Art by Medium: Monotype

Color monotype with collage. Kushner recently completed a series of monotypes, many with collaged decorative papers. He worked from still-lives of flowers, fruits, pitchers and Bett...

This striking set of three original abstract monotypes by acclaimed Denver modernist Wilma Fiori (1929–2019) showcases her signature use of color and form. Rendered in a refined pale...

Siergiej Timochow, a Belorussian artist, born in 1960. He studied at an art school in Minsk in 1979 before continuing to study at the Fine Arts Academy in Belarus. His acrylic and ...

Siergiej Timochow, a Belorussian artist, born in 1960. He studied at an art school in Minsk in 1979 before continuing to study at the Fine Arts Academy in Belarus. His acrylic and ...

Siergiej Timochow, a Belorussian artist, born in 1960. He studied at an art school in Minsk in 1979 before continuing to study at the Fine Arts Academy in Belarus. His acrylic and ...

Siergiej Timochow, a Belorussian artist, born in 1960. He studied at an art school in Minsk in 1979 before continuing to study at the Fine Arts Academy in Belarus. His acrylic and ...

Siergiej Timochow, a Belorussian artist, born in 1960. He studied at an art school in Minsk in 1979 before continuing to study at the Fine Arts Academy in Belarus. His acrylic and ...

Siergiej Timochow, a Belorussian artist, born in 1960. He studied at an art school in Minsk in 1979 before continuing to study at the Fine Arts Academy in Belarus. His acrylic and ...

Siergiej Timochow, a Belorussian artist, born in 1960. He studied at an art school in Minsk in 1979 before continuing to study at the Fine Arts Academy in Belarus. His acrylic and ...

This vibrant abstract monotype by Colorado artist Wilma Fiori is a striking example of late 20th-century modern abstraction, featuring bold pink and yellow tones that create an energ...

Untitled, 1981, unique embossed monotype print on handmade paper. Created at the Institute of Experimental Printmaking by lauded American artist, Sam Francis (1923-1994). The Sam Fra...

Dana Gordon, American (1944 - ) - Abstract V, Year: circa 1990, Medium: Monotype on Wove Paper, Image Size: 30.5 x 22 inches, Size: 32.5 x 24 in. (82.55 x 60.96 cm)

Dana Gordon, American (1944 - ) - Abstract Composition VII, Year: circa 1990, Medium: Monotype on Wove Paper, Image Size: 30 x 22 inches, Size: 34 x 26 in. (86.36 x 66.04 cm)

Unique monotype with collage. signed and numbered on the front, titled on verso. Artist Robert Roach lives and works in Santa Fe, New Mexico. His one-of-a-kind, abstract monoprints...

Monotype on paper, Framed 25 x 25 x 3 cm Federica Frati is an Italian artist born in 1977 who lives lives and works in Brecia, Italy. She is graduated from art school Foppa where sh...

Ed Baynard (American, 1940- 2016) Untitled Monotype with handcoloring on paper! 1981 28-1/2 x 36-3/4 inches (72.4 x 93.3 cm) (paper size) Frame is included. Approx - 34.5 x 40.75...

Monotype on canvas, collage Federica Frati is an Italian artist born in 1977 who lives lives and works in Brecia, Italy. She is graduated from art school Foppa where she learned the...

This striped collage in all shades of indigo calls to mind Indonesian or Guatemalan woven textiles. The pattern mounted on wood panel was made by hand-printing, then then slicing int...

A unique monotype with charcoal, graphite and acrylic makes the textures as important as the image. Seiko Tachibana was born in Japan and completed her Masters of Art Education at K...

