Art by Medium: Offset

The signed and numbered lithograph by Saul Steinberg, limited to an edition of 150, is a valuable and collectible piece that encapsulates the artist’s unique blend of political and s...

Vintage poster realized by Galleria Rondanini in 1978. Offset print. Excellent condition.

Kenneth Noland Ojai Festival print (Deluxe signed limited edition), 1986 Offset Lithograph and lithograph Hand signed and numbered 6/100 by Kenneth Noland on lower front Frame includ...

Philip Guston, Joan Mitchell, Cy Twombly, Jim Dine, Roberto Matta, Sam Francis, Mark Rothko, Franz Kline, Kenneth Noland, Robert Rauschenberg, Jasper Johns, Helen Frankenthaler, John Hultberg, Adolph Gottlieb, Paul Jenkins, Hassel Smith, Jack Youngerman, Ray Parker, Robert Motherwell, Louise Nevelson, Larry Rivers, Mark Tobey, David Budd, Hans Hofmann, Various Artists, Jackson Pollock, Arshile Gorky. La Grande Occassione Della Pittura Americana Milano (Hand Signed by Jim Dine), 1963 Offset Lithograph invitation poster (hand signed by Jim Dine) Hand signed by Jim Dine on the front -signed in person for the present owner, so provenance is direct. 12 1/4 × 16 3/4 inches Unframed Uniquely signed. The gallery acquired this historic 1963 invitation and then Jim Dine graciously signed it years later in black marker - as he was/is the only artist of the entire group who was still alive. We know of no other one in the entire world with any hand signature by any of the artists exhibited. This very rare invitation/poster was published on the occasion of this important 1963 exhibition of American painting at the Galleria Ariete, Mostra n. 94, in Milan, Italy. The roster of artists represented is literally a Who's Who of American Abstract Expressionists of the era. The Galleria dell'Ariete in Milan, Italy, opened in 1955, and ran an active exhibition until its closing in the mid-1980s. It was among the most important galleries in Italy for contemporary art, and had extensive connections with dealers, collectors, artists, and critics in Europe, the United States, and Japan. Beatrice Monti della Corte opened the Galleria dell'Ariete at Via San Andrea, 5, Milan, Italy in 1955, when she was twenty-five years old, principally as a showplace for modern art; Galleria dell'Ariete rapidly became one of the foremost Italian galleries...

KENNETH NOLAND (hand signed and warmly inscribed to artist Arthur Secunda), 1977 Hardback monograph (hand signed and warmly inscribed to renowned artist Art Secunda) Warmly signed, d...

Paper Size: 29.5 x 35.5 inches ( 74.93 x 90.17 cm ) Image Size: 29.5 x 35.5 inches ( 74.93 x 90.17 cm ) Framed: No Condition: B: Very Good Condition, with signs of handling or age Su...

Takashi Murakami: Kaikai Kiki, Homage to Francis Bacon (Study of Isabel Rawsthorne), 2004 Experience a striking example of Takashi Murakami’s innovative artistry with "Kaikai Kiki, ...

Takashi Murakami: Kaikai Kiki Homage to Francis Bacon (Study of George Dyer), 2004 Immerse yourself in the dynamic world of contemporary art with this remarkable piece by Takashi Mu...

Original vintage poster: Half sheet original movie poster "POCKET MONEY" with Paul Newman and Lee Marvin. Two of the most memorable characters the west can never forget!. Lower left the GP notice was changed with a 'snipe' covering the previous rating of this movie. Cast: Paul Newman, Lee Marvin, Strother Martin, Christine Belford, Wayne Rogers...

Large Shelf Still Life, 2017 Offset lithograph printed in colors on wove paper 23 2/5 × 23 2/5 in 59.5 × 59.5 cm The full sheet printed to the ...

Luigi Ghirri is a vintage Poster realized in 1976. The artwork is the poster for the artist's exhibition in Galleria Rondanini, Roma.

Original linen-backed vintage poster "DISQUES IMPORT CLEMENTINE". Excellent condition. The image with the psychedelic look of the two records that create the eyes and the rest...

Martin Wong, Futura 2000 Semaphore Gallery New York, 1986: Rare original, highly collectible 1980s graffiti announcement published on on the occasion of: ‘Semaphore Gallery Cordiall...

This is the official poster for the installation of "Wrapped Reichstag" by Christo in Berlin, 1993. This historic project involved wrapping the Reichstag building in fabric, transfor...

Paper Size: 32.25 x 23.5 inches ( 81.915 x 59.69 cm ) Image Size: 32.25 x 23.5 inches ( 81.915 x 59.69 cm ) Framed: No Condition: D: Heavy signs of wear, Torn, Damaged. SOLD AS IS. P...

