Miniature Art

Yayoi Kusama (after) Pumpkin (Yellow & Black and Red & White), 2016 Two cast resin Open edition 10.2 x 7.6 x 7.6cm 4 x 3.15 inches each Published by Benesse Holdings, Inc., Naoshim...

Los Angeles street artist Gary John exploded onto the international art scene first during Art Basel Miami in 2013. John’s playfully bold work quickly gained attention and he was nam...

Shipping on the Grand Canal, Venice signed & dated 1910 oil on canvas, unframed canvas: 13 x 18 inches provenance: private collection, Europe condition: basic good condition though w...

Jack Mitchell mid-20th Century beautiful nude photograph of a dancer in 1974. Highly collectible vintage original silver gelatin print, stamped verso by the photographer "Copyright 1...

Impressionist New York City winter city-scene depicting Times Square in New York City. This piece is done in a most intimate, yet energetic way. Christopher is known for capturing th...

A finely painted picture, possibly of the penitent Mary Magdalene, painted in oil on to a copper plate and dating to c1750. Condition Two old touch ins, tiny chip to the forehead...

Slip is a stone sculpture by contemporary British artist Peter Brooke-Ball (Foundry: Pangolin Editions). This bronze and silver sculpture rests on a Kilkenny limestone plinth. Resemb...

'Blandfordia Flame - Flame-flowered Blandfordia' Botanical lithograph of an Australian native plant with original hand-colouring , 1854, by Walter Hood Fi...

Medium: original etching. This impression on laid paper was printed in London in 1868 for the rare first volume of P. G. Hamerton's "Etching and Etchers". Plate size: 3 1/4 x 4 1/4 i...

Lithograph and stencil on vélin paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Cahiers d'Art N°24, 1949. Published and printed by Éditions des Cahi...

The 1998 Pirelli Calendar was photographed in Miami by Bruce Weber. Shalom Harlow was among the many iconic models photographed. “Bruce Weber is a photographer and filmmaker best kn...

We might share with you the biography of Texas-born Steven Seymour Thomas (1868-1956), but it would take pages. Consider his precocious talent, which catapulted him to fame in New Yo...

Maggy Clarysse (1931-2011) Oil on thick card, unframed, 7 x 9.5 inches Signed Initials ...

Lithograph on vélin paper. Unsigned and unnumbered, as issued. Good condition. Published and printed by Art in America, New York in an edition of CDVII/D. From the folio, The Four Se...

Jack Mitchell mid-20th Century Bold Male Nude from 1971. Highly collectible vintage original gelatin silver print, stamped verso by the photographer "Copyright 1971 JACK MITCHELL 356 East 74, New York City...

Dancing on Ice, New York City, USA 2016 - no. 11787 Black and white fine art cityscape - landscape photography. Ice Skating, Central Park, New York City, USA. Archival pigment ink pr...

Medium: original etching and aquatint. Signed in pencil and numbered 68 of 80. Printed in 1947 on Velin de Hollande paper and published in New York by the Quadrangle Press as a speci...

This early 20th-century portrait of a Polo Pony by the esteemed English artist George Paice is an exquisite representation of equine artistry, showcasing Paice’s remarkable skill in ...

Eiffel Tower Study 12, Paris, France - no. 11988 // Black and White Fine Art Cityscape Photography. Archival pigment ink print, edition of 9. Signed, titled, dated and numbered by a...

5196 American primitive oil painting sheep in field by C.Woll Image size 9.5x7.5"

Coral Rose Title: Window Pane Year: 2018 Medium: Mixed Media Size: 15.25 x 18 x 4.5 inches

Karen Offutt's (US based) "Glimmer" is an original, handmade oil painting that depicts a nude female wearing a translucent robe, posing with her arms above her head. The painting is ...

Medium: original lithograph. Printed in 1979 and published in Barcelona by La Poligrafa in an edition of 1000. Size: 10 x 7 1/2 inches (255 x 188 mm). Not signed.

PINK HOUSE is a hand drawn limited edition lithograph by the American surrealist artist Fanny Brennan, created using traditional hand lithography techniques printed on archival Arche...

'256 Marcella rotunda' Antique French mushroom / fungi chromolithograph. From "Atlas des champignons de France, Suisse et Belgique," an atlas of Fren...

This ceramic vase-like urn with a little golden ball on top is a unique piece handcrafted with care and passion. This beautiful memorial artwork combines aesthetic beauty with deep s...

11 x 14" vintage silver gelatin photograph of Merce Cunningham, Barbara Lloyd and Albert Reid performing 'RainForest' with Andy Warhol's silver clouds in 1...

Title: French Impressionist Coastal Landscape with Clifftop Cottage and Evening Sky By Fanch Lel Size: 10.5 x 13.75 inches (height x width) Oil painting on board, unframed Condition:...

Oil measures 33x41 cm. Frame 50x58 cm. Catalan painter trained in Olot and the Llotja in Barcelona, ​​where he was a disciple of Lluis Muntané. Through his travels he completes his training. He was in Paris for a year studying Van Gogh, Cezanne and Gaugin. The following year in Holland he studied Franz...

