Art by Medium: Offset

Original "Mexico, País de Maravillas" Linen-Backed Vintage Poster, c. 1950s. Grade A- condition. Immerse yourself in the vibrant charm of mid-c...

Amleto Dalla Costa, Italian (1929 - ) - Maria, Year: 1978, Medium: Poster, signed and numbered in pencil, Edition: 100/325, Size: 18 x 13.25 in. (45.72 x 33.66 cm)

Arthur Szyk, Polish/American (1894 - 1951) - Declaration of Independence, Year: 1950, Medium: Offset Lithograph, signed and dated in the plate lower right, Image Size: 20 x 15.5 i...

This original exhibition poster was created for the landmark Larry Rivers retrospective held in 1981 at the Kestner-Gesellschaft in Hanover, one of Germany’s leading institutions for...

Christo and Jeanne-Claude The Pont Neuf Wrapped, 1975-85 Photo: Jeanne-Claude, 1976 Year: 1991 Size: 24.1 x 36.6 inches Unsigned COA provided --------------...

This is the official poster for the installation of "Wrapped Reichstag" by Christo in Berlin, 1993. This historic project involved wrapping the Reichstag building in fabric, transfor...

Keith Haring Galerie Paul Maenz, Cologne, Germany 1984: Super rare, tri-fold poster booklet published to announce Haring’s 1984 solo exhibition at...

This charming 1978 offset lithograph by Elke Sommer depicts a young couple through the artist’s distinctive Folk Art-inspired Figurative style. Sommer’s composition features simplifi...

This poster of Alexei Jawlensky’s Looking Within – Rosy Light was created for the Philadelphia Museum of Art and published by Springdale Graphics in 1987. Featuring Jawlensky’s signa...

Ertè - Exhibition Poster is a vintage offset and screen print realized in 1971. The artwork was realized in the occasion of the artist's exhibition held in Galleria Marino in Rome. ...

Jean-Michel Basquiat at Tony Shafrazi Gallery: Vintage original 1990s announcement published on the occasion of Jean-Michel Basquiat at Tony Shafrazi Gallery, New York, November 20, ...

Alex Colville (1920-2013) is one of the titans of Canadian art. Working across mediums, Colville is a revered painter, draughtsman, engraver, and muralist. He is one of the few Canad...

Sonia Delaunay Hommage a Sonia Delaunay pour son 90eme Anniversaire, 1975 Offset lithograph poster/flyer Plate signed Very rare; published in a limited edition of unknown quantity 1...

This first release exhibition billboard-poster, printed for the Musée Maillol from November 3, 2003, to March 15, 2004, was produced by Galerie Maeght and printed by Imprimerie A. Ka...

Artist: Charles Arnoldi (American, born 1931) Title: Untitled Year: 2001 Medium: Off set lithograph Edition: Numbered VII 4/5 in pencil Image size: 17 x 17 inches Signature...

Nicholas Krushenick New York State Council on the Arts Award poster, 1970 Silkscreen on wove paper - original 1970 poster, not a reprint Unsigned, unnumbered, unframed 35 × 25 inches...

Offset lithograph poster This is a scarce vintage offset lithograph exhibition poster for a 1980 Bridget Riley touring show of silkscreen prints created between 1965 and 1978.sponsor...

Paper Size: 22.5 x 28.5 inches ( 57.15 x 72.39 cm ) Image Size: 17.25 x 26 inches ( 43.815 x 66.04 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional ...

Paper Size: 12.25 x 16 inches ( 31.115 x 40.64 cm ) Image Size: 12.25 x 16 inches ( 31.115 x 40.64 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additi...

Artist: Henri Matisse (1869–1954) (after) Title: Miss Etta Cone (Mademoiselle Etta Cone) Year: December 20, 1954 Medium: Heliogravure on grand velin Renage filigrane a la marque de l...

Paper Size: 33.25 x 23.5 inches ( 84.455 x 59.69 cm ) Image Size: 33.25 x 23.5 inches ( 84.455 x 59.69 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Ad...

After Christopher Wool, Untitled (The Show is Over), Offset Lithograph on Paper, 1993 Offset lithograph on white poster paper Excellent condition. This piece is unsigned. 46.77 x 31...

Andy Warhol’s Chanel No. 5 transforms one of the world’s most recognizable perfume bottles into a bold celebration of fashion, luxury and consumer culture. Presented here as a comple...

From the Nudes portfolio, single sheet titled "Thinking Nude, State I" by Roy Lichtenstein published by Tyler Graphics. Not numbered and unsigned. Paper Size: 8.5 x 11 inches ( 22 x...

