Miniature Art

Oil on cardboard Ilia Menabde is a Georgian painter born in 2003 who lives and works in Tbilisi, Georgia. His practice explores the relationship between memory, time, place, and con...

Anton Schutz, 'Westminster Abbey', etching, edition not stated, 1927. Signed in pencil. Signed and dated in the plate, lower left. A superb, richly-i...

Vintage offset lithograph postcard published by Art Unlimited Amsterdam. Printed in Holland. The postcard is framed in a black wood frame with a front profile of 1 inch and a side pr...

Medium: original lithograph. Printed in Paris in 1979 on Arches paper for the "Bernard Buffet Lithographe" catalogue raisonne. Size: 12 1/2 x 9 1/4 inches (318 x 235 mm). Not signed....

This engaging bronze sculpture on black wooden base, well represents a human bust, but for its expressive force, the bust turns into an abstract shape of it. The artist who created t...

Cast resin multiple painted in colors, 2016, with the artist's stamped signature and title on the underside, from a limited edition of undisclosed size, published by Benesse Holdings...

Pamela Bianco, 'Fruit Piece', lithograph, c. 1925. Signed and titled in pencil. Signed in the stone, lower left. Annotated 'No. 8' in pencil, upper right...

"Palm Springs Palm Trees II" (Stranger than Paradise) - 2016 20x20cm, Edition 3/10, digital C-Print, based on a Polaroid. Certificate and Signature label, Not mounted , Artist ...

Archival pigment ink print, produced in a limited edition of 9 // Gallery ID: 11756 Fine art prints are produced to order on Hahnemühle Photo Rag Baryta. Each print is stamped on the...

Morning Mist oil/canvas 9x12 unframed, 12.63 x 15.63 framed signed LR Morning Mist is a landscape oil painting that showcases a beautiful soft misty morning in the summer with a sail...

This 15" x 11.75" framed watercolor on paper by Belgrade, Serbia-born, Texas-based artist Vojna Bastovanovic Casteel features a ground-level view of four purple irises growing side b...

Bold and expressive abstract mixed media work on paper featuring a rich rust-red central form, energetic black linework, and vivid touches of yellow. The composition has an appealing...

This lively city view from Vadstena was executed over two consecutive days in late October 1930. Erik Tryggelin records the scene with remarkable immediacy, capturing the fleeting at...

"The Weaver" Series inviting viewers into a world where memory and present interweaving in a mesmerizing display of visual creativity. - An Artist Proof's of only Three is offered as...

Set of 5 hyperreal glass water balloon sculpture installation by Dylan Martinez. Made of 100% hot-sculpted glass. Approx. Size: 3.5 × 3.5 × 4.5 inches (each balloon) Dylan Martine...

Nickel Plated 24 Element Puzzle Sculpture, 1968-1969, realized by Miguel Berrocal. Signature and number engraved. Edition of 9500 pieces.  Ref. Catalogo General/Obras Recientes,197...

Archival pigment ink print, produced in a limited edition of 9 // Gallery ID: 11983 Fine art prints are produced to order on Hahnemühle Photo Rag Baryta. Each print is stamped on the...

Sunlit Mediterranean Village, Provence signed oil on board, framed Framed: 16 x 14 inches Board : 10.5 x 9 inches inscribed verso Provenance: private collection, Paris Condition: ver...

