Art by Medium: Ceramic

I scream Sculpture by Zoe Moss Plaster & Resin Limited Edition out of 25 Comes with a Certificate of Authenticity by the artist

Squirrel is a unique smoke-fired stoneware, resin and plaster sculpture by French contemporary artist Cécile Raynal, dimensions are 75 × 30 × 60 cm (29.5 × 11.8 × 23.6 in). This scul...

"Blue Green Seapod", Ceramic Sculpture Dimensions: 9 H × 7 W × 5 D Medium: Hand-built ceramic, glazed stoneware Hand-built ceramic sculpture finished in a blue green glaze. Adrienne...

Suzuki Goro stoneware and yashichida oribe glaze 4 x 4 x 3.25” date unknown signed Rare!

This piece is an O.P. square plaque by Pablo Picasso, done from December 1968 to January 1969. It is made with red earthenware clay, engobe ground and engraving enhanced with oxides...

Stunning ceramic mirror by French ceramicist Mithé Esplet

Lace "Eagle" Vase #3. Chihuahua, Mexico. With gray background with white lace and eagles

Medium: Oil on Porcelain Dimensions: 20.00" x 16.00" Signature: Signed Lower Left

A lovely hand modelled sculpture in bas relief, depicting the head of a smiling young Parisian lady with a gleam in her eyes. The work dates from from the Belle Epoque, the art nouv...

Questa ceramica dipinta, 33 x 24 cm senza la cornice, è ispirata dal "Riposo durante la fuga in Egitto" di Simone Cantarini detto il Pesarese, realizzato negli anni trenta del XVII s...

Feline is a unique smoke-fired stoneware, resin, plaster and clay sculpture by French contemporary artist Cécile Raynal, dimensions are 78 × 35 × 60 cm (30.7 × 13.7 × 23.6 in). This ...

This ceramic wall sculpture features a topographic map in black and white. Gregor is inspired by the works of Martin Puryear, James Turrell, Louise Bourgeois, Barbara Hepworth, Chr...

PABLO PICASSO Le barbu (A.R. 217), 1953 Ed. 500 pcs White earthenware clay, decoration in engobes, knife engraved under partial brushed glaze H. 31 cm I H. 12 1/4 in Stamped undersi...

Ceramic abstract face with hat 8.5 x 19.6 x 8.0, 2.2 lbs Ceramic Hand signed by artist Artist's Commentary: "Project 'Iliad.' The artworks in this section are influenced by the H...

Tall Rust Stoneware Ceramic Sculpture Vessel Dimensions: 15 H × 11 W × 11 D Medium: Hand-formed, coiled stoneware ceramic pot, glazed interior, oxide wash. Adrienne Fierman’s work e...

Elizabeth Jordan is an artist working primarily in sculpture and whose work uses multiple materials to produce unique, organic forms. In addition to a solo and group shows at Ivy Bro...

In crafting this piece, I poured my soul into each brushstroke, seeking to capture the essence of emotion in a bold yet refined visual language. The work interweaves the dynamism of ...

Artist Commentary: Green metallic platter with bronze filigree center. Medium: ceramic porcelain. Size: 14 inch diameter and 2 inches deep (35 cm diameter and 5 cm deep). Made in Cal...

Cruche aux oiseaux (A.R. 456), 1962 Ed. 142/200 pcs H. 22 cm I H. 8 5/8 in White earthenware clay, decoration in engobes under partial brushed glaze black, white and red patina Numbe...

Medusa and Andromeda, is a unique three dimensional terra cotta sculpture/vase, created by the German firm Magdeburger Kunstwerkstatten, Reps and Trinte, a studio that specialized in fine works in terra cotta. This monumental piece depicts the entire story of the Medusa, who holds Andromeda captive by chaining her to rocks in the ocean. You can see the chains at her wrists and ankles. Medusa charges the Leviathan (dragon) as guard over the captive Andromeda. Andromeda was rescued by her future husband Perseus who killed the dragon and saved his future bride. This is one of the most unique works of its kind that has been seen to date. It was probably a sculpture/vase designed and created for presentation at one of the yearly Salon exhibitions in Europe. We have consulted experts in European ceramics...

XXth 22,5 x 20, 5 cm Glazed ceramic signed under the piece

Piccola terracotta a soggetto mitologico firmata sul retro sulla base "Zambini", che per la grafia (in particolare la Z che ricorda una F) permette di identificar...

