Art by Medium: Bronze

Even though Helle Rask Crawford often refers to classic myths in her sculptures, sh is not a classical sculptor in the neoclassical sense. Rather, Helle Crawford could be defined as ...

Weegschaal Libra Zodiac Bronze Sculpture Contemporary Theo Mackaay (1950) Mackaay works with recognizable shape:: women, men and animals, with a pointer...

Zittend Model I Sitting Model Bronze Sculpture Female Nude Mickey Mouse Ears The statues of Erwin Meijer are subtle with a recognizable, p...

*New Year Inventory Renewal Sale - 90 Days Until April 30th* *This Price Won't Be Repeated Again This Year* ***Looking for one of kind precious high ending art piece that no one else will have? This is one of them!*** Absolutely and positively ONE OF A KIND skull creation encrusted with genuine Swarovski and Czech crystals. The ultimate homage to Evita Peron...

Lapin couché, circa 1919-1925 Fondry Susse, Ed. 10 pcs Bronze with a brown patina H. 6 cm Sandoz : Sculpteur Figuriste et Animalier 1881-1971, Catalogue Raisonné de l'Oeuvre Sculpté...

Dancer “Elevation” is a bronze sculpture by contemporary artist Yann Guillon, dimensions are 37 × 22 × 15 cm (14.6 × 8.7 × 5.9 in). Height of the sculpture with the metal base: 51 cm...

Neil Wood is a professional sculptor and fine artist with many years' experience lecturing in fine art and sculpture at institutions in the UK. He has worked in various settings; in ...

Allan Houser (Haozous), Chiricahua Apache 1914-1994 recipient of the National Medal of Arts in 1992. Allan Houser's father Sam, was part of the small band of Apaches who traveled wit...

Chana Orloff (1888–1968) Seated Woman, 1958 Bronze, Height: 55 cm Signed, dated, and numbered 3/8 Stamped with foundry mark Susse Fondeur, Paris A masterful example of Chana Orloff’...

FRANZ BERGMANN Austrian, (1838-1894) The Music Lesson Austrian Cold-Painted Bronze Figures of a boy learning to play the Mandolin. 16 inches high

Pegasus II, is a bronze sculpture of a horse with wings, from Greek mythology, with beautiful light green patina. Pegasus II Horse Bronze Sculpture G...

FRANZ BERGMANN Austrian, (1838-1894) an Arab Riding a Camel Austrian Cold-Painted Bronze Figures of a an Arab riding a camel. On marble base, signed "Nam Greb”. 10 1/2 inches high

"Penché Monet, Atelier" is a graceful exploration of classical ballet, capturing a dancer in the challenging penché pose—a movement that demands both strength and elegance. Richard M...

For sale: A captivating terracotta sculpture from the esteemed Swedish artist Evert Lindfors (1927-2016), crafted in the 1970s. A connoisseur of fine arts, Lindfors honed his craft at the prestigious École des Beaux-Arts in Paris during the 1940s. Best known for his vibrant paintings, he established his studio in the picturesque Provence region of Lacoste, France, in the mid-1950s. In a daring pivot late in the 1960s, Lindfors embraced the medium of terracotta sculpture. His path crossed with Torsten...

A large-scale bronze high relief with a depiction of a young undressed woman and two old men. The scene takes place in an architectural setting inspired by antiquity, with a suggeste...

The sculpture "Symphony" is a graceful combination of abstract lines and flowing forms, symbolizing harmony, rhythm and unity. The work is made of a contrasting combination of black ...

bronze with dark brown patina 72 x 69 cm (28⅜ x 27⅛ in.) signed 'L. MIGNON'; with an indistinct foundry inscription PROVENANCE: Private collection, London

Blue Marsh I is a unique painting by French contemporary artist Frédérique Domergue. This painting is made with oxidized zinc and bronze leaves on aluminium panel, patina fixed with ...

Waterman Aquarius Zodiac Bronze Sculpture Contemporary Animals Water Man Theo Mackaay (1950) Mackaay works with recognizable shape:: women, men and animals...

Bronze sculpture of a horse carrying a gentleman with hat. Limited Edition of 8

Anakio is a bronze sculpture by contemporary artist Jacques Owczarek, dimensions are 27 × 25.5 × 18.5 cm (10.6 × 10 × 7.3 in). The sculpture is signed and numbered, it is part of a ...

