Art by Medium: Graphite

Stamped, verso, with estate stamp for Victor Di Gesu (American, 1914-1988) and created circa 1950. Winner of the Prix Othon Friesz, Victor di Gesu first attended the Los Angeles Art...

Stamped, verso, with estate stamp for Victor Di Gesu (American, 1914-1988) and created circa 1950. Winner of the Prix Othon Friesz, Victor di Gesu first attended the Los Angeles Art...

"Galactic Noticing No. 6" is a large-scale work on paper using graphite, charcoal and ink. This artwork is unframed. In her latest series titled "Galactic Noticing," Heather Lancast...

Tim’s main concern within his work is exploring the colour field. Although vivid Tim’s works are invariably balanced, using a signature colour palette of extremely bright and intense...

Lisa’s organic shapes and textures rotate and recombine deftly, jumping easily between prints. But the serendipitous quality of Lisa’s work belies the controlled, methodical nature o...

Howard Halbert (Born 1957) Texas Artist Image Size: 16 x 26 Frame Size: 34 x 24 Medium: Graphite Drawing "Trusted Friends" HALBERT - Biography Halbert was born and raised in North Ce...

JENNIFER VIVIANO Seamed 2018 Chalk pastel and graphite on paper 8 x 22 inches

JENNIFER VIVIANO Cracked 2018 Chalk pastel and graphite on paper 8 x 22 inches

Sean Lyman is a Professor of Painting and Drawing at Missouri State University, with an extensive list of international exhibitions and work in public permanent collections including...

Sean Lyman is a Professor of Painting and Drawing at Missouri State University, with an extensive list of international exhibitions and work in public permanent collections including...

Sean Lyman is a Professor of Painting and Drawing at Missouri State University, with an extensive list of international exhibitions and work in public permanent collections including...

Following in line with artists before her, like Rembrandt and van Gogh, Sandra Sweeny here presents a self portrait. The image is direct but subtle in its handling of materials, but ...

In this drawing, Sylvia Spicuzza presents the viewer with a scene from the theater or opera, showing five women on stage. Three of the women have their backs to the viewer, while one...

"Light 2010 #3" is an original graphite drawing on paper by Bill Teeple, signed in pencil in the lower right. This small image of a sunrise over the water is surrounded by a large white mat, isolating this intimate work so that it may be viewed on its own. Art size: 2 3/4" x 1 1/2" Frame size: 11" x 14" "I am the Director of Iowa Contemporary Art (ICON) and Bill Teeple Fine Art, in Fairfield. I have been serious about making art for 50 years, with a degree in art from the University of California at Berkeley. I have taught art in Fairfield for the past 15 years." In the ’70s, Bill and his artist partner Lynn Durham were living in California. Their fantasy/fairy art...

"Full Moon & Clouds #4" is an original graphite drawing on paper by Bill Teeple, signed in the lower right corner of the mat. This small image of a the moon over the water is surrounded by a large white mat, isolating this intimate work so that it may be viewed on its own. Art size: 2" x 1 1/4" Frame size: 14" x 11" "I am the Director of Iowa Contemporary Art (ICON) and Bill Teeple Fine Art, in Fairfield. I have been serious about making art for 50 years, with a degree in art from the University of California at Berkeley. I have taught art in Fairfield for the past 15 years." In the ’70s, Bill and his artist partner Lynn Durham were living in California. Their fantasy/fairy art...

This powerful work on paper is a singular piece from the "Sum of Destructions" series by Bryan Ryley. This entire series of twelve works, along with a monumental painting of the same...

Sutra, a Sanskrit word meaning “thread”, is a word or small group of words that summarize an entire complex web of ideas, truths, wisdoms, or teachings all woven together into a sing...

Liz Barber pursued painting while obtaining her degree from the Massachusetts College of Art and Moore College of Art. She currently resides in Marietta, Georgia. Barber’s paintings ...

The Paths series was born out of a trip I took one summer to LA. The trip itself was more of an escape from my life in New York. At the time I was at a crossroads. Having just gone t...

The Paths series was born out of a trip I took one summer to LA. The trip itself was more of an escape from my life in New York. At the time I was at a crossroads. Having just gone t...

Sutra, a Sanskrit word meaning “thread”, is a word or small group of words that summarize an entire complex web of ideas, truths, wisdoms, or teachings all woven together into a sing...

Janet Lage’s energetic abstract pieces are loaded with writing (graffiti), color, form and expressionistic brushstrokes. For Lage, the painting process is an alliance of language an...