This remarkably fluid terracotta bozetto was made in preparation for Pietro Pacilli’s most important public commission, a large-scale marble statue of San Camillo de Lellis for the nave of St Peter’s Basilica in Rome. Expressively modelled, this terracotta sculpture is a rare and significant work made by a major Roman sculptor at a transformative moment of European sculpture. Pacilli began his working life on the great Baroque decorative projects initiated in the seventeenth century, but he found success as a restorer of ancient sculpture working to finish antiquities for a tourist market, becoming an important figure in the emergence of an archaeologically minded Neoclassicism. Pacilli trained Vincenzo Pacetti and provided important decorative work for the Museo Pio-Clementino, at the same time he is recorded restoring some of the most celebrated antiquities excavated and exported during the period. Pacilli was born into a family of Roman craftsmen, his father Carlo was a wood carver, and Pacilli is recorded working with him on the Corsini Chapel in San Giovanni Laternao as early as 1735. In 1738 his terracotta model of Joseph and Potiphar’s Wife won the first prize in the second class of the sculpture concorso at the Accademia di San Luca, this is particularly notable as Bartolomeo Cavaceppi came third. He worked as a carver and stuccoist completing works for the churches of San Marco and SS. Trinita dei Domeniciani Spagnoli. Pacilli operated as a sculptor and restorer of antiquities from his studio at the top of the Spanish Steps, close to Santa Trinita dei Monti, where he is listed as a potential vendor to the Museo Pio-Clementino in 1770. In 1763 Pacilli completed a silver figure of San Venanzio for the treasury of San Venanzio. He is recorded as Pacetti’s first master and it was evidently through Pacilli that he began to acquire his facility as a restorer of ancient sculpture. Pacilli, at his studio ‘poco prima dell’Arco della Regina alla Trinita dei Monti,’ exercised, what the nineteenth-century scholar, Adolf Michaelis called ‘rejuvenating arts’ on several important pieces of classical sculpture, including in 1760 the group of a Satyr with a Flute for the natural brother of George III, General Wallmoden, Hanovarian minister at Vienna. In 1765, Dallaway and Michaelis record that Pacilli was responsible for the restorations, including the addition of a new head, to the Barberini Venus which he had acquired from Gavin Hamilton. The Venus was then sold to Thomas Jenkins, who in turn passed it on to William Weddell at Newby Hall. In 1767 Pacilli exported a series of ancient busts ‘al naturale’ including portraits of Antinous, Julius Ceaser and Marus Aurelius, also a statue of a Muse and a Venus. As early as 1756 Pacilli seems to have been operating as an antiquarian, helping to disperse the collection of the Villa Borrioni. Pacilli supplied sculpture to notable British collectors, including Charles Townley, who on his first trip to Italy purchased the Palazzo Giustiniani statue of Hecate from Pacilli. Pacilli was involved with the Museo Pio Clementino from its conception, supplying busts of Julius Ceaser and a Roman Woman as well as completing stucco putti surmounting the arms of Pope Bendedict XIV to signal the entrance to the new Museo Critiano. In 1750 Il Diario Ordinario del Chracas announced that Pacilli had begun work on a sculpture of San Camillo de Lellis for St Peter’s. Camillo de Lellis founded his congregation, the Camillians, with their distinctive red felt crosses stitched on black habits in 1591. Having served as a soldier in the Venetian army, Camillo de Lellis became a novitiate of the Capuchin friars, he moved to Rome and established a religious community for the purpose of caring for the sick. In 1586 Pope Sixtus V formerly recognised the Camillians and assigned them to the Church of Santa Maria Maddalena in Rome. Camillo de Lellis died in 1614 and was entombed at Santa Maria Maddalena, he was canonised by Benedict XIV on June 26, 1746. It was an occasion that prompted the Camillians to make a number of significant artistic commissions, including two canvases by Pierre Subleyras showing episodes from San Camillo’s life which they presented to Benedict XIV. In 1750 Pacilli was commissioned to fill one of the large niches on the north wall of the nave with a sculpture of San Camillo. The present terracotta bozetto presumably had two important functions, to enable Pacilli to work out his ideas for the finished sculpture and at the same time to show his design to the various commissioning bodies. In this case it would have been Cardinal Alessandro Albani and Monsignor Giovan Francesco Olivieri, the ‘economo’ or treasurer of the fabric of St Peter’s. Previously unrecorded, this terracotta relates to a smaller, less finished model which has recently been identified as being Pacilli’s first idea for his statue of San Camillo. Preserved in Palazzo Venezia, in Rome, the terracotta shows San Camillo with his left hand clutching his vestments to his breast; the pose and action more deliberate and contained than the finished sculpture. In producing the present terracotta Pacilli has expanded and energised the figure. San Camillo is shown with his left hand extended, his head turned to the right, apparently in an attempt to look east down the nave of St Peter’s. The model shows Pacilli experimenting with San Camillo’s costume; prominently on his breast is the red cross of his order, whilst a sense of animation is injected into the figure through the billowing cloak which is pulled across the saint’s projecting right leg. The power of the restrained, axial contrapposto of bent right leg and outstretched left arm, is diminished in the final sculpture where a baroque fussiness is introduced to the drapery. What Pacilli’s terracotta demonstrates, is that he conceived the figure of San Camillo very much in line with the immediate tradition of depicting single figures in St Peter’s; the rhetorical gesture of dynamic saint, arm outstretched, book in hand, head pointed upwards was perhaps borrowed from Camillo Rusconi’s 1733 sculpture of St. Ignatius...

