Art by Medium: Linen

The circa 1915 original poster by Albert Guillaume, titled Le Permissionnaire: Soldat! Prends chaque jour ta Quinine, is a striking example of wartime public health propaganda during...

This piece titled "Embrace" is an original artwork by Marcos Navarro and is made of acrylic on linen and measures 24"h × 18"w. It is signed en verso by the artist. With base in the ...

This piece titled "Extinct Soul" is an original artwork by Marcos Navarro and is made of acrylic on linen and measures 24"h × 18"w. It is signed en verso by the artist. With base in...

Beautiful Chinese advertising poster from the early 20th century. We can see a young elegant Chinese woman and two packs of cigarettes at the botto...

Excellent figurative painting of a mother and child by H. Willard Ortlip (American, 20th Century), 1927. Signature and date lower left "H. Willard Ortlip 1927." Presented in a giltwo...

This elegant original 1957 lithographic poster was commissioned by the German National Tourist Office in Paris to promote travel to Bavaria (“Bavière” in French). It captures the reg...

Provenance Acquired by American Legacy Fine Arts directly from the artist Signed "Alexey Steele' on lower right UNFRAMED: 9" x 12" FRAMED: 13.5" x 16.5" x 1.25" Exhibited Explora...

Ether Sans Oiseaux II (Ether without Birds) Elegant sophisticated whites and creams of the clouds on rich blue sky. 39 x 39 inches. French American Frédéric Choisel, has had multi...

"My interest in the formal and pictorial aspects of painting is in addition to my interest in the sensuality of the oil medium, nuanced edges, and subtleties of light. Each painting ...

"Rock All Night" (2012) By Susie Hyer is an original handmade oil painting on stretched linen that depicts a landscape with a bright star filled sky above. This painting measures 24 ...

Provenance Acquired by the gallery directly from the artist UNFRAMED: 12" x 16" FRAMED: 19.5" x 23.5" x 2.5"

"Blois" realist plein air landscape oil painting of French village from field. Framed Dimensions: 40 x 50 inches Marc Dalessio was born in 1972 in Los Angeles, California. Even in ...

This charming 1962 original travel poster by André Dignimont was commissioned by the SNCF (Société Nationale des Chemins de Fer Français) to celebrate Parisian elegance, highlighting...

Beautiful poster by Louis Galice for the Bois de Boulogne flower festival for the victims of duty. Louis Galice was an excellent draughtsman, as well a...

Oil painting is not just a sunset, field and meadow flowers, an artist conveyed his warmest feelings for nature, beautiful purple flowers of fireweed harmoniously complement the summer warm sunset. The artist is always admired by mornings and evenings. Nikolay used a unique way to create the effect of the evening sunlight in their sunny paintings. Nikolay was looking for the ways to capture the evening glow on the canvas many years. Original oil painting by Nikolay Dmitriev...

25th Street, by Elise Zoller, 24 x 30 in. oil on panel. Elise Zoller has recently embarked on a series of plein air paintings of sites around Salt Lake City and in the smaller towns of Utah from Hurricane to Huntsville. She has enjoyed meeting people along the road and learning about the history of the state. “Plein air work can be physically demanding, but there is no substitute for working from life. Light and shadow dance in subtle ways a photograph cannot capture. Even the wind and the fragrances it carries inform the work. Scenes come alive when you stand in one place for a few hours. You’ve got to get to know a spot,” Elise says. “While I work, all manner of people come up and talk to me about their towns and their lives. I’ve met a downwinder from Enterprise, pie bakers in Veyo, pony cart...

This equestrian piece, "#6 Study", is a 14x18 is an oil painted graceful study of a thoroughbred in motion, captured with warm tones and expressive brushwork on linen. The poised str...

Original travel poster promoting the Alpine city of Trento in northern Italy, published by ENIT, the Italian tourist board, and the Italian railroads. It features a beautiful illustration of the 1896 historical monument...

