Art by Medium: Offset

Jean-Baptiste-Camille Corot, After, French (1796 - 1875) - Quai Des Paquis, Geneva, Medium: Poster, Size: 12 x 17.5 in. (30.48 x 44.45 cm), Frame Size: 16.5 x 22 inches

Paper Size: 12 x 24 inches ( 30.48 x 60.96 cm ) Image Size: 7.75 x 20.25 inches ( 19.685 x 51.435 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additio...

Andy Warhol My Hustler and Beauty No. 2 (Extremely rare movie flyer), 1966 Offset Lithograph flier, blue ink on pink paper. 11 × 8 1/2 inches Unframed Beauty No. 2 and My Hustler Scr...

Paper Size: 15.75 x 19.75 inches ( 40.005 x 50.165 cm ) Image Size: 11 x 14.25 inches ( 27.94 x 36.195 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Ad...

Vintage poster realized in occasion of Gino Marotta's Exhibition at Galleria Rondanini, Rome, in 1982. Limited edition of 1000. Very good condition.

Vintage offset print realized after a watercolor by Giorgio de Chirico in 1962. From the rare portfolio "Greek Mythology" realized for IRI and printed by Stab Salomone. Excellent c...

Andy Warhol Most Wanted Men announcement 1967: Published on the occasion of Andy Warhol's Most Wanted exhibition at Rudolf Zwirner Galerie: Sep-Oct 1967 (having traveled from Galerie...

Poster Giorgio De Chirico Exhibition is an offset print artwork representing the exhibition of the painter in Marino Gallery in Rome in Navona's square, held in 1973. Very good cond...

Original EXPO ’74 World’s Fair Spokane, USA calendar. Archival linen backed and in excellent condition, ready to frame. As a World’s Fair calendar, you would expect this item to be r...

Original exhibition poster for Remo Brindisi e la Nuova Figurazione, held at Palazzo Ex Arengario, Milan, April 27 – May 15, 1984. Published with the support of Regione Lombardia and...

Raymond Pettibon & Marcel Dzama artist book 2016 featuring collaborative Hand Drawing: Featuring an original signed collaborative drawing by the duo on the back cover of this limited...

Paper Size: 39.5 x 27.5 inches ( 100.33 x 69.85 cm ) Image Size: 39.5 x 27.5 inches ( 100.33 x 69.85 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling S...

Damien Hirst's "Cherry Blossoms" exhibition at the Fondation Cartier pour l'art contemporain was a significant event in the contemporary art world, marking a new direction in Hirst’s...

Published by The Metropolitan Museum of Art, this first edition poster commemorates the 1995 exhibition featuring Alfred Sisley's Boats on the Seine from the Courtauld Collection. A ...

Postcard published by te Neues Publishing Company, New York. printed in Germany. Presented in a white wood frame with a 1-inch front profile and a 3/4-inch side profile, the artwork ...

Ertè - Exhibition Poster is a vintage offset and screen print realized in 1971. The artwork was realized in the occasion of the artist's exhibition held in Galleria Marino in Rome. ...