This totem is full of surprises with an upside down duck a couple of fish an apple and a cala lily.Its wonderfully random which adds to the fun. Totems can make you laugh! Please no...

PABLO PICASSO (1881-1973) Cavalier et cheval (A.R. 137) stamped, marked and numbered 'Edition Picasso / Madoura Plein Feu / Edition Picasso / 274/30...

Yan visage 1963 Ed. 139/300 pcs Red earthenware clay, engobe decoration, black H. 27 cm Numbered, engraved and stamped underside : Edition Picasso, 139/300,...

Low-fired glazed ceramic head sculpture features a radiant blue cloak and oil-painted facial details, exploring the tension between exposed identity and hidden emotional depths. Woma...

PABLO PICASSO (1881-1973) Corrida Sur Fond Noir (A.R. 198) dated '25.9.53.' (upper centre); stamped 'Madoura Plein Feu / Edition Picasso' (undern...

Entre Claros is a piece inspired by María Zambrano’s book Claros del Bosque. It unfolds like an expandable landscape, drawn on ceramic mosaics, where female bodies walk through the t...

PABLO PICASSO (1881-1973) Oiseau No. 76 (A. R. 481) Terre de faïence plate, painted in colors and partially glazed, 1963, numbered 116/200 and inscribed 'No 76', 'Edition Picasso' ...

H&C Heinrich, massive, white, porcelain, sculpted, floor standing, vase, circa 1960 - The massive height, white monochrome and sculpted surface create a rare, floor standing, ceram...

Set of six plates Edition of 500 This set contains these editions numbers: 148,249,250,252,302,303 plates are manufactured at Bryan Pottery, Pennsylvania or New Jersey

Gautam Das - Home Within Stoneware 9 x 9 inches, 2023 (Delivered) This sculpture presents a captivating architectural abstraction, crafted with precision and poetic balance. Made fr...

"Deux femmes nues ". " naked women " is a ceramic plate signed Masson (underneath ) ." unic piece ". dated 1921 . Andre Masson realized very few works o...

Contemporary Porcelain Sculpture, Traditional Korean Vessel Form, Deconstructed Steven Young Lee is the Resident Artist Director of the Archie Bray Foundation in Helena, Montana. A...

Contemporary Porcelain Vessel Form, Deconstructed, Sculptural, Glazed Surface Steven Young Lee is the Resident Artist Director of the Archie Bray Foundation in Helena, Montana. A Ch...

The series "Venus Nostalgia" is a collection of sculptures inspired by the famous Venus de Milo, an emblematic work in the history of art that has had a great impact on Castello's wo...

Victor Vasarely Optisk komposition, 1970 is a Studio Line Rosenthal Porcelain relief with aluminum and is hand-signed by Victor Vasarely (Hungary, 1906 – France, 1997) on verso. Numb...

The rectangular plaque hand-painted depicting two children lost in a forest. Origin: German Date: 19th century Dimension: (Plaque) 13 in. x 8 in.; (framed) 19 1/2 in. x 14 1/2 in.

Pair of 19' century Italian Marble imitation painted Terracotta . Bust of Emperor Caracalla and Cicero . Measurements : cm 71 H x 60 Available also a pair marble imitation colum...

Young Wood Owl, Pablo Picasso, 1950's, Multiples, Design, Postwar, Pitcher Young wood-owl Ed. 500 pcs 1952 White earthenware clay, partly polychromed and glazed 26.5 x 9.5 cm Stampe...

Original painting on ceramic tile of two archers by the French artist, Jean-Pierre Grun. Signed lower right. Condition is very good. Circa 1960. ...

"AR 30 - Face in a star" white earthenware clay with decoration in engobes, boring-rod engraved under glaze and blue, green, red and white ground ceramic platter by artist Pablo Pica...

medium: installation, table, mirror, 20 glass and metal beaded clay sculptures Esperanza Cortés is a Colombian born multidisciplinary artist based in New York City. Cortés has been ...

