Patrick Schumacher

Soon ! Dark Blue Gorilla Sculpture in the posture of the "David" by Michelangelo

2019

Arabesques Horse is a resin sculpture made by Patrick Schumacher, a French contemporary artist. This white Horse sculpture with blue "arabesques...

Atlantis Egg "Zen" is a resin sculpture made by Patrice Breteau, a French contemporary artist. This piece is available in eight different colors, all resistant to UV exposure and out...

The Panda (WWF logo) on a can of nuclear waste subtitled “You want to fuck my life”. While remaining humorous and aesthetically attractive, his messages become more powerful reflecting current environmental and humanitarian issues. Born in 1953, Patrick Schumacher is a German contemporary sculptor based in Nice, France. Classically trained in the foundation of Art in Strasbourg, France, he specialises in restoring art antiquities. As a result of his training, Schumacher acquired an extensive range of technical knowledge which he applies to a broad spectrum of materials. Finding inspiration in cultural origins combined with his interests in both classical and Asiatic art...

Rhinozebros is a resin sculpture made by Patrick Schumacher, a French contemporary artist. This sculpture represents a rhinoceros adorned with a zebra skin. "Through my artistic work, I try to highlight the possible parallels between animals and human beings, at the crossroads of humor and mockery." P. Schumacher Classically trained, Schumacher further specializes in restoring art antiquities, with a particular interest in Asiatic art...

Rhinozebros is a resin sculpture made by Patrick Schumacher, a French contemporary artist. This sculpture represents a rhinoceros adorned with a zebra skin. "Through my artistic work, I try to highlight the possible parallels between animals and human beings, at the crossroads of humor and mockery." P. Schumacher Classically trained, Schumacher further specializes in restoring art antiquities, with a particular interest in Asiatic art...

Mariko’s sculptures are unique and monumental contemporary pieces made of resin and reinforced with an inside metallic structure, finished with a bi-component urethane paint, extreme...

Nicholas Crombach graduated from OCAD University’s Sculpture and Installation program in 2012. He has been awarded the Hayden Davies Memorial Award, Samuel Lazar Kagan Award, Abraham...

Nicholas Crombach is currently an artist in residence at The Florence Trust in London, UK. Crombach graduated from OCAD University’s Sculpture and Installation program in 2012. He h...

The term illumination can be defined as an observable property and effect of light, as well as the process by which human thought is transformed and expanded. Illumination in the phi...

In his recent works sculptor Nicholas Crombach uses the markers of tradition to critique social rituals. Through the employment of the mythology and the rich visual culture of the hunt, Crombach assembles works which revel in contradiction. He has created a series of unexpected juxtapositions that examine the cultural significance and the complex issues percolating around hunting and sporting traditions in the 21st century. For this exhibition, Crombach riffs off the myth of Diana and Actaeon, which provides a poignant framework for his theme. In the original story, Actaeon, the hunter and grandson of King Cadmus, is in the forest with his dogs, when he spies Artemis (Diana) in her bath attended by her nymphs. Diana was the goddess of the hunt, but when the mortal Actaeon sees her, her nymphs try to cover her modesty. She splashes him with water, turning him from a mortal man into a stag, who flees into the forest only to be hunted down and killed by his own dogs. The hunter becomes the hunted. Crombach’s Fetch (2018) refers to the mythology of Diana and Actaeon as he transforms the lofty and classical story of metamorphoses into a game of fetch in the local park, constructed on a grand scale. In Fetch (2018), Crombach creates a hybrid between the art historical imagery from paintings of hounds hunting stags with the flashy colours and synthetic materials of modern day dog chew toys. The sculpture is displayed alongside a variety of chew toys that act as an index for the sculptures interpretation, some transformed into porcelain that has been marked with the aristocratic hunting motifs found on antique English pottery. Here, the assembly of works create a conversation on the blurred boundaries between: histories of domestication, the working relationships we have with animals, contemporary issues of hunting as “play”, tradition and survival. A second major new sculpture “End of the Chase” is a collapsed version of a Victorian period rocking horse housed in London’s V&A Museum Of Childhood. The sculpture responds to the 2014 hunting act that passed in Britain which in turn attempts to obliterate the tradition of hunting with hounds, most commonly associated with the fox hunt...

The term illumination can be defined as an observable property and effect of light, as well as the process by which human thought is transformed and expanded. Illumination in the phi...

Keith Haring Mickey Mouse Bearbrick: Set of two (400% & 100%): A unique, timeless collectible trademarked & licensed by the Estate of Keith Haring. The partnered collectible reveals Keith Haring's Mickey Mouse artwork...