Art by Medium: Graphite

This series of works by the Danish artist Peter Kramer (Roskilde, 1959) with numerous exhibitions between Spain and Denmark are entitled "365 urns", in which the artist works with ti...

This series of works by the Danish artist Peter Kramer (Roskilde, 1959) with numerous exhibitions between Spain and Denmark are entitled "365 urns", in which the artist works with ti...

Benjamin II Vautier (1895–1974) was a Swiss-born artist, known for his contributions to both painting and graphic art. He was born into a family with artistic roots, as the son of Ot...

Pencil Study #17 2016 Graphite on paper 13 x 7 inches Jessica Keiser currently resides in New Haven, Connecticut. Keiser's style is Naturalistic, concer...

Artist: Ian Hornak (1944-2002) Title: Renaissance Male and Female Nude Study Year: circa 1963 Medium: Original drawing on vélin Strathmore paper Size: 23 x 18 inches Condition: Good ...

This series of works by the Danish artist Peter Kramer (Roskilde, 1959) with numerous exhibitions between Spain and Denmark are entitled "365 urns", in which the artist works with ti...

This series of works by the Danish artist Peter Kramer (Roskilde, 1959) with numerous exhibitions between Spain and Denmark are entitled "365 urns", in which the artist works with ti...

"My work principally consists of deeply abstracted figure compositions--intuitive constructions that begin with random marks establishing larger masses of torsos, heads, and limbs in an undefined setting. The emphasis is almost purely on intuition. The figures are born of their surrounding environment, emerging only partially and fugitively from the layers of pigment. A narrative is evident but never overt. A crown, a shield, a boat, a wheel. Though the subject has recently coalesced around my reading of Dante and Shakespeare, the settings remain extremely vague- a beach, an interior, a woodland. The paintings are, in the end, meditations on the relationship between the protagonists in a wordless drama. In my paintings, I use a cold wax medium...

Ink, graphite, and oil paint on double-sided frosted Mylar film mounted to board Signed and dated on label, verso This artwork is offered by ClampArt, located in New York City. Cub...

A charming graphite sketch if a woman with neatly pinned hair. The artist's proprietary sketch can be scene to the right, which the artist has used to create the much finer portrait ...

From her studio in Carmel by the Sea, Manchester draws inspiration from flight and the poetry of the natural world. Her recent Conté and pastel drawings, “Singular Feather,” is portr...

Beth Shields is a distinguished abstract artist whose work has captivated collectors and audiences worldwide. Based in Santa Cruz, California, Beth has dedicated her life to artistic...

Based in the New Haven, CT area, Barbara Marks creates sumptuous, multicolored paintings. Her canvases are small in scale, compared to the mid-century abstractionist traditions they ...

Image Dimensions: Image 9" x 19" Sheet Dimensions: 15" x 20.25" Medium: Watercolor, ink, and graphite on paper laid to board This is an unsigned study for the 38" H x 75" W oil pain...

Benjamin II Vautier (1895–1974) was a Swiss-born artist, known for his contributions to both painting and graphic art. He was born into a family with artistic roots, as the son of Ot...

Halbert (Born 1957) Texas Artist Image Size: 16 x 20 Frame Size: 29 x 25 Medium: Graphite Drawing "Simpler Days" HALBERT - Biography Halbert was born and raised in North Central Texas, and early on developed an interest in portraying the horses, cattle and every day occurrences of the west, in pencil. Eventually Halbert became a partner in a large ranching operation, which kept him away from his art for many years. A few years ago, he picked up a pencil and began to pursue his dream of becoming a professional artist. " I believe my passion and love of horses and the western way of life show in my work. I thank God for this gift which allows me to share with others what I truly enjoy. " Halbert credits Texas artist George Hallmark for recognizing his talent and encouraging him to pursue his calling. Halbert has participated in many Art and Museum Shows across the country including Cheyenne Frontier...

This series of works by the Danish artist Peter Kramer (Roskilde, 1959) with numerous exhibitions between Spain and Denmark are entitled "365 urns", in wh...

This series of works by the Danish artist Peter Kramer (Roskilde, 1959) with numerous exhibitions between Spain and Denmark are entitled "365 urns", in wh...

