Art by Medium: Digital

THE EMPRESSES - THEODORA Date of creation: 2022 Medium: Laminated giclée print on aluminium composite and screen printed with glitter. Edition number: 1226/3315 (1.566 physical + 1.7...

Calvert’s current paintings investigate the relationship between digital media and the reception and perception of images, and utilizes diverse technologies such as fresco, 3D modeling, AI and data manipulation through code. She is especially interested in the evolution of pictorial space. Today we view our screens and the world they occupy as a shallowly layered space of overlapping desktop windows. The picture plane has tilted up again from the flatbed to float in front of our eyes. Calvert’s paintings in turn depict an intermediate space, where the verticality of the still life paintings cohabitate with these digital panes. Dutch floral still life paintings encapsulate multiple concerns. Their subjects were botanical fantasies, emblems of an economic mirage that has contemporary corollaries. Most important to Calvert’s pictorial concerns, they depict ephemeral things in shallow and diagrammatic space - they are all foreground. They contain an abundance of visual information in overwhelming density, creating an allover resolution; a visual field that is equivalent to digital noise. By making painterly interventions into reproductions, Calvert attempts to dissolve the layer between the resolution of the source image and abstraction of the painted mark. ⎯⎯⎯⎯⎯ Tiffany Calvert has exhibited her work in the US and abroad including Lawrimore Project in Seattle, E.TAY Gallery in New York, the Speed Museum in Louisville and Cadogan Contemporary in London. Residencies include the Djerassi Resident Artists Program, I-Park, and ArtOmi International Arts Center where she received a Geraldine R. Dodge Fellowship. Calvert has received grants from the Great Meadows Foundation and the Pollock-Krasner Foundation. Her work was recently profiled by critic John Yau in the online journal Hyperallergic. Her curatorial projects include “Some Abstraction Occurs” at 65GRAND Gallery in Chicago and “Magic” at Mercer College (featuring work by Chris Martin, Karla Knight, and Sarah Peters...

Audrey Hepburn, c19_27 -- Audrey Hepburn, ready in make-up and costume to play the title role in Paramount's Sabrina Fair. This shot is an out take from the photo essay in the December 7, 1953 issue of LIFE. Image size is 13.75" x 20" (for 17" x 22" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo rag paper. Each print is Estate stamped on the back and signed and numbered by David Shaw...

The Kennedy Family Sailing on Nantucket Sound, nb_036_037 -- The Kennedy Family sailing on Nantucket Sound. Image size is 13.75" x 20" (for 17" x 22" paper size). All Mark Shaw print...

"David Bowie Mugshot" Print 39 x 36 inch Edition of 75 by Gerard Marti Digital print on fine art paper. Ships rolled in a tube. Signed and numbered by the artist. Mugshot taken ...

Rinko KAWAUCHI (*1972, Japan) Untitled, from the series 'Ametsuchi', 2013 Lambda print Medium Sheet 64 × 80 cm (25 1/5 × 31 1/2 in.) Large Sheet 148 x 185 cm (58 1/4 x 72 7/8 in.) Ed...

Marie Maud ('Memsie') McKim 1958 (printed later) Chromogenic print Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. Marie Maud ('...

Gigi Mills' work is born out of her desire to simplify and reduce each moment to its essence; she achieves this by omitting mundane details from life that can often obscure genuine e...

Archival Pigment Print Under Acrylic Glass All available sizes and editions: 40" x 40", Edition of 15 48" x 48", Edition of 15 55" x 55", Edition of 15 60" x 60", Edition of 10...

Archival Pigment Print Under Acrylic Glass Edition of 15 "Horses stir passion, inspire respect, and have influenced human history, unlike any other animal. These unique creatures re...

Archival Pigment Print Under Acrylic Glass All available sizes and editions: 40" x 60", Edition of 15 47" x 71", Edition of 15 55" x 80", Edition of 15 60" x 90", Edition of 10...

Jackie and John Jr. Palm Beach 1963, nb_148. Image size is 13.75" x 20" (for 17" x 22" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo rag...

Archival Pigment Print Under Acrylic Glass All available sizes and editions: 40" x 60", Edition of 15 47" x 71", Edition of 15 55" x 80", Edition of 15 60" x 90", Edition of 10...

