Art by Medium: Offset

Original exhibition poster commemorating David Hockney's 1982 show at Andre Emmerich Gallery, New York. This poster reproduces Hockney's 1982 photo montage Gregory, Los Angeles March...

Keith Haring 'Rap It' record art 1983: A rare vinyl art cover featuring original artwork by Keith Haring and Futura 2000 (reverse side). Truly vibrant colors that make for stand-out ...

Keith Haring coloring book 1986: A highly collectible 1980’s coloring book illustrated by Keith Haring and sold at his Pop Shop throughout the mid/late 1980’s. This unique, playful ...

Andy Warhol (American, 1928-1987) Lion, 1975 Medium: Offset lithograph on wove paper Print dimensions: 28 × 20 cm (11 × 7 9/10 in) Frame dimensions: 32.8 x 25.8 x 2.9 cm (13 x 10 x 1...

Keith Haring New York 1988: Rare vintage 1988 benefit poster illustrated by Keith Haring for the Helping NY Work coalition. Event info as follows: 'THE NEW YORK STATE DEPARTMENTS ...

This 1991 reproduction by Richard Artschwager presents an abstract work that visually resembles a hinge set in the corner of a wall. The artwork's design suggests a functional elemen...

Raymond Pettibon Black Flag: Rare 1984 Raymond Pettibon illustrated Black Flag promotional flyer published to advertise the release of the Black Flag album 'Slip It In'. Offset printed; 8.5 x 11 inches. 1984. Fair overall vintage condition. Fold-lines; signs of handling; tape marks reverse; some minor handwriting. Unsigned from an edition of unknown. Flea, the Red Hot Chili Peppers bassist once said of Pettibon's Black Flag illustrations and iconic logo: "Before I knew what Black Flag was I remember walking around Hollywood and seeing Raymond's flyers and being like, 'What the fuck is that?'… Those flyers made me feel like something is going on and it's romantic and it's mysterious and it's heavy and I don't know what it is but I wanna know." About Raymond Pettibon (Americanb. 1957) Raymond Pettibon is a contemporary American artist known for his stylized ink drawings combining images and text. His inventive narratives blend historical content with consumer culture to yield incisive critiques of contemporary society. “I was making my work as transparent as possible, without equivocations, without calling attention to itself, without apology,” he explained. “There's a lot of conventions in the art world that are not to be transgressed, but my economy of means doesn't abide by those strictures.” Born Raymond Ginn on June 16, 1957 in Tucson, AZ, the artist is self-taught, but cites drawings by William Blake, Edward Hopper, Francisco Goya, and John Sloan as instructive to his practice. Deriving inspiration from comics, cartoons, and other pop culture iconography, Pettibon began designing album covers and ephemera for his brother’s band Black Flag in the mid-1970s. He went on to produce cover art for Sonic Youth, the Minutemen...

Anish Kapoor Tall Tree and the Eye at the Royal Academy (hand signed by Anish Kapoor), 2009 Off-set lithograph poster (hand signed by Anish Kapoor) Signed in black marker lower right...

Keith Haring Galerie Paul Maenz, Cologne, Germany 1984: Super rare announcement card designed by Haring on occasion of his 1984 solo exhibition (3 May - 5 June 1984), at Paul Maenz G...

