Art by Medium: Glaze

My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-politica...

My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-politica...

My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-politica...

My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-politica...

My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-politica...

My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-political events, daily occurrences, as well as private intuitions that are made concrete through creative action. My objects are places of remembrance where multiplicities of associations take place. Most recently these have been concerned with issues of the human condition. “In recent ceramic Fire Paintings...

My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-politica...

My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-politica...

My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-politica...

A wonderful piece for a contemporary living space, this painting is the result of a years long refinement of artist Nick Schleicher's process. Combining his love of color theory, mas...

mixed-media signed by artist

Ak Jansen was born in Dongen, The Netherlands, in 1988. He studied at the Design Academy Eindhoven focusing on textile design, material culture, and techniques of fabrication. He wor...

Katie Yang's abstract ceramic sculptures delve into the unknowable nature of our world, exploring the interplay between control and chance. Influenced by artistic traditions from bot...

REID NICHOLLS Lines, lines, lines, 2018 ceramic, glaze, clay pigment, paint, acrylic glass 60h x 32w x 28d in Reid Nicholls is an American ceramic artist from Ohio, where he st...

Artist Statement by Rachelle Krieger: These new ceramic sculptural works are a reflection of biodiversity and vitality, capturing natural elements in various stages of life. During ...

Artist Statement by Rachelle Krieger: These new ceramic sculptural works are a reflection of biodiversity and vitality, capturing natural elements in various stages of life. During ...

Artist Statement by Rachelle Krieger: These new ceramic sculptural works are a reflection of biodiversity and vitality, capturing natural elements in various stages of life. During ...

“… look into the stains of walls, or the ashes of a fire, or clouds, or mud … you may find really marvelous ideas. The mind of the painter is stimulated to new discoveries … various ...

Early Morning, Serengeti Search is inspired by Jan Coutts's travels to the Serengeti and Ngorongoro Conservation areas of Tanzania. Mixed media triptych on...

Cone 04 earthenware sculpture with textured glazed and slips. Signed, titled, and dated in black ink on bottom. Milnes served as Dean of the College of Visuals Arts and Design at the University of North Texas from January 2006 to his retirement in August 2014, when he moved to Asheville, NC with his wife Karen, re-establishing Arbitrary Forms Studio there. A sculptor and ceramist, he served previously as Director of the School of Art and Design at San Jose State University in California, Director of the School of Art at Louisiana State University, and as Chair of the Art Department at Edinboro University of Pennsylvania. He taught at the Penland School of Crafts in 1972 and 1979. Milnes is the past president of the National Council of Art Administrators and the National Association of Schools of Art and Design. He has served as a consultant or evaluator for more than sixty universities, colleges, and independent schools of art in the US and abroad and served in Dallas on the Board of Directors of the Business Council for the Arts and as Chair of the Community Advisory Board for KERA, the NPR station for North Texas. He was recently named a Fellow and Lifetime Member of NASAD and served on the Board of Directors of the Center for Craft in Asheville, NC and as co-chair of the Blue Ridge Public Radio Strategic Planning Committee. He is a member of the Southern Highland Crafts Guild.

Earthenware with colored slips. Epoxy, acrylic paint. Cone 04 textured and satin glazes. Signed, titled, and dated in ink on bottom by Robert Milnes Milnes served as Dean of the Col...

Stoneware with colored slips. Cone 04 textured and satin glazes. Signed, titled, and dated in ink on bottom by Robert Milnes Milnes served as Dean of the College of Visuals Arts and...

Earthenware with colored slips. Epoxy. Cone 04 textured and satin glazes. Signed, titled, and dated in ink on bottom. Milnes served as Dean of the College of Visuals Arts and Design at the University of North Texas from January 2006 to his retirement in August 2014, when he moved to Asheville, NC with his wife Karen, re-establishing Arbitrary Forms Studio there. A sculptor and ceramist, he served previously as Director of the School of Art and Design at San Jose State University in California, Director of the School of Art at Louisiana State University, and as Chair of the Art Department at Edinboro University of Pennsylvania. He taught at the Penland School of Crafts in 1972 and 1979. Milnes is the past president of the National Council of Art Administrators and the National Association of Schools of Art and Design. He has served as a consultant or evaluator for more than sixty universities, colleges, and independent schools of art in the US and abroad and served in Dallas on the Board of Directors of the Business Council for the Arts and as Chair of the Community Advisory Board for KERA, the NPR station for North Texas. He was recently named a Fellow and Lifetime Member of NASAD and served on the Board of Directors of the Center for Craft in Asheville, NC and as co-chair of the Blue Ridge Public Radio Strategic Planning Committee. He is a member of the Southern Highland Crafts Guild.