Artist: Treadway Russell Nash (English, 1724-1811) Title: "A View of Pershore, from Pensham hill", "A View of Shipston upon Stour", and "Kidderminster" Portfolio: Collections for the History of Worcestershire Year: 1781-1782 (First edition) Medium: Set of Three Original Engravings on watermarked laid paper Limited edition: Unknown Printer: John Nichols, London, UK Publisher: T. Payne and Son, J. Robson, B. White, Leigh and Sotheby, London, UK; Fletcher, Oxford, UK; and Lewis, Worcester, UK Sheet size (each): approx. 10.13" x 16.75" Image size (each): approx. 7" x 11.88" Reference: Upcott III, page 1330 Condition: A few light handling creases. Have been professionally stored away for decades. They are all strong impressions in excellent condition Notes: Provenance: private collection - Aspen, CO. All three works were engraved by English artist Thomas Sanders (Active: Mid-Late 18th Century) after drawings by himself. Comes from Nash's two volume "Collections for the History of Worcestershire", (1781-1782) (First edition), which consists of 75 engravings. Each work is printed from one copper plate in one color: black. There was a (Second edition) "with Additions" bound in with Volume II of this portfolio published by John White in (1799). And both the First and Second editions of "Collections for the History of Worcestershire" are based off Thomas Sanders' 1779-1781 "Perspective Views of the Market Towns within the County of Worcester". All three, "A View of Pershore, from Pensham hill", "A View of Shipston upon Stour", and "Kidderminster" have an unidentified watermark in the center of their sheets resembling "XV". Biography: Treadway Russell Nash (24 June 1724 – 26 January 1811) was an English clergyman, now known as an early historian of Worcestershire and the author of Collections for the History of Worcestershire, an important source document for Worcestershire county histories. He was a fellow of the Society of Antiquaries of London. Treadway Russell Nash was born on 24 June 1724 born at Clerkenleap, in Kempsey, Worcestershire. His family were from Ombersley. They had lands there and at Claines, and had later bought lands in the Reformation around St Peter's, Droitwich. He was related to James Nash and John Nash, both MPs for Worcester. His father Richard, a grandson of Sir Rowland Berkeley, died in 1740, and Richard's eldest son in 1757. As a result, Treadway Russell Nash inherited the Russells' Strensham estates from his brother, as well as the Nash estates, and took both names. He was educated from the age of twelve at King's School, Worcester, and became a scholar at Worcester College, Oxford aged fifteen. In March 1749, he accompanied his brother on a trip to the continent, to aid Richard's health. They visited Paris for about six weeks, before spending the summer "on the banks of the Loire". They then visited "Bourdeaux, Thoulouse, Montpelier, Marseilles, Leghorn, Florence, Rome, Naples, Bologna, Venice, Padua, Verona, Milan, Lyons, and again Paris"; such expeditions are often known as the Grand Tour. On his return in late summer 1751, Nash took up a post as Vicar of Eynsham through his friend and future brother-in-law, John Martin. He also had an income as a tutor at Oxford. He took his Doctor of Divinity degree and left Oxford, having "gone out grand compounder", following the death of his brother. He also left his benefice at Eynsham in 1757. While at Oxford he had proposed a road from there to Witney (now the A40 and B4022), and also stood for Parliament. Nash married Margaret Martin...

Portrait of a Noble Lady French School, early 1700's period oil painting on copper, unframed copper: 5 x 3 inches condition: very good, minor paint fading and deteriation. provenanc...

Abstract Expressionist Composition by Jacques COULAIS (1955-2011) gouache painting on paper/ card unframed: 8.5 x 5.75inches condition: excellent provenance: all the paintings we hav...

The Old French Town by Claude Marin (French 1914-2001) signed and dated 84 oil on artist card stuck on board, unframed board: 7.5 x 9.5 inches Provenance: private collection, Paris, ...

Title: French Impressionist Oil Painting of Tranquil Sailboats Along the Riverside By Fanch Lel (French b. 1930) Size: 8.75 x 10.75 inches (height x width) Signed: Yes Oil painting o...

Artist: Elisabeth Hahn (German 1924-2021), Elisabeth Hahn was born in Dortmund, Germany, where she began her artistic studies. In 1953, she moved to Paris. She continued her studie...

'The Seated Nude', pencil on paper, by French artist, Guillaume Dulac (circa 1920s). An artist known for his exquisite drawings - many are sketches for his larger oil paintings or ot...

Plastic Jesus is a Los Angeles based street artist that specializes in bold stencil and installation work, inspired by world news events, society, the urban environment, culture and ...

"Cloud Composition 3" is a realistic capturing of a golden skyscape, created with oil paint on panel. This piece is framed at 9.5 x 9.5 inches and is ready to hang. Jesse Mangerson ...