In Broken Vessels, Yektai continues to blur the edges of painting and sculpture. Recently he discovered that his father’s, Manoucher Yektai’s now empty studio was broken into, and th...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

The circa 1960 travel sérigraphie, Meet All of the East in Malaya, is a captivating piece of promotional art designed to attract tourists to Southeast Asia, particularly Malaya (now part of Malaysia). Created during a time when international travel was booming, the poster was intended to highlight the region’s appeal as a destination, focusing on the richness of its culture, landscapes, and the dynamic contrast between tradition and modernity. The poster was produced using the sérigraphie (screen printing) technique, which was widely used during the mid-20th century for creating bold, vibrant advertisements. Sérigraphie allowed for the mass production of posters with striking colors, making it an effective medium for catching the attention of potential travelers. Posters like this one were instrumental in promoting tourism by visually presenting a destination as a place full of adventure, cultural discovery, and natural beauty. The Meet All of the East in Malaya poster...

David Grossman's (US based) "September Tree Colors near Pinyon Mesa" is an oil on linen panel created in 2025 depicting an abstracted Colorado landscape. About the artist: David G...

A beautiful realist mid 19th century portrait of Gerardina Van Osch (Dutch, 1819-1898) by Jan Hendrik Neuman (Johan Heinrich Neuman) (German, 1819-1898). S...

The 1977 original Soviet poster by Kukryniksy, titled "Caricature soviétique: Carte à jouer" (Soviet Caricature: Playing Card), is a satirical masterpiece reflecting the political climate of the late Cold War. Created by the renowned Soviet caricaturist trio Kukryniksy—Mikhail Kupriyanov, Porfiry Krylov, and Nikolai Sokolov—the work exemplifies the collective's sharp wit and biting critique of geopolitical opponents. This poster emerged during a period of intense ideological rivalry between the Soviet Union and the West. By the 1970s, propaganda art...

Crafted in 1915 by the talented artist Francisque Poulbot, the original poster for the Emprunt de la Défense Nationale stands as a poignant symbol of patriotism and solidarity during...

PACEM APPELLANT 2026 Paris, France This oil painting is built on a ground of deep crimson and oxblood red, its surface richly textured with layered paint that feels worked and accum...

In this fantastical painting animals reign supreme. An enrobed cat observes/directs as a seagull deftly flies through a suspended hoop. Wendy Vaughan seems to infuse her artwork with mystical powers. Backgrounds are layered with symbols and clothing vibrates with magical floating shapes. Her choice of colors are punched up to a level of saturation as to make her work seem otherworldly. Prominent colors in this painting are bright blues in the water, soft oranges in the cat's fur, and purple, gold and pink in the cat's garment. This artwork is framed in dark wood with painted gold inset. Wendy Vaughan Tricks oil on linen 23h x 29w in 58.42h x 73.66w cm Wendy Vaughan (maiden name Wendy Kornmiller) grew up in West Bloomfield, outside of Detroit, where her father was a car designer for Chrysler and one of the original designers of the Ford Thunderbird...

"One Winter Evening" Northwest in Winter Snow and Stream - Oil on Linen Northwest Territories oil on linen layers of color and impasto give a winter glow to this work by Thomas Charl...

Gary Faigin says of Kurt Solmssen’s work, “Though a realist, Kurt Solmssen does not so much record what he sees, as use his surroundings as a point of departure for poetic homages to...

Exquisite, modulated, and sensitive, Mathieu Weemaels' painted world centers around his home and studio, where his subjects comprise the subtle shifts of light and color reflected on...

This magnificent original 1933 Italian travel poster promotes Trento, issued by ENIT (Ente Nazionale Italiano per il Turismo) to celebrate this Alpine city’s cultural heritage and stunning natural beauty. The poster features an elegant and detailed illustration of the Monumento a Dante, the imposing statue of Dante Alighieri inaugurated in 1896, framed by a lush landscaped park and set against the dramatic backdrop of the Dolomite foothills. The harmonious composition bathes Trento in the gentle warm light of a late afternoon, with pastel pink clouds illuminating the scene and a palette of bright florals and deep green conifers guiding the viewer’s gaze toward the monument. Printed by the renowned Chappuis printing house in Bologna, the poster is marked with the ENIT emblem at lower left, signifying its official purpose to promote Italy’s regional cities and historic sites. The stylised border and typographic simplicity evoke the Art Deco aesthetic popular in Italian graphic design during the 1930s, combining classical elegance with modern clarity. Trento, historically a meeting point of Italian and Germanic cultures, was in the interwar period developing its tourism identity as the “Gateway to the Dolomites.” This poster captures that strategy, celebrating both the city’s urban sophistication and its natural surroundings. Today, ENIT posters...

