Art by Medium: Ceramic

This glossy ceramic balloon sculpture is a balloon for life and an art collectors piece. Its Vivid glossy color enhances sophisticated and cheerful space environment. handmade in the picturesque village Arsuf in Israel the balloon creates tension betwen ligtht vs. heavy, temporary vs. enterninty, fragilie vs. solid and more. The baloons can be installed individually as one balloon or in different combinations creating a unique installation for every space and making it an art tool for designers and architects as well as home owners. Harmony and grandeur characterize the work of Reli Smith and Osnat Yaffe Zimmerman in their artistic cooperation under the brand R+O Design. The goal in their work is to create a magical world of bright colors, along with pastels and monochromatic works of differing textures, which together form an aesthetic and “welcoming” tale. A surrealistic world is at the core of their design and art and this can be seen from ceramic sculptures of balloons, giant hearts, garlic heads made of gold, giant golden eggs as well as giant plates...

Jean Cocteau ( 1889 - 1963 ) " le joueur de pipeau " signed Jean Cocteau . original partially glazed terracotta plate . Marked and numbered Edition originale de jean Cocteau Atelier...

Unveiling is a contemporary artwork realized by Maryam Pezeshki in 2021 Terracotta sculpture. Original title: Svelamento Maryam Pezeshki was born in Tehran on August 18, 1977. SHe began to paint at the age of three. Her first painting was a Pinocchio. Participate in national and international painting competitions and festivals among Asian and Iranian children, winning first prize each time. At the age of ten she participated in a television program entitled "Little Great Artists". At the age of fourteen she won the prize for the best drawing and sculpture among Iranian teenagers, and she enrolled in the artistic high school, continuing to do her first personal exhibitions of sculpture, painting and drawing. From the age of seventeen to nineteen she won the national prize for best sculpture at the youth festival for three consecutive years. At seventeen he enrolled at the University of Art in the graphics sector and at twenty-one he graduated with full marks. In the same year she began studying for the master of graphics and managed to be among the seven students admitted. At the age of twenty-five she finished his studies and won a competition for teaching drawing and sculpture at the University of Art. In the meantime, visit the European and Indian museums...

Painter and sculpture Artist Natalie Krainin creates artworks using the innovative method of Fabric Texture Art. This technique, which resonates deeply with her professional roots, a...

Artist: Roger König b. Dessau, Germany (1968) Master student of Kurt Schönburg, HWK Halle, Germany. König combines modern painting with acrylic with old techniques and in this way, h...

Ceramic vase designed by Paul Dachsel for Amphora featuring delicate gold cross-hatching and relief elements to evoke peacock feathers. Polished gold glaze around mouth, on handles, and base relief...

Efren Quezada. Vase #1. Mata Ortiz, Chihuahua, Mexico. White lace with brown. Weight: 4 lbs., height: 13 in., width: 9 in. Mata Ortiz, Chihuahua, Mexico.

Susan Hable is inspired by the work of David Hockney, Milton Avery, Henri Matisse, Alex Katz, Howard Hodgkins, Hilma af Klint, Georgia O'Keeffe, Barbara Hepworth and Constantin Brâncuși. With humor and a bit of mischief, Susan Hable’s “Don't Pick The Flowers!” is a body of work that is at once a refuge and a playground. Inspired by her sumptuous garden just outside of her Athens studio, Susan flows from one medium to the next from painting to collage to sculpture. Susan sees her garden as a place for adventure and daydreaming, challenging her perceptions of what her Art can be. Even a weedy ground cover has caught Susan’s eye, an overlooked invasive is seen in a new light becoming a dreamlike fairytale path. Her work asks us to engage in life, go for a walk and play. Susan Hable Smith is the artist and designer behind the boldly colored and hand drawn patterns of Hable Construction...

A whimsical contemporary wall sculpture by American female artist Robin Whiteman. This work is currently in an exhibition at Raft of Sanity gallery in Buffalo.

ROMAN OPERA HOUSE is a stoneware clay sculpture with Copper Green glaze by Brooklyn, New York artist Rene Murray. It measures 19"H x 23"W x 11"D. The sculp...

