Art by Medium: Film

A table awaiting bread to be broken and wine to be drunk… – The Spaces in Between series developed out of visits to Naples in Italy and Havana in Cuba, two cities whose past glories ...

Colours once bright now muted… their exuberance dimmed but not lost on the streets of Yangon, Burma – The Spaces in Between series developed out of visits to Naples in Italy and Hav...

Communal living in Rio de Janeiro – High-rise communal living was once seen as a great step forward for mankind. Cawston’s Tenement series captures the individual within the collect...

With immigration comes culture and culinary delights to light up the American skyline – Cawston’s eye for colour, structure and the beauty of the mundane finds a world-in-waiting as ...

An avenue of ancient oaks… – Cawston’s landscapes are filled with delicate harmonious tones. They resonate feeling and leave the viewer rapt, lost in the detail as if listening to t...

Contemporary Canadian woven photograph titled "Algonquin Sunset" by Peter Gottlieb. After receiving his Bachelor of Fine Arts from the University of Michigan School of Art & Design, Gottlieb co-founded a Toronto based design firm where he served as creative director for ten years. In 2009, Gottlieb moved to the countryside near Algonquin Park...

Agbopura – Limited Edition Contemporary Abstract Landscape Photograph by Gina Parr [2019] limited_edition Photograph printed on 310gsm Hahnemuhele German Etching paper with archival...

Henri Cartier Bresson (Chanteloup-en-Brie 1908 - Céreste 2004), Arizona (1947) later printed Silver gelatin print, image 24 x 36 cm, sheet 30 x 40 cm, dedication and signature at lo...

“The creation of a thousand forests is in one acorn...” Ralph Waldo Emerson In the dirt. This is where life begins. The journey starts in darkness. Trees often inspire the gaze u...

“The creation of a thousand forests is in one acorn...” Ralph Waldo Emerson In the dirt. This is where life begins. The journey starts in darkness. Trees often inspire the gaze u...

“The creation of a thousand forests is in one acorn...” Ralph Waldo Emerson In the dirt. This is where life begins. The journey starts in darkness. Trees often inspire the gaze u...

“The creation of a thousand forests is in one acorn...” Ralph Waldo Emerson In the dirt. This is where life begins. The journey starts in darkness. Trees often inspire the gaze u...

“The creation of a thousand forests is in one acorn...” Ralph Waldo Emerson In the dirt. This is where life begins. The journey starts in darkness. Trees often inspire the gaze u...

“The creation of a thousand forests is in one acorn...” Ralph Waldo Emerson In the dirt. This is where life begins. The journey starts in darkness. Trees often inspire the gaze u...

“The creation of a thousand forests is in one acorn...” Ralph Waldo Emerson In the dirt. This is where life begins. The journey starts in darkness. Trees often inspire the gaze u...

“The creation of a thousand forests is in one acorn...” Ralph Waldo Emerson In the dirt. This is where life begins. The journey starts in darkness. Trees often inspire the gaze u...

“The creation of a thousand forests is in one acorn...” Ralph Waldo Emerson In the dirt. This is where life begins. The journey starts in darkness. Trees often inspire the gaze u...

“The creation of a thousand forests is in one acorn...” Ralph Waldo Emerson In the dirt. This is where life begins. The journey starts in darkness. Trees often inspire the gaze u...

"Collage" by Bernard Herzog (French, b.1935) signed and stamped verso with catalogue number photo collage cut outs on paper, unframed overall paper: 25.5 x 20 inches Highly unique ...

A beautiful composition of trees and landscape of Polish countryside from 1980s in Galicia... Polish Galicia is a historical and geographic region between Central and Eastern Europe ...

Dancer: Karolina #2 – 20×30″ [2020] limited_edition Fuji 249 gsm Pro Crystal Archive Digital Paper Type II Edition number 12 Image size: H:30 cm x W:20 cm Complete Size of Unfram...