Vintage gallery exhibition poster. The Galerie Maeght is a gallery of modern art in Paris, France, and Barcelona, Catalonia, Spain. The gallery was founded in 1936 in Cannes. The Paris gallery was started in 1946 by Aimé Maeght. The artists exhibited are mainly from France and Spain. Since 1945, the gallery has presented the greatest modern artists such as Matisse, Bonnard, Braque, Miró, and Calder. In 1956, Adrien Maeght opened a new parisian venue. The second generation of “Maeght” artists was born: Bazaine, Andre Derain, Giacometti, Kelly, Raoul Ubac, then Riopelle, Antoni Tapies, Pol Bury and Adami, among others. Jean-Paul Riopelle, CC GOQ (7 October 1923 – 12 March 2002) was a painter and sculptor from Quebec, Canada. He became the first Canadian painter (since James Wilson Morrice) to attain widespread international recognition. Born in Montreal, Riopelle began drawing lessons in 1933 and continued through 1938. He studied engineering, architecture and photography at the école polytechnique in 1941. In 1942 he enrolled at the École des beaux-arts de Montréal but shifted his studies to the less academic école du Meuble, graduating in 1945. He studied under Paul-Émile Borduas in the 1940s and was a member of Les Automatistes movement. Breaking with traditional conventions in 1945 after reading André Breton's Le Surréalisme et la Peinture, he began experimenting with non-objective (or non-representational) painting. He was one of the signers of the Refus global manifesto. In 1947 Riopelle moved to Paris and continued his career as an artist, where, after a brief association with the surrealists (he was the only Canadian to exhibit with them) he capitalized on his image as a "wild Canadian". His first solo exhibition took place in 1949 at the Surrealist meeting place, Galerie La Dragonne in Paris. Riopelle married Françoise Lespérance in 1946; the couple had two daughters but separated in 1953. In 1959 he began a relationship with the American painter Joan Mitchell, Living together throughout the 1960s, they kept separate homes and studios near Giverny, where Monet had lived. They influenced one another greatly, as much intellectually as artistically, but their relationship was a stormy one, fueled by alcohol. The relationship ended in 1979. His 1992 painting Hommage à Rosa Luxemburg is Riopelle's tribute to Mitchell, who died that year, and is regarded as a high point of his later work. Riopelle's style in the 1940s changed quickly from Surrealism to Lyrical Abstraction (related to abstract expressionism), in which he used myriad tumultuous cubes and triangles of multicolored elements, facetted with a palette knife, spatula, or trowel, on often large canvases to create powerful atmospheres. The presence of long filaments of paint in his painting from 1948 through the early 1950s[8] has often been seen as resulting from a dripping technique like that of Jackson Pollock. Rather, the creation of such effects came from the act of throwing, with a palette knife or brush, large quantities of paint onto the stretched canvas. Riopelle's voluminous impasto became just as important as color. His oil painting technique allowed him to paint thick layers, producing peaks and troughs as copious amounts of paint were applied to the surface of the canvas. Riopelle, though, claimed that the heavy impasto was unintentional: "When I begin a painting," he said, "I always hope to complete it in a few strokes, starting with the first colours I daub down anywhere and anyhow. But it never works, so I add more, without realizing it. I have never wanted to paint thickly, paint tubes are much too expensive. But one way or another, the painting has to be done. When I learn how to paint better, I will paint less thickly." When Riopelle started painting, he would attempt to finish the work in one session, preparing all the color he needed before hand: "I would even go as far to say—obviously I don't use a palette, but the idea of a palette or a selection of colors that is not mine makes me uncomfortable, because when I work, I can't waste my time searching for them. It has to work right away." A third element, range of gloss, in addition to color and volume, plays a crucial role in Riopelle's oil paintings. Paints are juxtaposed so that light is reflected off the surface not just in different directions but with varying intensity, depending on the naturally occurring gloss finish (he did not varnish his paintings). These three elements; color, volume, and range of gloss, would form the basis of his oil painting technique throughout his long and prolific career. Riopelle received an Honorable Mention at the 1952 São Paulo Art Biennial. In 1953 he showed at the Younger European Painters exhibition at the Solomon R. Guggenheim Museum in New York City. The following year Riopelle began exhibiting at the Pierre Matisse Gallery in New York. In 1954, works by Riopelle, along with those of B. C. Binning and Paul-Émile Borduas represented Canada at the Venice Biennale. He was the sole artist representing Canada at the 1962 Venice Biennale in an exhibit curated by Charles Comfort...

This is an original Murakami print and is the last one of the edition of this iconic series from one of the first prints depicting the panda and panda cubs family prints ever made by...

Offset print realized as poster for Franco Fonta's Exhibition at Galleria Rondanini, Rome, in 1981. Edition of 1.000. Excellent condition. Fontana started as an amateur photographe...

Jane Dickson New York 1988: A rare 1980s announcement card published on the occasion of Dickson's exhibition at Brooke Alexander, Inc. from January 9 - February 3, 1988; 59 Wooster S...

Keith Haring The Great Peace March Rare vintage original 1986 Keith Haring (offset) illustrated announcement & VIP invitation published on the occasion of: Pro-Peace Great Peace: The...

Offset lithograph invitation card - 2 sided Hand signed by Helen Frankenthaler in ink on the verso A collectors' item when hand signed by the artist Published by the Milwaukee Art Mu...

Exhibition poster. Published by the Louisiana Museum for Modern Art, Denmark. Printed by Grafodan Offset, Værløse. This elegant exhibition poster was created for the major David Hoc...

