Art by Medium: Linen

This is an original poster printed in lithography by the famous poster artist Leonetto Cappiello. Leonetto Cappiello was an Italian and French poster ar...

The 1906 original poster by Mouren Henry for the "Cie Intle des Wagons-Lits et des grands express européens - Engadine Express" is a beautiful example of early 20th-century travel ad...

The 1951 original travel poster by Louis Berthomme Saint-André for Lourdes, commissioned by the French National Railway Company (SNCF), is a captivating testament to the allure of th...

El Capitan stands front and center in "Freerider in the Heart of the Valley," surrounded by hundreds of trees in the Yosemite Valley. Deep emerald greens of the shadows complement th...

Skillfully executed courtyard scene by H. von der Planitz (german, 19th-20th cent ). Several trees cast dramatic shadows on the dirt floor of a courtyard, next to a colonnade that fr...

Wonderful mid 19th Century painting of a stable's interior with two horses, stable hand, two spaniels, a rooster and ducks from a follower of John Frederick Herring, Sr. (British, 17...

La Piscine de mon Rêve Swimming Pool of my Dream Landscape Tempera Painting on Linen Canvas In Stock Paul Delmée (Brussels, 1944) received his education at the Academie des Beaux Art...

This oil painting on Belgian linen canvas with vivid colours depicts people and situations with whom the artist have had contact. Whilst the works are not strictly speaking, portrait...

Oil Painted Still Life in Natural Light with Dark Background.. bowl with berries and nuts. As with nearly all of William J Rushton's artworks, this was created from life and on the...

Stunning large floral still life of tulips, roses and lilacs by Marie-Clair Delaunay (French, 20th Century), 1987. Signed lower right corner and on verso. Presented in gilt-toned wood frame. Image size: 32"H x 32"W, Marie Claire Delaunay, born in Paris, is of Flemish and Breton origin. She studied in Paris then at the Ecole du Louvre, Artist studio of la Grande Chaumière, she deepened her technique in water-colour, oil painting, lithography and fresques and took inspiration in various painters creative course and works : Atelier of Baignol with its rigorous technical teaching, working trips with Jean Rigaud focused on the subject, work with Louis Süe architect as an other dimension of art. In Olso, Norway, training in Hans Klemensrüd Artist's Studio, abstract painter. Later, work with Sofia Vari, a Greek artist who also made her discover her country. And in the Cyclades islands again, study of the abstract technique with Sergio de Castro, the Argentinian painter...

Oil on linen. Estate stamp verso. Unsigned. 71.25 x 40.5 in. 72.75 x 42 in. (framed) Custom framed in a solid maple floater with a polyurethane clear coat finish. Provenance Estat...

Summer Garden X is an original macro style realist painting by artist Dylan Lloyd. Featuring a snippet of a wild garden with pink blue and white flowers dotted in the foreground and ...

Beautiful Czech ski poster by Ladislav Horak for Velke Karlovice, Raj Lyzaru. Velké Karlovice is a municipality and village in the Vsetín district of the Zlín region in the Czech Rep...

Original poster by David Klein for TWA and its trips to Rome. A TWA Lockheed Super Constellation can be seen flying over the Neptune Fountain in Rome. Trans World Airlines (TWA) was ...

Beautiful poster by Otto Nielsen for SAS (Scandinavian Airlines System) and its trips to South America. Otto Nielsen (1916-2000) was an accomplished painter who devoted much of his c...

Ed Ruscha multiple published on the occasion of the Gala of the 30th Anniversary of the Museum of Contemporary Art in Los Angeles. Printed in an edition of approximately 1000 copies ...

Mid Century Textural Color-Field Abstract in Royal Blue-Purple by Peter Witwer A striking mid-century textural color-field abstract in a bold color palette of royal blue-purple by San Francisco artist Peter Witwer (American, 1928-1968). This highly textured mixed media piece, c.1960's, uses a monochromatic palette that is divided into two areas of varying textural depths. The lower part of the canvas verges on sculptural, as the textured surface becomes almost three-dimensional and haunting forms emerge from the abstract purple-blue plane. Unsigned. From a collection of the artist's works. Displayed in a painted wood slate frame. Frame has been painted by the artist and is considered part of the artwork. Linen size: 26"H x 22"W. Framed size: 27"H x 23"W x 1.2"D Unsigned, but was acquired with a collection of the artist's work. Provenance: Without a will and a family that had little interest in his art, nearly all of his possessions and close to 100 paintings were turned over to SF’s Conservators Office. His friend, Albert Richard Lasker, purchased all of Peter’s possessions (including the art) and has taken care of them until this day, always sensing there was something remarkable about the collection. Wanting Peter’s work to finally be seen, Richard came to Lost Art Salon with Peter’s story after reading about the new gallery in a July, 2005 issue of the SF Chronicle. Born George Peter...