This vintage postcard was published by the Guggenheim Museum for the 1993 retrospective, highlighting a pivotal moment in Roy Lichtenstein’s career. It features his reinterpretation ...

Offset print on paper realized in occasion of the 1989 exhibition at Piazza Rondanini in Rome. Sponsored by Regione Lazio. Very good condition.

Gerhard Richter Untitled Abstract Picture, 2002 Offset lithograph on GardaMatt Art 250 GSM paper Not signed, edition of 3433 12 1/2 × 16 3.5 inches Unframed Printed on GardaMatt Art 250 GSM paper, this beautiful and colorful piece was part of a portfolio of loose plate reproductions for Gerhard Richter's Abstraktes works. Released during his exhibitions at the San Francisco Museum of Art (Abstract Pictures) and the Museum of Modern Art (Gerhard Richter, 40 Years of Painting). It depicts Richters 1999 Oil on Aluminum abstract picture) More about Gerhard Richter: Gerhard Richter was born in 1932 in Dresden, Germany. Throughout his career, Richter has negotiated the frontier between photography and painting, captivated by the way in which these two seemingly opposing practices speak to and challenge one another. From exuberant canvases rendered with a squeegee and acerbic color charts to paintings of photographic detail and close-ups of a single brushstroke, Richter moves effortlessly between the two mediums, reveling in the complexity of their relationship, while never asserting one above the other. Richter’s life traces the defining moments of twentieth-century history and his work reverberates with the trauma of National Socialism and the Holocaust. In the wake of the Second World War, Richter trained in a Socialist Realist style sanctioned by East Germany’s Communist government. When he defected to West Germany in 1961, a month before the Berlin Wall was erected, Richter left his entire artistic oeuvre up to that point behind. From 1961 to 1964—alongside Blinky Palermo and Sigmar Polke—Richter studied at the Staatliche Kunstakademie Düsseldorf, where he began to explore the material, conceptual, and historical implications of painting without ideological restraint. Richter’s earliest paintings in Düsseldorf, stimulated by a fascination with current affairs and popular culture, responded to images from magazines and newspaper cuttings. Through the 1960s, Richter continued to address found and media images of subjects such as military jets, portraits, and aerial photographs. Notably, he reimagined family pictures he had smuggled from East Germany that included his smiling uncle Rudi, dressed in a Nazi uniform...

Title: Summer Storm Year: 2000 Medium: Offset lithograph in colors on gloss archival paper Size: 36 x 24 inches Inscription: Hand signed by Peter Max in ink and unnumbered, as issued...

This striking Mirage Editions print by Tom Merryfield reimagines a famous photograph of Marilyn Monroe, capturing her timeless beauty against the raw energy of the Malibu coastline. ...

Original “The 3rd Man”, 1949, linen-backed vintage one-sheet movie poster "The 3rd Man". NSS: # 49/452. Excellent condition with restored original fold m...

Keith Haring, Andy Warhol 1986: Rare, highly sought-after oversized 1986 folding announcement card / poster illustrated by Keith Haring & Andy Warhol ...

Vintage poster realized by Galleria Rondanini in 1978. Offset print. Excellent condition.

Sam Francis McGovern '72 Poster (Hand signed by Sam Francis), 1972 Photo offset poster (hand signed by Sam Francis) Signed in blue ink on the front by Sam Francis with Sam Francis co...

This image depicts a leopard lying in a tree, surrounded by a vivid and surreal landscape. The leopard, with its yellow and black spotted coat, takes center stage, capturing attentio...

Original Quale Capri? Original Italian vintage travel poster. Conservation archival linen backed in very good condition, ready to frame. Quale Capri? Is which Capri? in Italian. The image is the outline of the island of Capri, off the coast of Naples, Italy. The poster has two different sides, which Capri do you like or want? One side represents progress with large commercial skyscrapers and the other side the small homes and businesses on the island. The question is do you want to allow development on this beautiful Mediterranean island. Capri was first “discovered” by emperor Augustus in the early years of the Roman Empire. He often resided there and built many temples, villas and gardens as a way of having his own private paradise. The meaning of the name Capri can be traced to the ancient Greeks, where the ancient Greek word 'kapros' means 'wild boar'. The island of Capri has had dozens of famous vintage posters...

