Art by Medium: Organic Material

Resin coated and mounted to layers of plywood, these digital/mixed media ‘picture objects’ represent interpretations of contemporary visual culture charmed by minimalism, modernism...

Resin coated and mounted to layers of plywood, these digital/mixed media ‘picture objects’ represent interpretations of contemporary visual culture charmed by minimalism, modernism...

Resin coated and mounted to layers of plywood, these digital/mixed media ‘picture objects’ represent interpretations of contemporary visual culture charmed by minimalism, modernism...

Resin coated and mounted to layers of plywood, these digital/mixed media ‘picture objects’ represent interpretations of contemporary visual culture charmed by minimalism, modernism...

Resin coated and mounted to layers of plywood, these digital/mixed media ‘picture objects’ represent interpretations of contemporary visual culture charmed by minimalism, modernism...

Resin coated and mounted to layers of plywood, these digital/mixed media ‘picture objects’ represent interpretations of contemporary visual culture charmed by minimalism, modernism...

Resin coated and mounted to layers of plywood, these digital/mixed media ‘picture objects’ represent interpretations of contemporary visual culture charmed by minimalism, modernism...

Resin coated and mounted to layers of plywood, these digital/mixed media ‘picture objects’ represent interpretations of contemporary visual culture charmed by minimalism, modernism...

Resin coated and mounted to layers of plywood, these digital/mixed media ‘picture objects’ represent interpretations of contemporary visual culture charmed by minimalism, modernism...

Resin coated and mounted to layers of plywood, these digital/mixed media ‘picture objects’ represent interpretations of contemporary visual culture charmed by minimalism, modernism...

Resin coated and mounted to layers of plywood, these digital/mixed media ‘picture objects’ represent interpretations of contemporary visual culture charmed by minimalism, modernism...

Resin coated and mounted to layers of plywood, these digital/mixed media ‘picture objects’ represent interpretations of contemporary visual culture charmed by minimalism, modernism...

Resin coated and mounted to layers of plywood, these digital/mixed media ‘picture objects’ represent interpretations of contemporary visual culture charmed by minimalism, modernism...

Resin coated and mounted to layers of plywood, these digital/mixed media ‘picture objects’ represent interpretations of contemporary visual culture charmed by minimalism, modernism...

Resin coated and mounted to layers of plywood, these digital/mixed media ‘picture objects’ represent interpretations of contemporary visual culture charmed by minimalism, modernism...

Jay Mikal’s “Compass to Canaan 001” invites viewers to embark on a spiritual journey of introspection and a deeper connection to the divine. This 1 of 1, visually-striking compositio...

Anne de Villeméjane's sculptures in bronze, crystal and cement are exhibited in galleries and major art shows in the United States, Europe and the Middle East. Anne is a French artis...

Jay Mikal’s “Obsidian 003” invites viewers to embark on a spiritual journey of introspection and a deeper connection to the divine. This 1 of 1, visually-striking composition feature...

Concorde Cap Shelter Serra 5.5”x7”x9” Electroplated Copper 2017 The Concorde Cap is one of an ongoing series of copper electroplated hats. Ranging from Superman to Nascar, the artist chooses hats from all walks of life before distilling through the electroplating process, transforming the once functional hat into an object of contemplation and beauty. Shelter Serra’s sculptures and drawings explore notions of mass consumption and cultural identity. He juxtaposes objects that are both mundane and immediately recognizable: a 40 ounce bottle of malt liquor cast in plaster, a Best Buy cap plated in copper, and a designer handbag cast in resin, to name a few. Casting and plating these objects in unlikely materials—resin, plaster, platinum silicone, and copper—Serra strips them of their intended functionality, thereby highlighting their underlying cultural symbolism and transforming branded products into objects of aesthetic contemplation. “Refining an aesthetic and making beautiful objects, whether that be a dress, bag, or sculpture," says Serra, "is a celebration of pure creativity and personal vision.” His Fake Gun...

A vibrant and reflective floral from abstract expressionist artist, Darius Yektai. Yektai pours epoxy resin over his oil painting and then paints on top of the reflective resin furth...

Lisa Bartleson is a Northern California - based mixed-media artist whose work is inspired by the Light and Space movement from the 1960’s and 1970’s. Her work has a luminous quality ...

Alison Haley Paul is a contemporary painter of lavishly textured landscapes full of nuanced color. Her work conjures up connotations and geographical memories: that summer you spent ...

Artist Commentary: Get lost inthe movement with these large shapes that are fun and soothing to look at. I conceived of the duo of "Letting Go" panels righ...

Resin figurative sculpture

Mixed Media, Panel, UV Resin Robert Mars uses art to express nostalgia for a time before he was born. An artistic descendent of Andy Warhol and Robert Rauschenberg, he explores Amer...

Greg Miller grew up in 50’s -60’s Sacramento, inspired by the rush of billboards, posters, ads and text that shaped the flat delta landscapes and pulp fiction images of his youth. L...

"As an African-American artist in today’s world, I embody the vast differences found in our collective backgrounds. I view them as cultural assets. We are always self discovering and...

Figurative, abstract, geometric, objetcs, natural materials

Manuele Bernardi was born in 1959 in Saint-Tropez. She lives and works in Roussillon, in the south of France. After completing studies at the Roederer Academy in Paris, she completed...

"PRSNT" Mixed Media Abstract Painting 40" x 30" inch by Ben Cope 2022 Photo on deconstructed paper with oils and paint pigments Mixed media oil on wood Ben Cope is a Georgia native...

