29 x 15 x 8 in Size EU: 74 x 38 x 21 cm Contemporary painter and sculptor Noah Kashiani...

Photograph of Vinila von Bismark, lead singer for the Spanish rock band Krakovia. This framed photo was previously displayed in a guest room of the original...

ERNEST BLANC-GARIN (1843-1916) Portrait of a Young Lady around 1880 Oil on wood panel signed low Old Original frame gilded with leaves Dimensions wood : 40 X 30 cm Dimensions frame : 62 X 53 cm ERNEST BLANC-GARIN (1843-1916) Belgian Painter 19th Century Born 8 October 1843 in Givet (France) Died 1916 in Brussels (Belgium) Painter of Portraits and Urbanscapes. In Brusssels he was taught by Jan Portaëls (1818-1895); then in Paris by Alexandre Cabanel (1823-1889) He took part in the Salon de Paris from 1868. After a trip to Italy in 1870, he came back to Brussels for creating a private Art Academy providing a very liberal teaching. His portraits are made with a lot of freedom and gracefulness. Bibliography : Dictionary of Artists E. Benezit Book II / 373 Gérald SHURR : Les petits Maîtres de la Peinture 1820- 1920 Book V

The painting is being offered with a work and authenticity certificate

Medium: Charcoal on Board, Framed Under Glass Signature: Signed and Dated on the Back Sight Size 30.50" x 20.50," Framed 35.50" x 26.50" Great condition, bad glare from glass in thi...

Cast Glass and Granite Sculpture (Pictured ON RIGHT)

Sam Uhrdin (Swedish School, 1886-1964) Sam Uhrdin was born in 1886 in the Swedish town of Siljasnas to the north-west of St...

Untitled 4, 2020, 1/50. Digital painting. Namibian painter Arno Hoth creates digital artworks using new media technology. Born in Windhoek in 1950, he attended Kunstschule Strahn in...

Awendaw Shrimpin', 2020

The voyage of no return, 2021, 1/50. digital print on 100% cotton fine art paper. Namibian painter Arno Hoth creates digital artworks using new media technology. Born in Windhoek in...

Medium: Gouache on Board Signature: Signed Lower Right American Magazine story interior illustration

American, b. 1933 “Experiencing a painting by Nina Maguire is like catching the scent of a once familiar perfume- evoking memory, filling the viewer with a sense of nostalgia, of a ...

In my Mind (2018), Watercolor on Paper Fabriano 600 g, 46,5x67,5 cm, by Italian contemporary artist Annemarie Ambrosoli (ICA - International Certified Artist) This watercolor comes...

Center in picture.

Guido Oakley is a modern imaginative artist that directs design concepts, computerised innovation and uses exotic materials such as precious metals, gemstones and crystal clear resin...

Joseph Stella was a visionary artist who painted what he saw, an idiosyncratic and individual experience of his time and place. Stella arrived in New York in 1896, part of a wave of Italian immigrants from poverty-stricken Southern Italy. But Stella was not a child of poverty. His father was a notary and respected citizen in Muro Locano, a small town in the southern Appenines. The five Stella brothers were all properly educated in Naples. Stella’s older brother, Antonio, was the first of the family to come to America. Antonio Stella trained as a physician in Italy, and was a successful and respected doctor in the Italian community centered in Greenwich Village. He sponsored and supported his younger brother, Joseph, first sending him to medical school in New York, then to study pharmacology, and then sustaining him through the early days of his artistic career. Antonio Stella specialized in the treatment of tuberculosis and was active in social reform circles. His connections were instrumental in Joseph Stella’s early commissions for illustrations in reform journals. Joseph Stella, from the beginning, was an outsider. He was of the Italian-American community, but did not share its overwhelming poverty and general lack of education. He went back to Italy on several occasions, but was no longer an Italian. His art incorporated many influences. At various times his work echoed the concerns and techniques of the so-called Ashcan School, of New York Dada, of Futurism and, of Cubism, among others. These are all legitimate influences, but Stella never totally committed himself to any group. He was a convivial, but ultimately solitary figure, with a lifelong mistrust of any authority external to his own personal mandate. He was in Europe during the time that Alfred Stieglitz established his 291 Gallery. When Stella returned he joined the international coterie of artists who gathered at the West Side apartment of the art patron Conrad Arensberg. It was here that Stella became close friends with Marcel Duchamp. Stella was nineteen when he arrived in America and studied in the early years of the century at the Art Students League, and with William Merritt Chase, under whose tutelage he received rigorous training as a draftsman. His love of line, and his mastery of its techniques, is apparent early in his career in the illustrations he made for various social reform journals. Stella, whose later work as a colorist is breathtakingly lush, never felt obliged to choose between line and color. He drew throughout his career, and unlike other modernists, whose work evolved inexorably to more and more abstract form, Stella freely reverted to earlier realist modes of representation whenever it suited him. This was because, in fact, his “realist” work was not “true to nature,” but true to Stella’s own unique interpretation. Stella began to draw flowers, vegetables, butterflies, and birds in 1919, after he had finished the Brooklyn Bridge series of paintings, which are probably his best-known works. These drawings of flora and fauna were initially coincidental with his fantastical, nostalgic and spiritual vision of his native Italy which he called Tree of My Life (Mr. and Mrs. Barney A. Ebsworth Foundation and Windsor, Inc., St. Louis, illus. in Barbara Haskell, Joseph Stella, exh. cat. [New York: Whitney Museum of American Art, 1994], p. 111 no. 133). Two Wood Ducks...

