Art by Medium: Ballpoint Pen

Artist: Claude Lagouche (French 1943-2020) Claude Lagouche was born January 2, 1943 in Naves, died January 16, 2020. He quickly gained recognition for his talent and his work, exh...

"Spring of Hope," encapsulates the essence of the artwork. Just as spring represents a season of rejuvenation and new beginnings, the woman in this piece embodies the idea of hope blooming anew. The flowing scarf, with its gentle and fluid movement, conjures images of a gentle breeze, carrying with it the promise of better days ahead. Oyindamola's use of color in "Spring of Hope" is both intentional and evocative. She employs soft, pastel hues that evoke a sense of serenity and optimism. The woman's visage radiates tranquility, and her eyes suggest a moment of introspection and inner peace. It's as if she is embracing the beauty of the present while eagerly anticipating the opportunities that the future may hold. The central figure in "Spring of Hope" is rendered with remarkable attention to detail. Oyindamola captures the elegance and grace of the woman, who exudes a sense of poise and strength. Her closed eyes convey a sense of trust and surrender, suggesting a willingness to embrace the unknown with open arms. Symbolism plays a crucial role in this artwork. The scarf, flowing around the woman's neck, is a powerful symbol of continuity and resilience. It represents the idea that no matter the challenges faced, there is always a thread of hope that connects us to a brighter future. The scarf's circular form also signifies the cyclical nature of life, where endings inevitably give way to new beginnings. "Spring of Hope" is a painting that resonates deeply with viewers, inviting them to reflect on the ever-present possibility of renewal in their own lives. The closed eyes of the woman encourage introspection and a sense of connection with the universal human experience of longing for better days. Oyewumi Oyindamola...

Harvested Sheaves Josine Vignon (French 1922-2022) signed black biro drawing...

French Olive Tree Landscape Josine Vignon (French 1922-2022) ...

In "Backyard," the central figure—a woman—commands attention against a backdrop of natural beauty. She stands in her own space, seemingly lost in thought, creating an atmosphere of both stillness and introspection. Adetayo's portrayal of this woman invites viewers to consider the emotions and thoughts that might be coursing through her mind. Is she reflecting on memories? Contemplating her place in the world? The interpretation becomes a personal journey for each observer. The landscape that envelops the woman is not just a passive backdrop but a powerful metaphor. Just as the external world shapes our internal experiences, the landscape symbolizes the myriad influences that contribute to one's sense of self. The woman's connection to the environment around her mirrors the intricate relationship between identity and surroundings. The notion of a "backyard" often evokes a sense of familiarity and intimacy. It is a space that is uniquely personal, and this artwork invites us to ponder what this personal space means for the woman depicted. In much the same way, we are all shaped by our own "backyards"—our histories, cultures, and experiences that come together to form our individual identities. The tranquility of the artwork encourages viewers to embrace the beauty of stillness and contemplation. In a world that often moves at breakneck speed, "Backyard" reminds us of the value of taking a moment to disconnect, reflect, and connect with our own thoughts and emotions. The woman's posture, relaxed and poised, suggests that she is attuned to this moment of quiet introspection. Adetayo's choice to depict a woman adds an additional layer of significance. Historically, women have been portrayed as subjects of scrutiny and objectification, often with their thoughts and emotions overlooked. "Backyard" challenges this norm by presenting a woman as the focal point of a scene that radiates depth and complexity. While "Backyard" is a singular artwork with a specific subject, its themes resonate universally. Regardless of gender or background, the artwork invites viewers to reflect on their own personal landscapes, the spaces they occupy, and the introspective moments that shape their lives. Adetayo's ability to capture such universal themes while maintaining a unique and personal touch is a testament to the power of art to bridge gaps and foster connections across diverse audiences. Adeniyi Joshua Adetayo...

