Symbolist Art

A solitary woman stands at the center of a surreal coastal landscape, dressed in a pristine white dress and matching headscarf. Flanked by two vivid pink flamingos, she appears calm ...

Henri MARTIN Divine Comedy : Dante and Beatrice, 1898 Original lithograph (Champenois workshop) Printed signature in the plate On vellum, 40 x 31 cm (c. 16 x 12 in) INFORMATION: Li...

'Kraft und Mut' (Courage and Strength) German wood-engraving, 1903. 320mm by 230mm (image) 280mm by 410mm (sheet)

The Queen by Diogène Ulysse Napoléon Maillart (French, 1840 – 1926) *see notes below oil painting on canvas, framed canvas: 42 x 30 inches framed: 45 x 33 inches condition: overall v...

This painting will come to you stretched on a wooden stretcher and completely ready to be placed in the interior. ABOUT THE ARTWORK "The 'Garden Guardian' serves as the keeper of our...

Rowing Figure in an Eerie Landscape is a 1929 watercolor-and-ink illustration by Swedish artist Einar Norelius. Created for the 22nd issue of Bland tomtar och troll, the cherished an...

Marc Chagall (1887–1985) L'Odyssée, Planche XIX Lithograph in colours, 1974, A unique trial proof printed, notably without the central fold, with variant colouration differing from ...

Maurice Denis, Untitled (Mother and Child), lithograph, 1897, edition not stated. Signed in the stone, lower right. Annotated in linotype 'MAURICE DENIS, ORIGINAL LITHOGRAPHIE PAN III' in the lower left sheet corner. A fine, atmospheric impression, in warm, dark gray ink, on buff wove paper, with full margins (2 1/2 to 1 3/4 inches); a small discoloration in the bottom left sheet corner, otherwise in good condition. Image size 8 5/8 x 6 7/8 inches; sheet size 13 7/8 x 10 5/8 inches. As published in 'Pan', the leading German magazine of the period devoted to art and literature. Matted to museum standards, unframed. Collection: Los Angeles County Museum of Art. Reproduced: German Expressionist Prints...

Per Fischer (1877–1974) Sweden Moonlight Beyond the Kerosene Lamps in the Railway Compartment, 1907 oil on canvas laid on panel painted 1907 unframed: 29.5 × 28 cm (11.6 × 11 in) f...

Olive Harvest in Southern Italy on Cold Coastal Morning Italian Riviera Olive Harvesters are bundled up against the cold and dust on a harvest morning, somewhere on the southern It...

Marc Chagall (1887-1985) - Sketch for L'Âne bleu stamped with the signature 'Marc Chagall' (lower right) pastel and charcoal on paper 18 7⁄8 x 24 in. (48 x 61 cm.) Executed in 1954 ...

Médecine Expérimentale (Experimental medicine), is an original etching, soft ground, on Japanese paper realized by Félicien Rops in 1854, signed in the ...

Marc Chagall (1887-1985) - Notre Dame and the Eiffel Tower Lithograph from 1960. Edition: 4/100 on Arches paper. Dimensions of work: 32 x 24.5 cm. Hand signed. Publisher: André ...

Ex Libris is a woodcut print created by Michel Fingesten in 1937. Hand Signed on the lower right margin. Good conditions. Michel Fingesten (1884 - 1943) was a Czech painter an...

Marc Chagall (1887-1985) - Fables Etching from 1952. Sold Framed. Size in frame: 49.5 x 44 cm Reference: Cramer 22. Dimensions of work: 34.5 x 28.5 cm. Publisher: Tériade, Paris...

"Prometheus" is an original Black and white héliogravure on cream-colored cardboard realized by Choisy Le Conin, pseudonym of Franz Von Bayros (Agram, 1866 – Vienna, 1924). From Map...