Carefully rendered cosmic symbols, delicate patterns, and four small circular vignettes of desert landscapes are perfectly balanced in this intricately detailed mandala drawing. Cele...

This architectural wall-hanging artwork titled "In Isolation Series VII" is an original artwork by Seth Clark made of collage, charcoal, pastel, graphite, and acrylic on wood. This p...

This graphite drawing by Chicago-based artist Patrick Fitzgerald is an homage to the charm and artistry of mid-century advertisements and print media. Entitled ""Lamb Chops Feature (...

Inspired by her background in fashion, Atlanta, Georgia-based artist Lindsey McCord creates artworks that encapsulate the fun of being stylish and the a...

Untitled 02 (Remains of the Remains), 2021 Graphite on canvas 78 37/50 H x 55 6/50 W in. 200 H x 140 W cm The new series of large-sized paintings, signed by Zsolt Berszán, created i...

Fantastical and otherworldly, this bustling cityscape by Patrick Fitzgerald is a continuation of the imaginative world he calls his "Neighborhood of Infinity." Lending narrative cont...

A charming graphite study in the delicate manner. The woman wears a puffed sleeved and ringlets fall to the side of her face in a typical Victorian fashion. Unsigned. Presented in a ...

Joseph Solman Garage in Provincetown Signed with initials lower right Graphite on paper 8 7/8 x 11 7/8 inches Joseph Solman was born in 1909 in Vitebsk, in what is now Belarus, the...

This still-life drawing titled "Tell Your Ride" is an original artwork by James Oliver made of acrylic, graphite and color marker on canvas board. This piece measures 12" x 12" frame...

Untitled (Letitia, pregnant with Rising Sun) Graphite on paper, 2005 Signed: "Sedrick Huckaby III" lower right (see photo) In April 2008, Huckaby was awarded a Guggenheim fellowship ...

Pink + purple portrait of women in profile surrounded by collaged floral discs "Lori" by Ransome 2023 graphite, acrylic and collage on panel 8 x 8 x 2 inches, unframed Piece can be h...

The theory of Heaven is a novelty that Plato introduced to philosophy. Inspired by this concept, the artist proposes a series of works where I imagine and recreate possible worlds on...

Edwin Kayton "Hawaiian Man" Original Graphite Portrait C.1998 A young muscular Hawaiian man fishing nets Dimensions 19.5" wide x 17.5" high The simple ...

Eddy Lee’s figurative surrealist portrait paintings on exposed wood depict emotive sirens who evoke a sense of mystery and seductiveness. His original artworks combine geometric elements with innocent women portraits seeking to trigger emotions, rather than communicating specific explanations. He reconciles the unconscious with rational life, exploring the power of dreams, embracing automatism, and freeing his subjects from the constraints of conscious thought. This colorful, intriguing portrait is painted with acrylic and gouache on a hand-built cradled wood panel. This one-of-a-kind original artwork is 48 inches high by 36 inches wide and is signed by the artist on the back. It is wired and ready to hang. It does not require framing. Free local Los Angeles delivery. Affordable Continental U.S. and worldwide shipping available. A certificate of authenticity issued by the art gallery is included with this unique work. Originally from Seattle, Washington, Eddy Lee relocated to Los Angeles in late 2012 to pursue a full-time career as a fine artist. He started his career on the Venice Beach Boardwalk and quickly gained a large following across the United States with exhibitions in San Francisco, Las Vegas, and Los Angeles. The artist’s work is inspired by the works of Audrey Kawasaki...

Portrait of woman on a light blue pattern dotted with white daisies "Angela" by Ransome 2023 graphite, acrylic and collage on panel 8 x 8 x 2 inches, unframed Piece can be hung attra...

An abstract pencil drawing in paper by Janet Todd Young, early AAA member. Janet Todd Young was born in Illinois in 1908, and earned a bachelor's degree in languages from Oberlin Co...

Watercolor, Oil Pastel, and Graphite on Canvas

David Sharpe, second-generation Chicago Imagist — 1991 figurative portrait, graphite & watercolor on paper. A psychologically charged seated figure that merges meticulous graphite draftsmanship with expressive watercolor accents. Sharpe’s post-Imagist language—bold figuration, surreal inflection, and emotional intensity—animates the mask-like facial passages and layered torso imagery, creating a vivid dialogue between observation and invention. Dated 1991, this work embodies the Chicago school’s distinctive blend of wit and bite while remaining intimately drawn and friendly in scale. Institutional collections (selection): Art Institute of Chicago; Museum of Contemporary Art Chicago; Smart Museum of Art, University of Chicago; Scottish National Gallery of Modern Art; Mary & Leigh Block...