"My Lady" is a testament to the artist's admiration for the beauty that women possess in their unique forms. Oyindamola skillfully captures the essence of femininity through the lady's enchanting smile, which radiates joy and confidence. This portrayal challenges society's narrow definitions of beauty, reminding us that every woman, regardless of societal standards, possesses an innate beauty that should be recognized and celebrated. Through "My Lady," Oyindamola emphasizes the crucial need to respect and appreciate all women. The artwork stands as a visual proclamation, demanding that society view women not as objects to be scrutinized or judged but as individuals deserving of dignity and admiration. By depicting the lady with a smile on her face, the artist reminds us that every woman deserves to be seen and treated with respect, acknowledging her inherent worth beyond physical appearances. In "My Lady," Oyindamola captures a sense of empowerment and self-love that every woman should embrace. The lady's radiant smile symbolizes her self-assuredness and acceptance of her own beauty. By presenting this image, the artist encourages women to recognize their own worth and appreciate their individuality. The artwork serves as a reminder that self-love is the foundation for demanding respect and appreciation from others. "My Lady" challenges the stereotypes and societal norms that often diminish the value and potential of women. Oyindamola's artwork sparks a dialogue about gender equality, urging viewers to reflect on the importance of dismantling the barriers that prevent women from fully expressing themselves and realizing their dreams. By portraying the lady as a strong and confident figure, the artist invites us to redefine our perceptions of women and advocate for their empowerment. Through "My Lady," Oyindamola underscores the importance of unity and inclusivity in championing the rights and recognition of all women. The artwork emphasizes that beauty comes in diverse forms and that every woman, regardless of race, age, or background, should be valued and respected. The lady's smile and the necklace she wears become symbols of unity, reminding us of the strength and beauty that arise from embracing diversity. Oyewumi...

French Landscape signed by Bernard Labbe (French mid 20th century) original biro pen drawing on artist paper size: 20 x 25.5 inches condition: very good and ready to be enjoyed prov...

Andy Warhol (1928-1987) Japanese Woman (circa 1956) Blue ballpoint pen on paper Size: 13.625 x 10.875 in (34.6 x 27.6 cm) Frame size: 17.375 x 14.625 in (44.1 x 37.1 cm) Authentica...

Juan Lazaro Player 2013 46 x 32 in Acrylic painting; Ballpoint pen Born in Manuel, Cuba in 1973, Juan Lazaro Gutierrez Mamblas is a painter who focuses his vision on the bicycle. H...

French Landscape by Bernard Labbe (French mid 20th century) original biro on artist paper, unframed stamped verso size: 8.25 x 11.75 inches condition: very good and ready to be enjoy...

A. E. Halliwell (1905-1987) Pansies Gouache 30 x 47 cm c.1930 Label to reverse 'Baynard Press', Signed lower right, further signed in pencil and dated 1929. Provenance: Family of the...

Foundational Studies 25(C) The Composition A refined entry point into the studio’s practice, Foundational Studies 25(C) is a deliberate exploration of form and verse. Executed on ha...

This beautiful diptych by Eran Shmueli will bring color to any room it will be placed in. These are 2 hand made pieces that comes rolled in a tube but can also shipped framed with a...

ARTIST— Juan Carlos Vazquez Lima Juan Carlos was born in Havana Cuba June 30th 1986. He Studied at Eduardo Garcia Delgado School of Art. He currently lives and works in Havana. PAI...

Aceder is a contemporary abstract acrylic painting by Cuban artist Juan Lazaro. The name of the piece, “Aceder” means “Dude” in Spanish Slang; if you look ...

Jules Disso 1995 - Current Meeting in the Forest, 2024 Pen and acrylic on canvas 110 x 100 cm 43 1/4 x 39 3/8 in

A. E. Halliwell (1905-1987) Buy From Our Own Empire the Best Market (in blue) Gouache 19 x 76 cm c.1930 Design for Empire Marketing Board Provenance: Family of the artist A.E. Hall...

A. E. Halliwell (1905-1987) Presents for George, Mary & Gladys Gouache and collage 46 x 33 cm c.1930 Provenance: Family of the artist A.E. Halliwell (1905–1986) was a British artist...