Luminous 1900 landscape of lake with mountains in background and stunning Aurora Borealis; a canoe rests on the shoreline by R. Briston (American, 20th Century). Signed lower left co...

oil on linen

In the late 19th century, the bustling streets of Belle Époque Paris were adorned with vibrant posters, and at the forefront of this visual revolution stood the pioneering artist Jul...

This warm, realistic painting depicting a day exploring the Dutch countryside features a golden field with a stream bisecting the landscape with windmills dotting the landscape. The...

VALERIE HIRD FAJRO: FIRE, 2013 oil on linen 36 x 48 in. 91.4 x 122 cm.

sbc 227 (Abstract painting) Acrylic on linen — Unframed Susan Cantrick's abstract paintings explore the pre-verbal realm of thought through structured visual responses. Her process ...

Blake's painting imagines a quiet moment about the Sultana, a steamboat carrying Union POWs home at the end of the Civil War. Hours later, the vessel exploded, killing over a thousan...

This 1959 print, after Henri Matisse, offers a refined reinterpretation of one of the artist’s most enduring themes: the human body in motion. Produced in a limited edition of 1,000 ...

Artist: Vahram Meliqsetyan Title: Yellow Flowers Medium: Oil on Canvas Year: 2024 Style: Impressionism Dimensions: 22" x 16.5" x 0.8" inch (56 x 42 x 2cm) Presentation: Unframed, Ga...

Helicopter Joey Tjungurrayi (1947 – ) Language group: Kukatja Born at Nymi, west of Kiwirrkurra, Helicopter learnt from a young age the location of water sources and how to hunt for...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Authenticity, guaranteeing its originality and provenance. We offer secure worldwide delivery to any address you specify, ensuring that your purchase arrives in pristine condition. If you require additional shipping options or a bespoke quote from our trusted network of carriers, please do not hesitate to contact us. Our team is here to help you find the best solutions for a smooth and secure delivery experience. Born in 1986 in Saarbrücken, Germany, Amela lives and works as a visual artist in Munich. As the daughter of migrants from former Yugoslavia, she grew up bilingual and her live had taken place between Germany and Bosnia. This experience has had a particularly strong influence on the content of her work. The paintings of Amela Rasi...

Provenance Acquired by the gallery directly from the artist Signed "Budkov" on lower right FRAMED: 23.5" x 23.5" x 1.25" UNFRAMED: 16" x 16" Artist Statement “Everything I have here is an ingredient or a utensil used to make kombucha. Well, maybe books are not that essential and neither are the big wooden spoons, but they look good in the composition. Well, I also did not show any scoby—a bacterial yeast culture which is the main ingredient— although one could argue that scoby was in one of the glass bottles before we used it to make our homebrew. That’s what my wife does. We have full shelves of homemade kombucha in bottles with all different flavors, suited for all different tastes. Great stuff...

oil pastel, charcoal & acrylic on raw linen

A rare small painting from contemporary Abstract Expressionist, Darius Yektai. Although titled "pink flowers" the hue of the painting is really more peach, or a light orange. A patte...

oil on linen on mounted board *ABOUT Stephen Basso Stephen Basso's highly original pastels and oil paintings are romantic, yet thought provoking fanta...