"Arroyo" is a woodcut and monotype signed by Carol Summers. The print is a break from the usual bright coloring of Summers' images, though is rendered in his typical style and fields of unmodeled color. A pair of trees stand front and center before an arroyo, a Spanish term for an intermittently dry creek, running out to the ocean. A white sunrise glows in the distance beyond the sea. The playfulness of the image is enhanced by Summers' signature printmaking technique, which allows the ink from the woodblock to seep through the paper, blurring the edges of each form. 14.25 x 14 inches, artwork Numbered from the edition of 120 This print was commissioned by the Madison Print Club, Madison, WI Carol Summers (1925-2016) worked as an artist throughout the second half of the 20th century and into the first years of the next, outliving most of his mid-century modernist peers. Initially trained as a painter, Summers was drawn to color woodcuts around 1950 and it became his specialty thereafter. Over the years he has developed a process and style that is both innovative and readily recognizable. His art is known for its large scale, saturated fields of bold color, semi-abstract treatment of landscapes from around the world, and a luminescent quality achieved through a printmaking process he invented. In a career that has extended over half a century, Summers has hand-pulled approximately 245 woodcuts in editions that have typically run from 25 to 100 in number. His talent was both inherited and learned. Born in 1925 in Kingston, a small town in upstate New York, Summers was raised in nearby Woodstock with his older sister, Mary. His parents were both artists who had met in art school in St. Louis. During the Great Depression, when Carol was growing up, his father supported the family as a medical illustrator until he could return to painting. His mother was a watercolorist and also quite knowledgeable about the different kinds of papers used for various kinds of painting. Many years later, Summers would paint or print on thinly textured paper originally collected by his mother. From 1948 to 1951, Carol Summers trained in the classical fine and studio arts at Bard College and at the Art Students League of New York. He studied painting with Steven Hirsh and printmaking with Louis Schanker. He admired the shapes and colors favored by early modernists Paul Klee (Sw: 1879-1940) and Matt Phillips (Am: b.1927- ). After graduating, Summers quit working as a part-time carpenter and cabinetmaker (which had supported his schooling and living expenses) to focus fulltime on art. That same year, an early abstract, Bridge No. 1 was selected for a Purchase Prize in a competition sponsored by the Brooklyn Museum. In 1952, his work (Cathedral, Construction, and Icarus) was shown for the first time at the Museum of Modern Art in New York City in an exhibition of American woodcuts. In 1954, Summers received a grant from the Italian government to study for a year in Italy. Woodcuts completed soon after his arrival there were almost all editions of only 8 to 25 prints, small in size, architectural in content, and black and white in color. The most well-known are Siennese Landscape and Little Landscape, which depicted the area near where he resided. Summers extended this trip three more years, a decision that would have a significant impact on choices of subject matter and color in the coming decade. After returning from Europe, Summers’ images continued to feature historical landmarks and events from Italy as well as from France, Spain, and Greece. However, as evidenced in Aetna’s Dream, Worldwind, and Arch of Triumph...

Young ballerina, 40x30cm, monotype/paper

Bather, 40x30cm, monotype/paper

Elegant ink monotype by French artist Michel Debieve depicting a woman in profile. The finely articulated face, cropped composition, and richly textured dark ground give the portrait...

Charming and distinctive monotype by French artist Michel Debieve depicting a woman from behind wearing an oversized patterned bow. The restrained monochromatic palette emphasizes te...

Katherine’s delicate and evocative monotypes portray nature’s flora in all its glory, from the most organic trees and branches to airily etched florals. They are the result of a per...

Monotype & collage on paper Federica Frati is an Italian artist born in 1977 who lives lives and works in Brecia, Italy. She is graduated from art school Foppa where she learned the...

color monotpy of soldier on a horse with raised sword

Liu Jian, Chinese (1961 - ) - XCII, Year: 1999, Medium: Monoprint, signed and dated in pencil, Size: 25 x 19 in. (63.5 x 48.26 cm), Description: An Abstract Expressionist monop...

Liu Jian, Chinese (1961 - ) - LXXXVIII, Year: 1999, Medium: Monoprint, signed and dated in pencil, Size: 25 x 19 in. (63.5 x 48.26 cm), Description: An Abstract Expressionist m...

Liu Jian, Chinese (1961 - ) - XCI, Year: 1999, Medium: Monoprint, signed and dated in pencil, Size: 25 x 19 in. (63.5 x 48.26 cm), Description: An Abstract Expressionist monopr...

Liu Jian, Chinese (1961 - ) - XXV, Year: 1999, Medium: Monoprint, signed and dated in pencil, Size: 25 x 19 in. (63.5 x 48.26 cm), Description: An Abstract Expressionist monopr...

Liu Jian, Chinese (1961 - ) - XXXVIII, Year: 1999, Medium: Monoprint, signed and dated in pencil, Size: 25 x 19 in. (63.5 x 48.26 cm), Description: An Abstract Expressionist mo...

Liu Jian, Chinese (1961 - ) - XCIV, Year: 1999, Medium: Monoprint, signed and dated in pencil, Size: 25 x 19 in. (63.5 x 48.26 cm), Description: An Abstract Expressionist monop...

Liu Jian, Chinese (1961 - ) - XXIII, Year: 1999, Medium: Monoprint, signed and dated in pencil, Size: 25 x 19 in. (63.5 x 48.26 cm), Description: An Abstract Expressionist mono...

Liu Jian, Chinese (1961 - ) - XXXIX, Year: 1999, Medium: Monoprint, signed and dated in pencil, Size: 25 x 19 in. (63.5 x 48.26 cm), Description: An Abstract Expressionist mono...

Liu Jian, Chinese (1961 - ) - XXXII, Year: 1999, Medium: Monoprint, signed and dated in pencil, Size: 25 in. x 19 in. (63.5 cm x 48.26 cm), Description: An Abstract Expressionist...

Liu Jian, Chinese (1961 - ) - XXII, Year: 1999, Medium: Monoprint, signed and dated in pencil, Size: 25 x 19 in. (63.5 x 48.26 cm), Description: An Abstract Expressionist monop...

Liu Jian, Chinese (1961 - ) - XLIX, Year: 1999, Medium: Monoprint, signed and dated in pencil, Size: 25 x 19 in. (63.5 x 48.26 cm), Description: An Abstract Expressionist monop...

Liu Jian, Chinese (1961 - ) - XCIII, Year: 1999, Medium: Monoprint, signed and dated in pencil, Size: 25 x 19 in. (63.5 x 48.26 cm), Description: An Abstract Expressionist mono...