Pastel Landscape by Irina Hale (British 1932-2022) pastel on brown artist tracing paper , unframed painting: 3.75 x 4.5 inches provenance: private collection, Cotswolds condition: ve...

Small Oil of Cottages beside a Lake in Mountains on the Antrim Coast in Ireland, by Contemporary Artist, Derek Quann Art measures 10 x 8 inches Frame measures 17.5 x 15.5 inches Th...

The Provencal Landscape French School, mid 20th century oil on board, unframed board: 15 x 18 inches provenance: private collection, France condition: very good and sound condition

Edward Landon 'Astral Comic', color serigraph, 1978, edition 25, Ryan 12. Signed, titled, and annotated 'Edition 25' in pencil. A superb, painterly impression, with fresh colors, on ...

Houses in Torcello, Venice, Colorful Italian Post-Impressionist Landscape Artist: Rafael Durán Benet (1931–2015) Original title: Casas de Torcello, Venecia Date: 1985 Medium: Oil on...

A wonderful study of Grecian vases at the Louvre. English School, early 20th century c1910. Watercolor and ink light wove paper, 9 1/4 x 6 inches (235 x 152 mm), the full sheet. In v...

In my world, colors aren't always reliable. I often struggle to tell where a deep blue ends and a purple begins, or where a red turns into wine, and deep yellows turn into oranges. I...

A wonderful impressionist pastoral landscape with beautiful color tones throughout. Thomas deDecker has portrayed this piece in a most intimate, yet energetic way, and has packed muc...

Nicholas Panesis, 'Negro', 1934, color lithograph, edition 18. Signed, dated, titled, and numbered 8/28 in pencil. Initialed in the stone, lower right. A fine impression, with fresh colors, on buff wove paper, with margins (1 1/8 to 2 3/8 inches). Minor glue staining at the extreme sheet edges verso, where previously taped (not visible recto), otherwise in excellent condition. Matted to museum standards, unframed. Very scarce. Image size 10 5/8 x 8 1/2 inches; (270 x 216 mm); sheet size 14 13/16 x 10 15/16 inches (376 x 278 mm). Created for the California Works Progress Administration, Federal Art Project (WPA). Impressions of this work are held in the public collections of La Salle University Art Museum (Philadelphia), U.S. General Services Administration, and the Weisman Art Museum (University of Minnesota). ABOUT THE ARTIST Nicholas Panesis (1913–1967) was an American painter, printmaker, ceramicist, and illustrator whose lithographs of the 1930s rank among the most compelling examples of California WPA printmaking. Working within the traditions of Social Realism and the American Scene movement, he combined expressive draftsmanship with a modernist sense of design to create images of remarkable graphic power that address themes of labor, race, industry, and everyday American life. Born in Massachusetts in 1913, Panesis studied art at Syracuse University before joining the faculty of Alfred University, where he taught ceramics. In the early 1930s he relocated to California, first settling in San Francisco before moving to Los Angeles. There he worked for several animation studios...

Mid 20th Century sgraffito work on plaster by Jean Pierre de Cayeux. The work is signed and dated on the skirt of the card player, bottom right, and on the stretcher of the chair, bo...

Signed lower right, "M. Mouly" for Marcel Mouly (French, 1918-2008). Inscribed lower left with number and limitation, '120/300'. Previously with: South West Gallery, Southfield, Mich...

Erik Tryggelin (1878–1962) Sweden Cloud Study over Lake Vättern, Vadstena, 7 September 1935 signed and dated lower right E. Tryggelin 7/9 1935 inscribed Vadstena oil on canvas laid...

Medium: original lithograph. Printed in 1966 for the art revue Derriere le Miroir (issue number 160) and published in Paris by Maeght. Size: 15 x 11 inches (378 x 277 mm). Published ...

Artist: Alex Kalenyuk Work: Original oil painting, handmade artwork, one of a kind Medium: Oil on canvas Year: 2020 Style: Impressionism Title: Warm Autumn Size: 8" x 10" x 0.8'' ...

Italian painter Silvia Pavarini is known for her distinctly feminine artworks that resonate with the quiet whispers of nature. Each piece she creates embodies an ongoing dialogue wit...