Kenny Scharf 1997-1998: A set of 2 individual hand-signed Kenny Scharf exhibition catalog's published on the occasion(s) of: Kenny Scharf Tony Shafrazi Gallery, New York 1998: 100+ pages with bold, bright colors & superb overall print quality; features essays by Carter Ratcliff & Robert Farris Thompson; interview and texts by Tony Shafrazi, Dennis Hopper & Kenny Scharf. A definitive survey of the artist's early work & life. Hand-signed, inscribed & dated '98 by Scharf on the interior 1st page. 1st edition, 1998. Limited edition of 2000. Kenny Scharf Pop Surrealist: Salvador Dali Museum...

Myron Stout - Untitled (from Rubber Stamp Portfolio), 1976 Rubber Stamp Print on Buckeye Paper This work has been elegantly floated and framed in a museum quality painted green wood ...

Josef Albers Album Art circa late 1950s: A set of 4 vinyl record covers (containing their records) brilliantly designed by Josef Albers between 1958 and 1960. Looks fantastic framed ...

Raymond Pettibon Up The Threshold 1992 (Raymond Pettibon zine): This visually enticing 1992 Raymond Pettibon artist book/zine includes 20+ evocative drawings. Pettibon’s subjects are...

Jonas Wood Original basketball drawing bound in monograph (Hand Signed Book), 2017 Original drawing. hand signed and dated. held in limited edition hardback monograph. Boldly signed ...

Christo (1935-2020) and Jeanne-Claude (1935 - 2009) The Gates (Project for Central Park, New York City, XX), 2003 Offset lithograph in colors on wove paper Published by Kunstverlag S...

Keith Haring Pop Shop Tokyo 1988: Rare vintage original Keith Haring Tokyo Pop Shop advertisements designed by Haring to advertise the opening of his 1980s Tokyo Pop Shop store and c...

Robert Indiana - 55555 (Folio 10) from Stamped Indeliby, 1967, 2016 This piece is Folio 10 from the celebrated Stamped Indelibly portfolio, which featured work from several prominent...

Jean-Michel Basquiat Keith Haring Tony Shafrazi Gallery 1983: A rare, hisstoric 1983 exhibition announcement for a group show at Tony Shafrazi Gallery New York, featuring: John Ahe...

Offset lithograph in colors on smooth wove paper. Hand signed lower right by Takashi Murakami. Hand signed by Fujiko F Fujio (creator of Doraemon, in Kanji) lower left.. Hand numb...

Painter, sculptor, and printmaker, Jasper Johns became one of America's best-known post-Abstract Expressionists and Minimalists. His name is most associated with pictorial images of ...

YURA ADAMS Untitled (from the Artsounds Collection), 1986 color offset print, ed. 200 12 x 12 cm. 30.5 x 30.5 cm. Edition 49/100 signed and numbered in pencil by the artist on ver...

Yaacov Agam - An American Portrait 1776-1976 poster, 1980 Offset lithograph poster This is the original 1980 poster - not a later print found elsewhere Published by Transworld Art, I...

M.C. Escher’s Waterfall is framed in a shiny black metal frame with a 3/8-inch front profile and a 7/8-inch side profile, adding a sleek, modern touch. The overall dimensions are app...

Raymond Pettibon Black Flag 1980: Rare early Raymond Pettibon Black Flag punk flyer designed by Pettibon for a gig by Black Flag, Mommy Men, the Circle Jerks, Stains, and Descendents at the Hideaway; Sept. 19, 1980; striking, highly collectible early Raymond Pettibon punk art. Off-set lithograph. 8.5 x 11 inches Very good overall vintage condition. Unsigned from an edition of unknown. Rare. Further Background: Before Pettibon gained international recognition in the mid-80s for his skillful marriage of text and drawing, he was an important figure in the Los Angeles alternative scene. Working inside the punk movement, Pettibon’s art from this early period encapsulates the irreverence, intensity, and heightened self-awareness of youth, and chronicles the development of his characteristic violently shadowed and coarse aesthetic. (Source: MOCA, Tuscon). Raymond Pettibon popularized the American punk aesthetic with his designs that captured the riotous and chaotic character of punk such as this rare Black Flag flyer...

This first edition exhibition poster, designed by Andy Warhol for Art Expo Denmark in 1986, features Queen Beatrix from his celebrated Reigning Queens portfolio. Capturing his fascin...

Medium: offset lithograph (after Leger). Printed on Velin bouffant paper from the Papeteries de Hauteville and published by Edito-Service Geneve in 1980. This reproduces one of the o...