Work on wood Golden wooden frame 25 x 31 x 3,5 cm

Medium: etching. Etched by Henri Guerard after Corot. Printed in Paris on laid paper by Eudes and published by the Gazette des Beaux-Arts ca. 1880. Image size: 5 1/2 x 8 inches (140 ...

Que font ces gens is a beautiful modern artwork realized by Salvador Dalì in 1945. China Ink Drawing on paper. Original outstanding drawing realized to illustrate the book "The Labyrinth" by Maurice Sandoz, published in 1945. Signed and dated on the lower right recto. Executed on thick cream wove paper, not laid down and taped to the mount along the upper edge. The upper, right and lower edges are slightly unevenly cut. There are two pinholes towards the upper right and upper left corners. The sheet is time stained and there is a spot of foxing beneath the lower edge of the drawing. There are some remnants from previous mounting at the upper two corners not visible when framed. There are handling marks to the perimeter of the sheet. The ink is strong and well preserved. The artwork is accompanied by authentication of Robert P. Descharnes, Paris 2003, reference archive: D-3461. Prov. Sotheby's Impressionist & Modern Art Sale...

Work on canvas Black wooden frame 37 x 45 x 3 cm

Artist: Richard Anuszkiewicz, American (1930 - ) Title: Sun Keyed Year: 1972 Medium: Screenprint (unsigned) Edition: 3000 Image Size: 12 x 14 inches Size: 14 x 18 in. (35.56 x 45....

Black and white fine art long exposure waterscape - landscape photography. Archival pigment ink print as part of a limited edition of 7. All Gerald Berghammer prints are made to orde...

Nu Provencal, Gordes, 1949 by French photographer Willy Ronis is an Iconic contemporary black and white nude photograph. A gelatin silver print, measuring 12" x 9" (image and sheet ...

Len Klikunas paints minimalist artworks to modify experienced reality through visual perception. The Blocks series is a mix of art and architecture, hovering between painting and scu...

Jules CAVAILLES Tribute to Cezanne : The Bather, 1966 Original lithograph Handsigned in pencil On Rives vellum 37 x 28 cm (c. 15 x 11 inch) Excell...

René Magritte (1898-1967) - Les bijoux indiscrets Lithograph from 1975. Edition 371/575 (Photocopy of the colophone is included). Dimensions of work: 31 x 24 cm. Plate signed. E...

Late 19th Century French Barbizon School oil on wood panel of poplar trees in a landscape by Richard. The painting is signed bottom left. The painting is on a quality chamfered panel. A very charming, almost impressionist, rendition of a line of iconic French trees in a landscape. Before them an earth drive has been ploughed up by the wheels of passing carts and horses. Richard has created a wonderful perspective that draws us in to the painting and he has created a contrast between the strong greens of the trees and fields against the whites and blues of the sky. The painting is reminiscent of the works of Monet from the 1890s. to whom the poplar trees were a continuing inspiration. The Barbizon school of painters was part of an art movement towards Realism in art, which arose in the context of the dominant Romantic Movement of the time. The Barbizon school was active roughly from 1830 through 1870. It takes its name from the village of Barbizon, France, on the edge of the Forest of Fontainebleau, where many of the artists gathered. Most of their works were landscape paintings, but several of them also painted landscapes with farmworkers, and genre scenes of village life. Some of the most prominent features of this school are its tonal qualities, colour, loose brushwork, and softness of form. The leaders of the Barbizon school were: Théodore Rousseau, Charles-François Daubigny, Jules Dupré, Constant Troyon, Charles Jacque, and Narcisse Virgilio Díaz. Jean-François Millet lived in Barbizon from 1849, but his interest in figures with a landscape backdrop sets him rather apart from the others. Jean-Baptiste-Camille Corot was the earliest on the scene, first painting in the forest in 1829, but his work has a poetic and literary quality which sets him somewhat apart. Other artists associated with the school, often pupils of the main group, include: Henri Harpignies, Albert Charpin, François-Louis Français and Émile van Marcke. In 1824 the Salon de Paris exhibited works of John Constable, an English painter. His rural scenes influenced some of the younger artists of the time, moving them to abandon formalism and to draw inspiration directly from nature. Natural scenes became the subjects of their paintings rather than mere backdrops to dramatic events. During the Revolutions of 1848 artists gathered at Barbizon to follow Constable's ideas, making nature the subject of their paintings. The French landscape became a major theme of the Barbizon painters. Millet extended the idea from landscape to figures — peasant figures, scenes of peasant life, and work in the fields. In The Gleaners (1857), for example, Millet portrays three peasant women working at the harvest. Gleaners are poor people who are permitted to gather the remains after the owners of the field complete the main harvest. The owners (portrayed as wealthy) and their laborers are seen in the back of the painting. Millet shifted the focus and the subject matter from the rich and prominent to those at the bottom of the social ladders. To emphasize their anonymity and marginalized position, he hid their faces. The women's bowed bodies represent their everyday hard work. In the spring of 1829, Jean-Baptiste-Camille Corot came to Barbizon to paint in the Forest of Fontainebleau, he had first painted in the forest at Chailly in 1822. He returned to Barbizon in the autumn of 1830 and in the summer of 1831, where he made drawings and oil studies, from which he made a painting intended for the Salon of 1830; "View of the Forest of Fontainebleau'" (now in the National Gallery in Washington) and, for the salon of 1831, another "View of the Forest of Fontainebleau"'. While there he met the members of the Barbizon school: Théodore Rousseau, Paul Huet, Constant Troyon, Jean-François Millet, and the young Charles-François Daubigny. During the late 1860s, the Barbizon painters attracted the attention of a younger generation of French artists studying in Paris. Several of those artists visited Fontainebleau Forest to paint the landscape, including Claude Monet, Pierre-Auguste Renoir, Alfred Sisley and Frédéric Bazille. In the 1870s those artists, among others, developed the art movement called Impressionism and practiced 'plein air' painting. In contrast, the main members of the school made drawings and sketches on the spot, but painted back in their studios. The Post-Impressionist painter Vincent Van Gogh studied and copied several of the Barbizon painters as well, including 21 copies of paintings by Millet. He copied Millet more than any other artist. He also did three paintings in Daubigny's Garden. The Barbizon painters also had a profound impact on landscape painting in the United States. This included the development of the American Barbizon school by William Morris Hunt. Several artists who were also in, or contemporary to, the Hudson River School studied Barbizon paintings for their loose brushwork and emotional impact. A notable example is George Inness, who sought to emulate the works of Rousseau. Paintings from the Barbizon school also influenced landscape painting in California. The artist Percy Gray...