Beautiful gouache of the 50s representing an agricultural scene. It is a tapestry project by Guignebert. Agriculture - Animals

Original poster made by Monique Cras (1910-2007), a famous French painter and poster artist. She was a student of Paul-Albert Laurens and Lucien Simon at the Beaux-Arts de Paris. Bet...

Beautiful still life painting by Philadelphia artist, John Bekavac (?-2011). Oil on linen, Canvas measures 14 x 18 inches; 17.5 x 21.5 inches framed. Signed lower left. Excellent...

Daud Akhriev's (EUR and US based) "Evening Light, Florence" is an original, handmade oil painting that depicts a street within the terracotta lined walls of an Italian city. Artist Biography: The Soviet educational system singled out 8-year-old Daud Akhriev for special arts training. He painted and drew under the best painters and instructors for the next fourteen years. This culminated in a master’s degree from the Russian Academy in Leningrad (sic), after an obligatory two years in the Russian army. Though representational in orientation, Russian Academic philosophy encourages sampling, experimenting, and referencing styles and techniques from all of art history. The Russian academic training at its best imparts an artist a wide array of abilities honed to such that technical struggle is greatly reduced, leaving more time for experimentation and creativity. Akhriev, who enthusiastically cultivated all skills and styles while at the Academy, is an artist with public works in mosaic, oil on linen, water media, cast bronze monumental sculpture and ceramics. He is comfortable working in decorative styles, designing fabrics and patterns, and is equally at ease switching into Old Master oil painting. He admires Rembrandt and Schiele, Moser and Mailloll, Velasquez, Sargent and Sorolla. Akhriev is a Master Signature member of Oil Painters of America, the Artists Union of Russia, as well as the Association of Pastel Painters of Spain, the British Association of Modern Mosaicists, and the Society of American Mosaic Artists. He has won numerous prizes from the Salon International and International Masters Exhibitions in Texas, and at OPA regional and national exhibitions. He won Grand Prize from Pastel Magazine’s international 100 competition in 2015 and was twice honored again in 2017. Erlanger Hospital awarded Akhriev and team the creation of their non-denominational chapel which won “Ten Best Mosaic in Situ” in 2016 from the Society of American Mosaic Artists. He is an internationally renowned instructor of figurative and landscape painting and drawing. His work is published in several art books in Russian, Chinese and English. Magazines such as Fine Art Connoisseur, Pastel Journal and Artists Magazine have large features on his work. Currently his pastel paintings are at the Ming Gallery of Pastel Painting in Suzhou, China, by invitation, and are going to be in the inaugural exhibition of the new Chinese museum pastel painting throughout history through the present day. He has served as a juror for Oil Painters of America, and he frequently teaches masterclasses in Italy. The artist is a huge sports fan and loves film and travel. He speaks Russian, Ingush, English, basic Spanish, and can communicate using hand gestures in any other language. His extracurricular passion is teaching young artists. He resides in Tennessee and Andalusia, Spain with his artist wife, Melissa Hefferlin.

Roger de Valerio, pseudonym of Roger Laviron 🇫🇷 (1886-1951), is a French illustrator, poster artist and painter. Throughout his career, he worked as an art director in various new...