Liu Jian, Chinese (1961 - ) - XX, Year: 1999, Medium: Monoprint, signed and dated in pencil, Size: 25 x 19 in. (63.5 x 48.26 cm), Description: An Abstract Expressionist monopri...

Liu Jian, Chinese (1961 - ) - XCVI, Year: 1999, Medium: Monoprint, signed and dated in pencil, Size: 25 x 19 in. (63.5 x 48.26 cm), Description: An Abstract Expressionist monop...

Liu Jian, Chinese (1961 - ) - XCV, Year: 1999, Medium: Monoprint, signed and dated in pencil, Size: 25 x 19 in. (63.5 x 48.26 cm), Description: An Abstract Expressionist monopr...

Liu Jian, Chinese (1961 - ) - XLVI, Year: 1999, Medium: Monoprint, signed and dated in pencil, Size: 25 x 19 in. (63.5 x 48.26 cm), Description: An Abstract Expressionist monop...

Liu Jian, Chinese (1961 - ) - XXXIII, Year: 1999, Medium: Monoprint, signed and dated in pencil, Size: 25 in. x 19 in. (63.5 cm x 48.26 cm), Description: An Abstract Expressionis...

John Beerman, American (1958 - ) - Between the Trees, Year: 1990, Medium: Monotype, signed and numbered in pencil, Edition: 1/1, Image Size: 5.5 x 11 inches, Size: 13.5 x 18 in....

John Beerman, American (1958 - ) - Trees on Field, Medium: Monotype, signed and numbered in pencil, Edition: 1/1, Image Size: 6 x 5.5 inches, Size: 12 x 12 in. (30.48 x 30.48 cm)...

John Beerman, American (1958 - ) - Tree Trunk, Year: 1990, Medium: Monotype, signed and numbered in pencil, Edition: 1/1, Image Size: 5.5 x 5.5 inches, Size: 11.5 x 11.5 in. (29...

John Beerman, American (1958 - ) - Stone Tunnel, Year: 1991, Medium: Monotype, signed and numbered in pencil, Edition: 1/1, Image Size: 5.5 x 5.5 inches, Size: 13 x 11.5 in. (33...

John Beerman, American (1958 - ) - Clouds Above the Earth, Medium: Monotype, signed and numbered in pencil, Edition: 1/1, Image Size: 8 x 11 inches, Size: 15.5 x 21 in. (39.37 x ...

Liu Jian, Chinese (1961 - ) - XLII, Year: 1999, Medium: Monoprint, signed and dated in pencil, Size: 25 x 19 in. (63.5 x 48.26 cm), Description: An Abstract Expressionist monop...

Liu Jian, Chinese (1961 - ) - XVII, Year: 1999, Medium: Monoprint, signed and dated in pencil, Size: 25 x 19 in. (63.5 x 48.26 cm), Description: An Abstract Expressionist monop...

John Beerman, American (1958 - ) - Branches and Sky, Year: 1990, Medium: Monotype, signed and numbered in pencil, Edition: 1/1, Image Size: 6 x 4 inches, Size: 14 x 11 in. (35.5...

John Beerman, American (1958 - ) - Time Machine, Year: 1995, Medium: Monotype, signed and numbered in pencil, Edition: 1/1, Image Size: 10.5 x 15.5 inches, Size: 17.5 x 21.5 in....

John Beerman, American (1958 - ) - Stones and Overlook, Year: 1985, Medium: Monotype, signed and numbered in pencil, Edition: 1/1, Image Size: 19 x 17 inches, Size: 24.5 x 21 in...

Liu Jian, Chinese (1961 - ) - XLIII, Year: 1999, Medium: Monoprint, signed and dated in pencil, Size: 25 x 19 in. (63.5 x 48.26 cm), Description: An Abstract Expressionist mono...

Liu Jian, Chinese (1961 - ) - VII, Year: 1999, Medium: Monoprint, signed and dated in pencil, Size: 25 x 19 in. (63.5 x 48.26 cm), Description: An Abstract Expressionist monopr...

Liu Jian, Chinese (1961 - ) - XXVIII, Year: 1999, Medium: Monoprint, signed and dated in pencil, Size: 25 x 19 in. (63.5 x 48.26 cm), Description: An Abstract Expressionist mon...

Liu Jian, Chinese (1961 - ) - XI, Year: 1999, Medium: Monoprint, signed and dated in pencil, Size: 25 x 19 in. (63.5 x 48.26 cm), Description: An Abstract Expressionist monopri...

John Beerman, American (1958 - ) - Tree Trunk and Hill, Year: 1990, Medium: Monotype, signed and numbered in pencil, Edition: 1/1, Image Size: 4 x 6 inches, Size: 8.5 x 10 in. (...

Liu Jian, Chinese (1961 - ) - XV, Year: 1999, Medium: Monoprint, signed and dated in pencil, Size: 25 x 19 in. (63.5 x 48.26 cm), Description: An Abstract Expressionist monopri...