Brice Marden's Studio Offset lithograph poster on wove paper (hand signed by Brice Marden in 2015) This print was published on the occasion of Brice Marden's 1996 exhibition at the Matthew Marks Gallery in Chelsea, New York City. The image is based on Nan Goldin's 1995 photograph of Marden working in his studio. The print was signed by Brice Marden for the present owner. A collectors item when hand signed! About Brice Marden: Ultimately I’m using the painting as a sounding board for the spirit. . . . You can be painting and go into a place where thought stops—where you can just be and it just comes out. . . . I present it as an open situation rather than a closed situation. —Brice Marden Brice Marden (1938–2023) continuously refined and extended the traditions of lyrical abstraction. Experimenting with self-imposed rules, limits, and processes, and drawing inspiration from his extensive travels, Marden brought together the diagrammatic formulations of Minimalism, the immediacy of Abstract Expressionism, and the intuitive gesture of calligraphy in his exploration of gesture, line, and color. Born in Bronxville, New York, Marden received an MFA from Yale University’s School of Art and Architecture, where his teachers included the painters Alex Katz and Jon Schueler. After graduation he worked as a guard at the Jewish Museum in New York. There, during a 1964 Jasper Johns retrospective, Marden studied Johns’s early works extensively and considered them in relation to the Baroque masters he has long admired, such as Francisco de Zurbarán, Francisco Goya, and Diego Velázquez. Marden’s paintings from the 1960s include subtle, shimmering monochromes in gray tones, sometimes assembled into multipanel works, in a manner similar to the black paintings and White Paintings of Robert Rauschenberg, who hired Marden as a studio assistant in 1966. A trip to Greece in the early 1970s led Marden to create the Hydra paintings (1972), which capture the turquoise hues of the Mediterranean, and Thira (1979–80), a painting composed of eighteen interconnected panels inspired by the shadows and geometry of ancient temples. To heighten the effect of each color, plane, and brushstroke, Marden developed the unique process of adding beeswax and turpentine to oil paint and applying the mixture in many thin layers. Marden employed this technique for the Grove Group paintings (1972–76)—exhibited at Gagosian’s Madison Avenue gallery in New York in 1991, along with related works—and the Red Yellow Blue paintings (1973–74)—five permutations of the primary trio—which were united for the first time since their making at Gagosian, 980 Madison Avenue, New York, in 2013. In the 1980s Marden began to incorporate organic, intersecting lines, creating rhythmic patterns over fields of color. Exploring these winding lines, he experimented with blank space, erasure, and references to the natural world. He sought to create a mystical experience through the creation of elusive abstract spaces. As his many themes and techniques have overlapped, Marden brought them together in cohesive, often multipart works, which he has described as his “summation paintings.” Among them is The Propitious Garden of Plane Image, Third Version (2000–06), held in the collection of the Museum of Modern Art in New York, where he had his first comprehensive retrospective in 2006. In his later years Marden continued his exploration of the qualities of monochrome. This engagement with muted colors informed his calligraphic drawings and works on canvas, such as the Nevis Stele paintings (2007–15), inspired by Chinese stone carvings from the late eighth century. In 2017 he turned his gaze to the expansive possibilities of terre verte (green earth), an iron silicate clay pigment, which he first used in the Grove Group. These paintings incorporate many different brands of terre verte, each a variation on the indefinable hue. Marden thinned his slow-drying paint and applied it gradually to the canvas in many successive layers, leaving a visible residue of the painting process at the lower edge of each canvas. Courtesy of Gagosian Gallery About Nan Goldin: The camera is as much a part of my everyday life as talking or eating or sex. —Nan Goldin Emerging from the artist’s own life and relationships, and including herself as a subject, Nan Goldin’s work has transformed the role of photography in contemporary art. Her photographs and moving-image works address essential themes of identity, love, sexuality, addiction, and mortality. Uniting art and activism, Goldin has confronted the HIV/AIDS epidemic since the 1980s and today brings international attention to the overdose crisis. Born in Washington, DC, in 1953, Goldin grew up outside of Boston. She left home at age fourteen, and at sixteen enrolled in the Satya Community School in Lincoln, Massachusetts, where she acquired her first camera. Goldin’s early black-and-white photographs, which convey the beauty, vulnerability, and joy of her friends in Boston’s transgender community, were initially shown in her first solo exhibition in 1973 at Project, Inc., Cambridge, Massachusetts. Attending Boston’s School of the Museum of Fine Arts beginning in 1974, she would start working principally with Cibachrome prints and 35mm slides, taking photographs in saturated color. Relocating to New York in 1978, Goldin began documenting members of her chosen family in a milieu of New Wave clubs, No Wave cinema, and post-Stonewall gay culture. Capturing moments of revelry and friendship, intimacy and loss, she titled this body of work The Ballad of Sexual Dependency after a song from The Threepenny Opera (1928) by Kurt Weill and Bertolt Brecht. Constantly evolving, it grew into a multimedia presentation of almost seven hundred slides accompanied by an eclectic soundtrack. Initially projected in nightclubs, it was included in The Times Square Show in 1980, the Whitney Biennial in 1985, and countless other museum exhibitions around the world. It was published by Aperture in 1986 as the first of Goldin’s many books and was recently reprinted for the twenty-first time. Goldin unflinchingly documents the struggles and courage that defined her community’s response to the devastating AIDS epidemic. In 1989, she organized Witnesses: Against Our Vanishing at New York’s Artists Space, the first exhibition featuring the work of artists who were living with or had died from AIDS, or whose art responded to the disease, including David Armstrong, Peter Hujar, Greer Lankton...