KPM Porcelain Plaque of 'Duchess Louise of Mecklenburg-Strelitz' late 19 CENTURY Century After a painting by Gustav Richter (German 1823-1884); verso with an impressed scepter abo...

Contemporary, Abstract Ceramic Sculpture, Colorful Vessel Form, Stoneware José Sierra is a self-taught artist and ceramicist, born in Mérida, Venezuela in 1975. His work draws insp...

Earthenware with colored slips. Epoxy. Cone 04 textured and satin glazes. Signed, titled, and dated in ink on bottom. Milnes served as Dean of the College of Visuals Arts and Design at the University of North Texas from January 2006 to his retirement in August 2014, when he moved to Asheville, NC with his wife Karen, re-establishing Arbitrary Forms Studio there. A sculptor and ceramist, he served previously as Director of the School of Art and Design at San Jose State University in California, Director of the School of Art at Louisiana State University, and as Chair of the Art Department at Edinboro University of Pennsylvania. He taught at the Penland School of Crafts in 1972 and 1979. Milnes is the past president of the National Council of Art Administrators and the National Association of Schools of Art and Design. He has served as a consultant or evaluator for more than sixty universities, colleges, and independent schools of art in the US and abroad and served in Dallas on the Board of Directors of the Business Council for the Arts and as Chair of the Community Advisory Board for KERA, the NPR station for North Texas. He was recently named a Fellow and Lifetime Member of NASAD and served on the Board of Directors of the Center for Craft in Asheville, NC and as co-chair of the Blue Ridge Public Radio Strategic Planning Committee. He is a member of the Southern Highland Crafts Guild.

Porcelain; Textured Glazes on Thrown Porcelain 54 x 55 x 55 cm 21 1/4 x 21 5/8 x 21 5/8 in. ------- Montserrat is totally convinced that ceramics is the most noble, traditional and humanly attached material of all. Also, historically, what this material has allowed us, the humanity, to achieve, in all aspects, from improving our health to a medium of expression, is immense. This makes him feel real veneration and respect to it. He shows a very particular interest for the highly technically demanding oriental glazes from the Old Masters, having inspired him to make an extensive research, giving the strong finish to Montserrat’s work. Glazes are his passion. He is fascinated to see and endlessly test what the chemical elements around us bring to the surface of the vessels that he throws on the wheel. He has a special interest in the traditional vessels that the history of ceramics has brought to us. From the Egyptian canopic...

Earthenware with colored slips. Epoxy. Cone 04 textured and satin glazes. Signed, titled, and dated in ink on bottom. Milnes served as Dean of the College of Visuals Arts and Design at the University of North Texas from January 2006 to his retirement in August 2014, when he moved to Asheville, NC with his wife Karen, re-establishing Arbitrary Forms Studio there. A sculptor and ceramist, he served previously as Director of the School of Art and Design at San Jose State University in California, Director of the School of Art at Louisiana State University, and as Chair of the Art Department at Edinboro University of Pennsylvania. He taught at the Penland School of Crafts in 1972 and 1979. Milnes is the past president of the National Council of Art Administrators and the National Association of Schools of Art and Design. He has served as a consultant or evaluator for more than sixty universities, colleges, and independent schools of art in the US and abroad and served in Dallas on the Board of Directors of the Business Council for the Arts and as Chair of the Community Advisory Board for KERA, the NPR station for North Texas. He was recently named a Fellow and Lifetime Member of NASAD and served on the Board of Directors of the Center for Craft in Asheville, NC and as co-chair of the Blue Ridge Public Radio Strategic Planning Committee. He is a member of the Southern Highland Crafts Guild.