PROVENANCE Herbert A. Cahn (1915-2002), Kunst der Antike, Basel, 1988 Private Collection, Paris

Volodymyr Mykytenko - flower Fairy (2009) flower Fairy-Flower fairies are graceful creatures that wield the magic of nature to promote the growth of flowers. Fairies live in the for...

Warrior is a bronze sculpture by French contemporary artist Martine Demal, dimensions are 132 × 31 × 18 cm (52 × 12.2 × 7.1 in). The sculpture is signed and numbered, it is part of ...

Amici is an elegant figurative bronze sculpture by Nando Kallweit. Modelled on modern youthful postures but with a nod to the importance of heritage through the stylised Egyptian-in...

Numbered 1/8 Cast Fonderie Rocher A fine cast with a vivid green patina of a bird of prey

Artist: Kuno Vollet Title: Schwerelos 5 Materials: Bronze sculpture with a dark patina on black granite base Size: 65cm height of upper sculpture, base: 18 x 18 cm x 8 cm Ed of 15

The Earth is round is a unique painting by French contemporary artist Frédérique Domergue. This painting is made with oxidized zinc and bronze leaves on aluminium panel, patina fixed...

Artist: Kuno Vollet Title: Infinitum Materials: Polished Bronze sculpture with a gold patina Size: 45cm x 25 cm x 25 cm About the Gallery: Folly and Muse was established in 20...

William Zorach (American 1891-1966) First Steps, 1918 Bronze 8.5 x 5 x 4 inches, including base Born in 1887 in Lithuania, William Zorach immigrated with his family to the United States when he was just four years old, settling in Cleveland, Ohio. Zorach displayed an exceptional artistic talent at a young age and, at the recommendation of his seventh-grade teacher, began studying lithography at night at the Cleveland School of Art. It was not long before he was apprenticing at a lithography company in Cleveland. It was there that he realized he wanted to become an artist - to escape the commercial end of the field in which he was suddenly immersed. In 1907, Zorach saved enough money to move to New York and study art at the National Academy of Design, where he received several awards for his paintings and drawings. He continued his studies in Paris in 1910 at La Palette. This year abroad would turn out to be quite fruitful because in Paris he was greatly influenced by the Cubist and Fauvist movements and had several paintings exhibited at the Salon d'Automme. This influence and subsequent success fueled his career back in the states where he was honored with his first one-man exhibition. Due to this new-found stability, he married a young woman he met at school in Paris, and they moved to New York and set up a studio. Shortly after, their work was accepted into the famous 1913 Armory Show. For the next nine years, Zorach continued to think of himself as a painter, although he had already begun to experiment in sculpting. He was experiencing modest success with his painting and was therefore reluctant to abandon it completely. However, he was impelled toward sculpting, and in 1922, he painted his last oil. Zorach's involvement with sculpture began largely be accident. While he was working on a series of wood-block prints, Zorach suddenly became more interested in the butternut panel than the print and turned the panel into a carved relief. With no formal training as a sculptor, Zorach's first sculptures were of wood and his carving tools were primitive, such as a jack-knife. I n fact, his early works have a certain stylized look, suggesting the influence of various primitive arts such as African and American folk. Zorach found his sculptural direction by instinct, but was not unaware of what other sculptors were doing, both here and abroad. He soon allied himself with a growing number of modern sculptors who believed in the esthetic necessity of carving their own designs directly in the block of stone or wood rather than modeling them in clay. From the beginning he found a deep satisfaction in the slow and patient process of freeing the image from its imprisoning block, watching the forms emerge and appear. "The actual resistance of tough material is a wonderful guide," Zorach said in a lecture on direct sculpture in 1930. The sculptor "cannot make changes easily, there is no putting back tomorrow what was cut away today. His senses are constantly alert. If something goes wrong there is the struggle to right the rhythm. And slowly the vision grows as the work progresses." Zorach also found that the material itself had a constantly modifying effect on the artist's vision. The grain of the wood, the markings in the stone, the shape of the log or boulder all set limits and suggested possibilities. He was always sensitive to the characteristic qualities of his material and occasionally let them play a major role in determining his forms. In works such as these, the feel of the original material is preserved in the finished piece and is often heightened by leaving parts of the original surface untouched and other areas roughly marked by the sculptors tools...

Bear Cub is a bronze sculpture by contemporary artist Eric Valat, dimensions are 9.5 × 11 × 6.5 cm (3.7 × 4.3 × 2.6 in). The sculpture is signed and numbered, it is part of a limite...