Area Nightclub Archive 1983-1987: A collection of 40+ items (including approx 30 club invitations) spanning the history of the seminal 1980s New York nightclub known as "Area". Area opened its doors in September 1983 and virtually overnight became the nexus of one of the most vibrant Downtown art and club scenes in New York. Every six weeks, they transformed the enormous space at 157 Hudson with a different art exhibit & performance theme. Area was the place where A-listers such as Andy Warhol, Francesco Clemente, Julian Schnabel, Madonna, JFK Jr. & many others went to see and be seen: A place where Basquiat DJ'd, while Keith Haring and Andy Warhol produced several installations. Area's wildly creative invitations became the hottest tickets in town and instantly collectible art in and of themselves. Further details: Comprised of 40+ items in total: approx 30 club invitations; 3 original darkroom photographs taken by & signed by Fernando Natalici - the art designer of each piece; 6 drink tickets; 2 original mailing envelopes; a Halloween handkerchief invite; plus an original advertisement proof for the 80s fashion publication Details Magazine (image 4). Invitation dimensions ranging from: 9.5 inches on the longest side to 3.5 inches on the shortest side + 1 invite folding out to 11x17 inches (image 8). 3 signed silver gelatin photographs measuring: 8x10 inches (2 works) & 5x7 inches (1 work); Ad proof (image 4): 11x15 inches. Most pieces generally in good overall vintage condition; with a couple or more invites in fair condition. Provenance: Obtained directly from the club's original graphic designer, Fernando Natalici. Rare and not to be passed upon. Literature/References: Area: 1983-1987 by Eric Goode Jennifer Goode (pub. by Abrams 2013). New York Magazine 2013: "It Was the Hottest Club in Town." New York Times November 2013: "Waking Area Nightclub From the Dead". Exhibitions: 'Area: The Exhibition': The Hole Gallery NYC November 2013. Area: Further History (New York Magazine 11/1/13): "Influenced equally by sixties-era happenings and the gonzo childhoods of its proprietors, Area opened its doors in 1983. The club, unlike any that came before it, underwent a painstaking transformation roughly every six weeks, with themes like Confinement, Suburbia, and Science Fiction that incorporated elaborate art installations with taxidermied bears...

Linen-backed original “ Suddenly Last Summer “ vintage movie poster. Excellent condition with restored original fold marks as issued during conservation linen-backing. NSS 60/4. ...

Offset lithograph in colors on satin wove paper. Hand signed lower right by Takashi Murakami. Hand numbered 63/300 lower right. Published by Kaikai Kiki Co., Ltd., Tokyo. Artwork...

20th LA Film Fest (Hand Signed), 2014 Offset Lithograph with Ed Ruscha authograph 36 × 24 inches Boldly signed on the front in black marker by Ed Ruscha Published by Film Independent...

Keith Haring designed a poster for the 1986 "Crackdown on Crack" concert in New York City, organized by concert promoter Bill Graham to combat the crack-cocaine epidemic. Haring's po...

Original Louis Vuitton - Parc du Bagatelle, Voiture de Stars, poster. Year: 1991; Artist: Razzia. Size: 20" x 28.5". Art Deco archival linen-backed original French poster han...

Vintage offset lithograph postcard published by Nouvelles Images SA Editeurs. Printed in France. Presented in a black wood frame with a 1-inch front profile and a 3/4-inch side profi...

Nikolaus von Georgi Untitled (Geometric Composition, Vasarely, Op-Art) Color Offset Lithograph Year: 1978 Size: 19.7×23.6 on 23.6×27.6in Edition: 180 Signed, numbered and dated by ...

"The Gates" is a 2005 limited-edition offset lithograph on hand-made cotton paper with sample wrapped in orange packaging, originally signed by Christo in the lower right hand corner...

Portrait of Ingrid Bergman from "Casablanca" rendered in Warhol's signature style published by Galerie Borjeson. Known for his bold, repetitive portrait style, Warhol transformed Ber...

This museum poster, created for the 96 NYE VÆRKER exhibition at the Louisiana Museum of Modern Art in Humlebæk, Denmark, features Borderland State by Alex Da Corte, an artist known f...

Paper Size: 39.75 x 27 inches ( 100.965 x 68.58 cm ) Image Size: 39.75 x 27 inches ( 100.965 x 68.58 cm ) Framed: No Condition: B-: Good Condition, Signs of Handling and Age Additional Details: Poster for the 1997 American comedy-horror film directed by Cindy Sherman. Starring Carol Kane, David Thornton and Molly Ringwald...

Reproduction of Paint Cans by Wayne Thiebaud exemplifies the artist's masterful ability to elevate everyday objects into vibrant works of art. Known for his bold use of color, textur...

Original 1957 San Diego Great Annual Fiesta Poster – Rare Clark-Allen Lithography . This is an original vintage 1957 travel poster celebrating San Diego's Great Annual Fiesta. A prim...