Roy Lichtenstein for Leo Castelli Gallery is a very colorful artwork realized after Roy Lichtenstein in 1979. Mixed colored offset  on paper. This beautiful print was realized on t...

Paper Size: 31.5 x 24.75 inches ( 80.01 x 62.865 cm ) Image Size: 23.5 x 18.75 inches ( 59.69 x 47.625 cm ) Framed: No Condition: B-: Good Condition, Signs of Handling and Age ...

Original movie poster: Barbra Streisand and James Caan in Funny Lady. Linen backed one sheet. Orginal theater issue fold marks were touched up during linen backing allowing thi...

Paper Size: 24 x 36 inches ( 60.96 x 91.44 cm ) Image Size: 24 x 36 inches ( 60.96 x 91.44 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional Det...

Paper Size: 36 x 24 inches ( 91.44 x 60.96 cm ) Image Size: 32.5 x 24 inches ( 82.55 x 60.96 cm ) Framed: No Condition: A: Mint Shipping and Handling: We ship Worldwide. For ...

Paper Size: 29.5 x 35.5 inches ( 74.93 x 90.17 cm ) Image Size: 29.5 x 35.5 inches ( 74.93 x 90.17 cm ) Framed: No Condition: B-: Good Condition, Signs of Handling and Age Supplement...

Original CHINA, United Airlines travel poster. Artist: Harvey Chan. Excellent condition, Grade A, ready to frame. A short biograp...

Frank Stella The Dayton's Bag, 1984 Two (2) separate offset lithographs: one on each side of a mixed media paper shopping bag 18 1/2 × 16 × 4 inches Plate signed "Frank Stella '84" twice: once on each side of the bag (see photos) This paper shopping bag with two different color offset lithographs (one on each side) was created by Frank Stella along with his longtime publisher Tyler Graphics. The work is plate signed Frank Stella on the top of each side, and each side bears the printed text, "Dayton's Salutes the Opening of Walker Art Center's New Galleries. Premiere Exhibition Selections from Tyler Graphics, 23 September '84 to 17 May '85." This elegant work, produced with the highest quality lithography by Frank Stella at Tyler Graphics, was created in a limited quantity solely for VIP collectors at that one day's event as it was a true one-off creation. Not too many of them have survived a quarter century on, and rarely in such good condition. Not too many people you know can boast that they possess a Frank Stella shopping bag. Note that this listing is for one two sided shopping bag, each side with a different color lithograph - so it's actually two Frank Stella lithographs...

The limited edition reproduction of Georges à Bicyclette by Francis Bacon, published by Maeght and printed by ARTE in Paris, is a valuable collectible that showcases Bacon's distinct...

Paper Size: 25 x 37.75 inches ( 63.5 x 95.885 cm ) Image Size: 18 x 35.75 inches ( 45.72 x 90.805 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Shipp...

Published Benincasa Carmine. Edizioni SEAT, Torino, Italy. Offset directly from the original plates. Limited edition. This is not hand signed or numbered. Signature in the printing p...

CHRISTO Closed Highway, Project for 5000 Miles, 6 Lanes East-West Highway (Schellmann, 51), 1972 Offset lithograph on wove paper Hand signed in felt tip pen and pencil numbered 115/1...