Artist: after Robert Mapplethorpe, American (1946 - 1989) Title: Calla Lily Date: circa 2000 Medium: Porcelain Plate, printed signature verso Edition Size: 500 Diameter: 8.25 inches ...

Sara Fine-Wilson's "Polyp" is a gestural 13.75 x 10 x 10 inch ceramic sculpture in white and cream with accents of grey and teal. It is constructed out of white stoneware and layered...

This raku ceramic vessel sculpture by Jon Puzzuoli is made with glazed porcelain. The base of the body is a deep umber color with at texture and matte finish, while the top portion i...

"JAMÓN JAMÓN I (Reliquary Generalife)", 2019, sold in the frame shown, is one in a series of ceramic sculptures by artist Andrew Cornell Robinson...

"Judith" by Théodore DECK (1823-1891) and Albert ANKER (1831-1910) Important and rare polychromatic enamelled earthenware pannel Titled "Judith" Signed in the decor "Anker". Tripar...

(MADE TO ORDER) (Hand-painted, hand-made, porcelain) *Lead Time may vary between 1-3 weeks Melanie Sherman "Ornament Owl (Large)" Year: 2021 Porcelain, Glaze, ChinaPaint, Gold Lust...

Artist: Roger König b. Dessau, Germany (1968) Master student of Kurt Schönburg, HWK Halle, Germany. König combines modern painting with acrylic with old techniques and in this way,...

From the Apathy Series, Andrew Smenos' recent body of ceramic sculptures, comes "MOVIN' ON UP" – an apartment building in flames and on fire... At 17x11x...

The natural world inspires the beautiful organic forms of artist Jana Osterman. This deep blue patinated winterstone sculpture suggests the shape and movement of tree roots. It is polished with a protective wax giving it a light sheen. “Tree roots hold traces and impressions of where they held on but still suggest the smooth, and continuous movement, the flow of water." Jana Osterman Born in Slovenia, Osterman moved to Holland where she studied at the Royal Academy of Art in The Hague. She continued with printmaking studies in England. For the last 20 years, Osterman has worked as a full-time artist and fabricator in Canada, first in Toronto and now in Prince Edward County...

"Woman Figure" Ceramic Abstract Sculpture 10" x 4" inch by Lika Brutyan Medium: Clay, underglaze Lika Brutyan is American photographer, was born in a family of scientists and artis...

Black mosaic in two panels Born in 1944 in the canton of Fribourg, Gilbert Pauli currently lives in Geneva, where he devotes himself to painting and sculpture, a passion he develope...

Figurative Ceramic Animal Sculpture, Lifelike, Contemporary, Lindsay Pichaske Since graduating from the University of Colorado in 2010, Pichaske has risen to attention in the art wo...

Created in 1947, this early Picasso ceramic is the second that artist ever produced. It is in wonderful condition and presented in a fine black wood fra...

Testa 9 is an expressionist ceramic head sculpture created in white stoneware with a bismuth Rakú glaze. This ceramic head belongs to the artist’s Testas series, a body of work compo...

This crystalline glazed porcelain vessel by Jon Puzzuoli features an earthy green and sand-toned palette and a dark, narrow neck. The crystalline glaze over the surface creates the aesthetic of green "crystals" which form along the the surface of the piece. The artist's stamp can be found at the base of the vessel. Crystalline glazes are special ceramic glazes in which zinc-silicate crystals grow inside the glaze while it is still very hot. The crystals begin as microscopic seeds in the glaze, which form in random numbers and locations. When the kiln is cooled to the proper temperature, crystals start to grow. In order for crystals to grow, the glaze must be very fluid. Much of the glaze runs off the vessel during the firing into a catch basin...

Sara Fine-Wilsons “Switch” is a gestural 13 x 15 x 12 inch ceramic sculpture in pale cream with accents of warm sepia, and grey. In this graceful and evocative sculpture individual s...

(MADE TO ORDER) (Hand-painted, hand-made, porcelain) *Lead Time may vary between 1-3 weeks Melanie Sherman "Ornament Squirrel (Large)" Year: 2021 Porcelain, Glaze, ChinaPaint, Gold...

Artist/Designer: Alexander Ney (Russian/American, b. 1939) Marking(s); notes: signed Materials: terracotta, wood (base) Dimensions: 11.5″oah; sculpture: 6.75″h, 3.5″w, 4.5″d; base (...