As one of the last generation to remember a childhood lived in the desert hunting and gathering with her family, Walangkura Napanangka's paintings recall the stories of country and the location of specific sites in her traditional homeland west of the salt lake of Karrkurutinjinya (Lake Macdonald). Born around 1946, at Tjitururrnga west of Kintore, in the remote and arid country between the Northern Territory and Western Australia, she lived with her father Rantji Tjapangati and mother Inyuwa Nampitjinpa and later, while still a teenager, travelled by foot with her family over the hundreds of kilometres from their remote desert home eventually joining Uta Uta Tjangala's group as they walked in to the settlements of Haasts Bluff and then Papunya. The lure of settlement life with its promise of plentiful food and water belied the harsh conversion they would make to an alien lifestyle with its many problems and unfamiliar demands. The upheaval however, was ameliorated to some degree by the proximity of her immediate family including her mother Inyuwa, adoptive father Tutuma Tjapangati, and sister Pirrmangka Napanangka (now deceased) all of whom became artists. Relocated to the community of Kintore in 1981 when the outstation movement began, Walangkura participated in the historic women's collaborative painting project (1994) that was initiated by the older women as a means of re-affirming their own spiritual and ancestral roots. It was a time of specifically female singing, ceremony and painting, away from the gaze of outsiders and men folk. The huge and colourful canvases that emerged from the women's camp were 'alive with the ritual excitement and narrative intensity of the occasion' (Johnson 2000: 197). Within a year, Papunya Tula Artists, now established at Kintore, had taken on many of these women as full-time artists, revitalising the company after the deaths of many of the original 'painting men'. While individual women forged their own stylistic trajectory, these paintings were immediately distinguishable from the men's more cerebral and symmetrical style. They radiated an exuberant and vibrant energy, the felt heart-beat of women's affinity to country and spirit. Walangkura's early works, created from 1996 onward, are characterized by masses of small markings and motifs covering large areas of canvas. Her favorite colour, a deep sandy orange predominates, accentuated against more somber blacks and reds and dusky greens or yellows. More recent works show a gestural quality though still tightly packed with an intensity of geometric line work representing sandhills. In a sense this provides a strong visual and contextual link to the men's linear style as exemplified by the works of George Tjungurrayi...

This framed 16" x 20" oil painting on linen by Siberia-born, Oklahoma City-based artist Alyona Kostina depicts the Dutch countryside. The warm composition features a golden field, a ...

KK Kozik is an artist living and working in Sharon, CT and Brooklyn, NY. Her paintings have ben exhibited widely in the United States and abroad and have been reviewed in publications such as The New York Times, Artforum, The New Yorker and Art in America, among others. Images of her commission for the New York MTA, stained glass windows at the Rockaway Beach...

Irisha Pavlenko Nowhere to Hide 80 x 60 cm Oil on linen Russian-born artist Irisha Pavlenko has developed a distinctive figurative language in which portraiture, still life, memory,...

Irisha Pavlenko From Within 50 x 50 cm Oil on linen Russian-born artist Irisha Pavlenko has developed a distinctive figurative language in which portraiture, still life, memory, and...

Beautiful Swiss poster from 1962 by Fred Mayer and Franz Fassler: Suisse Neige Glace Sports. Mountain - Skiing - Tourism - Switzerland Model: Fran...

Dark green and blue touches create a complex interweaving, creating a feeling of calm, depth and mystery. The contrast of colors emphasizes the depth of thought, balance and harmony ...

Vintage 1970s still-life of a basket of green grapes and a copper pitcher against an interesting background of a distressed brick wall, by California painter Darlene Cantorna...

The Flower Seller, a late 19th century figurative oil painting of a barefoot female figure in period dress standing outside of a doorway selling nos...

In keeping with my passion of nature, this collection focusses on the movement and structure of nature. Movement of water, vegetation and even sound. I am fascinated in seeing thing...

Expressive depiction of Christ being aided by Simon of Cyrene by an unknown artist, Italiante School style of 17th-century Northern European painters principally Dutch, c.1700s-1800s. This piece is composed of oil on linen, laid down on fiberboard. Presented in a giltwood frame. Image size: 42"H x 33"W. Italianate painters, group of 17th-century northern European painters, principally Dutch, who traveled in Italy and, consciously adopting the style of landscape painting that they found there, incorporated Italian models and motifs into their own works. Chief among the Italianates were Bartholomeus Breenbergh, Andries and Jan Both, Nicolaes Berchem, and Jan Asselijn...

Vintage mixed media painting signed JJ PERL. Mixed media painting on linen strips. Framed. Signed. Measuring 10 by 10 inches overall and 9 1/4 by 9 1/4 painting alone. In excellent ...