Earthenware with colored slips. Epoxy, acrylic paint. Cone 04 textured and satin glazes. Signed, titled, and dated in ink on bottom. Milnes served as Dean of the College of Visuals ...

Earthenware with colored slips. Cone 04 textured and satin glazes. Signed, titled, and dated in ink on bottom. Milnes served as Dean of the College of Visuals Arts and Design at the University of North Texas from January 2006 to his retirement in August 2014, when he moved to Asheville, NC with his wife Karen, re-establishing Arbitrary Forms Studio there. A sculptor and ceramist, he served previously as Director of the School of Art and Design at San Jose State University in California, Director of the School of Art at Louisiana State University, and as Chair of the Art Department at Edinboro University of Pennsylvania. He taught at the Penland School of Crafts in 1972 and 1979. Milnes is the past president of the National Council of Art Administrators and the National Association of Schools of Art and Design. He has served as a consultant or evaluator for more than sixty universities, colleges, and independent schools of art in the US and abroad and served in Dallas on the Board of Directors of the Business Council for the Arts and as Chair of the Community Advisory Board for KERA, the NPR station for North Texas. He was recently named a Fellow and Lifetime Member of NASAD and served on the Board of Directors of the Center for Craft in Asheville, NC and as co-chair of the Blue Ridge Public Radio Strategic Planning Committee. He is a member of the Southern Highland Crafts Guild.

Ruan Hoffmann uses ceramic earthenware as his preferred medium. Ruan Hoffmann chooses familiar objects such as plates as his canvases, however the resulting works are not presented a...

Gouche on hand made paper

Born in Detroit, Steven Montgomery’s work revels in a history of industry and aging as the artist uses porcelain to produce intricate mechanical forms with the appearance of metal. H...

Hand-painted, hand-carved and sculpted. Object signed and dated by the artist. See close-up photo of the white area on top of the sculpture.

Ruan Hoffmann uses ceramic earthenware as his preferred medium. Ruan Hoffmann chooses familiar objects such as plates as his canvases, however the resulting works are not presented a...

Kristina Larson creates biomorphic three-dimensional works primarily out of clay. Within her multidisciplinary practice she seeks to blur the lines between art, craft, and design by ...

Hand-built clay sculpture with white glaze and internal blue LED light. This sculpture can be wall mounted or displayed on a pedestal or table top.

Ruan Hoffmann uses ceramic earthenware as his preferred medium. Ruan Hoffmann chooses familiar objects such as plates as his canvases, however the resulting works are not presented a...

Ruan Hoffmann uses ceramic earthenware as his preferred medium. Ruan Hoffmann chooses familiar objects such as plates as his canvases, however the resulting works are not presented a...