This is the iconic photo of Beyonce that graced the cover of her hit album "Dangerously in Love." Shot by international celebrity photographer Markus Klinko (bio below), this strictl...

A collaboration between painter John-Herbert Wright & photographer John Mazlish. Shot on the island of Holbox in Mexico.

This photograph is printed on Japanese Paper. The price is for an unframed photograph. 11" X 14" Edition of 25. The Robin Rice Gallery is pleased to announce, 25 Years of Polaro...

A beautiful composition of painting like idyllic landscape of Polish countryside from 1970s in Galicia... Polish Galicia is a historical and geographic region between Central and Ea...

Original mixed media work by Canadian artist Brian Wood. This work comes in a contemporary frame presentation. Brian Wood is an artist working with multip...

Bob Tabor is a well-established, New York based, photographer best known for his exquisite large scaled portraits of subjects ranging from horses to seascapes. It is his unique appro...

Monarch Memento Mori UV print on aluminum, chain, jewelry, keychain, boondoggle, stickers, Croc Jibbitz, rabbits’ foot 12x36” 2019 $975 Eternal Flame is a...

A one of a kind 20x11.25 Conceptually Alternative Cyanotype executed on Hahnemuhle Sumi-E Paper by artist Annalise Neil. A certificate of authenticity will be provided upon its purch...

David Armentor says, "The Sugar Mill Sessions focuses on sugar production in Southwest Louisiana. It attempts to give a localized, romantic view of the industry by documenting harvest seasons of the sugar mills, Cajun Co-op, Louisiana Sugar Cane Co-op and Enterprise. With the sugar industry as a passive backdrop to my upbringing, it was natural for me use its distinctive characteristics as indicators of "home" even after relocating as an adult. Originally, this work began in 2004 with the intention of capturing these traits in a purely formal documentary fashion, following the discipline of "photograph what you know." I worked mostly at night during the harvesting season months of September through January, which gave way to a more expressive capture of the industry. This direction allowed me to give a unique perspective to an industry where sense of place is often viewed as burdensome or vexatious. Unique lighting conditions along with modernistic compositions allow the images more gentle, hushed qualities while remaining grounded in the innate industrial masculinity -- something easily overlooked by those familiar with the landscape. 'The Sugar Mill Sessions' is an ongoing body of work which has evolved going forward. Historically great artists have explored this complex industry that is ingrained in the Southern culture as it has a continual ability to serve as an umbrella for flavorful artistic expression, critique and research." Gulf coast native David Armentor is an artist who has been working in the photographic medium since 2002. He received a BA from Louisiana State University where he learned the craft of traditional photographic print making. After graduation he taught photography classes for the Baton Rouge Arts Council and worked as a freelance photographer until moving to Seattle, WA, where he continued his photographic endeavors with the Benham Gallery as the gallery manager and guest artist. He now resides in New Orleans, LA, and is the founder of St Veronica...

Lucille Khornak (American), "Donna Karan", Black and White Screen Print on Harmon paper, 16 x 20, Late 20th Century Hand signed by Lucille Khornak Available sizes: 11 x 14...

Lucille Khornak (American), "Arnold Scaasi", Black and white screen print on Harmon paper, 20 x 16, Late 20th Century Hand signed by Lucille Khornak Available sizes: 14 x ...

Lucille Khornak (American), "Issey Miyake", Black and white screen print on Harmon paper, 16 x 20, Late 20th Century Hand signed by Lucille Khornak Available sizes: 11 x 1...

Lucille Khornak (American), "Jean-Charles de Castelbajac", Black and White Screen Print on Harmon Paper, 16 x 20, Late 20th Century Hand signed by Lucille Khornak Availabl...

Lucille Khornak ( American ), "André Courrèges", Black and White Screen Print on Harmon Paper, 16 x 20, Late 20th Century Hand signed by Lucille Khornak Available sizes: 1...

Lucille Khornak (American), "Chantal Thomass", Black and White Screen Print on Harmon Paper, 20 x 16, Late 20th Century Hand signed by Lucille Khornak Available sizes: 14 ...