Archival Pigment Print Under Acrylic Glass All available sizes and editions: 40" x 80", Edition of 15 44" x 88", Edition of 15 48" x 96", Edition of 15 54" x 108", Edition of 1...

Elizabeth Taylor Black Suit, Hand to Lapel -- Mark Shaw photographed Elizabeth Taylor for the October 15, 1956 cover of LIFE magazine. Taylor was starring in the academy award winnin...

"Schnitzel Please!" This timeless, charming photo of a town favorite Dresden Dog, was captured by New York based photographer Fernando Natalici in Germany in 1999. Archival Inkjet ...

Dragonfly - Signed limited edition archival pigment print, 2016 - Edition of 5 A dragonfly on a silver tray This print that is being offered is a high-quality Archival Pigmen...

This 1970s photograph, captured by society photographer Slim Aarons, features former fashion model Helen Dzo Dzo Kaptur (in white lace) and Nelda Linsk (in yellow), wife of art deale...

"Third Eye Chakra" Black & White Photography 18" x 18" in Ed. 1/20 by Oleg Char Signed and numbered by the artist. Comes with COA issued by the Artist Not framed. Ships rolled i...

From the visual collaborative series between Bernie Taupin CBE and Terry O'Neill CBE, titled 'Two Sides of the 60s; Limited Edition of 50 Hand Signed by Bernie Taupin

Dior, H-LIne, "1955," 1954. Image size is 10" x 15" (for 11" x 17" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo rag paper. Each print i...

"Hollywood Dreams" Photography 16" x 24" in Ed. of 15 by Brendan North Signed and numbered by the artist. Comes with COA issued by the Artist ships rolled in a tube Available sizes...

This early-1970s photograph, taken by society photographer Slim Aarons, features Linda Ashland relaxing in a beach hammock on the island of Mustique in the Grenadines. This is an es...

"Does your Gucci Make You Happi?" Photography 50x40in Ed. 2/3 by Brendan North Signed and numbered by the artist. Comes with COA issued by the Artist Available sizes: Edition of 1...

Wave - Signed limited edition archival pigment print, Edition of 5 Breaking wave on the Spanish coast This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo Rag® ...

Palm Beach Fashion 1955 (printed later) Fiber print Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. Mrs. Guilford Dudley, JR. wears a De De Johnson lace dress as she walks her Dandie Dinmont...

Il Pellicano Tennis 1955 (printed later) C print Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. An Aston Martin DB6 sports car dr...

This mid-1960s portrait photograph, captured by society photographer Slim Aarons, features two people horseback riding at the Rawlins Plantation inn, Saint Kitts and Nevis, West Indi...

Diasec-mounted Giclée print on aluminium composite panel Edition 13 of 25 42 x 60 cm (16.5 x 23.6 in) Signed and numbered on the reverse Mint Published by Heni

iPad drawing on aluminum 46 X 60 No.1 of edition of 5 After oil painting for 40 years Sebastian Spreng transitioned to digital compositions. Since he has exhibited his iPad artwork i...

Lily On The Riviera 1957 (printed later) Chromogenic print Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. French soprano Lily P...

Kennedy, Jackie Mark’s Camera, 1962 -- Jackie in Ravello, Italy as photographed by Mark Shaw on a private cruise, summer of 1962. THE 24” x 36” SIZE OF THIS IMAGE IS ONLY OFFERED IN ...

Dior Gown with Fur Hat, Paris, 1954 -- One of Mark Shaw’s favorite photographs, this Christian Dior gown was published in 1954 in LIFE. Used as Cover image for Dior Book. Image size ...

Artist: Invader, Title: Invaded Cube Series: Rubikcubism Date: 2023 Medium: Diasec-mounted Giclée on aluminium composite panel Unframed Dimensions: 39.37" x 39.37" Signature: ...

Audrey Hepburn Getting Shampooed and Reading, Wide, c7_14 – Photographed for Life in 1953, part of Audrey Hepburn's nightly ritual was a shampoo given at the studio. Image size is 10...

Stay Me Deer Series: Meditations Photo-based painting on Canson Infinity Rag Photographique Available sizes 30 x 33 in Edition of 15 40 x 44 in Edition of 12 60 x 65 ...

Gerhard Richter Landschaft mit Wolke, 1969/2022 Medium: Hybrid raster dissolved digital art print on Rives 260 gsm paper Dimensions: 27 3/5 × 27 3/5 in 70 × 70 cm Edition of 500: Ha...