Contemporary Ceramic Trompe l'oeil Sculpture, Glazed Porcelain, "Oyster Vase" Dirk Staschke is best known for his exploration of Dutch Vanitas still life themes in the medium of ceramics. His current body of work explores the space in between sculpture and painting. His work often uses meticulous representation as foil for examining skill and craft. He received his BFA from the University of Montevallo followed by an MFA from Alfred University and has maintained an ongoing studio practice and extensive exhibition record for twenty-three years. During this time, he has taught at many notable universities, including Emily Carr University, Alfred University and New York University. His work has been shown internationally and resides in the permanent collections of several museums including the Smithsonian Museum in Washington (DC), Icheon Museum, World Ceramic Center (Gwango-dong) South Korea, Crocker Museum (CA) and the Portland Art Museum (OR). He has received various artist’s grants including grants from The Virginia Groot Foundation and the Canada Council on the Arts. Education 1998 Alfred University, Alfred, NY, Master of Fine Arts Degree 1995 University of Montevallo, Montevallo, AL, Bachelor of Fine Arts Degree Solo Exhibitions 2024 Impressions, Ferrara Showman Gallery, New Orleans, LA 2021 Wallflowers, Mark Moore Fine Art, Orange Park, CA 2019 Matter of Perspective, Jonathan Ferrara Gallery, New Orleans, LA 2018 In-Between, Mark Moore Fine Art, Orange Park, CA 2017 Perfection of Happenstance, Winston Wachter Fine Art, Seattle,WA 2016 Nature Morte, (AMOCA) American Museum of Ceramic Art, Pomona, CA 2015 Executing Merit, Winston Wachter Fine Art, Seattle, WA 2014 Bounty, Clark Collage, Vancouver, WA 2013 Sated, Winston Wachter Fine Art, Seattle, WA 2012 Falling Feels A Lot Like Flying, Bellevue Arts Museum, Bellevue, WA 2009 Making Arrangements, Wexler Gallery, Philadelphia, PA 2006 Ornament, Wexler Gallery, Philadelphia, PA 2004 Politics of Clay, Clay Art Center, Port Chester, NY New Works, Wexler Gallery, Philadelphia, PA 2003 John Elder Gallery, New York, NY Selected Exhibitions 2023 Art Miami, Ferrara Showman Gallery, Miami, FL 2022 Momento Mori, Northern Clay Center, Minneapolis, MN Earth Oracles, Mayten’s Gallery, Toronto, ON Collect Art Fair (Online), London, England 2021 Salon Art Fair, Culture Object, NY, NY Dead Reconning, Pensacola Museum of Art, FL Counterparts, The Museum of Glass, Tacoma, WA Contemporary Clay, Western Carolina University Museum, Cullowhee, NC Looking West: A Survey of Art on the Left Coast, Mark Moore Fine Art, CA 2020 Art Miami, Jonathan Ferrara Gallery, Miami, FL Rare Earth, Mark Moore Fine Art, Orange Park, CA Culture Object, New York, NY 2019 Art Miami, Cynthia, Corbett Gallery, Miami, FL Our Shared Heritage, Huntsville Museum of Art, Huntsville, AL State of the Art, Giertz Gallery, Champaign, IL 2018 Collect, London Art Fair, w/ Cynthia, Corbett Gallery, London, England Vasa Vasorum, Curated by Garth Clark at Peters Projects, Santa Fe, NM Revive, Remix, Respond, The Frick Museum, Pittsburgh, PA New York Ceramics and Glass Fair, w/ Ferrin Contemporary, New York, NY Sugar, Eutectic Gallery, Portland, OR 2017 C'est le bouquet, Fondation d’entreprise Bernardaud, Limoges, France The Evocative Garden, NCECA invitational exhibition, Portland, OR Selections from the PAM permanent Collection, Portland Art Museum, OR Sweet Tooth: The Art of Dessert, Shelburne Museum, Shelburne, VT BC to BC, San Diego Art Institute, San Diego, CA LH Project, Trifecta: Future Forward on the Ceramic Highway, Portland, OR Form Over Function, Winston Wachter Fine Art, Seattle, WA 2015 Crafting a Collection, Fuller Craft Museum, Brockton, MA 2014 Ceramic Top 40, Red Star Studios, Kansas City, MO Dark Matter, Boehm Gallery, Palomar College, San Marcos, CA 2013 Bunting Biennial Ceramics Symposium, Birmingham Museum of Art, Birmingham, AL 2012 Shifting Paradigms, Museum of Fine Arts, Houston, Houston, TX Enough is as Good as a Feast, Gallery Jones, Vancouver, BC 2010 BAM Biennial, Bellevue Arts Museum, Bellevue, WA, Hermaphrodite, Ferrin Gallery/Wexler Gallery, Philadelphia, PA Portraiture Beyond Likeness, Ethel Sergeant Clark Gallery, Wayne, PA 2009 5th World Ceramic Exposition Biennial, Gwango-dong, South Korea, New works, Two-person show, Gallery Jones, Vancouver, BC, Canada SOFA Chicago, Chicago, Il with Wexler Gallery 2008 A Human Impulse, Arizona State University Museum, Tempe, AZ, (In) Between, Wexler Gallery, Philadelphia, PA Confrontational Ceramics, Westchester Arts Council, White Plains, NY 2006 Body and Mind, Garth Clark Gallery, New York, NY Edges of Grace, The Fuller Craft Museum, Brockton, MA 2005 Politics as Usual, The Yager Museum of Art and Culture, Hartwick College, Oneonta, NY. Vanitas, Lacost Gallery, Concord...