Doll No. 3 (Edition 1/25), Lucille Khornak, Color Photograph on Board with Acrylic Finish, 40 x 26, Late 20th Century Colors: Black, Blue, White,...

Doll No. 1 (Edition 1/25) "Pierre", Lucille Khornak, Color Photograph on Board with Acrylic Finish, 40 x 26, Late 20th Century Colors: ...

Doll No. 2 (Edition 1/25) "Madeline", Lucille Khornak, Color Photograph on Board with Acrylic Finish, 40 x 26, Late 20th Century Colors...

Doll No. 16 (Edition 1/25), Lucille Khornak, Color Photograph on Board with Acrylic Finish, 40 x 26, Late 20th Century Colors: Blue, Gray, Brown,...

A lone figure stands before a stark architectural scene, inviting contemplation of urban solitude… In a moment of stillness, a man looks toward geometric buildings, evoking thoughts ...

Shapes 1, 2018

'Dubawi' (foaled 7 February 2002) is a retired Thoroughbred racehorse and active sire. Dubawi is a bay horse with no white markings bred in Ireland by Sheikh Mohammed's Darley Stud. He was one of the only crop of foals sired by Dubai Millennium, an outstanding racehorse. His dam, Zomaradah was a top class racemare who won the Oaks d'Italia, E. P. Taylor Stakes, Premio Lydia Tesio and the Royal Whip Stakes.[2] As a descendant of the broodmare Sunbittern, Zomaradah, who also produced the Lancashire Oaks winner Emirates Queen, was closely related to In the Wings, High-Rise and Virginia Waters.[3] The colt raced in the blue colours of Godolphin and was trained by Saeed bin Suroor. He was ridden in all but one of his races by Frankie Dettori...

Original Polaroid of The City a Contemporary Landscape Photography by Pia Clodi. Pia Clodi’s works encompass moments and mementos from her countless walks through cities as well as...

Soaring Sky High, part of the “Wooden Postcards” series, lifts the viewer above Union Square’s rooftops, capturing New York’s iconic water towers against a vast blue sky. Shot with a...

Karen Alexander broke ground as a black model in the 1980s and 1990s and is sometimes known as “the other supermodel”. "Natural beauty and refined elegance of Karen Alexander" Ritt...

Steve Schlackman is a lawyer by profession and a photographer by choice. Fascinated by the magical world of photography since his youth, he honed this...

Experimental photographic work by Kim Frohsin, who is often associated with the Bay Area Figurative movement, began exhibiting in the San Francisco Bay Area in the early 1990s, and in 1993 was included with Nathan Olivera, Manuel Neri and Stephen De Staebler in an exhibit of "Four Figures from the Bay." With Wayne Thiebaud as the juror, she won the California Society of Printmakers' Award in 1996, and the following year exhibited at the de Young Museum in San Francisco in "Bay Area Art: The Morgan Flagg Collection." Frohsin is a multidisciplinary visual artist, who is at home with painting, drawing, monoprintIng, and mixed media. Her subjects include the female figure as well as mundane ''objects" and series — including ‘Cautionary Tales’ and ‘Portraits of Numbers’— that attract her attention, and which are most often autobiographical in nature. This mixed media work is created from deconstructed pinhole photographs...