Ink jet on Hahnemühle Fine Art paper, 24 x 36 in, 310 gsm, edition of 8 Artwork can be shipped rolled up in a tube or framed in a crate Rusa Tavartkiladze is a female Georgian artis...

"The Cat Lover" is part of our Enthusiasts collection created by artist Tug Rice. Signed and numbered limited edition of 12 giclée print on Hahnemuhlë etching paper. Unframed but we ...

Guests by the pool at the Hotel du Cap Eden-Roc, Antibes, France, August 1976. Eden-Roc Pool 1976 C-Print Estate signature stamped and hand numbered edition of 150 with certificate ...

Calvert’s current paintings investigate the relationship between digital media and the reception and perception of images, and utilizes diverse technologies such as fresco, 3D modeling, AI and data manipulation through code. She is especially interested in the evolution of pictorial space. Today we view our screens and the world they occupy as a shallowly layered space of overlapping desktop windows. The picture plane has tilted up again from the flatbed to float in front of our eyes. Calvert’s paintings in turn depict an intermediate space, where the verticality of the still life paintings cohabitate with these digital panes. Dutch floral still life paintings encapsulate multiple concerns. Their subjects were botanical fantasies, emblems of an economic mirage that has contemporary corollaries. Most important to Calvert’s pictorial concerns, they depict ephemeral things in shallow and diagrammatic space - they are all foreground. They contain an abundance of visual information in overwhelming density, creating an allover resolution; a visual field that is equivalent to digital noise. By making painterly interventions into reproductions, Calvert attempts to dissolve the layer between the resolution of the source image and abstraction of the painted mark. ⎯⎯⎯⎯⎯ Tiffany Calvert has exhibited her work in the US and abroad including Lawrimore Project in Seattle, E.TAY Gallery in New York, the Speed Museum in Louisville and Cadogan Contemporary in London. Residencies include the Djerassi Resident Artists Program, I-Park, and ArtOmi International Arts Center where she received a Geraldine R. Dodge Fellowship. Calvert has received grants from the Great Meadows Foundation and the Pollock-Krasner Foundation. Her work was recently profiled by critic John Yau in the online journal Hyperallergic. Her curatorial projects include “Some Abstraction Occurs” at 65GRAND Gallery in Chicago and “Magic” at Mercer College (featuring work by Chris Martin, Karla Knight...

A new day - Fine art print. Fine art reproduction with this premium textured fine art paper, 300g/m², reminiscent of traditional watercolour papers. This acid free, cold press, co...

Diasec-mounted Giclee print on aluminium panel Edition 71 of 100 90 x 90 cm (35.4 x 35.4 in) Signed and numbered on the back Artwork in excellent condition. Minor imperfections may a...

17/79 Artist thumb

Gardani announces a new Pop Art Limited Edition, Giclée printed on Canvas. Each print is Hand signed and numbered by Gardani, with a signature, thumb print and registration number o...

Gardani announces a new Pop Art Limited Edition, Giclée printed on Canvas. Each print is Hand signed and numbered by Gardani, with a signature, thumb print and registration number o...

Gardani announces a new Pop Art Limited Edition, Giclée printed on Canvas. Each print is Hand signed and numbered by Gardani, with a signature, thumb print and registration number o...

Werner Bronkhorst Caravan Life, 2026 Giclée print on heavyweight 395gsm matte Canson Infinity PhotoArt ProCanvas, made with long-lasting Epson archival inks. Hand-stretched over FSC-...

RINKO KAWAUCHI (*1972, Japan) Untitled, from the series 'Illuminance' 2011 Lambda print Sheet 101.6 x 101.6 cm (40 x 40 in.) Edition of 6 print only, Signed by the Artist Reminiscen...

Patrick Chelli invents collections of photographs from different points of view, looking at the viewer at the back. In his new series, spectators are captured in galleries as they wa...

"Mick Jagger Mugshot" Print 39 x 36 inch Edition of 75 by Gerard Marti Digital print on fine art paper. Ships rolled in a tube. Signed and numbered by the artist. After an anony...

Audrey Hepburn, c19_27 -- Audrey Hepburn, ready in make-up and costume to play the title role in Paramount's Sabrina Fair. This shot is an out take from the photo essay in the Decemb...