A. E. Halliwell (1905-1987) Running Race Airbrush and pen 13 x 13 cm c.1930 Signed to the bottom right Provenance: Family of the artist A.E. Halliwell (1905–1986) was a British art...

Untitled (Man at Desk) Pen and ink on paper, 2012 Signed lower right Series: Portraits of Community: Hidden in Plain Sight, 2012 References And Exhibitions: Illustrated: Swarthmore College video for their exhibition "Hidden in Plain Sight," Jan 24- Feb 24, 2013. Born in Fort Worth in 1975, Huckaby has been creating some form of art since his childhood. In 1995, he began his formal art studies at Texas Wesleyan University in Fort Worth. After a brief stay he transferred to Boston University, where he received a BFA degree. He then earned a MFA degree from Yale University in New Haven, Connecticut. Huckaby is known for his powerful use of color and his exploration of cultural roles and the heritage of the African American family. His work has evolved from portraiture to objects and interiors that venerate his personal family legacy rooted in Fort Worth, Texas. Portraying these familiar subjects on a large scale and pushing his use of materials, Huckaby defines the significance of family and tradition while touching on the subject of ethnographic stereotypes in our culture. For the past few years he has concentrated his efforts on a series of quilt paintings. One of the series he created is a tribute to both of his Grandmothers and a celebration of the African American quilting tradition. He used the actual quilts sewn by family members as models for his paintings. These quilts document significant events in his family history. According to Huckaby, the paintings represent an artistic family legacy. The colorful, rhythmic abstracted patterns come together like the musical notes in African American musician John Coltrane's famous jazz composition, A Love Supreme, from which the painting series acquired its name. He has earned national acclaim for his work over the past several years. Huckaby has received the 2001 Louis Comfort Tiffany Award and the 2004 Joan Mitchell Foundation Painters and Sculptors Grant Program Award. More recently, he was the 2008 recipient of the prestigious Guggenheim Fellowship Award, which allowed him to travel the country and paint African-American quilts from private and public collections. Past Guggenheim Fellowship Award winners include Ansel Adams, Langston Hughes, Henry Kissinger, and Isamu Noguchi. He has exhibited at the Resource Center of African American Art in Atlanta, the Danforth Museum in Framingham, and the Studio Museum in Harlem. His work, including a painting titled Study for Little D and the Dollar, in the collection of the Whitney Museum of American Art in New York, can be found in important collections throughout the United States, including the Whitney Museum of American Art, the Museum of Fine Arts Boston, the Art Institute of Chicago, and the Minneapolis Museum of Art. Currently, Huckaby’s 18-by-14-foot oil painting Hidden in Plain Site (2011) is on view in the Amon Carter Museum’s atrium through October. Public Collections: Wichita Falls Museum of Art at Midwestern State University, American Dad African American Museum, Dallas, Texas, Grandmother’s Quilt The Amon Carter Museum of American Art, Fort Worth, Texas, The 99% - Highland Hills The Art Institute of Chicago, Chicago, Illinois, "Girl World" Study for Sustenance Installation Ball State University Museum of Art, Muncie, Indiana, "The Truth about Hip Hop" Study for Sustenance Installation Blanton Museum of Art, Austin, Texas Brandywine Workshop, Philadelphia, Pennsylvania, The 99% - Highland Hills City of Fort Worth, Fort Worth, TX, The Welcome Space Dallas/Fort Worth International Airport, Corporate Aviation, Texas, A Place Between Dallas/Fort Worth International Airport, Hyatt Regency Hotel, Texas, William Madison (Gooseneck Bill) McDonald Fort Worth Central Library, Fort Worth, Texas, Hazel Harvey Peace Portrait Grace Museum, Abilene, Texas, Cobby Harvard Art Museum, Cambridge, MA, Selection from The 99% Holdworth Center, Austin, TX, Selection from The 99% Jesuit Dallas Museum, Dallas, Texas, “Gone But Not Forgotten: Sha” Kansas African American Museum, Wichita, Kansas, Self Portrait (2) McNay Art Museum, San Antonio, Texas, Untitled (Anthony) Minneapolis Institute of Art, Minneapolis, Minnesota (Untitled) Museum of Fine Arts, Boston, Massachusetts, Enocio Museum of Texas Tech University, Lubbock, Texas, Big Momma...