Jerry Berneche (1932 - 2016) was a painter and draftsman of representational scenes and portraits featuring extraordinary color work and extremely detailed mark-making. Locally he is...

Jerry Berneche (1932 - 2016) was a painter and draftsman of representational scenes and portraits featuring extraordinary color work and extremely detailed mark-making. Locally he is...

Jerry Berneche (1932 - 2016) was a painter and draftsman of representational scenes and portraits featuring extraordinary color work and extremely detailed mark-making. Locally he is...

Jerry Berneche (1932 - 2016) was a painter and draftsman of representational scenes and portraits featuring extraordinary color work and extremely detailed mark-making. Locally he is...

Jerry Berneche (1932 - 2016) was a painter and draftsman of representational scenes and portraits featuring extraordinary color work and extremely detailed mark-making. Locally he is...

Jerry Berneche (1932 - 2016) was a painter and draftsman of representational scenes and portraits featuring extraordinary color work and extremely detailed mark-making. Locally he is...

Jerry Berneche (1932 - 2016) was a painter and draftsman of representational scenes and portraits featuring extraordinary color work and extremely detailed mark-making. Locally he is...

"Field Study - Artifacts" is a mixed media piece by Terri Warpinski using photographs, drawings, and fragments of notebook and sketchbook paper. The artist signed the piece in the lower right and titled it lower left. 9 1/2" x 7" art 20 7/8" x 17" frame From her home base in Oregon Terri Warpinski travels the world to pursue her creative practice. She is a Professor of Art at the University of Oregon and was a Fulbright Scholar in Israel 2000-2001. Recent awards include an Individual Artist Fellowship (2014), two Career Opportunity Grants (2015, 2013) from both the Ford Family Foundation and the Oregon Art...

Entitled "Drawing for The Sponsor," this work by Chicago-based artist Patrick Fitzgerald envisions an advertisement by Southport Tool and Die, a Chicago company from the 1940s and th...

“Four Dandelions” is an exquisite graphite drawing on black paper by contemporary artist Margot Glass, known for her meticulous botanical renderings. This artwork captures a cluster ...

Alison Haley Paul is a contemporary painter of lavishly textured landscapes full of nuanced color. Her work conjures up connotations and geographical memories: that summer you spen...

Judi Tavill( NJ) creates biomorphic abstraction coupling sculpture with drawing that references the complicated experience of connection and entanglement. ...

Seated Nude Female Signed in pencil, u.l. Ink wash and graphite on paper 11 x 8.5 inches This work is offered by ClampArt in New York City.

Fiberglass / Carbon Fibre Impregnated With Catalysed Polyester Resin Graphite Filled Acrylic Laquor On Filled Polyester Resin Base "Don Frost, sculptor, creator of completely unique...

Margot Glass's graphite drawing on prepared black paper transforms delicate dandelions into luminous, ghost-like forms. Each fine line is meticulously drawn, creating a richly detail...

Eve Nethercott, American (1925 - 2015) - Lilies (45), Year: circa 1958, Medium: Pencil on Paper, Size: 15 in. x 11 in. (38.1 cm x 27.94 cm), Description: A unique graphite draw...

Eve Nethercott, American (1925 - 2015) - City Street and City Buildings Study (41), Year: 1953, Medium: Two-Sided Watercolor and Pencil Drawing, Size: 12.5 in. x 13.5 in. (31.75...

Painted circa 1950 by Victor Di Gesu (American, 1914-1988) and stamped, verso, with certification of authenticity. Winner of the Prix Othon Friesz, Victor di Gesu first attended th...

Margot Glass's graphite drawing on black heavyweight paper transforms delicate dandelions into luminous, ghost-like forms. Each fine line is meticulously drawn, creating a richly det...