Jean MARAIS (1913–1998) The Queen Offset print Signed with the artist’s stamp Also signed on the plate On vellum, 38 x 29.5 cm (14.9 x 11.4 in) Four-colour print produced to illustr...

This rare exhibition poster, titled "Curved Tip," is part of the "Collection of European Masters," published by Achenbach Editions for the Kunstsammlung Nordrhein-Westfalen in Düssel...

Galerie Beyeler Exhibition Poster Signed in plate Jean Philippe Arthur Dubuffet (French, 1901 – 1985) was a French painter and sculptor of the École de Paris (School of Paris). His idealistic approach to aesthetics embraced so-called "low art" and eschewed traditional standards of beauty in favor of what he believed to be a more authentic and humanistic approach to image-making. He is perhaps best known for founding the art brut movement, and for the collection of works—Collection de l'art brut—that this movement spawned. Dubuffet enjoyed a prolific art career, both in France and in America, and was featured in many exhibitions throughout his lifetime. His childhood friends included the writers Raymond Queneau and Georges Limbour. He moved to Paris in 1918 to study painting at the Académie Julian, becoming close friends with the artists Juan Gris, André Masson, and Fernand Léger. Six months later, upon finding academic training to be distasteful, he left the Académie to study independently. During this time, Dubuffet developed many other interests, including free noise music, poetry, and the study of ancient and modern languages. Dubuffet also traveled to Italy and Brazil, and upon returning to Le Havre in 1925, he married for the first time and went on to start a small wine business in Paris. He took up painting again in 1934 when he made a large series of portraits in which he emphasized the vogues in art history. In 1942, Dubuffet decided to devote himself again to art. He often chose subjects for his works from everyday life, such as people sitting in the Paris Métro or walking in the country. Dubuffet painted with strong, unbroken colors, recalling the palette of Fauvism, as well as the Brucke painters, with their juxtaposing and discordant patches of color. In 1943, the writer George Limbour, a friend of Dubuffet from childhood, took Jean Paulhan to the artist's studio. Dubuffet's work at that time was unknown. Paulhan was impressed and the meeting proved to be a turning point for Dubuffet. His first solo show came in October 1944, at the Galerie Rene Drouin in Paris. This marked Dubuffet's third attempt to become an established artist In 1945, Dubuffet attended and was strongly impressed by a show in Paris of Jean Fautrier paintings in which he recognized meaningful art which expressed directly and purely the depth of a person. Emulating Fautrier, Dubuffet started to use thick oil paint mixed with materials such as mud, sand, coal dust, pebbles, pieces of glass, string, straw, plaster, gravel, cement, and tar. This allowed him to abandon the traditional method of applying oil paint to canvas with a brush; instead, Dubuffet created a paste into which he could create physical marks, such as scratches and slash marks. The impasto technique of mixing and applying paint was best manifested in Dubuffet's series 'Hautes Pâtes' or Thick Impastoes, which he exhibited at his second major exhibition, entitled Microbolus Macadam & Cie/Hautes Pates in 1946 at the Galérie René Drouin. His use of crude materials and the irony that he infused into many of his works incited a significant amount of backlash from critics, who accused Dubuffet of 'anarchy' and 'scraping the dustbin'. He did receive some positive feedback as well—Clement Greenberg took notice of Dubuffet's work and wrote that '[f]rom a distance, Dubuffet seems the most original painter to have come out of the School of Paris since Joan Miro...' Greenberg went on to say that 'Dubuffet is perhaps the one new painter of real importance to have appeared on the scene in Paris in the last decade.' Indeed, Dubuffet was very prolific in the United States in the year following his first exhibition in New York (1951). After 1946, Dubuffet started a series of portraits, with his own friends Henri Michaux, Francis Ponge, George Limbour, Jean Paulhan and Pierre Matisse serving as 'models'. He painted these portraits in the same thick materials, and in a manner deliberately anti-psychological and anti-personal, as Dubuffet expressed himself. A few years later he approached the surrealist group in 1948, then the College of Pataphysique in 1954. He was friendly with the French playwright, actor and theater director Antonin Artaud, he admired and supported the writer Louis-Ferdinand Céline and was strongly connected with the artistic circle around the surrealist André Masson. In 1944 he started an important relationship with the resistance-fighter and French writer and publisher Jean Paulhan who was also strongly fighting against "intellectual terrorism", as he called it. Reception in America Corps de dame jaspé [Marbleized Body of a Lady] (1950) at the National Gallery of Art in 2022 Dubuffet achieved very rapid success in the American art market, largely due to his inclusion in the Pierre Matisse exhibition in 1946. His association with Matisse proved to be very beneficial. Matisse was a very influential dealer of contemporary European Art in America, and was known for strongly supporting the School of Paris artists. Dubuffet's work was placed among the likes of Pablo Picasso, Georges Braque, and Henri Rouault at the gallery exhibit, and he was one of only two young artists to be honored in this manner. A Newsweek article dubbed Dubuffet the 'darling of Parisian avant-garde circles,' and Greenberg wrote positively about Dubuffet's three canvases in a review of the exhibit. In 1947 Dubuffet had his first solo exhibition in America, in the same gallery as the Matisse exhibition. Reviews were largely favorable, and this resulted in Dubuffet having at least an annual, if not a biannual exhibition at that gallery. His reception in America was very closely linked to and dependent upon the New York art world's desire to create its own avant-garde environment. Specific examples of American artists interested in Dubuffet’s art were Alfonso Ossorio and Joseph Glasco. At the end of 1949, while Pierre Matisse was preparing Dubuffet’s January 1950 show, Alfonso Ossorio had traveled to Paris to meet Dubuffet and buy some of his paintings. Then in 1950, at Ossorio’s urging, his young friend Joseph Glasco left New York for Paris to meet Dubuffet. Glasco credited this encounter as having had an influence on his own art, and Dubuffet frequently asked about “Jackson Pollock and Glasco” in his letters to Ossorio. Between 1947 and 1949, Dubuffet took three separate trips to Algeria—a French colony at the time—in order to find further artistic inspiration. In this sense, Dubuffet is very similar to other artists such as Delacroix, Matisse, and Fromentin. However, the art that Dubuffet produced while he was there was very specific insofar as it recalled Post-War French ethnography in light of decolonization. Dubuffet was fascinated by the nomadic nature of the tribes in Algeria—he admired the ephemeral quality of their existence, in that they did not stay in any one particular area for long, and were constantly shifting. The impermanence of this kind of movement attracted Dubuffet and became a facet of art brut. In June 1948, Dubuffet, along with Jean Paulhan, Andre Breton, Charles Ratton, Michel Tapie, and Henri-Pierre Roche, officially established La Compagnie de l'art brut in Paris. This association was dedicated to the discovery, documentation and exhibition of art brut. Dubuffet later amassed his own collection of such art, including artists Aloïse Corbaz and Adolf Wölfli...