Peter Halley Peter Halley, Imago Galleries, Palm Desert, CA (Hand Signed), 2006 Offset lithograph poster (hand signed by Peter Halley) 25 1/2 × 18 1/4 inches Provenance; Acquired directly from the artist Unframed Alpha 137 Gallery is honored to offer this offset lithograph, published on the occasion of legendary American artist Peter Halley's 2006 one-man exhibition at Imago Galleries, Palm Desert, California which the artist hand signed in black marker. Scroll images for a photograph of our director Nadine Witkin with the artist. Below is Peter Halley's official biography. What it doesn't mention is that Andy Warhol famously painted his portrait in 1986! Peter Halley is that legendary. According to Halley, he didn't realize until after Warhol's death that the polaroids Warhol took of him with his famous "big shot" camera were made into an original painting. Warhol's painting of Peter Halley was included in the recent Andy Warhol retrospective "Andy Warhol - from A to B and Back Again" at the Whitney. PETER HALLEY BIOGRAPHY Peter Halley, born 1953, New York City, is an American artist who came to prominence as a central figure of the Neo-Conceptualist movement of the 1980s. His paintings redeploy the language of geometric abstraction to explore the organization of social space in the digital era. Since the 1980s, Halley’s lexicon has included three elements: “prisons” and “cells,” connected by “conduits,” which are used in his paintings to explore the technologically determined space and pathways that regulate daily life. Using fluorescent color and Roll-a-Tex, a commercial paint additive that provides readymade texture, Halley embraces materials that are anti-naturalistic and commercially manufactured. In the mid 1990s Halley pioneered the use of wall-sized digital prints in his site-specific installations. He has executed installations at Museo Nivola, Orani, Sardinia (2021); Greene Naftali, New York (2019); Venice Biennale (2019); Lever House, New York (2018); Schirn Kunsthalle, Frankfurt (2016); Disjecta, Portland (2012); the Gallatin School, New York University, (2008, 2017); the Museum of Modern Art, New York (1997); and the Dallas Museum of Art (1995). In 2005, Halley was also commissioned to create a monumental painting for Terminal D at the Dallas/Fort Worth International Airport, Texas. Halley served as professor and director of the MFA painting program at the Yale School of Art from 2002 to 2011. From 1996 to 2005, Halley published INDEX Magazine, which featured interviews with figures working in a variety of creative fields. Halley is also known for his essays on art and culture, written in the 1980s and 1990s, in which he explores themes from French critical theory and the impact of burgeoning digital technology. His Selected Essays, 1981 – 2001, was published by Edgewise Press, New York, in 2013.Halley’s writings have been translated into Spanish, French, and Italian. A catalogue raisonné, PETER HALLEY: Paintings of the 1980s, was published in 2018 by JRP Ringier. Halley’s work can be found in the collections of the Museum of Modern Art, New York; Whitney Museum of American Art, New York; Solomon R. Guggenheim Museum, New York; Broad Art Foundation, Los Angeles; Museum of Contemporary Art, Los Angeles; San Francisco Museum of Modern Art; Boston Museum of Fine Arts; Dallas Museum of Art; Albright-Knox Art Gallery, Buffalo; Tate Modern, London; Stedelijk Museum, Amsterdam; Sammlung Marx, Berlin; Museo Nacional Centro de Arte Reina Sofia, Madrid; Museum of Contemporary Art, Tokyo; Seoul Museum of Art, among others. More about Peter Halley Peter Halley was born in 1953 in New York. He began his formal training at Phillips Academy in Andover, Massachusetts, from which he graduated in 1971. During that time, Halley read Josef Albers’s Interaction of Color (1981), which would influence him throughout his career. From 1973 to 1974 Halley lived in New Orleans, where he absorbed the vibrant cultural influences of the city, began using commercial materials in his art, and first became acquainted with the writings of earthwork artist Robert Smithson. In 1975 the artist graduated from Yale University, New Haven, with a degree in art history. After Yale, Halley returned to New Orleans, where he received an MFA in painting from the University of New Orleans in 1978. He had his first solo exhibition at the Contemporary Art Center, New Orleans, that same year. In 1978 Halley spent a semester teaching art at the University of Louisiana, Lafayette. He has continued to teach throughout his career. In 1980, Halley moved back to New York and had his first solo exhibition in the city at PS122 Gallery. At this time, Halley was drawn to the pop themes and social issues addressed in New Wave music. Inspired by New York’s intense urban environment, Halley set out to use the language of geometric abstraction to describe the actual geometricized space around him. He also began his iconic use of fluorescent Day-Glo paint. In 1984, Halley started to exhibit with the International With Monument gallery, becoming closely associated with the organization and its artists, who exhibited conceptually rigorous work in a market-savvy, coolly presented space that stood in stark contrast to the bohemian, Neo-Expressionist flair of the East Village art scene at the time. In 1986, an exhibition of four artists from International With Monument at the Sonnabend Gallery in New York heralded the group’s growing success. By the late 1980s, Halley was exhibiting with prominent galleries in the United States and Europe. In 1989, an exhibition of his paintings traveled to the Museum Haus Esters, Krefeld, Germany; Maison de la culture et de la communication de Saint-Étienne, France; and Institute of Contemporary Arts, London. From 1991 to 1992, a retrospective toured Europe, with presentations at the CAPC Musée d’art contemporain de Bordeaux, France; Musée d’art contemporain, Lausanne, Switzerland; Museo nacional centro de arte Reina Sofía, Madrid; and Stedelijk Museum, Amsterdam. In 1992, the Des Moines Art Center hosted his first solo exhibition at a U.S. museum. While developing his visual language, Halley became interested in French post-structuralist writers, including Jean Baudrillard, Guy Debord, Michel Foucault, and Paul Virillio, all of whom shared his concern with the character of social spaces in a post-industrial society. In 1981, he published his first essay “Beat, Minimalism, New Wave, and Robert Smithson” in Arts, a New York–based magazine that would publish eight of his essays before the decade’s end. Halley’s writings became the basis for Neo-Geometric Conceptualism (also known as Neo-Geo), the offshoot of Neo-Conceptualism associated with the work of Ashley Bickerton, Halley, and Jeff Koons. In 1988, the artist’s writings were anthologized in Collected Essays, 1981–1987, and again in 1997 in a second anthology, Recent Essays, 1990–1996. In the mid-1990s, Halley began to produce site-specific installations for museums, galleries, and public spaces. These characteristically brought together a range of imagery and mediums, including paintings, wall-size flowcharts, and digitally generated wallpaper prints. Halley has executed permanent installations at the Dallas/Fort Worth International Airport, Texas, and the Gallatin School of Individualized Study at New York University. In 2011, his installation of digital prints Judgment Day...