This beautiful diptych by Eran Shmueli will bring color to any room it will be placed in. These are 2 hand made pieces that comes rolled in a tube but can also shipped framed with a...

This beautiful triptych by Eran Shmueli will bring color to any room it will be placed in. These are 3 hand made pieces that comes rolled in a tube but can also shipped framed with ...

Collectors’ Note: FS No. 23(C) ​FS No. 23(C) is the emotional and figurative resolution of Studio Archive No. 86. Where the previous studies established the linguistic soul and the ...

Sir Albert Richardson PRA View of Durham Cathedral from Palace Green Watercolour with pen and gouache 21 x 25 cm A unique multimedia composition depicting the magnificent Durham C...

A. E. Halliwell (1905-1987) Buy From Our Own Empire the Best Market (in black) Gouache 19 x 76 cm c.1930 Design for Empire Marketing Board Provenance: From the family of the artist ...

A. E. Halliwell (1905-1987) Hats Airbrush and pen 50 x 32 cm c.1930 Stamped signature Provenance: Family of the artist A.E. Halliwell (1905–1986) was a British artist, illustrator...

Farhad Nikfam (b. 1987) is an Iranian painter raised at the crossroads of post-soviet, south Caucasian and Persian cultures yet influenced by a romanticized image of western world of...

To see our other original vintage public information posters, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you ca...

Status: ON HOLD Collection: Studio Archive No. 87 Official Release: April 2026 ​This foundational work, FS No. 24(A), is currently reserved and held in the atelier vault. To maintai...

Sir Albert Richardson PRA Panoramic view across Durham Monochrome Wash 22 x 33 cm A unique monochrome wash composition depicting a panoramic view across the Durham skyline. Richard...

Indra Dugar - Untitled - 10.5 x 8 inches (unframed size) 16 x 18.5 inches ( framed size ) This is a two sided work, Recto & Verso. Ink on paper. Inclusive of shipment in framed fo...

Indra Dugar - Baranasi & Tulsi Ghat - 10.5 x 8 inches (unframed size) Ink on paper Inclusive of shipment in roll form. Baranasi Ghat : Exemplary rare drawings by Shri Indra Dugar fr...

Stamped, verso, with estate stamp for Victor Di Gesu (American, 1914-1988) and created circa 1950. Winner of the Prix Othon Friesz, Victor di Gesu first attended the Los Angeles Art...

This beautiful triptych by Eran Shmueli will bring color to any room it will be placed in. These are 3 hand made pieces that comes rolled in a tube but can also shipped framed with ...

Indra Dugar - Untitled - 10.5 x 8 inches (unframed size) 16 x 18.5 inches ( framed size ) This is a two sided work, Recto & Verso. Ink on paper. Inclusive of shipment in framed fo...

Indra Dugar - Untitled - 10.5 x 8 inches (unframed size) 16 x 18.5 inches ( framed size ) This is a two sided work, Recto & Verso. Ink on paper. Inclusive of shipment in framed fo...

Indra Dugar - Untitled - 10.5 x 8 inches (unframed size) 16 x 18.5 inches ( framed size ) This is a two sided work, Recto & Verso. Ink on paper. Inclusive of shipment in framed fo...

This beautiful triptych by Eran Shmueli will bring color to any room it will be placed in. These are 3 hand made pieces that comes rolled in a tube but can also shipped framed with ...

Archive Status: FS No. 24(B) ​If FS No. 24(A) was the manifesto of arrival, FS No. 24(B) is the execution of a "silent symmetry." This study documents the transition from linguistic...