In "Tirant sur le Violet," Kandinsky explores the interplay of geometric shapes and organic forms, using a dominant violet hue as the focal point from which other colors seem to pull...

Richard Serra Synagoge Stommeln (German Synagogue) The Drowned and the Saved (Hand signed twice by Richard Serra), 1992 Offset lithograph poster (hand signed twice by Richard Serra) ...

Paper Size: 26.25 x 32.5 inches ( 66.675 x 82.55 cm ) Image Size: 22.75 x 32.75 inches ( 57.785 x 83.185 cm ) Framed: No Condition: B-: Good Condition, Signs of Handling and Age Supp...

John Duff poster 1976, Willard Gallery New York, vintage exhibition poster, minimalist sculpture art, post-minimalism, geometric sculpture, line-drawing artwork, rare 1970s gallery p...

Original WWII vintage poster: FOR THEIR FUTURE - BUY WAR BONDS. Original vintage WWII poster by the artist Munsett, 1943. U. S. Government printing: 1943-0-513138. Archival l...

Original 1975 United Airlines Ski West Vintage Travel Poster – Mid-Century Modern Artwork. Archival linen-backed and in Grade A- condition, ready for Framing. The images displayed are of the exact vintage poster you will receive. Experience the golden era of travel with this rare original United Airlines "Ski West" vintage travel poster from 1975. Created during a time when air travel embodied elegance and adventure, this striking piece provides a vibrant glimpse into mid-century advertising and ski culture. Showcasing bold typography and colorful, eye-catching artwork, the “Ski West” poster embodies the thrill of powdery slopes and the promise of unforgettable ski vacations in the American West. Ideal for vintage art collectors, travel enthusiasts, or anyone looking for a chic retro touch in their decor, this piece authentically showcases 1970s graphic design. It blends bold colors with minimalistic yet striking visuals. Whether you collect United Airlines memorabilia...

Barbara Kruger Artists Space invitation announcement card, 1987: Rare folding announcement card for the Artists Space's Spring Benefit Party held at Federal Hall, New York City, Apri...

Original poster for Andy Warhol: Fotografien, an exhibition of photographs by Andy Warhol held at Museum Ludwig in 1980. Showcasing Warhol’s unique perspective behind the camera, the...