"Midnight Over Mountains" is a saggar-fired porcelain wall sculpture by Alison Brannen. It measures 15" high by 15" wide by 7" deep, however the sculptu...

Ceramic sculpture totem for the outdoors or interior spaces. This totem has a folksy or outsider art style with a cat and dog as the main images.

Vince Palacios (b.1961, Flint, Michigan) has been working in the fields of ceramics since 1992 and currently serves as Professor of the Ceramics Department at El Camino College in T...

An abstract tridimensional work done with clay and acrylic paint on canvas, this mesmerizing work has an incredible depth and weight from the texture of the medium. Derick Smith has ...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. "24 Carrot Gold" by Henk Jan Sanderman is a delightful ceramic ...

Mystic Plate is an original decorative limited edition porcelain plate realized in the 1990s. This very rare plate was produced for House Of Ertè in fin...

Ken Ferguson Basket with handle Material: Stoneware, glaze Year: Circa 1980 Size: 18 x 13 inches Stamped Kenneth Richard Ferguson was an American c...

Roberto Lugo "Swimming with the Fishes" Lidded Jar (INV# NP5370) Clay and Glaze 13 x 9.5 x 9.5" 2018 signed * small firing crack on bottom but exactly how artist originally made the ...

This set of Jeff Koons' Balloon Animals includes Balloon Rabbit, Balloon Monkey and Balloon Swan, made of highly reflective porcelain. Incorporating the vocabulary of his iconic Cele...

"Ocean Canyon" is a saggar-fired porcelain sculpture by Alison Brannen. It measures 13" high by 9" wide by 9" deep, however the sculpture can be arrange...

Single vase. One of two vases ever made in this design. It's handmade singulary, affected by the relationship Gio Ponti & Lucio Fontana. The medium is ceramic and hand brushed with ...

Hand Built and glazed ceramic. Free standing, safe for outdoors. My interest in clay as an artistic medium began in 1984. Like most beginners in the medium, I focused on creating ...

Sandra Shashou Tower - Balance 5, 2024 Herend, Royal Stuart Harlequin, Wedgwood , Royal Albert and Winton Porcelain Roses, Jesmonite, White Base, Resin, 135 x 37 cm 53 1/8 x 14 5/8 in

Sandra Shashou All Loved Up 47, 2019 Royal Stuart Stephenson, Vintage Fine Bone Porcelain China Ware 50 x 50 x 25 cm 19 3/4 x 19 3/4 x 9 7/8 in

Donkey is a unique smoke-fired stoneware, resin, plaster and clay sculpture by French contemporary artist Cécile Raynal, dimensions are 82 × 60 × 60 cm (32.2 × 23.6 × 23.6 in). This ...

(MADE TO ORDER) (Sabbath, Kiddush, Unique, Gold Luster) *Lead Time may vary between 1-3 weeks Melanie Sherman "Just A Little Tipsy" Year: 2021 Porcelain, Glaze, ChinaPaint, 24k Germ...

Add a unique sense of individuality into your space with this incredibly stylish ceramic heart sculpture. Handcrafted from clay, this special sculpture is an art collector’s piece. ...

Carol Fleming Untitled Sphere (Black, white) Medium: Ceramic, glaze Year: 2020 Size: 12" diameter COA provided ----------------------- Creating is the best and deepest part of me, ...

Pablo Picasso A.R. 417 Pase de Cape 1959 16.5” round Edition of 100 White earthenware clay. Ramie 417 is a Madoura ceramic that one rarely sees come on the m...

(MADE TO ORDER) (Sabbath, Kiddush, Unique, Gold Luster) *Lead Time may vary between 1-3 weeks Melanie Sherman "Just A Little Tipsy" Year: 2021 Porcelai...

Sublime ceramic mirror by French ceramic artist Mithé Espelt

The Suitcase is a unique smoke-fired stoneware sculpture by French contemporary artist Cécile Raynal, dimensions are 43 × 60 × 20 cm (16.93 × 23.62 × 7.87 in). This sculpture is a u...

(MADE TO ORDER) (Sabbath, Kiddush, Unique, Gold Luster) *Lead Time may vary between 1-3 weeks Melanie Sherman "Just A Little Tipsy" Year: 2021 Porcelai...