Jules Disso 1995 - Current Claire, 2022 Pen and acrylic on canvas 130 x 110 cm 51 1/8 x 43 1/4 in

Untitled, 2014 (Id. 383) (Abstract Drawing) Ballpoint pen and inkjet on paper. Unframed. Caldicott has always had a habit of working serially; his works on paper are rapidly produc...

Ballpoint pen and inkjet on paper. Unframed. Caldicott has always had a habit of working serially; his works on paper are rapidly produced and large in quantity. His drawings have a...

Ballpoint pen and inkjet on paper - Unframed Caldicott has always had a habit of working serially; his works on paper are rapidly produced and large in quantity. His drawings have a...

Tamuna Sirbiladze Pickled Ass (from Map 3), 2006 Signed, titled and dated 'Pickeled ass 2006 T. Sirbiladze' (on the reverse) Oil and ball-point pen on canvas 200.0 x 200.0 cm Sirbil...

Author's technique When creating a picture, I am guided by emotions and energy. Harmony born by chaos of color stains, lines and splashes. I only make original works. Each is a one o...

"Is it Ever..." Surrealist Painting (FRAMED) 40" x 26" inch by Booboo Stewart TITLE: Is it Ever What You Thought it Was Booboo Stewart, born in Los Angeles, is a prolific artist kn...

At the Cafe is a Pen Drawing realized by Mino Maccari (1924-1989) in 1940s. Hand-signed on the lower margin. Good condition on a little paper, another sketch on the back. Mino Ma...

Lovers in the Bed is a Pen Drawing realized by Mino Maccari (1924-1989) in 1960s. Hand-signed on the lower margin. Good condition. Mino Maccari (Siena, 1924-Rome, June 16, 1989) ...

Tenderness is a pen and watercolor Drawing realized by Mino Maccari (1924-1989) in 1960s. Hand-signed on the lower margin. Good condition. Mino Maccari (Siena, 1924-Rome, June 16...

Portrait of De Chirico is a Pen Drawing realized by Mino Maccari (1924-1989) in 1955. Hand-signed on the lower margin. Good condition on a little paper. Mino Maccari (Siena, 1924...

Portrait is a Pen Drawing realized by Mino Maccari (1924-1989) in 1928. Hand-signed on the lower margin. Good condition on a little paper. Mino Maccari (Siena, 1924-Rome, June 16...

Figures is a Pen Drawing realized by Mino Maccari (1924-1989) in the 1970s. Hand-signed on the lower margin. Good condition. Mino Maccari (Siena, 1924-Rome, June 16, 1989) was an...

Woman in The Landscape is a Pen Drawing realized by Mino Maccari (1924-1989) in the 1960s. Hand-signed on the lower margin. Good condition. Mino Maccari (Siena, 1924-Rome, June 1...

Snobby is a Pen Drawing realized by Mino Maccari (1924-1989) in the 1960s. Hand-signed on the lower margin. Good condition. Mino Maccari (Siena, 1924-Rome, June 16, 1989) was an ...

The Rage is a Pen Drawing realized by Mino Maccari (1924-1989) in the 1960s. Hand-signed on the lower margin. Good condition. Mino Maccari (Siena, 1924-Rome, June 16, 1989) was a...

The Broken Heart is an Original Drawing in pen on creamy-colored paper realized by Mino Maccari in the mid-20th century on a telegram paper. Good conditions. Mino Maccari (1898-198...

The Profile is an Original Drawing in pen on creamy-colored paper realized by Mino Maccari in the mid-20th century. Hand-signed by the artist on the lower. Good conditions. Mino M...

The Profile is an Original Drawing in pen on paper realized by Mino Maccari in the mid-20th century. Hand-signed by the artist on the lower. Good conditions. Mino Maccari (1898-1...

The Portraits is an Original Drawing on creamy-colored paper realized by Mino Maccari in the mid-20th century. Hand-signed by the artist with pencil. Good conditions. Mino Maccari...

The Standing Man is an Original pen Drawing on creamy-colored paper realized by Mino Maccari in the mid-20th century. Hand-signed by the artist with pencil. Good conditions. Mino ...