“I still look at and learn from the art of the past, and enjoy making interpretations of works which I admire.” Henry Moore Infanta, Floating Balance, Point in Time, and Visionary are monoprints with Chine collé from Suzanne Benton's Paintings in Proust series. This grouping also includes the dry-point etching with Chine collé. Infanta (edition of 10). The monoprints (unique prints) employ the collage technique, chine collé (glued paper). Collé papers are pre-inked and hand-painted. Dimensional printing plates emboss texture onto the prints. The plates are inked individually for each solo print. The images and collé papers are then laid onto the plate and adhere to the printmaking paper as the plate and paper run through the etching press. Other monoprint series have been devoted to Indian and Turkish miniature painting...

Marc Chagall (1887–1985, France) Springtime in the Meadow, from Daphnis and Chloe, 1961 Marc Chagall’s Springtime in the Meadow is a vibrant color lithograph from his celebrated Dap...

Grotesque Expressionist Figural Scene Paris 1946 Symbolist Spanish Oil Painting Artist: Daniel Sabater Salabert Medium: Oil on panel Dimensions: 27 × 35 cm (10.6 × 13.8 in) Signature: Signed lower right Inscription: Paris 1946 (verso) Frame: Unframed Condition: Very good condition. Stable panel and original paint surface with age-appropriate craquelure Origin: Spain / Paris Period: 1946 Striking grotesque expressionist figural composition depicting a group of caricatured characters gathered around an open book filled with coins, executed by Spanish painter Daniel Sabater Salabert and inscribed Paris 1946. The theatrical arrangement suggests a symbolic or moralizing narrative scene, a recurring theme within Sabater’s most personal production associated with psychological satire and fantastical figuration. The exaggerated physiognomies, distorted facial structures and compressed spatial composition reinforce the expressive tension typical of European grotesque painting...

Menashe Kadishman, Sheep head, Symbolist painting, colored painting, Israeli art, Israeli art

Monogrammed "TG", Late 19th Century Symbolist / Pre-Raphaelite Oil Painting A captivating late 19th-century oil painting imbued with imaginative symbolism and strong Pre-Raphaelite ...

Joseph André Mussler (1904-1980) was a Swiss painter known for his works depicting natural landscapes, often focusing on scenes from the Alps, such as mountain valleys and alpine hut...

"Illustrations of the Book of Job" Engraving "The Fire of God is Fallen From Heaven...And the Lord said unto Satan Behold All that he hath is in thy Power" Engraving, third printing...

Beautiful detailed artist designed transfer-printed glazed porcelain service plate. Published and manufactured by Rosenthal Limitierte Kunstre...

Everywhere Eyeballs Are Ablaze is an original lithograph on Chine collé, realized by Odilon Redon in 1888, plate 7 “Les tentations de St.Antoine”(1ère série), unique state, 1st edition printed...

Portrait V paper/etching, 9.8x7.2 cm, 1986

Session VI, paper/etching, 63/75, 11x12 cm, 1988

The Roman Statue by Gabriel Jules-Charles Girodon (French, 1884–1941) *see notes below signed and dated oil painting on canvas, framed framed: 38 x 47 inches canvas: 36 x 44 inches...

Provenance: Ina Colliander, relative of the artist; A private collection, Sweden; Bukowskis, Stockholm, Important Winter Sale, 2025, lot 711. Exhibited: Thielska Gallery, Stockholm,...

Seaside from Intermezzi belongs to a series of prints called Intermezzi realized by Max Klinger, published by Nurnberg: Stroefer, 1881. Etching on paper. Signed on the plate Good ...

Zao Wou-Ki (1921-2013) - À la gloire de l'image et art poétique (To the Glory of the Image and Poetic Art) Lithograph from 1976. Te edition 53/99 on Arches paper. Dimensions of wo...

Menashe Kadishman, Sheep head, Symbolist painting, colored painting, Israeli art, Israeli art

Marc Chagall (1887-1985) - Le bouquet du peintre (The Painter’s Bouquet) Lithograph from 1967. The edition of 74/75 on Arches paper. Dimensions of work: 75.9 x 57.7 cm. Hand sign...

* No US duty or taxes to pay on this item * A beautiful early 1900's French Symbolist oil on board depicting two classical figures and a goat in a wooded landscape. Striking and ex...

