Art by Medium: Paint

Attributed to John Vine, English Folk Art Portrait of a White Park Bull, circa 1840–1850, oil on canvas Not signed A compelling mid-19th century English folk art study depicting a...

Provencal Landscape by Louis Bellon (French 1908-1998) signed inscribed verso From a batch of similar work where most were dated 1942-1947 watercolour painting on paper, unframed me...

Frameless. Is born in Madrid on the 21st july 1951. After attending primary school, he starts to grow an enormous tendency for drawing. At the age of 14 he begins to work in advertising and attends to the Vallecas school of arts. At the age of 14 he travels to Switzerland and in Geneve he gets intensly into painting and decides to dedicate himself only to it. When he returns to Spain he enrolls Arts Studies, and at the begining of summer '66, he visits Sitges, where he'll come back year after year and where ultimately he'll set his home. At this time he starts selling his painting in the flea market in Madrid and later in Sitges, setting himself on the street, thus completing his studies and making it economically. While he's in Madrid he recives lessons by Pedro Mozas at Bellas Artes and starts to learn profoundly about painting. In 1969 he starts painting portraits in the streets. In Sitges he creates, with other friends, a great artistic atmosphere in the Paseo de la Ribera, by the sea, that today still exists. He starts travelling through Europe, visiting and painting in Paris, London and Amsterdam. In the middle of this bohemian epoque, he moves to the Cannary Islands during the winters for 5 years in a row, he moves in the Parque de Santa Catalina "Las Palmas de Gran Canaria" where he works and meet all sorts of people in the streets, which later would mark his pictoric line. He becomes friend with Sidney Nagley in 1969, who organizes his first exhibition in Toronto, Canada. Afterwards he'll leave his studies and start painting exclusively in his studio. He gathers his first exhibition in the Ateneu of Barcelona in 1970. He befriends with the art critic of La Vanguardia, Fernando Gutierrez and the Count of Caralt orders him a set of illustration for a new edition of Garcia Lorcas Romancero Gitano. His first exhibition in a commercial gallery is done in the Majestic Gallery in Barcelona with a gorgeous collection of nudity drawings. He achieves huge success and for some years he affords his painting thanks to those drawings. During a period in Madrid, Mr Ponce de León, a consul in the Ministry of Exterior Affairs grants him with bachelor degree to study in the prestigious Academia de España in Rome. However, he can't accept it due to militar service obligations. Some days later, before joining the ranks he opens in the Cuatre Gats (Palma de Mallorca) with hiperrealist pieces that already then he presented as the first painter in that city, that later would become a fashion in 1973. After this period he meets José Maria Gudiol who advises positively. Since then, the intense work and the fight for daily improvement that has become the trademark of his life. The seek of styles and situations, the journeys through Europe always aware of all the tendencies that have in the art line that we can see nowadays. At his more than fifty years given to paint, his individual exhibitions beat the 100, his artwork is highly appreciated and valued in the complex market of art. In October 1982 hi makes his first exhibition in Tarragona. In the catalogue, writing of the unforgettable Fernando Gutierrez, he says "Fuentetaja is an artist of character and exceptional upbringing with a masterly knowledge of technique and resourses, and personality completely uncommon to the dimension of his sensitivity, as the richness of his deep and bloomed liricism. A judgement as accurate as foreseeing for the future outstanding of the artist, in where his paint soared through different phases mantaining an unquestionable quality. Lines, cubist, expressionist and hiperrealist till his current realism, in the middle of his creative maturity. Jose Luis Fuentetaja...

This pastoral landscape, painted in oil on canvas by an unknown European artist in the late 19th century, conveys the atmosphere of a serene summer day. Through a highly skilled appl...

A charming, vibrant, early Mexican city street scene by famed Chicago Modern artist Francis Chapin (Am. 1899-1965). Depicting a quiet, picturesque view of the rooftops and cathedral...

Ingrid Smuling 'Stack of French bowls' 24 x 18 cm olieverf Framed size! 32 x 26 cm ( Frame is included) Oil on wood panel Ingrid Smuling, the Grand Lady of Still life painting is ...

This painting is in excellent condition and has only been shown in a gallery. Federico López Córcoles was born in the Alicante region of Spain in 1970. This area is well-known for ...

This stunning piece of The Lieutenancy, a prestigious building which sits at the entrance to the Vieux Bassin de Honfleur, which is a true witness to the history of the Norman port, ...

Partition is an original oil on canvas by French contemporary artist Sophie Dumont. Known for her richly layered surfaces and architectural sense of composition, Dumont creates paint...

Title: Ethereal Escape Large Botanical Painting, Delight, Joy, New, Landscape, Nature "Ethereal Escape" is a large, vibrant celebration of nature's wild spirit. Rich acrylics are ...

Madonna and Child with a Saint and Heavenly Cherubs 17th Century Italian School, unsigned oil on canvas, framed framed: 20 x 18 inches canvas : 13 x 10 inches Provenance: private col...