Figurative painting of a sailor from the Black Sea Fleet by Ukrainian painter, Elena Vilchukova. Vilchukova is a graduate of the Kharkiv Art Academy i...

'Evening Elegance' V&A Portfolio Limited Edition print A model wearing a fur stole, John French (1907-66), London, 1955 © Victoria and Albert Museum, London Fashion Photograp...

Copper and Silk Etching on Somerset gsm Edition of 50 Signed, titled and numbered 61 x 48.5 cm 2008

John Muafangejo Style, 2013. Linoleum block print on paper. Edition of 5. Elia Shiwoohamba was born in 1981 in Windhoek, Namibia. He graduated from th...

Medium: Oil on Canvasboard Signature: Signed Lower Right Revere F. Wistehuff was one of the central group of cover artists in the New Rochelle Art Colony in the 1920's, '30s, '40s w...

Acrylic on Paper

"United Together" is part of a series called "Spoken" by artist Kelvin Agyepong Ansong which depicts the fierce fight women around the world continue t...

Watercolor on paper

"Alexei Ravski unites landscape painting with the art of the surreal in his dramatic, large-format compositions. Meticulous in technique, they are marked by a striking use of perspe...

About Behzad Tabar My background is in fine and graphic arts, working in a wide range of styles and mediums. My painting has evolved from realism, to surrealism, to abstract. I am mo...

"Quiet, The Dove (Book of LOVE)" silkscreen print from a portfolio of 12 original poems and 12 original prints by artist Robert Indiana. Edition 58/200. The prints in the portfolio w...

Medium: Charcoal, White Pastel on Canson MiTientes Paper Signature: Signed Lower Right Dimensions: 25.00" x 19.00" Unframed

Technical Information: Julian Stanczak Median with Circles, from Variants 1970 Screenprint 28 3/4 x 28 3/4 in. Edition of 125 Pencil signed and numbered Accompanied with COA by Gre...

Portrait Of A Rooster With Adorned Feathers, 18th Century Circle of John Nost SARTORIUS (1759-1830) Large 18th century English study of a rooster in a farmyard, oil on canvas. Supe...

LeRone Wilson (1968) is a sculptor and painter living and working in New York. His primary medium is encaustic, the oldest form of painting, used by the ancient Egyptians to fuse hieroglyphics. His sculpted encaustic paintings explore the complexities of the historical and cultural inferences of spirituality, history and identity. His work represents a medley of different textures that stimulate the senses, making the art not just a thing of beauty to be admired from a distance, but something we can feel connected to through the expression of touch. It’s a way of revealing an image without actually being able to control it, letting it come about itself. The work varies in shapes with 1 to 4 inches of wax built up on the surface. Their elegant abstract details invoke minimalist historical references that are surprisingly compelling. The results are unrecognizable surfaces that encourage kind of curiosity as to their function as paintings. Minimalism can be defined as the perfection that an artifact achieves when it is no longer possible to improve it by subtraction. This is the quality LeRone wants to achieve with the texture of the encaustic. Every component, every detail and every function has been reduced or condensed to the essential. The simplicity of his work explores the possibility of working creatively without disrupting the purity of the material. A finalist for the Louis Comfort Tiffany Award and winner of Best in Show for the Carroll Harris Sims Award, his works have also appeared in live auctions...