Paper Size: 15.75 x 19.75 inches ( 40.005 x 50.165 cm ) Image Size: 11.25 x 15.25 inches ( 28.575 x 38.735 cm ) Framed: No Red Vest by Paul Klee is a vibrant and expressive work that...

Will Barnet: A Timeless World (hand signed, dated and warmly inscribed), 2000 Softback monograph with stiff wraps (hand signed, dated and warmly inscribed) Hand signed, dated and warmly inscribed to Margo by Will Barnet on the half title page 12 × 9 × 1/2 inches We believe the colleague Margo refers to renowned African American artist Margo Humphrey, who also worked at the Rutgers Center for Innovative Printmaking with Will Barnet. The full inscription reads: Sep 21 2000 To my colleague -Margo- with appreciation and affection Will Barnet Book information: Published by the Montclair Art Museum, New Jersey and Distributed by Rutgers University Press English; Paperback; 124 pages containing 43 color and 20 black-and-white illustrations Publisher's blurb: Painter and printmaker Will Barnet has actively participated in the New York art world for nearly 70 years. A leading figure in the Indian Space painting movement of the late 1940s, Barnet stressed the spatial structures of Northwest Coast Indian art. Throughout the 1950s and into the 1960s, he made a series of hardedged, totemic abstractions marked by their "all-positive" space, which he described as austere, classical expressions of Indian culture. He then moved on to new art forms in the 1960s and 1970s, creating a series of family and art world portraits that achieved a remarkable balance between the formal demands of abstraction and the humanist aspects of representation. Will Barnet: A Timeless World is the first substantial publications to unify Barnet's prodigious output. Art historian Gail Stavitsky provides an overview of this artist's entire career. Twig Johnson, the museum's curator of Native American Art, discusses the relationship of Barnet's work to this important indigenous artistic tradition. Jessica Nicoll, chief curator at the Portland Museum of Art, explores the profound impact of New England upon Barnet and his work. Many of Barnet's works are beautifully reproduced in this catalog, containing 43 color and 20 black-and-white illustrations. More about Will Barnet: Will Barnet was born in Beverly, Massachusetts in 1911. He has taught and exhibited widely over his more than seventy-five year career. His works are in the collection of virtually every American museum, including locally The Guggenheim Museum, The Metropolitan Museum of Art, The Museum of Modern Art, and The Whitney Museum of American. He is an elected member of the American Academy of Arts and Letters. In fall 2011 the National Academy Museum will present a retrospective exhibition being organized by Bruce Weber. Barnet is represented exclusively by Alexandre Gallery...

Original exhibition invitation created for the opening of Jasper Johns: Trial Proofs and Proofs with Additions which took place at Brooke Alexander Galleries in 1985. In a maple wood...

Paper Size: 22.5 x 28.5 inches ( 57.15 x 72.39 cm ) Image Size: 17.25 x 26 inches ( 43.815 x 66.04 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional ...

Paper Size: 33 x 23.25 inches ( 83.82 x 59.055 cm ) Image Size: 27.5 x 21.5 inches ( 69.85 x 54.61 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Shipping an...

Paper Size: 24 x 24 inches ( 60.96 x 60.96 cm ) Image Size: 23 x 23 inches ( 58.42 x 58.42 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional Det...

Richard Prince It's a Free Concert (Hand Signed by Richard Prince), 2014 Offset Lithograph (hand signed by Richard Prince) Hand signed by the artist on the front Unnumbered 33 × 23 3...

Paper Size: 35.5 x 20 inches ( 90.17 x 50.8 cm ) Image Size: 35.5 x 20 inches ( 90.17 x 50.8 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional Details...