"Rhythmical" by Alyson Kinkade Abstract Landscape, Undulating Clouds over Plains Oil on Canvas 40x36" image 41x37" framed in black shadow-box wood as pictured "There is great beauty...

Daniel Walbidi comes from a small coastal community 250km south of Broome called Bidyadanga which is the traditional homeland of the Karrajarri people. Formerly La Grange Mission, it...

Original poster printed in silkscreen in 1952 for Aer Lingus, the Irish airline. We can see a Lockheed super-constellation flying over the Statue of Liberty...

An oil painting of sheep painted with thick paint applied spontaneously with a palette knife on linen primed with clear gesso leaving the texture and colour of the linen on show. AD...

Michele Harvey’s 2007 oil-on-linen painting, Dancers, evokes serene beauty through its depiction of trees immersed in a misty environment. The poetic title draws attention to the alm...

“Alone” by Alexandra Rozenman is a painterly and playful blue, green and violet abstracted landscape in oil paint on linen measuring 58 x 60 x 2.5 inches that makes us wonder how man...

This handwoven contemporary textile sculpture, Rojo, was done by Chilean fiber artist, Carolina Yrarrázaval (b. 1960). Yrarrázaval explains her in...

100 Affiches Pablo Picasso Lithograph Poster Pablo Picasso was a Spanish painter, sculptor, and co-founder of the Cubist movement, which revolutionized European painting and sculptu...

VALERIE HIRD ACRUMI : AIR, 2013 oil on linen 36 x 48 in. 91.4 x 122 cm.

"Another Day" is an oil painting on panel. A winding California road snakes its way up a hill. Houses are perched at the top overlooking brown scrub and ro...

Acquired by the gallery directly from the artist UNFRAMED: 20" x 24" FRAMED: 36" x 30" x 2" SIGNED: Lower Left Artist Statement "Few spots along the California coast compare to t...

This painting captures the quiet atmosphere of a summer day by the pool, where still water, warm light, and clean architectural lines create a sense of calm and escape. The absence o...

An oil painting of a landscape in Tuscany. Rolling hills, a winding dirt-road, Cyprus trees, and a small farm-house cottage, underneath a pale blue sky. Rows of vines descend the hil...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Authenticity, guaranteeing its originality and provenance. We offer secure worldwide delivery to any address you specify, ensuring that your purchase arrives in pristine condition. If you require additional shipping options or a bespoke quote from our trusted network of carriers, please do not hesitate to contact us. Our team is here to help you find the best solutions for a smooth and secure delivery experience. Born in 1986 in Saarbrücken, Germany, Amela lives and works as a visual artist in Munich. As the daughter of migrants from former Yugoslavia, she grew up bilingual and her live had taken place between Germany and Bosnia. This experience has had a particularly strong influence on the content of her work. The paintings of Amela Rasi...

Bettina Mauel expresses dynamism and sensuality in her paintings: “I paint what I experience,” she articulates. “This includes landscapes, flowers, and people in motion, capturing th...

A group of uniformed soldiers gather in a grassy field. We see cannons yet must bring our own decisions about what is about to transpire. Painted in the loose style of Winslow Homer, "Union" by William Blake captures a scene in a Civil War Reenactment as the Union Army's Artist Reporter. Portraying Homer as an Artist-reporter, Blake has to be more than merely good draftsmen. He has to be an astute observer, have an instinct for story and drama, the ability to sketch quickly and accurately, and no small amount of daring, as he faces battles first hand. As for the paintings, William uses materials and methods of the Civil War era. The linen on which he paints was in use at that time as well as the tubed oil paints. He is one of the few artists who tacks his canvas to the stretchers using similar tacks that would have been used by Winslow Homer. While he leaves the works unframed for this reason, the artwork could certainly be framed. Please contact the gallery for framing options. William Blake Union, 2022 oil on linen 24h x 36w in 60.96h x 91.44w cm WIL034 Known for his highly charged depictions of Civil War reenactments, William Blake’s powerful paintings show the recursive bodies of reenactors as they gesture across time. Participating in over 40 reenactment events, Blake currently interprets as the artist-correspondent Winslow Homer at these battle reenactments. He immerses himself in the materiality of his own obsession by constructing period clothes, camping on battlefields, and documenting the reenactment similar to Homer’s documentation of the authentic war. The figures in the paintings reverberate the past with respect and with a desire to educate, humble, and play. With each annual iteration of American Civil War reenactments, the reanimation of the past encourages a review of history and aids in its continuous revision. For his second exhibition with Gallery Victor Armendariz, William Blake presents A Great Battlefield, a collection of new paintings depicting US Marines...