A gritty Burlesque Stripper with long purple gloves bumps and grinds with a hard-driving beat. American Social Realist artist Jack Levine paints this se...

Portrait Of Captain Arthur George Coningsby Capell, dated 1915 by Charles A. Buchel (1872-1950) Large 1915 English portrait of Captain Arthur Ca...

Signed & Dated Lower Right

Medium: Oil on Canvas Signature: Signed "A.O.F 19" Lower Left "Man & Woman in Disagreement" Long affiliated with The Saturday Evening Post (nearly 50 years), he did dozens of covers and much story art, most notably the long-running Tug-Boat Annie and with maritime painting, Fischer was more versatile than depicting the sail and dreadnaughts when given a chance. Still, he's best known for painting the sea, her beauty and her dangers (whether hurricanes or U-Boats). It's no surprise that his oils graced such titles as The Cruise of the Cachalot: Round the World After Sperm Whales, Treasure Island, The Mutineers, 20000 Leagues Under the Sea...

Signed Lower Left

Painting for a Woodstock film's poster.

Medium: Oil on Canvas Dimensions: 20.00" x 29.00" Signature: Signed Lower Right

-- Artwork comes with a certificate of authenticity and a premium quality frame -- Signed by Eduard Grossman

Joe Goode Grey Folded Clouds - II Blue and white (blue paper sky) 1971 Lithograph, Edition of 50 41 x 61 cms (16 x 24 ins)

A Beautiful Antique Map of France 56 x 65cm In a lovely frame, this map of France is in excellent condition and details the French provinces.

Mixed media and Painted wood, wall sculpture by Rick Prol.

TECHNICAL INFORMATION: Shepard Fairey Chinese Soldiers 2006 Screenprint 24 x 18 in. Edition of 300 Pencil signed and numbered; accompanied with COA by...

JOAN MIRÓ 1893-1983 Montroig 1893-1983 Mallorca (Spanish) Title: Bougrelas and his Mother II, from: Series for King Ubu Bougrelas et sa Mère II, from: Suites pour Ubu Roi, 1966 Technique: Original Hand Numbered Lithograph in Colours on Arches Wove Paper Paper size: 54 x 75 cm. / 21.3 x 29.5 in. Image size: 41 x 63 cm. / 16.1 x 24.8 in. Additional Information: This original lithograph in colours is hand numbered in pencil from the edition of 75, at the lower left corner. There were also 25 hors commerce [out of trade] impressions. This composition was published unsigned and exists only in this form. The work was part of a portfolio entitled "Roi Ubu" [King Ubu] realised by the artist in 1966. It was printed by Atelier Mourlot, Paris and published by Tériade Éditeur, Paris. The paper bears the Arches watermark along the lower margin. Note: Ubu Roi (Ubu the King) is a play by Alfred Jarry...

"The paintings are built up in layer upon layer of paint which give the pieces great depth of field. They are created with an arsenal of tools that doesn't settle with convention. As...

“The success of a realistic painting does not depend merely on copying a subject. I believe it needs to offer the textures, colors, and tones to one’s eye and become something more ...

Resurrection, 2015

Medium: Oil on Canvas Dimensions: 24.00" x 30.00" Signature: Signed Lower Right Hobo & 3 clowns at poker

Medium: Gouache on Board Dimensions: 27.00" x 12.75" Signature: Unsigned Written by Price on the mount below the image: Like endless lines of phantoms, men, horses, guns, wagons, continued to pass through the smoking forest. A striking and emotional night scene at the Battle of the Wilderness...

"Tomàs Martínez Sunyol was born in Dieulefit (France) in 1964 and was surrounded by art from a young age. Both his father, Joaquim Martínez Lerma, and uncle, Álvaro Sunyol, were pain...

"Sign (black)" is an artwork created by Gianluca Patti in 2019. This piece is the part of the Floating Series, which Patti created in 2019. Made using n...

American, b. 1958 Jim Rennert was born in 1958, and grew up in Las Vegas, Nevada, and Salt Lake City, Utah. After ten trying years of working in business, Rennert was inspired to ex...