This reproduction of the Magritte painting is the only authorized and approved copy in its current format. It has been sanctioned by the appropriate authorities managing Magritte’s e...

This limited edition reproduction of Francis Bacon's Portrait of Pope Innocent X, printed on Stonehenge paper, was published by Maeght and printed by ARTE in Paris. Although unsigned...

Original U.S. one-sheet poster for The War Lover (1962), directed by Philip Leacock and released by Allied Artists. Starring Steve McQueen, Robert Wagner, and Shirley Ann Field, the ...

This artwork by Henri Matisse is a lithograph page from the book Cinquante Dessins, published by Les Soins de L'Artiste in 1920. First Edition. The portfolio was edited and printed...

Roy Lichtenstein at CSU, exhibition catalogue, 1982 Softback exhibition catalogue with 2 very cool vellum pages with the Benday dots Unsigned 11 × 8 1/2 in...

Original 1939 Saturday Evening Post Newsstand Poster. Archival linen-backed and in A- condition, ready to frame. This exceptional original 1939 Saturday Evening Post newsstand poste...

Vintage offset lithograph postcard published by Art Unlimited Amsterdam. Printed in Holland. Presented in a black wood frame with a 1-inch front profile and a 3/4-inch side profile, ...

John Baldessari Flowers of Life for Central America/Flores de Vida por Centro America (Hand Signed), 1984 Rare Offset Lithograph (Hand signed by Baldessari) 24 3/5 × 18 inches Boldly...

Wolf Kahn Wolf Kahn's America (Hand signed and inscribed), 2003 Hand signed and dedicated hardback monograph with dust jacket Boldly signed in ink with heartfelt personal dedication ...

This original, vintage poster on poster stock features one of Jim Dine's most iconic motifs: the bathrobe. In 1964, Dine saw an ad in the New York Times: “The ad shows a robe with the man airbrushed out of it. There was nobody in the bathrobe, but when I saw it, it looked like me.” Standing in for the artist's own body and rife with personal meaning, it provides a framework for limitless formal and stylistic experimentation. Here, the garment is colored bright green and defined by variegated black lines. Numbers label each part of the robe as in an anatomical chart. Bold black lettering reads Jim Dine, Petersburg Press...

Vintage greeting card with envelope published in 1995 by Achenbach Art Edition, Dusseldorf. Presented in a white wood frame with a 1-inch front profile and a 3/4-inch side profile, t...

Tracey Emin Tate Gallery poster, 2004 Offset lithograph 27 1/2 × 19 1/2 inches unframed This offset lithograph poster was published by the Tate Gal...

Artist: After Joan Miro (1893-1983) Title: Miro Oeuvres Graphiques Year: 1965 Medium: Lithograph exhibition poster on wove paper Size: 22.25 x 19.25 inches Condition: Excellent Notes...

This original exhibition poster was created for a 2008 German exhibition showcasing Jim Dine's photography. The poster, titled Disappearing Before Gerhard and Susanne, features a com...

Chaim Topol in Fiddler on the Roof (Hand signed by Chaim Topol and the original cast members), 1990 Offset lithograph poster (ink signed) Hand signed in ink by Chaim Topol, Marcia Le...

In his iconic painting, Grant Wood used his dentist and his sister as models. The Painting depicts the quiet desperation of midwestern life. Published by McGaw Graphics. Paper Size:...

Paper Size: 33 x 23 inches ( 83.82 x 58.42 cm ) Image Size: 26 x 23 inches ( 66.04 x 58.42 cm ) Framed: No Condition: A: Mint Additional Details: First edition exhibition poste...

Ertè - Exhibition Poster is a vintage offset and screen print realized in 1971. The artwork was realized in the occasion of the artist's exhibition held in Galleria Marino in Rome. ...

Paper Size: 10 x 17 inches ( 25.4 x 43.18 cm ) Image Size: 10 x 17 inches ( 25.4 x 43.18 cm ) Framed: Yes Frame Size: H: 11 x W: 18 x D: .75 in. Condition: A: Mint Additional ...

Sarah Lucas Winter Song, 2020 Offset lithograph poster Limited Edition of 50 - numbered 25/50 27 3/5 × 19 7/10 inches Unframed and unsigned Published by the Consortium Museum, Dijon...