In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity. By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood. Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut. In the case of Holiday Inn, it wasn’t their buildings, but their iconic illuminated sign that appeared on ashtrays, so he sought out a standing example of the sign he could photograph. As it turned out all had been removed years before from the hotels' properties and the only working example was indoors at the Henry Ford Museum in Dearborn, Michigan. He did, however, find out that there was one still standing, surprisingly, in Beruit, Lebanon. He found an image of it on the web and used it to make Holiday Inn (Beruit). In 1973 Holiday Inn changed their tagline from “The Nations Innkeeper” to “The World’s Innkeeper” as they expanded overseas, including the Mideast. For the hotel chain it was bad timing: the disastrous Lebanese civil war began in 1975. In the war, the different Lebanese militias involved in the conflict, including the Nasserites, Christian Phalangists, and the Lebanese National Movement engaged in what came to be called “The Battle of the Hotels” where they each occupied a major high-rise hotel in central Beruit. The Phalangists commanded the Holiday Inn, which they used to fire with both light arms and heavier weapons at the militias in neighboring hotels. Klein used the photo of the heavily damaged Holiday Inn sign as I thought it spoke in a curious, offhanded way about American cultural imperialism in juxtaposition with an ashtray that proclaimed Holiday Inn to be “The World’s Innkeeper.” In the work Holiday Inn (Nocturne) the artist utilized a found, 35mm slide of a Holiday Inn sign at night at an unknown location as the basis of the photograph in the work. Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City.. Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...

In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity. By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood. Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut. In the case of Holiday Inn, it wasn’t their buildings, but their iconic illuminated sign that appeared on ashtrays, so he sought out a standing example of the sign he could photograph. As it turned out all had been removed years before from the hotels' properties and the only working example was indoors at the Henry Ford Museum in Dearborn, Michigan. He did, however, find out that there was one still standing, surprisingly, in Beruit, Lebanon. He found an image of it on the web and used it to make Holiday Inn (Beruit). In 1973 Holiday Inn changed their tagline from “The Nations Innkeeper” to “The World’s Innkeeper” as they expanded overseas, including the Mideast. For the hotel chain it was bad timing: the disastrous Lebanese civil war began in 1975. In the war, the different Lebanese militias involved in the conflict, including the Nasserites, Christian Phalangists, and the Lebanese National Movement engaged in what came to be called “The Battle of the Hotels” where they each occupied a major high-rise hotel in central Beruit. The Phalangists commanded the Holiday Inn, which they used to fire with both light arms and heavier weapons at the militias in neighboring hotels. Klein used the photo of the heavily damaged Holiday Inn sign as I thought it spoke in a curious, offhanded way about American cultural imperialism in juxtaposition with an ashtray that proclaimed Holiday Inn to be “The World’s Innkeeper.” In the work Holiday Inn (Nocturne) the artist utilized a found, 35mm slide of a Holiday Inn sign at night at an unknown location as the basis of the photograph in the work. Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City.. Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...

"Spirits in Corkscrew Canyon" is an original fine-art photograph by Robert Kawika Sheer. This piece is signed in the lower right and editioned in the lower left. Edition 30/150. Shee...

These photographs are printed as Dye Sublimation Prints. No glass is needed. Framing options available. "Surfing Color" presents photographs that are abstract creations born from realism. Kocharian emphasizes the ambient color in the tradition of minimalism, observing the beauty and mystery of light, shadows, tone, and moods. The environments within the photographs are transformed into ones of symbolism, challenging the viewer to question the images. As a result, a tension is created, like an energy trapped in a frame attempting to escape. Kocharian, who is also a filmmaker, brings a cinematic eye to his photography, as we experience images that reflect simplicity through his focus on light, color, and the documentation of ordinary life. In “Going Home,” Los Angeles a pool-like shadow on the foreground alters the nature and surrounding of the image as light breaches from the center of the bike during sunset. “Blue Highway”, Nevada leads the viewer into the deep blue of early dawn and draws them into a new beginning. His influences in these photographs include artists such as Mark Rothko and photographer William Eggleston, as Kocharian uses color, texture, geometry, and shapes to tell a story that evokes contemplation and introspection. Born in Armenia, Haik Kocharian was introduced to the world of art in his early childhood by his parents, who were theater and film actors. He began his studies at the Armenian Theater Academy and continued his education in film at Brooklyn College, where he also studied photography. Kocharian resides in New York City. In 2015, Kocharian released his first feature film, "Please be Normal," starring Oscar-nominated actor Sam Waterston. The film was nominated for a Critic’s Pick in the New York Times and won awards at two film festivals. Kocharian is actively involved in charity work and, as a photographer, he has collaborated with many non-profit organizations in the U.S. and abroad such as Village Health Partnership in Ethiopia and Meaningful World, a UN-affiliated NGO in Burundi, Kenya, and Rwanda. He has exhibited his works within galleries in New York such as Galerie Mourlot, Robin Rice Gallery, 92 Y Tribeca, and James Cohan Gallery, as well as group exhibitions at the Museum of the City of New York and the International Center for Photography. Kocharian was also a finalist in the Smithsonian Magazine Photo Competition. This is his third solo show at the Robin Rice Gallery. Nature, Road, Sky, Horizon, highway, freeway, route 66, color, abstract, American, Nevada, Landscape, Night, Evening, Sunset, summer, Los Angeles, Surreal, night scape...