Testa 9 is an expressionist ceramic head sculpture created in white stoneware with a bismuth Rakú glaze. This ceramic head belongs to the artist’s Testas series, a body of work compo...

"The Bacchante," an imposing terracotta group bearing the signature of Domien van den Bossche. Late 19th century. Probably inspired by Carrier Belleuse's "The Bacchante" group of ...

Balloon Swan (Magenta) - Jeff Koons, 21st Century, Contemporary, Porcelain, Sculpture, Decor, Limited Edition Limoges porcelain with chromatic metalized coating Edition of 999 Signe...

This cup is one of 48 that make up the installation, “Fragments of Our Love Story.” These cups feature feminine forms which recall the Venus of Willendorf and other historical fertility...

Mina Karwanchi Alcicornis, 2022 Porcelain 23 x 18 x 18 cm 9 x 7 1/8 x 7 1/8 in

Isaac Grünewald ( 1889-1946 ) Swedish Expressionist painter . Rare & unique ceramic work ( 1940's ) Glazed stoneware . signed . decorated with nude male and female figures . 28cm .

Ceramic painted in colours with glaze 53.8 x 52 cm (21 1/8 x 20 1/2 in.) signed in Pinyin and Chinese and dated '04' in black glaze further annotated 'F9 37/40' in black ink on the ...

PABLO PICASSO (1881-1973) Cavalier et cheval (A.R. 138) stamped, marked and numbered 'Edition Picasso / Madoura Plein Feu / Edition Picasso / Madoura / 199/300' (underneath) white ea...

Joana Vasconcelos Trafaria-Praia 2013 Viúva Lamego Hand-painted Tin-glazed Ceramic Tiles 42 × 56 cm (16.5 × 22 in), Unframed Limited Edition of 100 Signed...

Organic Fluted Ceramic Bowl Sculpture Dimensions: 16 x 14 x 14 inches Dark stoneware, bronze glazed interior Hand-built ceramic bowl sculpture finished in a dark bronze glaze interi...

Relations 1 is a unique sculpture by contemporary artist Sharon Brill. This sculpture is made of Wheel thrown altered and sandblasted porcelain, dimensions are 22 cm × 15 cm × 20 cm ...

Artist Commentary: Event 02.2000.015 is a one of an ongoing series of sculptures exploring my envisioning cosmic events and their existence in spacetime. This piece is also an exploration of combining different materials into sculpture. Keywords: abstract, welded metal, Artist Biography: Fred Klingelhofer, a primarily self-taught artist, grew up in a Chicago south side neighborhood. He received a BS degree in physics from Roosevelt University and worked as an engineer for 30 years. During those years he enrolled in art workshops and classes at a nearby community college completing courses in figure drawing, 2D and 3D design, ceramics, sculpting the figure, welding and metal sculpture. His focus has been on creating sculpture since 2006. Fred has exhibited his sculpture in a number of group exhibitions with Chicago Sculpture International, Art Prize (Grand Rapids, Michigan), Sculpture in the Park (St Charles, Illinois), Sculpture Walk Sioux Falls...

This deep green color glossy ceramic balloon sculpture is a balloon for life and an art collectors piece. Its Vivid glossy color enhances sophisticated and cheerful space environment...

This dish, inspired by the bellas of the Italian Renaissance, bears witness to the fruitful collaboration that began in 1882 between the ceramist Théodore Deck and the young artist Paul Helleu, before the latter became the fashionable portraitist of feminine elegance. 1. Paul Helleu In 1913 Robert de Montesquiou wrote in his book devoted to the painter: "Helleu was born in Vannes in 1859, of a Breton father and a Parisian mother". He hardly knew his father, who died when he was three years old, and was brought up entirely by his mother, who sent him to continue his studies at the Lycée Chaptal in Paris in 1873. The discovery of Edouard Manet's Chemin de Fer at the 1874 Salon is reported to be at the origin of his artistic vocation. He worked against his mother's wishes in the studio of the painter Gérôme, also frequented by the painters Giovanni Boldini, Jean-Louis Forain and Antonio de La Gandara...

Yoshitomo Nara (Japanese, born 1959) Girl in the Moon, 2022 Medium: Porcelain plate (fine bone china) Dimensions: 10 1/2 in diameter 26.7 cm diameter Edition of 250: Printed signatu...

A porcelain plaque depicting a beautiful veiled woman holding a flower gesturing to keep a secret. Impressed KPM and scepter mark, signed "O. Dietriche", in a giltwood frame. Maker: ...