WEIR FARM Series: “[This] series runs the full range from natural to post-impressionism, yet always having the themes of the American pictorial sense of place with an accurate drawin...

Edward Zutrau Kamakura, 5/19/1963 Signed, dated and titled on verso Oil on linen 38 1/2 x 51 inches Edward Zutrau is among the American artists who worked within the whirlwind of d...

Abstraction 100-70 11 is a painting by French artist Nicolas Galtier. The artist uses a mixed technique combining pigments, binders, glues and various metal powders and sheets. The c...

This striking original circa 1980 poster by René Gruau was created for Christian Dior's Eau Sauvage, capturing the mystery and sensuality that made the fragrance an enduring classic....

Bettina Mauel expresses dynamism and sensuality in her paintings: “I paint what I experience,” she articulates. “This includes landscapes, flowers, and people in motion, capturing th...

Joellyn T Duesberry Wall on Wharf Street, #513, New Orleans, LA 1976. Oil on linen Dimensions: (Frame) H 50.5" x W 66.5". sight size 50 x 66" Hand signed and titled verso Joellyn Toler Duesberry (1944 – 2016) was a plein air landscape artist who worked in oils. Joellyn Duesberry American Landscape Painter Bridging Realism and Abstraction Joellyn Toler Duesberry (1944–2016) was an American landscape, Plein Air, painter working primarily in oil, celebrated for canvases that hold realism and abstraction in deliberate tension. Born in Richmond, Virginia, on June 30, 1944, Duesberry developed an early, formative connection to the land growing up in rural Virginia, seeking out woods, creeks, and lakes as places of solitary refuge and sketching from childhood. Though she went on to earn two advanced degrees — graduating with highest honors from Smith College in 1966, followed by an MFA from the Institute of Fine Arts at New York University — Duesberry is considered a self-taught painter, developing her singular style largely outside the classroom. Mentorship Under Richard Diebenkorn The defining turning point in Duesberry's development came in 1986, when she received an Individual Painting Grant from the National Endowment for the Arts to study with the celebrated Bay Area painter Richard Diebenkorn. Though Diebenkorn's influence on her work was conceptual rather than stylistic, Duesberry often cited him as her most significant mentor, crediting him with instilling three ideas that shaped the rest of her career: that the abstract and the real are indistinguishable in painting, that the modernist exploration of all poles of expression should be pursued without timidity, and that an artist's compositional instincts are rooted in deep, often unconscious memory. Diebenkorn also encouraged Duesberry to take up monotype printmaking, a medium she embraced with passion and continued to exhibit alongside her paintings for the rest of her career, working for many years with Denver's Open Press. It was this period of study that prompted her move from Manhattan's Bowery to Colorado in 1985. Exhibition History Duesberry began exhibiting in New York City in 1979, eventually mounting ten solo exhibitions there, and was later represented by Tatistcheff Gallery and Graham Modern in New York, as well as Broschofsky Galleries in Ketchum, Idaho, among roughly seven galleries coast to coast. Major retrospectives followed at the Denver Art Museum (Joellyn Duesberry: Three Decades of Paint, January 2006) and the Century Association in New York, as well as a fifty-year retrospective at the Colorado Springs Fine Arts Center, accompanied by the monograph Elevated Perspective (2011). In 1997, she received the Benjamin Altman Landscape Prize from the National Academy of Design, and from 1998 to 1999 she held a World Views residency with the Lower Manhattan Cultural Council, painting from studio space in the World Trade Center's North Tower — an experience that gave her body of work a lasting connection to Ground Zero following September 11, 2001. Style and Legacy Critics and dealers alike have noted that Duesberry's contemporary canvases echo the modernist masters John Marin and Milton