"India Spirits, Rajasthan, India," is an original fine-art performance photograph by Robert Kawika Sheer, signed in the lower right and numbered in the lower left. The piece depicts an Indian shrine...

"The dunes change with the wind, but the desert remains the same." - Paulo Coelho - The Alchemist Print info: Ephemeral #1, Sand Dunes, Morocco, 2006 #landscape, Silver Gelatin Prin...

“It is terrifying to paint. When you start out, you are faced with this great unknown. And you think, am I ever going to paint again? Yet, as you work, it starts to formulate itself...

Bob Tabor is a well-established, New York based, photographer best known for his exquisite large scaled portraits of subjects ranging from horses to seascapes. It is his unique appro...

Iggy Pop - FROM THE ALBUM COVER SOLDIER 1980, STUDIO PORTRAIT (1979), 1979 Archival Pigment Print, Framed Image size 30 x 30 cm Frame: 55 x 45.5 cm © Brian Griffin "I remember this...

Seagulls - 21st Century Contemporary Landscape Color Photograph Print This photograph is part of photographer and artist, Pia Clodi's collection of 75 prints for Artist Collective: Peaches and Mint. Peaches and Mint is an Artist Collective, bringing the works of photographers working with medium format...

"Anza Borrego Spirit Shadows & Star-Trails" is an original fine-art photograph by Robert Kawika Sheer. The artist signed this piece in the lower right and editioned it in the lower l...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 20 CURRENT EXHIBITION - runs through February 25, 2017. Any framed photographs purchased during the show will be after February 25th. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current exhibition of the photograph. ABOUT In this exhibition, Mindaugas Gabrenas invites us to reflect on the poetics of place through his lyrical and surrealist imagery. His hand-printed silver gelatin prints reveal abandoned regions, wild coasts and strange territories from Lithuania to Scotland to America. As a scientific innovator, he uses unique techniques and unconventional materials in order to create his whimsical, dream photos. In “Spinning The Wheel”, stars trace the sky in a curved motion and meet the water below creating a sense of the infinite. As Gabrenas explores and captures landscapes through very long exposures, he actually meditates and reflects on the world around him encouraging his viewers to imagine themselves within the landscapes and dream with him. In another image “Dream About an Empty House”, that was taken in Lithuania, we see a young girl from behind in a red polka dotted dress as she faces an abandoned home. Using his handmade camera he constructed by merging two cameras—a Kiev 88 and a Kodak Duaflex II. The viewfinder of the Duaflex serves as an additional filter on the lens of the Kiev 88, which is fixed to its body with several macro rings. Before shooting the film, he wraps it in black rye bread and waits several days for the mold to grow onto the film. The combination of these two techniques creates a sense of motion around the central figure. “Alternatives”, our invitational image, pulls us into Gabrenas’ world. The focused close-up and abstracted view of train tracks distorts a familiar shape into a strange and unusual form. The tracks lead you in the distance, a blurry city of New York. The ironic lack of human life in New York City conveys a mystifying sense of place. In “Something With a Head”, we’re taken to the Lithuanian seaside where silhouetted figures stand on sand dunes watching...