Offset lithograph in colours, on smooth wove paper Edition 62 of 300 71 cm (D) (28 in) Signed and numbered on front Artwork in excellent condition. Only visible under raking lighting...

Original ABSOLUT OUTrageeous, Cocktails perfected pop art liquor poster. The archived linen is backed in excellent condition and ready to frame. The p...

Ossip Zadkine Tate Gallery Exhibition poster (hand signed by Ossip Zadkine), 1961 Off-set Lithograph Poster (Hand Signed by Ossip Zadkine) Signed lower right front 30 × 20 inches Unf...

Studio portrait from the 1940s of Ingrid Bergman rendered in Warhol's signature style published by Galerie Borjeson. Known for his bold, repetitive portrait style, Warhol transformed...

Postcard published by te Neues Publishing Company, New York. printed in Germany. Presented in a white wood frame with a 1-inch front profile and a 3/4-inch side profile, the artwork ...

In 1992, renowned Op Art pioneer Richard Anuszkiewicz created "Marriage of Warm and Cool," an offset lithograph serving as the exhibition poster for his show at Abante Fine Art. This...

Brice Marden Attendants, Bears and Rocks (Hand Signed by Brice Marden), 2002 Offset Lithograph Poster Hand signed boldly in black marker by Brice Marden on the front 17 × 22 inches U...

Poster of the historic collective exhibition held at Galleria Rondanini in Summer 1976. Offset and screen print on paper. Featuring works by: . Adami - Aricò - Baj - Battaglia ...

Peter Max was born in Berlin in 1937 but his family moved to China when he was still very young. In fact, the young Max would move frequently with his family, learning about a variet...

This striking Olympic poster by Renato Guttuso features the powerful image of a calciatore (soccer player) captured in a moment of full motion. The athlete, depicted mid-air as he ki...

The original WNEW AM 1130 poster features Louis Armstrong. Blessed with America's Best, linen-backed, fine condition. Ready to frame. Metromedia Radio broadcasts music in the trad...

Original Bernard Villemot Vintage Poster – “Visitez le Val de Loire”, 1967, Linen Backed, Excellent Condition. Grade A condition. Ready to frame. An iconic original vintage trave...

Studio portrait from the 1940s of Ingrid Bergman rendered in Warhol's signature style published by Galerie Borjeson. Known for his bold, repetitive portrait style, Warhol transformed...

Paper Size: 36 x 24 inches ( 91.44 x 60.96 cm ) Image Size: 36 x 24 inches ( 91.44 x 60.96 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Shipping and...

Spoleto Festival is an original offset and lithograph on cardboard, realized by Carlo Maria Mariani in 1989. Signed on plate. Good conditions. Carlo Maria Mariani (Rome, 1931) is an Italian painter. Carlo M. Mariani creates works whose conception refers to classical art: from ancient Greece and ancient Rome. Without copying directly from works of the past. This characteristic makes Mariani a painter in line with the characteristics of late seventies painting...

Offset print on paper realized in occasion of the 1989 exhibition at Piazza Rondanini in Rome. Sponsored by Regione Lazio. Very good condition.

Jim Dine's exhibition at the University Gallery at Memphis State in 1987, featuring a poster depicting two Venus de Milo figures side by side, is a notable event in the artist's care...

Offset lithograph poster Boldly signed and dated in black marker on the front Provenance: signed by the artist for the present owner at a VIP event in 2025 Unframed JEFFREY GIBSON...

JEFF KOONS Poster of Jeff Koons Coloring Book at the Royal Academy of Arts, 2011 (Hand Signed), 2018 Offset lithograph 26 1/2 × 36 1/4 inches Boldly hand signed and dated by Jeff Koo...

Frank Stella The New York State Christopher Columbus Quincentenary Commission, 1991 Offset Lithograph Printed in Colors Signed and dated by the artist in ink on the lower right fron...

Postcard published by te Neues Publishing Company, New York. printed in Germany. Presented in a black wood frame with a 1-inch front profile and a 3/4-inch side profile, the artwork ...

The 1975 exhibition at Marlborough Gallery in New York, titled Richard Avedon, Photographer, marked a pivotal moment in Richard Avedon's career and in the broader acceptance of photo...

This exhibition poster, featuring Max Ernst’s renowned sculpture The King Playing with the Queen, was produced for the Nasher Sculpture Center in Dallas. Published with the authoriza...