Pocket Lovebirds 9c is an original oil painting by Dani Humberstone as part of her Pocket painting series featuring small scale realistic oil paintings, with a nod to baroque still l...

Pocket Greenish Blackbird's Egg is an original oil painting by Dani Humberstone as part of her Pocket painting series featuring small scale realistic oil paintings, with a nod to bar...

"Golden Gate Park" by Derek Harrison (US based) is an original oil painting that depicts a aspen trees changing colors in autumn. Derek Harrison is a representational painter who wo...

C. Clinton's "Cloud Study" is a fresh, contemporary take on landscape painting that explores subtle variations of color and transparency reflected as abstract forms. This 15 x 16 in...

Pablo Picasso (1881-1973) - Dans l'Atelier de Picasso Lithograph from 1957. The edition 211/275. Dimensions of work: 44.5 x 33.5 cm Publisher: Fernand Mourlot Éditeur, Paris. Re...

This artwork "Mexican Market with Couple" 1976 is an oil painting on canvas by Mexican artist Antonio Vasquez Parra, 1927-1984. It is signed and dated at the lower right corner by th...

Los Angeles artist Amber Goldhammer paints dramatic abstract compositions in acrylic on canvas featuring energetic brushstrokes. Goldhammer uses her contemporary paintings to express...

Storm (At Sea) Oil on board, c. 1908 Signed: L. O. Griffith lower left (see photo) Titled on label verso Image: 6 5/8 x 8 3/4" Frame: 10 x 12 x 1 1/2" Provenance: Estate of the Arti...

“Your name plays…” Your name plays like a prayer in my mind. I hear it coming out of my heart, not with longing, but with hope. You are my hope for this world and I pray your name ag...

Henri MARTIN Divine Comedy : Dante and Beatrice, 1898 Original lithograph (Champenois workshop) Printed signature in the plate On vellum, 40 x 31 cm (c. 16 x 12 in) INFORMATION: Li...

Immerse yourself in the tranquil beauty of "Banks of Solitude," a charming oil painting on board from 1926. Though the artist is unknown, this exquisite piece captures the essence of...

Artist/ School: Norman A.Olley (British, 20th century) dated 1995 and inscribed verso Title - The Afternoon By The Old Mill Medium: gouache/watercolour/ ink/ pencil on thin board, ...

"Southern Beach" Coastal Landscape in Oil on Canvas Oil painting of the a beach landscape by Max Flandorfer (American, b. 1962). A sandy path winds towards the beach through some gr...

Misty Morning at the Lake Study 1, Austria - no. 21191 Black and white fine art long exposure waterscape - landscape photography. Archival pigment ink print as part of a limited edit...

A wonderful composition of one of Slonem's newest series, Tulips. This piece depicts a gestural figure of a Red Tulip on a golden background with thick use of paint. It is housed in ...

Provence signed by Josine Vignon (French 1922-2022) oil painting on artist paper, unframed paper: 9.5 x 13 inches very good condition provenance: the artists estate, France Josine ...

Artist: Slonem, Hunt Title: Remarkable Date: 2025 Medium: Oil on wood Unframed Dimensions: 12" x 10.5" Framed Dimensions: 16" x 14" Signature: Signed by Artist on Verso Editio...