Josef Albers Album Art complete set of 7 circa late 1950s: A set of 7 vinyl record covers (containing their records) brilliantly designed by Josef Albers between 1958 and 1960. The s...

There's something unmistakably magical about a great travel poster—and this original SAS vintage poster by Otto Nielsen captures that essence in a s...

"L'Estampe Moderne - David Barnett Gallery Exhibition, Feb. 18, 1978 - Mar. 25, 1978" is an offset poster limited edition, ed. 1/500. The poster...

White Flame is a vintage offset print after Antoni Tàpies, printed on hand made paper. It is one of the prints belonging to a deluxe edition of 1982 limited to 2.000 specimens, repro...

This striking Georges Mathieu Greece poster showcases a masterwork of mid-century modernist design. This original 1971 Georges Mathieu Greece vintage travel poster...

1980s Keith Haring Record Art: David BOWIE "Without You" A Rare Highly Sought After Vinyl Art Cover featuring original cover artwork by Keith Haring. Year: 1983. Medium: Off-Set Li...

Vintage offset poster realized after Lucio Del Pezzo for the Artist's Exhibition at Galleria Rondanini, Rome. Excellent condition.

This is a rare, two-sided mass card from Andy Warhol's memorial mass, which was held on April 1, 1987 at St. Patrick's Cathedral in New York. The front of the card depicts Warhol's 1...

Godzina Za Godzina is a vintage poster realized in 1978. Good conditions with some folding and cutting along the margin. This beautiful mysterious black poster was realized for Fil...

Robert Smithson Movie Treatment for Spiral Jetty, Dwan Gallery Poster, 1970 Offset lithograph poster 38 × 22 inches Unframed Rare, historic poster feature...

Medium: offset lithograph (after the watercolor). Printed in 1969 at the Mourlot Freres atelier for the "Marc Chagall: dessins et aquarelles pour le Ballet" book. Sheet size: 13 3/4 ...

This first edition exhibition poster, titled Harlequin, was created by David Hockney for the Metropolitan Opera's 1981 production of the ballet Parade. The production featured choreo...

Raymond Pettibon: Rare early Black Flag flyer: Original punk flyer / handbill illustrated by Raymond Pettibon for a gig by Black Flag at The Mabuhay, San Francisco, CA: Fri Oct 3, 1980. Offset-printed 11 x 8 ½ inches (28 x 21.6 cm). Fair overall vintage condition; contains age related wear and torn corners. Unsigned from an edition of unknown. Rare. Flea, the Red Hot Chili Peppers bassist once said of Pettibon's Black Flag illustrations and iconic logo: "Before I knew what Black Flag was I remember walking around Hollywood and seeing Raymond's flyers and being like, 'What the fuck is that?'… Those flyers made me feel like something is going on and it's romantic and it's mysterious and it's heavy and I don't know what it is but I wanna know." About Raymond Pettibon (Americanb. 1957) Having emerged from the Southern California DIY culture and its punk-rock sensibility, Raymond Pettibon fuses together youthful edginess and political engagement. Drawing from disparate cultural sources—from Marcel Proust to the Bible—the artist’s cartoon-inspired ink drawings on unframed paper recall the look of fanzines and concert flyers...

Paper Size: 35.5 x 27.5 inches ( 90.17 x 69.85 cm ) Image Size: 21.25 x 21.25 inches ( 53.975 x 53.975 cm ) Framed: No Condition: A: Mint Shipping and Handling: We ship Worldwide. ...

Raymond Pettibon 1993-2006: A curated set of 6 vintage Raymond Pettibon illustrated announcement cards. Medium: 6 offset printed announcement cards. 1993-2006. Dimensions ranging from: 4.125 x 5.375 inches to 8.75 x 5.5 inches. Condition: Each in good to very good overall vintage condition. Each unsigned from an edition of unknown. Published on the occasion of the following Pettibon exhibitions: - Ikon LTD./Kay Richards, 1999 - Feature 1993 - Macba 2002 - Regen Projects 2006 - Santa Monica: Museum of Modern Art 2001 - David Zwirner 1997 Further background on announcement cards: "The only way you could let people know a show was happening was through an announcement or a poster. The art world was also much smaller at the time, so if you mailed out 200 invites, you were reaching a good core of the art world." (Rosen). Raymond Pettibon is a contemporary American artist known for his stylized ink drawings combining images and text. His inventive narratives blend historical content with consumer culture to yield incisive critiques of contemporary society. “I was making my work as transparent as possible, without equivocations, without calling attention to itself, without apology,” he explained. “There's a lot of conventions in the art world that are not to be transgressed, but my economy of means doesn't abide by those strictures.” Born Raymond Ginn on June 16, 1957 in Tucson, AZ, the artist is self-taught, but cites drawings by William Blake, Edward Hopper, Francisco Goya, and John Sloan as instructive to his practice. Deriving inspiration from comics, cartoons, and other pop culture iconography, Pettibon began designing album covers and ephemera for his brother’s band Black Flag in the mid-1970s. He went on to produce cover art for Sonic Youth, the Minutemen, and the Foo Fighters. In 2017, the artist was the subject of the major retrospective “Raymond Pettibon: A Pen of All Work,” held at the New Museum in New York, where he currently lives and works. Today, his works can be found in the collections of the Centre Georges Pompidou in Paris, The Museum of Modern Art in New York, and the Tate Gallery in London, among others. Related categories: Raymond Pettibon poster...