Graphite on paper Image size: 7 1/2 x 9 inches (19 x 23 cm) Carved gilt frame Literature Illustrated in Malcolm Bell's 'Sir Edward Burne-Jones, A Record and Review', London, 1899, p.127. Provenance Major Charles Sydney Goldman 1958 By descent to his Sons John and Margaret Monck (John Goldman Monck) 1958-1963 Commander Victor Robert Penryn Monck (Victor Robert Penryn Monk Goldman) 1958-1963 Christie's London (Christie, Manson and Woods) 1963, John Monck and Cmdr Penryn Monck sale 26 April 1963 part lot 71 Sir John Richardson, 2019 Burne-Jones decided that the folds in the drapery in this study were too complex for the final painting and fairly soon after he simplified the draperies. The work is a drapery study for the seated figures at the centre of Sir Edward Coley Burne-Jones monumental The Sleep of Arthur in Avalon (Museo de Arte de Ponce, Puerto Rico). The artist spent seventeen years working on the complex narrative, even moving his studio to a larger space to accommodate the canvas. Born as a commission from his patron George Howard, 9th Earl of Carlisle, to decorate a wall in his library at Naworth Castle, The Sleep of Arthur in Avalon was left unfinished in Burne-Jones’ studio upon his death. The work was bequeathed to a studio neighbour whose descendants sold it at auction in 1963, where it was purchased by Luis A. Ferré, politician and founder of the Museo de Arte de Ponce. To his friends and family, Burne-Jones was known for his 'unpainted masterpieces'. Indeed, from his youth he made swift sketches, such as this study, that appeared effortless in contrast to his carefully crafted paintings and allowed him to work out ideas and refine details. He also drew outside of the studio, and his contemporaries remarked at his uncanny ability to do so while fully engaged in other activities. The painter W. Graham...

Victor Di Gesu (American, 1914-1988) circa 1955 and stamped, verso, with Victor di Gesu estate stamp. An elegant figural drawing showing a woman seated, resting her head on her arms...

Graceful original graphite drawing by French artist Marie Laurencin (1885-1956). Signed lower right with her initials "M.L." Created circa 1930's. Graphite on Paper. Image size: 10...

Jerry Berneche (1932 - 2016) was a painter and draftsman of representational scenes and portraits featuring extraordinary color work and extremely detailed mark-making. Locally he is...

Oedipus Specs Rita Simon (aka Atirnomis), American (1938) Date: 1972 Ink, Graphite and Collage on Paper, signed and dated in ink lower right, titled in ink on verso Image Size: 8.75 ...

Bijin-ga series XXIX (Nº 29) Title: Bijin Ôkubi Upper torso portrait of a Japanese beauty, depicted with a graceful hand gesture and an ornate headdress. Her soft round features contrast with the colourful sharp angles of the collars of her kimono. Her elongated oval face, straight nose and red butterfly lips are typical of the prototype of a beautiful woman, Bijin-ga. Her upper torso and face occupying the central section of the picture show a composition type that became known in time as Large-head pictures, or Okubi-e; compositions with which Utamaro became a model for generations of woodblock artists. This image is part of the Bijin-ga series (“Pretty women”) drawn by Mario BGil, based in the Kitigawa Utamaro woodblock print...

Painted circa 1955 by Victor Di Gesu (American, 1914-1988). Stamped verso with certification of authenticity. Winner of the Prix Othon Friesz, Victor di Gesu first attended the Los...

Liz Barber pursued painting while obtaining her degree from the Massachusetts College of Art and Moore College of Art. She currently resides in Marietta, Georgia. Barber’s paintings ...

Melissa Furness is an artist that treats painting as a conceptual object that challenges history. Each series is related through this conceptual exploration of the distortions of his...

Bryan Ryley: Rigorous Inquiry at the Intersection of Material and Structure Bryan Ryley, a significant figure in contemporary Canadian abstraction, operates from his studio in Verno...

Feels Like Ink, graphite and oil pastel on paper

Last Night Ink, graphite, and oil pastel on paper

"Untitled" mixed media artwork, including graphite, oil stick, acrylic paint, oil paint and oil pastels, on gallery-wrapped canvas by artist Jim Stella. Signed Jim Stella and dated 2...

This series was inspired by a 1950’s era instruction manual found while clearing out my father’s basement workshop. The How To Light A Model manual employed voluptuous female models to teach lighting techniques to amateur photographers such as my father. Diagrams plot the prescribed direction of the lights. The nude women hold the pose, their lips bright red and their feet dirty from the studio floor. As naked props for the authoritarian photographer, their vulnerability seems palpable. This work visualizes the human condition as a balance between feral and fabricated worlds. Vivid, oversized creatures embody instinctual energy. Wax seals, gold spheres and text-like marks signify rational structures. One speaks in a whisper, the other in a hiss. Winifred McNeill...

Pencil Study #13 2016 Graphite on paper 13 x 7 inches Jessica Keiser currently resides in New Haven, Connecticut. Keiser's style is Naturalistic, concer...

Graphite on paper

Watercolor & Graphite on Canvas

Watercolor & Graphite on Canvas

Watercolor, ink, and graphite on canvas 10 x 13 in. (framed) Framed in a wood frame