Georges Braque, French (1882 - 1963) - Nature Morte III, Year: circa 1963, Medium: Offset Lithograph, Image Size: 5 x 8.75 inches, Size: 13.5 x 11 in. (34.29 x 27.94 cm)

Original vintage movie poster: “MR. DEEDS GOES TO TOWN.” 'L'extravagant Mr. Deeds' Linen-backed Belgium movie poster. Longfellow Deeds lives in a small town, leading a small-town...

Jean-Michel Basquiat at Tony Shafrazi Gallery: Vintage original 1990s announcement published on the occasion of Jean-Michel Basquiat at Tony Shafrazi Gallery, New York, November 20, ...

Presenze is a print realized by Franco Fontana, in 1981. Offset print. Rondanini Galleria D'arte Contemporanea - Roma. Coloured poster from a photograph by Franco Fontana (Modena, ...

Luigi Ghirri is a vintage Poster realized in 1976. The artwork is the poster for the artist's exhibition in Galleria Rondanini, Roma.

Original New England American Airlines vintage travel poster. Size 30” x 40”. Archival linen backed, untrimmed, A condition. This original vintage poster from the 1950s captures the essence of New England and American Airlines flights to the region. Designed by Bern Hill...

Nancy Graves Nancy Graves: A Survey 1969/1980 (Hand signed and inscribed to Dick Polich of Tallix), 1980 Offset lithograph poster (hand signed, dated and inscribed) signed, dated and...

Artist: Hajime Sorayama, Japan, b. 1947 Size: 17" x 24" Medium: Lithograph on High Gloss Paper Signature: Lower Left Subject: Nude Female in Black Leather Jacket and Boots, Urinating...

Untitled is an offset and lithograph print realized on Fabriano Paper after a drawing by Willem De Kooning of 1958. Signed o the plate on the lower. The print suite was realized i...

"L'Arc de Triomphe, Wrapped Project for Paris III" is one of the last projects realized by Christo before his passing. This limited edition piece is a testament to Christo's enduring...

Interrogation is an original offset and lithograph realized by George Grosz. The artwork is from the book "Kobes" by Heinrich Man, that Grosz illustrated with 10 drawings reproduce...

FAILE Red Dog, 2018 Offset Print with gold foil on Lenox 100 paper. Faile studio stamp on the back Annotated and hand signed in pencil on the lower front with studio stamp on the bac...

Tracey Emin Hand Signed by Tracey Emin: Bazaar magazine homage to David Bowie, 2016 Glossy offset lithograph magazine (uniquely hand signed by Tracey Emin) Boldly signed in silver sh...

Ed Ruscha Paintings (Hand signed by Ed Ruscha), 2014 Offset lithograph poster (Hand signed on the front) Published by Gagosian Gallery, Rome 26 × 27...

Alechinsky/Reinhoud: Alechinsky & Reinhoud Dos Artistas Belgas, published in 1964 by Imprenta Anzilotti in Buenos Aires, is a softcover edition with a protective dust jacket. This 20...

Paper Size: 23.5 x 16.5 inches ( 59.69 x 41.91 cm )?Image Size: 23.5 x 16.5 inches ( 59.69 x 41.91 cm )?Framed: No?Condition: A-: Near Mint, very light signs of handling??Additional Details: Poster featuring a drawing of Jack Goldstein...

Paper Size: 45 x 61 inches ( 114.3 x 154.94 cm ) Image Size: 45 x 61 inches ( 114.3 x 154.94 cm ) Framed: Yes Condition: A-: Near Mint, very light signs of handling Additional Details: This is a unique work by the artist also known as Father Junier's Dog Cart...

Vintage Poster Galerie Louis Carré is a lithograph and offset print realized by André Lanskoy in 1957. Good conditions except for slight cutting and foldi...

James Siena "This is for Nadine", signed drawing, 2005 Original drawing done in black marker, bound in the title page of softcover PACE Gallery catalogue with stiff wraps hand signe...

Published Benincasa Carmine. Edizioni SEAT, Torino, Italy. Offset directly from the original plates. Limited edition. This is not hand signed or numbered. Signature in the printing p...

Paper Size: 26.5 x 32.75 inches ( 67.31 x 83.185 cm ) Image Size: 21 x 30.75 inches ( 53.34 x 78.105 cm ) Framed: No Condition: A: Mint Additional Details: Poster for the Kerry Jame...

Vintage poster realized in occasion of the Exhibition of Albrecht Durer's Etchings at Galleria Marino, Rome in 1970s. Limited edition of 1000. Very good condition.