Brahms-Phantasie is a wonderful in-folio volume: the Brahm's Phantasies musical score is incredibly illustrated with 37 numbered plates for a total of 41 original engravings (burin, ...

This striking seascape, painted in 1943 by Jacob Löfgren, most likely depicts a view from Sandhamn, a location he frequently captured in his works. Four years earlier, he created ano...

God and the Four Evangelists ("Fool's Concert") - 1943 Linocut on Paper Leopoldo Méndez (Mexico City, Mexico, 1902–1969) "Fool's Concert" (from the portfolio "25 Prints of Leopoldo ...

The Crow is a woodcut print realized by Duilio Cambellotti in 1930s. The artwork has an incisive graphic rendering, typical of woodcut practice, characterized by sharp lines and str...

Francis JOURDAIN Night Dream : the Swanns, 1898 Original lithograph (Champenois workshop) Printed signature in the plate On vellum, 40 x 31 cm (c. 16 x 12 in) INFORMATION: Lithogra...

Albert Nikolaievitch Benois (Saint Petersburg, 1852 – Fontenay-aux-Roses, 1936) Fantastic View from the Windows of My Studio 1907 Watercolour on cardboard 34.7 × 23 cm 48 x 37,5 c...

The artwork measures 22 x 30 inches and is on paper. Signed by the artist in the lower right. Emil Kazaz’s oil paintings are distinguished by their masterful balance between classica...

Oil and pencil on board. Signed "Boleslaw Biegas" Note: We do not ship uninsured. We require shipping through 1stDibs, for its cost effectiveness, full insurance coverage, and relia...

MARC CHAGALL (1887–1985) André Malraux, Et Sur la Terre... A complete artist's book from 1977, printed on BFK Rives wove paper. It includes 15 etchings with aquatint, along with the...

Marc Chagall (1887-1985) - Daphnes and Chloé, Planche XLI Lithograph from 1961. Dimensions of work: 43 x 66 cm. Enhanced with gouache. Examined and identified by a French gallery ...

"The Stair in the Tower" - original large art by Paula Craioveanu Original, large, unique painting, oil on canvas, 31.5x23.6in / 80x60cm. Shipped rolled in a tube. Check 1stDibs code FREESHIP This painting, a study of an elaborate spiral staircase, demonstrates the artist’s skill in merging architectural elegance with a dynamic sense of movement and mystery. The subject itself—a wrought iron spiral staircase—becomes more than a functional object; it transforms into a metaphor for transcendence, curiosity, and the infinite. The staircase is richly ornate, with swirling ironwork patterns and intricate details that capture the eye. The artist emphasizes the craftsmanship, elevating the staircase into a work of art itself. The ornamental designs echo Baroque or Rococo influences, known for their flamboyance and decorative excess. The spiral is inherently dynamic, drawing the viewer’s gaze upward in a continuous loop. This quality imbues the staircase with motion and energy, almost as if it is alive, spiraling into another dimension. The artist employs a dramatic perspective, positioning the viewer at the base of the staircase, looking upward. This composition evokes a sense of aspiration or awe, as if the staircase ascends to an unknown destination. The light filtering through the structure accentuates the curvature and creates a contrast between the solid metal of the staircase and the soft, ephemeral glow of the environment. This interplay of light and shadow enhances the mood, making the staircase seem both tangible and ethereal. The cool metallic grays and silvers of the staircase reflect its materiality, suggesting durability and permanence. At the same time, the reflective surfaces give it a shimmering, almost celestial quality. The background is suffused with warm, earthy tones—yellows, browns, and muted greens—that contrast with the cold metal of the staircase. This contrast creates a sense of tension between the man-made structure and the organic or natural environment surrounding it. Symbolism. Spiral staircases are often symbolic of a journey, both physical and spiritual. They represent the process of ascent, growth, and transformation. This staircase seems to lead into a vortex of light, suggesting a path to enlightenment or transcendence. The spiral is a recurring motif in art and nature, often representing infinity, cycles, and continuity. The staircase's design hints at a journey without end, encouraging reflection on the passage of time and the eternal nature of life. The destination of the staircase is deliberately obscured, leaving the viewer to wonder where it leads. This creates a sense of mystery, drawing the viewer into an imaginative exploration of the unknown. The swirling patterns in the ironwork mirror the overall spiral shape of the staircase, creating a sense of harmony and cohesion. These designs also add a decorative richness to the piece, tying it to the tradition of Romanticism or Gothic Revival, where even utilitarian objects were imbued with beauty and meaning. The background is loosely rendered, with soft, swirling brushstrokes that echo the spiral of the staircase. This abstraction contrasts with the detailed depiction of the staircase, making the environment feel less defined and more dreamlike. The staircase appears to float in a liminal space, further emphasizing its symbolic and otherworldly qualities. The viewer’s vantage point and the sheer scale of the staircase evoke a feeling of awe. It could symbolize humanity’s ambitions to reach higher realms—intellectually, spiritually, or artistically. The absence of people in the painting draws attention to the object itself, suggesting introspection or solitude. The staircase might represent a solitary journey, one that each individual must take alone. The intricate design and upward motion of the staircase, combined with the lack of a specific time or place, imbue the piece with a sense of timelessness. It could exist in any era, representing universal human themes. In comparison to the artist’s other works, this painting shifts focus from mythological and figurative themes to an architectural subject. Yet, it retains the artist’s characteristic use of ornamentation, bold perspectives, and symbolic depth. Like the Minotaur or Zeus paintings...