Harding Black San Antonio (1912 - 2004) Huge Heavy Oxblood Vase 1984 Height 17'' At widest 5'' Biography Harding Black San Antonio (1912 - 2004) Harding Black was born on a farm in Nueces County between Ingleside and Aransas Pass and moved with his family to San Antonio in 1916. There he graduated from Brackenridge High School and attended San Antonio Junior College (1929-30). In 1931 Black joined an archaeological expedition to the Big Bend area sponsored by the Witte Memorial Museum. Initially a painter, he was taught by Rudolph Staffel in 1933 to make wheel- thrown pottery and in the same year began to teach children's ceramic classes at the Witte. Between 1937 and 1939, Black directed ceramic installation in a San Antonio reconstruction project sponsored by the National Youth Administration and the Works Progress Administration art program. In 1955 he retired from teaching and devoted his time to ceramics. Black became a well-known ceramist from his research, innovations, and writings in the field. Exhibitions: San Antonio Local Artists Annual Exhibition (1939-42, 1945, 1947); Texas General Exhibition (1940 award, 1942, 1948 honorable mention); National Ceramic Annual Exhibition, Syracuse Museum of Art (1947-54); River Art Group, San Antonio (1948-49); National Collection of Fine Arts, Washington D.C. (1951, 1956); Dallas Museum of Fine Arts (1952 one-man); Martin Museum of Art, Baylor University (1991 one-man); San Antonio Museum of Art (1995 retrospective); National Museum of Art, Washington, D.C. (1995); University of Texas at Dallas, Irving (1998 retrospective). Collections: Dallas Museum of Art; Museum of Fine Arts, Houston; San Angelo Museum of Fine Arts; San Antonio Museum of Art; Martin Museum of Art, Baylor University, Waco; National Museum of American Art, Washington D.C.; New Orleans Museum of Art; Everson Museum of Art, Syracuse, new York; Alfred University (New York). Harding Black resided in San Antonio Texas where he worked as a potter for over 60 years and far as anyone knows he was completely self taught. I find it amazing that anyone could ever accomplish what he did with with no formal training in either ceramics or chemistry. It was a long and prolific journey from the early hand built earthenware pottery to become recognized as a master of glazes. While I feel that his forms often could be better this is more than compensated for by the spectacular glazes he developed. Constant experimentation and his acquired knowledge of chemistry were the foundations for the wonderful glazes that adorn his pottery. The following quote is from an interview with Rudolf Staffel His copper reds are unbelievably beautiful. Harding was a master of glazes and one of the most generous human beings in the ceramic field that I've known. He had literally a room full of beautifully organized test tiles of all his glazes, and he would just throw the room open to anybody who wanted to rummage through his tiles. All the recipes were there and he shared them with anyone who was interested. It was wonderful to go and visit him. Although accurate records of all test firings were kept for reference it I have been told that it would be difficult to reproduce many of these glazes because of the kiln he built and clays he used. This may not be the case because in a recent phone conversation (4/11/2007) with Peter Pinnell he told me that some of his students had success replicating some glazes using Harding's formulas By concentrating on the bowl and vessel forms Harding remained true to the historical traditions of pottery making. The magnificent Harding Black journey began in 1932. At that time he joined the Witte Museum Archaeological Society which provided him with access to their collections of Native American pottery. Harding became fascinated by these pollychromed vessels and he began attempting to create hand built pots. He had very little or no success but a life long of working in clay had begun. It was about this time that he met up with Rudolf Staffel and it was from him that Harding learned wheel throwing and developed ideas of how to operate a studio. Harding was given access to working space at the Witte where he built a wheel and in 1933 he was given a position as ceramic instructor. In this position it was his responsibility to establish a ceramics department. The first kiln Harding built was using plans that were obtained from Newcomb College. He scrounged parts from a junkyard which were used in its construction. This project was not totally successful because of problems reaching required temperatures. As usual this did not deter Harding. He seemed to have a wonderful ability to learn from failure and move on. In the early 1940's Harding began working with formulas for copper red glazes prepared by Arthur Baggs and Edgar Littlefield. This work only added to his interest in Oriental pottery and fostered a desire to rework many old glazes. Being greatly influenced by A Potters Book published in 1940 by Bernard Leach Harding was now on his way seeking to incorporate form, function and surface treatment into a single entity where the whole is greater than the sum of the parts. In the 1950's Harding left the Witte and built his own studio where he spent the rest of his life creating his wonderful art. The body of his work is a living tribute to the Harding Black lifelong love of ceramics. Along with being a researcher he was also a teacher always willing to share his knowledge with others. He spent his life producing pots and occasionally taking time off to do a bit if fishing. According to Harding Black - Harding Black 11/14/90 "I am one of the lucky ones. When I get up in the morning I can hardly wait to get to work." 1912 Born April 15 near Aransas Pass, Texas 1916 Family moved to San Antonio 1929 Graduated from Breckenridge High School 1929-30 Attended San Antonio Junior College 1931 Joined Archaeological Society of the Witte Museum, San Antonio, and participated in excavations of ancient Basket maker Indian mounds and caves in the Big Bend area of Texas 1933 Taught by Rudolf Staffel to make wheel-thrown pottery. Set tip studio in a streetcar behind Witte Museum and began teaching children’s ceramic classes 1937-39 Appointed Superintendent of Ceramic Installation for N Y A /W P A reconstruction project in San Antonio 1943 Moved from streetcar studio to new facilities in the reconstructed Ruiz House on the grounds of the Witte Museum Began firing to stoneware temperatures 1947-54 Exhibited each year in the annual National Ceramic Exhibition, Syracuse Museum of Art 1951 Exhibited at the National Museum of Art, Washington, DC 1952 Toured ceramic centers throughout the United States 1953 “Opening the Door to Copper-Reds” by Harding Black, published in January issue of Ceramics Monthly “Harding Black Profile” published in February issue of Ceramics Monthly 1954 “Iron Spotted Glazes” by Harding Black, published in February issue of Ceramics Monthly 1955 Built present studio at 8212 Broadway, San Antonio Retired from teaching at the Witte Museum 1956 Exhibited at the National Museum of Art, Washington, DC 1961 “Lava Glazes” by Harding Black, published in October issue of Ceramics Monthly 1964 “Harding Black Texas Potter” by Jean R Lange, published in November issue of Ceramics Monthly 1971 The Meyer Family Master Potters of Texas, co-authored by Harding Black and Georgeanna H Greet 1980 Harding Black’s biographical information entered into the archives of the Smithsonian Institution, Washington, D C 1983 Harding Black traveled throughout China 1984 Awarded Glaze Research Grant by Southwest Craft Center, San Antonio 1985 Solo exhibition at the Southwest Crafts Center 1987 Selected as Artist of the Year by the San Antonio Art League 1988 Incarnate Word College, San Antonio, establishes Harding Black Fund to aid ceramics students 1990 “Harding Black Pottery...