Medium: collotype (after the painting). Printed in 1926 at the Leon Marotte atelier and published in an edition of 1000 by Editions des Quatre Chemins. Image size: 8 x 5 1/4 inches (...

This is a unique original acrylic painting on canvas in a lively fantasy abstract style by Serg Graff, titled “Funny Octopuses.” The painting bursts with color and movement, depicti...

Stanley William Hayter, 'Green Shade', color etching and scraper, 1963, edition 50, (only 39 printed), B&M 278. Signed, titled, dated, and numbered '1/50' in pencil. A superb, richly-inked, luminous impression, with fresh, vivid colors, on Barcham Green textured cream wove paper; the full sheet with margins (2 3/16 to 3 1/4 inches), in excellent condition. Printed: intaglio black-green, contact lumogen yellow, soft roller phthalo green. Scarce. Image size 15 7/16 x 11 5/8 inches (392 x 295 mm); sheet size 21 1/8 x 16 inches (537 x 406 mm). Matted to museum standards (unframed). Collection: The British Museum ABOUT THE ARTIST Stanley William Hayter (1901-1988) was a British painter and printmaker associated in the 1930s with Surrealism and from 1940 onward with Abstract Expressionism. Regarded as one of the most significant printmakers of the 20th century, Hayter founded the legendary Atelier 17...

Post Impressionist Landscape Spring in the Alps Gouache on Paper by Isac Friedlander Vibrant Alpine landscape by Latvian-American artist Isac Friedlander, known primarily for his et...

After Fernando Botero – CAT, Bronze, Marble Base, Great for Home or Office Edition of 50 This beautifully executed bronze sculpture is an After Fernando Botero work, created in fai...

'Ramunės' London, United Kingdom 2022 Limited edition of 20. Photograph printed on heavyweight fine art paper. Photograph is shipped fast and flat in secure thick cardboard packa...

Encaustic on panel. It's simple; I create art because it makes me happy. I try not to overthink the process of what I’m painting and let my intuition be my guide. I love laying do...

Watercolor on watercolor paper, 9 3/4 x 11 3/4 inches (248 x 299 mm), the full sheet. With charming primo pensiero and unfinished detail in the form of a small child lying in his sto...

New York: Alfred Stieglitz, 1911. Halftone engraving from a gum bichromate print; 8 x 5 5/8 inches (203 x 142 mm), tipped onto a mounting sheet 8 x 11 3/4 in. 2 mm tear on lower rig...

Élie-Jean Vézien (1890-1982). Art Deco Era Women's Tennis Player, ca. 1930. Cast Bronze. Measuring 9.25" h., 11.25" w., 4.5" d. Signed by artist on base with LeBlanc Barbedienne f...

Vintage Floral Still Life - Cup with Cascading Flowers Detailed and moody still life of flowers in a ridged cup by Alan Inger (British b. 1901 d. 1978.) The background is full of de...

Rural English Cottage Scene English School, 19th century oil on canvas, framed Framed: 12 x 16 inches Canvas : 8 x 12 inches Provenance: privat...

Painting on glass realized in the 1980s. Hans signed and framed. Very good condition.

A poised still life rendered in luminous oil, where light glides across a draped table, revealing the tender gleam of porcelain and the play of silken folds. Two white jugs, a cup a...

Green Landscape French artist, indistinctly signed, dated verso 1985 oil painting on canvas, in wooden frame canvas: 10 x 17 inches wooden frame: 9.5 x 16 inches provenance: private ...

In my world, colors aren't always reliable. I often struggle to tell where a deep blue ends and a purple begins, or where a red turns into wine, and deep yellows turn into oranges. I...

Title: Miniature Watercolor of Avon Gorge with Clifton Suspension Bridge and Ship by Jack Grunwell, 20th century British artist Medium: Wate...

Sietse W. Jonker Together in te Light 17 x 27,5 cm (size with custom made frame-included in price- 27 x 38 cm) Oil on wood *Together in Light* is a quiet, contemplative still life ...