"I create this sculpture at the very beginning of my career. I sculpted it from a real model. The girl was very lost in her thoughts or dreamed of something. Her body was relaxed an...

Lied van de Maan Song of the Moon Bronze Sculpture Classic Contemporary . Size is including marble pedestal. The sculptures of Margot Homan (1956, Oss, the Netherlands) show a perfe...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. "Life is Short Relax II" by Henk Jan Sanderman is a captivating...

Giuseppe Palumbo’s whimsical, anthropomorphic sculptures delve into the human psyche through irony, wit, and humor. By applying classical techniques to his contemporary subjects, Pal...

Bull VII is a bronze sculpture by French contemporary artist Pierre Yermia, dimensions are 59 × 55 × 15 cm (23.2 × 21.7 × 5.9 in). The sculpture is signed and numbered, it is part o...

Kioo is a bronze sculpture by contemporary artist Jacques Owczarek, dimensions are 11 × 18 × 11 cm (4.3 × 7.1 × 4.3 in). The sculpture is signed and numbered, it is part of a limited...

Boldi is a Hungarian sculptor who creates works that express a balance between reason and emotion. His sculptures reveal not only the true form of human figures but also the emotions...

In 1983, returning to one of his earliest concepts, the standing figure, Barrett cast five small upright pieces that would become the Grande series. Barrett’s work became more organ...

Roberto Estopinan, Cuban, 1920 - 2015 Dimensions: 24.5" wide x 13" high plus 6" high base. Roberto Estopiñán (1921–2015) was a Cuban American sculptor known for his sculptures of the human form, including political prisoners. Born in Camaguey, Cuba, he lived in the United States for over fifty years. His works are held by major institutions such as the Museum of Modern Art, the Whitney Museum and the Smithsonian Museum of American Art. Roberto Gabriel Estopinan, a sculptor, draftsman, and printmaker, was born in Havana, Cuba on March 18, 1921. Estopiñán enrolled at the San Alejandro Academy when he was just 14 years old and became the protegé and studio assistant of the sculptor Juan José Sicre. After graduation he traveled first to Mexico, where he met and befriended Francisco Zuniga, and studied Pre-Columbian sculpture. In 1949 he traveled to Europe, visiting England, France and Italy. In these trips he encountered the sculpture of Henry Moore and Marino Marini, and their humanistic yet formal visions would be influential on Estopinan's work. Estopiñán was a pioneer of direct carvings using wood and of welding techniques in Latin America. Throughout the 1950s, Estopiñán received important prizes at various national exhibitions in Havana. In 1953 he was the only semi-finalist from Latin America at the Tate Gallery's international sculpture competition for a Monument to the Unknown Political Prisoner. In 1961, the artist moved to New York, where he resided until 2002. Roberto Gabriel Estopiñán a Cuban emigre sculptor who emigrated to exile in the United States not long after Fidel Castro’s revolution in 1959, is considered one of Latin America’s most important 20th-century artists. His work, which includes drawings and prints as well as sculptures in wood and bronze, is in the collections of New York’s Museum of Modern Art, the Smithsonian’s American Art Museum, the Art Institute of Chicago, and the Detroit Institute of Art, among many locations. He is best known for his stark, disturbing renderings of political prisoners, the fruit of his own experiences as a dissident under both Castro and his predecessor, the dictator Fulgencio Batista, and for his representations of the female torso that can remind viewers of both classical statuary and the high-modern, abstractly elongated work of Henry Moore.mHe was born in Havana to a father from Asturias in northwest Spain and a mother of African descent. Estopiñán was something of a prodigy. At the age of fourteen, he won the first prize in drawing at the Centro Asturiano, a regional association for Cubans of Asturian descent. Shortly afterward he received special permission to enter the San Alejandro Academy of Fine Arts in Havana. At the school he was mentored first by its director, the painter Armando Menocal (1863-1941), then by the landscape artist Antonio Rodríguez Morey (1872-1967), and finally by Juan José Sicre (1898-1974), regarded as one of Cuba’s greatest sculptors. Sicre, a professor of sculpture at the Academy, had helped introduce European modernist art to Cuba, and from the 1930s through the 1950s had sculpted monumental figures in Havana of José Martí and other Cuban national heroes that stand to this day. Estopiñán was first Sicre’s student, then his assistant, and, finally, his colleague for the next fifty years. After graduating from San Alejandro in 1942, Estopiñán began simultaneously teaching art at the Ceiba del Agua School for young men, assisting Sicre in public art projects and developing his own artistic vision. He also traveled widely, to Mexico, New York, France, and Italy. From the late 1940s through the 1950s his sculpture evolved from an early neoclassical phase under the influence of Maillol to what he defined as “formalist humanism”: emphasizing the abstract beauty of the shapes he sculpted while not abandoning the human figure as the basis of his work. As the 1950s progressed he chose to carve in native Cuban woods...