Poured beeswax work by Mary Early from her "Study for Līnea" series. "The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available." Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries. Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record. In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space. Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007). Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...

Artist: Lee Dubin Title: Drugstore (1930s) Year: 2013 Medium: Watercolor and graphite on paper Size: 18 x 21 inches Condition: Excellent Inscription: Signed, titled, and dated in pen...

Red Ballboy or Studies for "Tennis Tournament" Crayon on paper, c. 1920 Unsigned Condition: three vertical folds created by the artist to transport the drawing from the tennis match ...

This is an original paper, charcoal, pastel, graphite, and acrylic on wood panel artwork by Seth Clark measuring 40”h x 30”w. Seth Clark grew up in Seekonk, Massachusetts and stud...

An exceptional ink, wash and graphite portrait of a gentleman by Henri-Joseph Hesse, dating from circa 1820, the time of the Bourbon restoration in France. It depicts a dashing figur...

Acrylic, pastel, charcoal, and graphite on paper

Poured beeswax work by Mary Early from her "Study for Līnea" series. "The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available." Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries. Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record. In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space. Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007). Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...

Acrylic and graphite on cradled wood panel

Benjamin II Vautier (1895–1974) was a Swiss-born artist, known for his contributions to both painting and graphic art. He was born into a family with artistic roots, as the son of Ot...

Robert Indiana Love Notebook Page 2, 2014 Signed lower left, dated lower right Artist's marker and graphite on paper 11 x 8 1/2 inches Provenance Gifted by the artist, Vinalhaven, M...

Bruce Tippett, American (1933 - 2017) - Portrait of a Man, Year: 1977, Medium: Graphite on Paper, signed and dated in pencil, Size: 8.75 x 12 in. (22.23 x 30.48 cm), Description: Si...

The different darker and lighter layers of this painting are thin and sheer, each showing through the next, which gives a softness and glow. You can see the dark pencil lines outlini...

Untitled (Blue) Oil, graphite, litho ink, spray paint, dry pigment on paper 40" x 30" I am a visual artist whose work investigates small and large -scale abstraction primarily in t...

"Caught" is an original oil pastel, ballpoint pen, and graphite on arches paper work by Lauren Rinaldi. This piece ships float-mounted in the pictured white frame. The paper measur...

A very fine and detailed graphite drawing of an old man with an organ. His clothes are dishevelled and he wears a very creased tri-cornered hat. Well presented in a contemporary blac...

A meticulously rendered group of four moths are the prominent feature of this mandala. Many cultures associate the moth with faith and transformation, their tendency to be drawn to l...

Artist: Shimshon Holzman (1907-1986) Title: Untitled (Cafe Interior) Year: 1962 Medium: Watercolor and graphite on wove paper Size: 27.75 x 19.75 inches ...

Benjamin II Vautier (1895–1974) was a Swiss-born artist, known for his contributions to both painting and graphic art. He was born into a family with artistic roots, as the son of Ot...

Raphael Soyer, Russian/American (1899 - 1987) - Lounging Figure. Medium: Graphite and Pastel on Paper, signed in pencil, Size: 16.5 x 22 in. (41.91 x 55.88 cm)

"Galactic Noticing No. 8" is a large-scale work on paper using graphite, charcoal and ink. This artwork is unframed. In her latest series titled "Galactic Noticing," Heather Lancast...

"Galactic Noticing No. 5" is a large-scale work on paper using graphite, charcoal and ink. This artwork is framed in a simple white box frame behind UV Plexiglas measuring 66 by 46 i...

Benjamin II Vautier (1895–1974) was a Swiss-born artist, known for his contributions to both painting and graphic art. He was born into a family with artistic roots, as the son of Ot...

The theory of Heaven is a novelty that Plato introduced to philosophy. Inspired by this concept, the artist proposes a series of works where I imagine and recreate possible worlds on...

Signed with initials to the lower right. On wove.