Etching and aquatint realized in 1880, belonging to the Series "Amor und Psyche", Opus V. Ref. Singer 67, IV. Excellent condition.

Artist/ School: Josnye Gallet (French signed and dated 1972) Title: Surrealist floating figures in a space like atmosphere. Medium: signed verso, oil painting on canvas, unframed....

Karl Johan Holter (Norway, 1870–1960) Young Man with Beret, 1896 chalk and white heightening on paper, paper mounted on board approx. 58 × 39 cm (unframed) / 22.8 × 15.4 in signed ...

Ex Libris Mantero Sempre Sitis is an original etching realized by Michel Fingesten in 1930s.  It includes a white cardboard passpartout.  Limited Edition of 50..  Hand signed and ...

Original Ex Libris, includes passpartout. Woodcut print on paper. Not signed. 

Marc Chagall (1887-1985) - Le village bleu Lithograph from 1973. The edition of 24/50 on Japanese paper with full margin. Dimensions of work: 56.4 x 43.4 cm. Hand signed. Publis...

André Eugène Costilhes (1865-1940) Portrait of a Lady bears the stamp of the studio of André Eugène Costilhes in the lower right-hand corner pencil red chalk and heightenings of whi...

Original Ex Libris, includes passpartout. Woodcut print. Hand signed. 

Ex libris Mantero is an etching realized by Michel Fingesten in 1930s.  It includes a white cardboard passpartout.  Edition 23/50. Hand signed in the lower right part.  Excellent...

Ex libris Mantero is an original etching realized by Michel Fingesten in 1930s.  It includes a white cardboard passpartout.  Hand signed in the lower right part.  Excellent condit...

Firmado en la parte inferior por el autor Estado de conservación aceptable Se presenta enmarcada la obra Medidas de la obra: 50 x 65 cm. Medidas del marco: 59 x 73 cm. :::::::::...

Original Ex Libris, includes passpartout. Etching on paper. Hand signed. 

Follower of Edgard Maxence. French ( b.1871 - d.1954 ). Meditation, Circa 1910. Oil On Canvas. Image size 34.4 inches x 22.2 inches ( 87.5cm x 56.5cm ). Frame size 44.1 inches x 31.9...

Brussels: J. Bouwens, 1867. Etching with aquatint and engraving on laid Japan paper, 9 3/4 x 6 1/2 inches (247 x 163 mm), full margins. Fifth state (of 5). Scattered moderate foxing....

Cast in bronze with refined cold enamel accents and set on a solid basalt stone base, Magnate is a witty and elegant sculpture that blends satire with classic craftsmanship. The pie...