Exhibition poster created for the Museum Boymans-van Beuningen in Rotterdam, showcasing David Hockney’s Two Deckchairs, Calvi. With its bold colors and sunlit charm, this image captu...

Gino Marotta. Naturale / Virtuale is an offset realized by Gino Marotta in 1979. The poster is for the exhibition "Natural/Virtual" of the artist in the famous Rondanini Gallery in ...

Vintage poster realized after a photograph by Henri Cartier-Bresson. Published by Opera Universitaria - Rome - 1983. Very good condition.

Keith Haring for New York CityKids, 1986. Rare vintage 1986 benefit poster illustrated by Keith Haring for the CityKids coalition in New York: "City Kids Speak on Liberty" New York, 1986 sponsored by Burger King. Offset printed poster featuring a Classic Keith Haring statue of Liberty...

Jellyfish Eyes Cream

Offset Print by Takashi Murakami

Edition 35/300

Published in 2001 by Kaikai Kiki

Sheet: 50.0 × 50.0 cm

Image: 50.0 × 50.0 cm

Keith Haring Milan c.1989 Rare vintage Milan exhibition announcement circa late 1980’s featuring offset printed artwork by Keith Haring. Uniquely rendere...

This artwork titled "Indian Summer in Nantuckett" is an original offset lithograph on wove paper by American artist Jane Wooster Scott, born 1933. It is hand signed and numbered 681/750 in pencil by the artist. The image size is 27 x 20 inches, framed size is 39 x 32.25 inches. It is beautifully framed in a custom wood frame. It is in excellent condition. About the artist. Jane Wooster Scott grew up in the Philadelphia area and moved West following her dream to be a movie star. She quickly learned that goal was not for her, but became the host of a talk show where she interviewed movie stars. She photographs what she sees to recapture them later on canvas. However, few of her paintings are real, existing scenes. They are compositions drawn from her personal imagination. She has been exhibiting her work in Los Angeles and New York and most of her shows have completely sold out on opening night. In the "Guinness Book of Records" as one of the most reproduced artists in America, Jane Wooster Scott began copying work by folk artists such as Grandma Moses and gradually evolved into her own style. A turning point for her career was a joint showing at the Ankrum Gallery in Los Angeles with her comedian friend, Jonathan Winters. It was mostly a business crowd, and she sold 40 paintings in an hour. Her works hang in museums, in public buildings and private homes in Europe, Asia and South America as well as in the United States. She has become legendary for her exceptional scenes of America s celebrations and holidays, Among her collectors are Aaron Spelling, Sylvester Stallone, Charles Bronson, Kenny Rogers, Farah...

Vintage poster realized in occasion of the Exhibition of Albrecht Durer's Etchings at Galleria Marino, Rome in 1970s. Limited edition of 1000. Very good condition.

Raúl Martínez: El Desafío de los Sesenta (The Challenge of the 1960s) This very scarce vintage exhibition poster promotes the retrospective show "Raúl Martínez: El desafío de los ses...

Ed Ruscha (American, b.1937) Some Los Angeles Apartments, 1965/1970 Medium: Artist’s book (black offset printing on 100 lb. white Vicksburg Vellum text paper) Dimensions: 17.8 x 14 x...

Offset lithograph poster Hand signed in crayon on the front This is a scarce hand signed exhibition poster for German artist Lothar Baumgarten's solo show titled "Carbon", which took...

This striking exhibition poster reproduces RE26, one of Yves Klein’s powerful monochrome relief works. It was published in 1994 by Achenbach Editions for the Kunstsammlung Nordrhein-...