The artistic collaboration of Kelly Bugden + Van Wifvat has produced a thought-provoking body of sculptures, paintings, and constructions. Nature, childhood memories, and everyday archetypes take shape in unexpected combinations of materials. The works emerged as the tactile and visual senses channeled the ritualistic power and materiality of selected artifacts. The resulting objects exist in a space between what they were originally and what they could become. A wheel, for example, is distorted as if seen through a prism. Their collaboration grew out of years of shaping materials into one-of-a-kind objects. Intuitively, the process of creating with their hands took an inward turn. Prism is a travelogue through memories and dreams, yielding abstract forms that capture moments of transformation. Van Wifvat grew up with eight siblings and studied sculpture and environmental design in Minneapolis at MCAD. In 1979, he opened a storefront art gallery to promote the work of local artists. The space featured printed materials—art books, periodicals, fanzines, and postcard’s. Wifvat moved to New York in 1983 to study at the Fashion Institute of Technology and Parsons. In 1987, he co-founded Van Gregory & Norton design studio, specializing in convex mirrors and curtain hardware...

This piece is unframed.

Alison Haley Paul is a contemporary painter of lavishly textured landscapes full of nuanced color. Her work conjures up connotations and geographical memories: that summer you spent ...

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

Poly resin sculpture. Britto signature stamped on lower right. From the edition of 4000 (2nd edition). Comes in original box with certificate of authenticity. Artwork is in ex...

Klaus Oldenburg (*1942 Berlin), Eccentric discharges of a blue-red core, around 1975. paint and cast resin on chipboard, 39 x 59 cm (inside dimension),...

Carmine Bilardello’s Red Tape 3 (2024) features an unexpected yet striking composition made from painted red masking tape, stacked and tangled in a dynamic cluster that subtly forms ...

Artist: Cary Smith, Puerto Rican/American (1955 - ) Title: Not Now Year: 1989 Medium: Oil and wax on canvas Size: 72 x 72 in. (182.88 x 182.88 cm)

Abstract mixed media painting in red, white and light green. Jylian Gustlin is a native Californian and grew up in the San Francisco bay area. She has been shaped by the technology...

Marco Olivier is a renowned South African artist and owner of a bronze foundry in Cape Town. He is widely known for his original art in resin and bronze, which is recognized for its unique texture and painting effects. Despite the challenges he has faced in his life, Marco’s drive and never-give-up attitude have helped him to become a successful artist. Marco is known for installing numerous public art pieces across the country. His artworks are mostly created at his own expense to promote his art business. Some of Marco’s notable public art installations include a 3m bronze sculpture and a 4m face sculpture in Cape Town. His latest addition is a 6m commission face sculpture for a private company. Marco has been recognized for his artistic talents by various media outlets and platforms. He has been featured twice on the popular South African television show “Top Billing,” and his art was featured on the set of the Netflix series “Blood and Water.” Additionally, various movie industries have used Marco’s artwork as part of their sets. In 2021, he was featured as an artist in the Canadian magazine “Heroldt,” and the online magazine “Décor & Design SA.” In addition to his public and installations, Marco also offers a range of unique sculpture and limited edition artwork. He also accepts commissions for custom-built sculptures, including portraiture sculptures of clients. Marco also offers structural art...

Fent Front Assegut Here some fragments for one of his latest exhibition catalogue “I think that a work of art should puzzle viewers, make them reflect on the meaning of life” Antoni Tàpies Moisés Gil’s sculptures can be described as philosophical and conceptual, as they encourage individuals to reflect and act in a never-ending existential struggle, in the face of the multiple situations by which they are affected in contemporary societies. Art is always a form of communication: communication with and between the materials employed by the artist, giving rise to an aesthetic visual balance able to convey feelings, emotions and ideas, all of which are essential to a nonconformist commitment and worldview. Moisés Gil puts his representations of individuals in sculptural structures to better indicate the place of humans in the world, the place of contemporary individuals in their different environments, sometimes hostile; they are naked men...

The Willow, is a vertically oriented oil painting on canvas, with a layer of resin poured and hardened, to create a clear, reflective layer, reminiscent to ...

"Love Prison" archival print, oil paint and mixed media encased in resin artwork by artist Raphael Mazzucco. Signed in front lower right corner.

Technique: Resin and Metal sculpture  Certificate: signed  Dimension : 35cm Information : Art by Naor is a French artist from Lyon born in 1988. Completely anchored in his time, h...

Cat Sirot is a French plastic artist, with a focus on painting and Sculpture. She lives near Paris and works in her Argenteuil Studio. Through her sculptural...

abstract 29/29, Original Signed Contemporary Neutral Abstract Encaustic Painting 29" x 29" x 3" Beeswax, Resin, Pigment, and Oil on Wood Panel Hand-signed by the artist in verso. A contemporary minimalist encaustic work by artist Michele Renée Ledoux...

Dredging Up Memories, Original Contemporary Aquamarine and Red Abstract Painting 24" x 24" x 1.5" (HxWxD) Oil and Cold Wax on Panel This square-format work by artist Denise Presnell...

Confluence 23 B (2023) Acrylic, aluminum leaf, and wax on aluminum panel 50 x 42 inches Hester’s practice is a meditation on both her personal and our collective pasts. Throughout h...

Confluence 23 B (2023) Acrylic, aluminum leaf, and wax on aluminum panel 50 x 42 inches Hester’s practice is a meditation on both her personal and our collective pasts. Throughout h...

Confluence 22 C (2022) Acrylic, aluminum leaf, and wax on aluminum panel 50 x 42 inches Hester’s practice is a meditation on both her personal and our collective pasts. Throughout h...

Confluence 22 D (2022) Acrylic, aluminum leaf, and wax on aluminum panel 50 x 42 inches Hester’s practice is a meditation on both her personal and our collective pasts. Throughout h...

Acrylic, aluminum leaf, and wax on aluminum panel.

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...