Dirk Staschke is best known for his exploration of Dutch Vanitas still life themes in the medium of ceramics. His current body of work explores the space in between sculpture and painting. His work often uses meticulous representation as foil for examining skill and craft. He received his BFA from the University of Montevallo followed by an MFA from Alfred University and has maintained an ongoing studio practice and extensive exhibition record for twenty-three years. During this time, he has taught at many notable universities, including Emily Carr University, Alfred University and New York University. His work has been shown internationally and resides in the permanent collections of several museums including the Smithsonian Museum in Washington (DC), Icheon Museum, World Ceramic Center (Gwango-dong) South Korea, Crocker Museum (CA) and the Portland Art Museum (OR). He has received various artist’s grants including grants from The Virginia Groot Foundation and the Canada Council on the Arts. Education 1998 Alfred University, Alfred, NY, Master of Fine Arts Degree 1995 University of Montevallo, Montevallo, AL, Bachelor of Fine Arts Degree Solo Exhibitions 2024 Impressions, Ferrara Showman Gallery, New Orleans, LA 2021 Wallflowers, Mark Moore Fine Art, Orange Park, CA 2019 Matter of Perspective, Jonathan Ferrara Gallery, New Orleans, LA 2018 In-Between, Mark Moore Fine Art, Orange Park, CA 2017 Perfection of Happenstance, Winston Wachter Fine Art, Seattle,WA 2016 Nature Morte, (AMOCA) American Museum of Ceramic Art, Pomona, CA 2015 Executing Merit, Winston Wachter Fine Art, Seattle, WA 2014 Bounty, Clark Collage, Vancouver, WA 2013 Sated, Winston Wachter Fine Art, Seattle, WA 2012 Falling Feels A Lot Like Flying, Bellevue Arts Museum, Bellevue, WA 2009 Making Arrangements, Wexler Gallery, Philadelphia, PA 2006 Ornament, Wexler Gallery, Philadelphia, PA 2004 Politics of Clay, Clay Art Center, Port Chester, NY New Works, Wexler Gallery, Philadelphia, PA 2003 John Elder Gallery, New York, NY Selected Exhibitions 2023 Art Miami, Ferrara Showman Gallery, Miami, FL 2022 Momento Mori, Northern Clay Center, Minneapolis, MN Earth Oracles, Mayten’s Gallery, Toronto, ON Collect Art Fair (Online), London, England 2021 Salon Art Fair, Culture Object, NY, NY Dead Reconning, Pensacola Museum of Art, FL Counterparts, The Museum of Glass, Tacoma, WA Contemporary Clay, Western Carolina University Museum, Cullowhee, NC Looking West: A Survey of Art on the Left Coast, Mark Moore Fine Art, CA 2020 Art Miami, Jonathan Ferrara Gallery, Miami, FL Rare Earth, Mark Moore Fine Art, Orange Park, CA Culture Object, New York, NY 2019 Art Miami, Cynthia, Corbett Gallery, Miami, FL Our Shared Heritage, Huntsville Museum of Art, Huntsville, AL State of the Art, Giertz Gallery, Champaign, IL 2018 Collect, London Art Fair, w/ Cynthia, Corbett Gallery, London, England Vasa Vasorum, Curated by Garth Clark at Peters Projects, Santa Fe, NM Revive, Remix, Respond, The Frick Museum, Pittsburgh, PA New York Ceramics and Glass Fair, w/ Ferrin Contemporary, New York, NY Sugar, Eutectic Gallery, Portland, OR 2017 C'est le bouquet, Fondation d’entreprise Bernardaud, Limoges, France The Evocative Garden, NCECA invitational exhibition, Portland, OR Selections from the PAM permanent Collection, Portland Art Museum, OR Sweet Tooth: The Art of Dessert, Shelburne Museum, Shelburne, VT BC to BC, San Diego Art Institute, San Diego, CA LH Project, Trifecta: Future Forward on the Ceramic Highway, Portland, OR Form Over Function, Winston Wachter Fine Art, Seattle, WA 2015 Crafting a Collection, Fuller Craft Museum, Brockton, MA 2014 Ceramic Top 40, Red Star Studios, Kansas City, MO Dark Matter, Boehm Gallery, Palomar College, San Marcos, CA 2013 Bunting Biennial Ceramics Symposium, Birmingham Museum of Art, Birmingham, AL 2012 Shifting Paradigms, Museum of Fine Arts, Houston, Houston, TX Enough is as Good as a Feast, Gallery Jones, Vancouver, BC 2010 BAM Biennial, Bellevue Arts Museum, Bellevue, WA, Hermaphrodite, Ferrin Gallery/Wexler Gallery, Philadelphia, PA Portraiture Beyond Likeness, Ethel Sergeant Clark Gallery, Wayne, PA 2009 5th World Ceramic Exposition Biennial, Gwango-dong, South Korea, New works, Two-person show, Gallery Jones, Vancouver, BC, Canada SOFA Chicago, Chicago, Il with Wexler Gallery 2008 A Human Impulse, Arizona State University Museum, Tempe, AZ, (In) Between, Wexler Gallery, Philadelphia, PA Confrontational Ceramics, Westchester Arts Council, White Plains, NY 2006 Body and Mind, Garth Clark Gallery, New York, NY Edges of Grace, The Fuller Craft Museum, Brockton, MA 2005 Politics as Usual, The Yager Museum of Art and Culture, Hartwick College, Oneonta, NY. Vanitas, Lacost Gallery, Concord...