The 1911 original poster for La Bicyclette - Le Globe is a remarkable testament to the early 20th-century cycling culture and the rise of competitive sports marketing. Created to promote the Le Globe bicycle brand, this poster emphasizes its association with significant cycling achievements, including victories in prestigious races like the Tour de France 1910 and 1911 and the grueling Paris-Brest-Paris 1911. Cycling was rapidly gaining popularity in Europe during this era, not only as a mode of transportation but as a competitive sport that captured the imagination of the public. The poster highlights Le Globe bicycles’ durability and superior design, attributing their performance to technological advancements such as the Eadie freewheel, Hans Renold chain, and Bowden brakes. These innovations are prominently mentioned as key factors behind the brand's success in overcoming the rigors of demanding races. Victories by riders using Le Globe bicycles are proudly celebrated in the poster, with detailed references to stage wins in the Tour de France and the extraordinary records set during the Paris-Brest-Paris race. The detailed text serves as both a chronicle of accomplishments and an endorsement of the brand’s reliability and superiority. The typographic design, typical of early 20th-century posters, conveys authority and credibility while catering to an audience eager for both sporting news and technical innovation. This promotional piece stands as an enduring relic of an era when cycling was not just a sport but a symbol of progress and industrial ingenuity. Today, the La Bicyclette - Le Globe poster...

Terrell James A Collective Pulse, 2022 Oil on linen 29 x 42 in (73.7 x 106.7 cm)

Adela Akers (b. 1933, Santiago de Compostela, Spain) is a Spanish-born textile and fiber artist. She is Professor Emeritus (1972 to 1995) at the Tyler Scho...

This early 20th-century propaganda poster, titled Les Sans-Patrie… Voilà l’Ennemi! (The Stateless… Here is the Enemy!), is a striking testament to the heated nationalist and anti-republican sentiments that surged in France in the years leading up to World War I. Created by E. Millo and published by Le Petit Patriote, the poster presents an impassioned defense of French patriotism while identifying internal enemies—those deemed to lack allegiance to the nation. At the time of its creation, France was deeply divided between nationalists and republicans, between those who saw France as a Catholic, traditionalist nation and those who pushed for a secular, progressive Republic. The Dreyfus Affair (1894–1906) had left the country bitterly fractured, with intense debates over loyalty, national identity, and military values. This poster embodies the sentiments of right-wing conservatives who viewed the Republic’s secularism, its tolerance of political opposition, and its social reforms as signs of national decay. The target of their ire was the so-called Sans-Patrie—those accused of betraying France by undermining its traditional values. The poster’s dramatic black-and-white illustration is designed to evoke strong patriotic emotions. At its center stands a personification of France, likely inspired by Marianne, the symbolic female figure representing the French Republic. She holds a French flag and a sword, embodying strength and resistance against the perceived enemies of the nation. Surrounding her are figures from different walks of life—workers, mothers, soldiers, and historical figures—suggesting that true French citizens stand together against those who would weaken the country. The bold headline, “Les Sans-Patrie… Voilà l’Ennemi!”, leaves no room for ambiguity. It directly accuses those who lack national loyalty as traitors, rallying "true" French citizens to defend the homeland. The text addresses “Aux Vrais Français” (To True French People), making a direct appeal to patriotic sentiment. It warns readers about anti-national forces, particularly socialists, internationalists, and secularists, who are accused of corrupting French youth, undermining the military, and weakening national unity. Among its claims, the poster states that: French schools are being used to indoctrinate children against patriotism. Military service, a key element of national strength, is under attack by those who wish to weaken France. The nation’s historical heroes and martyrs are being forgotten, replaced by values that do not serve the country’s survival. The final rallying cry at the bottom, “À bas les sans-patrie & Vive la France...

Le Corbusier's original 1971 exhibition poster at Galerie Denise René embodies the essence of the famous architect's visionary design and revolutionary aesthetic. This remarkable pos...

Part of Daniela Astone's series of figures in different ethereal and surrealistic spaces. "The Kiss" brings to mind Gustav Klimt's famous 1908 painting of the same name but instead of an abstracted gold background, Astone creates a mysterious creature enveloping and suspending the figure in mid-air. The dark monster looks ominous until you notice the nude figure leaning into her partner, her hands lightly caressing or leaning on the the amorphous creature. Her body is relaxed and her eyes closed. As a classical artist who paints the nude figure everyday, Astone is masterful at depicting women at ease in their natural bodies rather than women self-conscious of their nudity—posing but fearful of exploitation at the same time—a theme in art history that continues today. Some of the sweeping strokes of black are inspired by Japanese paintings techniques, and on the lighter areas there are rain drop falling from a blue-grey cloud in the background. 52.8 x 44.9 inches framed Artist Bio Daniela Astone was born in Pisa, Italy, in 1980 and raised in Porto Santo Stefano...