Mireia Serra's little figurative bronze sculptures capture feelings and sensations of day to day lives. She transforms everyday dilemmas into something beautiful that captures the be...

Group of Two Fishermen on Stilt IV is a bronze sculpture by French contemporary artist Marine de Soos, dimensions are 50 × 45 × 32 cm (19.7 × 17.7 × 12.6 in). The sculpture is signed and numbered, it is part of a limited edition of 8 editions + 4 artist’s proofs, and comes with a certificate of authenticity. The "Fisherman" series of bronze sculptures includes this one. In this piece of figurative art, two fishermen are shown sitting high on uncomplicated pole structures, only sporting a turban and loincloth. With this complex piece, the artist conveys all the poetry this peculiar spectacle has to offer. Standing motionless and waiting for the catch for an endless amount of time while perched above the water...

The meditation garden II is a bronze sculpture by French contemporary artist Marine de Soos, dimensions are 27 × 12 × 8 cm (10.6 × 4.7 × 3.1 in). The sculpture is signed and numbere...

Tigran Hovumyan Figurative Surrealist Oil Painter Artwork Title: Joker Medium: Original Oil on Linen, Bronze Sculpture Dimensions: 40" x 32" x 8" (101 x 81 x 20 cm) Year: 2024 Unfra...

This is an abstract Flora based hand made, cast sculpture done by Seena Donneson an acclaimed woman artist. A textured abstract bronze with deep, rich patina; The sculpture is signed...

Childhood’s Sail V is a bronze sculpture with a stainless steel rod by French contemporary artist Marine de Soos, dimensions are 75 × 14 × 14 cm (29.5 × 5.5 × 5.5 in). The sculpture...

Departure for fishing is a bronze sculpture by French contemporary artist Marine de Soos, dimensions are 31 × 11 × 10 cm (12.2 × 4.3 × 3.9 in). The sculpture is signed and numbered,...

Maartje 45 x 20 x 17 cm Bronze The theme van der Kraan likes most is to show the growing of young girls. Living in their own world. The narrative sculptures show 'the woman' and 'th...

Sleeping Beauty is a bronze sculpture by contemporary artist Romain Langlois, dimensions are 53 × 44 × 27 cm (20.9 × 17.3 × 10.6 in). The sculpture is signed and numbered, it is par...

Medardo Rosso The Mischief or Gavroche Impressionist sculpture depicting a laughing little boy, the figure half-length of the laughing boy in the cap and the face turned to the lef...

Mathilde is a bronze sculpture by contemporary artist Yann Guillon, dimensions are 27 × 21 × 9 cm (10.6 × 8.3 × 3.5 in). The sculpture is signed and numbered, it is part of a limite...

After studying Fine Art in the Netherlands Ans Zondag (1959) spent several years abroad in order to explore different artistic areas and to establish which ...

The Fisherman’s Hammock is a bronze sculpture by French contemporary artist Marine de Soos, dimensions are 51 × 68 × 53 cm (20 × 26.7 × 20.8 in). The sculpture is signed and numbere...

The inspiration for this sculpture comes from Erté's original costume design entitled "Texas," for the 1917 New York stage production of "The American Millionaires." This spectacular...

Featured in the Doris Caesar catalog by Martin H. Bush, page 110.

This is an abstract Flora based hand made, cast sculpture done by Seena Donneson an acclaimed woman artist. A textured abstract bronze with deep, rich patina; The sculpture is signed...

Slash is a bronze sculpture by contemporary artist Peter Brooke Ball, dimensions are 21 × 14 × 13 cm (8.3 × 5.5 × 5.1 in). This sculpture is numbere...

LOUIS AUGUSTE MOREAU French, (1834-1917) Children Picking Grapes Patinated Bronze; Signed Aug Moreau 20 1/2 x 12 x 9 inches

Paolo Cassarà, this Italian artist, usually utilized painted terracotta in real human dimensions for his Surrealist artworks. It was exceptional the use...

German sculptor Nando Kallweit produces figurative bronze sculptures and reliefs with aquiline and a graceful modern appeal. Kallweit is inspired by seemingly disparate cultures; the...