Provenance: Collection of Emily Johnston De Forest and Robert Weeks De Forest, New York, by 1911-until 1942; thence by descent until 2018. Literature: ...

Hundida, meaning drowned in Spanish, is a glazed ceramic stoneware of a woman holding her throat and enveloped in her hair. It was made during covid, a time when Rafaela was in early...

Contemporary Figurative Ceramic Sculpture, Glazed Stoneware, Surrealist Abstract Kensuke Yamada (b. 1979) was born in Kamaku...

Contemporary Ceramic Sculpture, Colorful Glaze, Stoneware, Design, Yellow José Sierra is a self-taught artist and ceramicist, born in Mérida, Venezuela in 1975. His work draws insp...

Gouche on hand made paper

White Clay Body with Glaze Bulgarian born Daniela Kouzov has been producing original ceramics since 1994 and currently works from her studio in Green Bay, Wisconsin. Contextualizin...

White Clay Body with Glaze Bulgarian born Daniela Kouzov has been producing original ceramics since 1994 and currently works from her studio in Green Bay, Wisconsin. Contextualizin...

Created in 1956, this Madoura small convex wall plaque of white earthenware clay with engraving accentuated with oxidized paraffin in a glaze bath (ivory, brown) is from the edition ...

Daphne Sweet, artist working and living in Missoula, Mt. Using acrylic, oil, clay, and fabric. Bouncing between classical references and personal allegory, the paintings and found ...

"Los Caballos en la Conquista (Horses in the Conquest)" is a Contemporary abstract Ceramica Suro slip cast remnants, glaze, and firing plate sculpture by Walead Beshty in 2013. The a...

carved and polychromed maple

Agathe Zebree, Bronze & or 18 Cartas Irakli Nasidze is a Franco-Georgian artist born in 1973 who lives and works between Paris, France & Tbilisi, Georg...

Glazed Ceramic Irakli Nasidze is a Franco-Georgian artist born in 1973 who lives and works between Paris, France & Tbilisi, Georgia. At the Tbilisi Sch...

Glazed Ceramic Irakli Nasidze is a Franco-Georgian artist born in 1973 who lives and works between Paris, France & Tbilisi, Georgia. At the Tbilisi Sch...

Actual Title:🪬🌞🌺🐦‍⬛ Vessel This vessel is a first for two reasons, my first try at created an ombre effect in glazing and naming the piece with emoji’s. The Hamsa hand an amulet...

Monarch boy depicts a portrait of one of my sons along with a blackbird symbolizing my deceased father as a protector. Alongside are the moon, sun and Jewish stars in the night sky. ...

The Worry This series began in reaction to photos of politicians and world leaders during any number of the current world crises. As news cycles proliferate, these images swirl past ...

Molly Schulps is an artist and educator living in both California and Oregon. She grew up in Southern California and was deeply influenced by her father who was a successful educator...

This 48 inch square textural mixed media painting on canvas is wired and ready to hang. It is hand signed by the artist on the back of the artwork. This piece is brought to life by a...