This circa 1920 original poster by French illustrator Marcel Levèque offers a razor-sharp, delightfully exaggerated caricature of the iconic Sacha Guitry—the celebrated playwright, actor, and filmmaker known for his wit, theatrical flair, and unmistakable profile. Set against a vivid crimson red background, Levèque’s minimalist yet expressive drawing captures Guitry in stark profile: the elongated nose, keen eyes, and ever-composed demeanor rendered with economical lines and a satirical touch. The signature of Sacha Guitry, scrawled in the upper corner, adds an air of celebrity endorsement, giving this poster the feel of both homage and humorous jab. Guitry, a towering figure of Belle Époque and interwar French culture, was renowned for his prolific output on stage and screen. Levèque’s caricature distills his persona into a bold visual shorthand—dapper in a tuxedo, bemused in expression, and steeped in charm. Marcel Levèque was a master of the French caricature tradition, following in the footsteps of Sem and Caran d'Ache, turning public figures into recognizable icons of satire. This poster likely accompanied a theatrical performance or exhibition, and it stands today as a vivid artifact of celebrity culture, visual humor, and early 20th-century poster art. Perfect for collectors of vintage caricature...

The Flower Seller, a late 19th century figurative oil painting of a barefoot female figure in period dress standing outside of a doorway selling nos...

Mid Century Textural Color-Field Abstract in Royal Blue-Purple by Peter Witwer A striking mid-century textural color-field abstract in a bold color palette of royal blue-purple by San Francisco artist Peter Witwer (American, 1928-1968). This highly textured mixed media piece, c.1960's, uses a monochromatic palette that is divided into two areas of varying textural depths. The lower part of the canvas verges on sculptural, as the textured surface becomes almost three-dimensional and haunting forms emerge from the abstract purple-blue plane. Unsigned. From a collection of the artist's works. Displayed in a painted wood slate frame. Frame has been painted by the artist and is considered part of the artwork. Linen size: 26"H x 22"W. Framed size: 27"H x 23"W x 1.2"D Unsigned, but was acquired with a collection of the artist's work. Provenance: Without a will and a family that had little interest in his art, nearly all of his possessions and close to 100 paintings were turned over to SF’s Conservators Office. His friend, Albert Richard Lasker, purchased all of Peter’s possessions (including the art) and has taken care of them until this day, always sensing there was something remarkable about the collection. Wanting Peter’s work to finally be seen, Richard came to Lost Art Salon with Peter’s story after reading about the new gallery in a July, 2005 issue of the SF Chronicle. Born George Peter...

"Geostructure XII" is an intensely colorful painting of the primary shapes of the circle, square, and triangle. Though the shapes are repetitive their mixed juxtapositions and the creative use of color moves the eye around the canvas with constant interest. This painting is an extraordinary example of Franklin Jonas...

Expressive depiction of Christ being aided by Simon of Cyrene by an unknown artist, Italiante School style of 17th-century Northern European painters principally Dutch, c.1700s-1800s. This piece is composed of oil on linen, laid down on fiberboard. Presented in a giltwood frame. Image size: 42"H x 33"W. Italianate painters, group of 17th-century northern European painters, principally Dutch, who traveled in Italy and, consciously adopting the style of landscape painting that they found there, incorporated Italian models and motifs into their own works. Chief among the Italianates were Bartholomeus Breenbergh, Andries and Jan Both, Nicolaes Berchem, and Jan Asselijn...

This original 1958 exhibition poster was created for a show of Jacqueline Lamba’s drawings at the Galerie Lucy-Krohg in Paris. Lamba, a key figure in the Surrealist movement, was kno...

Original travel poster by Edouard Collin for the Compagnie Générale Transatlantique beckons travelers to explore the enchanting destinations of Paris, Marseille, Alger, Oran, and Tun...