Glazed ceramic mirror by Marion De Crecy for Atelier Mithé Espelt

Introducing a Series of Ceramic Memorials by Nicolaas Maathuis - an exclusive collection that represents a fusion of artistry and functionality, offering a unique variation of memori...

Sara Fine-Wilsons ”Turn” is a gestural 10.5 x 8 x 6.5 inch ceramic sculpture in cream and white. In this graceful and evocative sculpture individual twisted elements are assembled an...

This beautiful one of a kind ceramic hand made LA Dodgers cap is from Yael Yanay’s latest body of works. These hand-crafted ceramic hats are meticulously designed to resemble iconi...

Sara Fine-Wilson's "Veer" is a 18.5 x 12 x 20 inch ceramic gestural sculpture in neutral whites and variegated shades of brown constructed by combining three different colored clay b...

Minimal Abstract Ceramic 36 x 36 inch wall sculpture in glossy and matte white ceramic tiles that are mounted to a white wood panel. A neutral work showcasing an "X" in matte white s...

This ceramic vessel sculpture by Jon Puzzuoli is made with glazed porcelain. It has a vibrant red and cream palette, with a round body and a fluted neck. The piece has a raku finish,...

Carol Fleming Untitled Sphere (multi-color) Medium: Ceramic, glaze Year: 2020 Size: 12" diameter COA provided ----------------------- Creating is the best and deepest part of me, t...