Avery, sharing their bold color and their instinct for finding underlying geometric structure within the observed landscape. Her plein air practice took her across the American Northeast and West, particularly Colorado and New Mexico, as well as Italy and France, and she maintained a decades-long connection to the Colorado art scene after moving to Denver in 1985. In 2005, PBS produced a documentary on her life and work, Joellyn Duesberry: Dialogue with the Artist. She died on August 5, 2016, at age 72, following a long struggle with cancer. Her work is held today in the permanent collections of the Denver Art Museum, the Metropolitan Museum of Art, the National September 11 Memorial and Museum, the Smith College Museum of Art, the Yale University Art Gallery, and the Jundt Art Museum at Gonzaga University, among others. Keywords: Joellyn Duesberry, American landscape painter, Richard Diebenkorn student, plein air painting, Colorado landscape art, Denver Art Museum collection, National Academy of Design Altman Prize, monotype printmaking, John Marin Milton Avery influence, World Trade Center painter, September 11 Memorial Museum, Metropolitan Museum of Art collection, contemporary American realism, abstraction and landscape painting She said that her paintings echo the work of John Marin and Milton Avery. In 2005, a PBS documentary was made of Joellyn Duesberry's life, work, and creative process titled Joellyn Duesberry: Dialogue with the Artist. Her works are held by institutions such as Metropolitan Museum of Art and Smith College Museum of Art. Publications 1998: A Covenant of Seasons: Monotypes by Joellyn T. Duesberry, Poetry by Pattiann Rogers, 2011: Elevated Perspective: The Paintings of Joellyn Duesberry, SELECT SOLO EXHIBITIONS Elevated Perspective: The Paintings of Joellyn Duesberry, Colorado Springs Fine Arts Center Joellyn Duesberry: A Passion for the Land, Leslie Levy Fine Art, Inc., Scottsdale, AZ Joellyn Duesberry: A Passion for Western Land, William Havu Gallery, Denver, CO Joellyn Duesberry Monotypes: Hidden Treasures, William Havu Gallery, Denver, CO Joellyn Duesberry: Solace on Safari, Gerald Peters Gallery, Santa Fe, NM Tremaine Gallery, The Hotchkiss School, Lakeville, CT. Recent Monotypes, James Graham & Sons, Madison Avenue, New York, NY Joellyn Duesberry: Monotypes, Lizan-Tops Gallery, Easthampton, NY The Garden Paintings, Robischon Gallery, Denver, CO Joellyn Duesberry: Paintings, Tavelli Gallery, Aspen, CO Joellyn Duesberry, Graham Modern, Madison Avenue, New York, NY Joellyn Duesberry: Paintings and Monotypes, Carol Siple Gallery, Denver, CO Joellyn Duesberry, Tatistcheff Gallery, New York, NY SELECT GROUP EXHIBITIONS Significant Women Artists, Curtis Arts & Humanities Center, Greenwood Village, CO Finding Abstraction, Gallery 1261, Denver, CO Rocks on Paper, Katharina Rich Perlow Gallery, New York, NY Summer Landscape Show, Greenhut Gallery, Portland, ME Defining the West: 200 Years of American Imagery, Gerald Peters Gallery, Santa Fe, NM Roots, Landing Gallery, Rockland, ME Annual Professional Painters’ Exhibition, The Century Association, New York, NY Glory of Landscapes, Pelham Art Centre, New York, NY Salon du Musee, Featured Artist, Salon d Arts at Gallery 1261, Denver, CO Small Works, Gallery 1261, Denver, CO The Urban Myth, Vision of the City, Sullivan Goss, An American Gallery, Santa Barbara, CA The Art of Printmaking, paying homage to Open Press,Archer Concept Group,Denver,CO Twenty Years: Paintings: Joellyn Duesberry, Bunny Harvey...

River Lagoon with a “Carmel Meadows” free bluff in the background by Alfred Schroff (American, 1863-1939). An exceptional painting with distinct brushwork of the Carmel River mouth, ...

An Oil painting of boats in a marina. Above, the suns rays pierce through the clouds. American realist painter Carl Bretzke is particularly adept at nocturne scenes which ooze in d...

Uri Blayer (Israeli, born 1971) "Sanctuary" 2003 Oil paint on linen, stretcher bars The artist signed the bottom right of the artwork. "Sanctuary" by Israeli artist Uri Blayer is a ...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...