This mid-1980s photograph, taken by society photographer Slim Aarons, features Laura Hawk, assistant to the photographer, relaxing by the pool at El Rincon, the von Pantz' Marbella h...

Snowmass Village 1967 Chromogenic Lambda Print Estate edition of 150 Women in colourful hats at an apres ski party in Snowmass Village, in Pitkin Cou...

18" x 20" Unframed Limited Edition Giclee on Canvas with Hand Embellishment of 75 Hand Signed by Todd White Todd white captures restaurant, night and Hollywood scenes with contrasting colors serving the viewer’s eyes as those in his stolen scenes serve or are served-wine, coffee, cigarettes, cigars, and martinis. He creates timeless scenes of diverse attraction, of known intimacy. Within the exaggerated features and textured skin of his characters lies truth, yours and theirs. Distinctive bodies and details to lips, eyes, hair, skin, hands and what is held in each, separate and blend his characters’ lives. The smoke that rises from their lips, the drinks that linger at their fingertips, the clothing that adorns their bodies and the crowd created among lovers, friends, patrons and co-workers all speak a certain poetry. Each character depicts the subtleties of what one shows and what one hides. An asymmetrical face tells of an asymmetrical life, of how life wears and how we wear life — what we choose to carry in our hands and on our faces — how we wear ourselves, what smoke and color we stand in. Todd’s paintings are captivating, demanding a second look, often invoking humor or thoughts of familiar feelings — I’ve been there, I know them. Above all, the work is infectious and has caught the attention of the public (galleries cannot keep enough of Todd’s work in stock) as well as celebrities (Vin Diesel, Hugh Hefner, Macaulay Culkin, Eric McCormack, Ryan Stiles and Joe Rogan are collectors of Todd’s oil paintings). But who is the artist behind the art and where did his unique style come from? Todd began in at Warner Bros. Studios while working on the popular series, tiny toons. Through character clean-up and development, Todd began to forge his own artistic style. Shortly thereafter, Todd became part of the lead animation team for the internationally renowned cartoon, sponge bob square pants. Over the next three years, Todd sharpened his eye in storyboarding, illustration and character design. Throughout this period, Todd privately experimented with style and concept, eventually arriving at a process which guides him through every piece. The impact is apparent in his paintings; Todd’s rat-pack-meets-Picasso style results, in part, from his desire to reveal his characters’ innermost thoughts and emotions on their faces. Todd likens his portraits to his favorite episode of the Twilight Zone in which people wore masks that later became their faces and revealed who they truly were. Fast forward ten years later, and until Todd can conceptually see the story in his head, he refuses to paint a single signature knuckle curled around one of his famous martinis. "I actually name my pieces first and then i visualise each face and its personality. Then I develop each person’s story." The stark, unblemished delivery of his subjects is very much intended: whatever isn’t necessary to the story isn’t on my canvas. "I don’t waste a lot of time with backgrounds because they don’t interest me. They aren’t necessary. Instead i focus on what is essential. For example, the hands." Hands are a focal point for Todd, reflecting the subject’s state of mind as much as any body language or facial expression. Everyone’s hands are full of personality he surmises. Take Al Pacino; without his hands, he’s not nearly as interesting to watch. In addition to more obvious influences, such as Austrian expressionist Egon...

Andrew Scott, Dig, 2024 Giclee print of 315 gsm etching cotton rag paper 45 x 33 cm (17.7 x 13 in) Edition 149 of 250 Frame included Hand-signed a...

Digital print on canvas, edition 1/10, 30 cm diameter, 2019 Jane Ward is a British artist born in 1960 who lives & works in Lake District National Park around Keswick and Grasmere, ...

Slim Aarons Cecily Godfrey, Hong Kong 1979 (printed later) Lambda C-print Estate Edition of 150 Cecily Godfrey relaxes by the pool at her home in Hong Kong, 1979. Her husband Gerald...

llustration on paper (giclée print) realized by the Italian artist Sara Franzese in 2022. Edition of 5. Hand-signed and numbered "Turn your tears in stars, make them shine as you a...

27" x 36" Unframed Premium Gloss Canvas Giclee, Hand Embellished in Acrylic, Acrylic Gel, Archival Ink Hand Signed by Sean Danconia 2011 With Edward Woodward as Blofeld, Alain De...