Isabel Rock is a creator of contemporary fairy tales. A graduate of the Royal College of Art in London, her work is an explosion of strange occurrences while a surreal narrative take...

This piece is a bold depiction of an abstract landscape with a colorful and expressive nature. Nemethy uses techniques borrowed from early Tiffany stained glass windows...

Artist Comments
Several shades of blue sweep across a lightly textured background. Bits of orange highlight the focal point, adding warmth to the composition. Sections of gray ...

This important oil painting on canvas, although it is not signed as is almost always the case with this artist's paintings, is attributed to the great Genoese painter Luciano Borzone...

Contemporary Oil Painting – Original Artwork on Stretched Canvas, Ready to Hang (60 × 50 × 1.5 cm / 23.6 × 19.7 × 0.6 in) – "Wine-Tasting Holiday in Provence" “Wine-Tasting Holiday ...

Antique American impressionist portrait oil painting. Oil on canvas. Signed. Framed. Measuring: 26 by 22 inches overall, and 20 by 16 painting alone. Excellent condition, ready to h...

The work on this painting took quite a long time as I was working on creating a certain vibration in it, making many layers and adjustments... This is an apple orchard at harvest tim...

Title 1930s French Impressionist River Landscape Oil Painting Boats Signed Key Details Artist: French School, circa 1930s, indistinctly signed Title: The Tr...

An oil on panel idyllic landscape by Boggio. The painting is signed bottom left. An idealised lakeside landscape view with poplar trees in the style of the Barbizon school.

Henry John Boddington. 19th century English landscape with figures by a riverside. Simply one of the finest quality English landscape Ive ever had the pleasure of owning . This i...

This large landscape oil painting by John Traynor captures a scene in New England. Cows are visible in front of a long picket fence, with a red barn and house behind the fence and lush green trees on either side and along the hills in the horizon. Fluffy, almost abstracted clouds sit above the hills, with a patch of blue skies shining through toward the top of the image. The painting is 48" x 72", and 58" x 82" framed. It is professionally framed in a classic, antiqued, gold leaf frame. It is signed by the artist in the bottom right-hand corner of the canvas, and is wired and ready to hang. John C. Traynor's painting style is reminiscent of some 19th century painters and the Dutch Masters. He uses his knowledge of light and color to create a certain mood in each of his works. The creation of atmosphere is an important element in Traynor's paintings. Painting outdoors, on location, is a prime source of inspiration and ideas for his landscapes. John travels extensively, painting the landscapes around him. John was born in 1961 and spent his early years in Chester and Mendham, New Jersey. His art studies began at Delbarton School in Morristown, New Jersey, and from there he furthered his education at Paier College of Art in New Haven, Connecticut. He studied figure painting at the Art Students League of New York, as a merit scholar, with Frank Mason. Traynor continued his studies in Vermont with Mr. Mason on landscape painting, drawing with Carroll N. Jones Jr. of Stowe, Vermont and sculpture with Brother Jerome Cox...

Matthew van Liessum (b. 1989, The Netherlands) is an abstract painter based in Antwerp. His practice is rooted in gestural abstraction, where energetic mark-making meets a strong sen...

The splendour of the tragic sea Francesco Guardi and maritime painting in Venetian art No Venetian painter was a stranger to the sea. After all, Venice was not only one of the most prominent ports of the Mediterranean, but indeed a city literally submerged in the ocean from time to time. Curiously however, the famous Venetian school of painting showed little interest in maritime motifs, favouring scenes from the iconic architecture of the city rather than seascapes. That is why this painting is a particularly interesting window into not only the painter Francesco Guardi himself – but to the significance of the element of water in art history, in absence as well as in the centre of attention. Whether it be calm, sunny days with stunning views of the palaces alongside the canals of Venice or – more rarely – stormy shipwrecking tragedies at sea, water as a unifying element is integral to the works of painter Francesco Guardi (1712–1793). During his lifetime, Venetian art saw many of its greatest triumphs with names like Tiepolo or Canaletto gaining international recognition and firmly establishing Venice as one of the most vibrant artistic communities of Europe. While the city itself already in the 18th century was something of an early tourist spot where aristocrats and high society visited on their grand tour or travels, the artists too contributed to the fame and their work spread the image of Venice as the city of romance and leisure to an international audience, many of whom could never visit in person. Still today, the iconic image of Venice with its whimsical array of palaces, churches and other historic buildings is much influenced by these artists, many of whom have stood the test of time like very well and remain some of the most beloved in all of art history. It was not primarily subtility, intellectual meanings or moral ideals that the Venetian art tried to capture; instead it was the sheer vibrancy of life and the fast-paced city with crumbling palaces and festive people that made this atmosphere so special. Of course, Venice could count painters in most genres among its residents, from portraiture to religious motifs, history painting and much else. Still, it is the Vedutas and views of the city that seems to have etched itself into our memory more than anything else, not least in the tradition of Canaletto who was perhaps the undisputed master of all Venetian painters. Born into his profession, Francesco lived and breathed painting all his life. His father, the painter Domenico Guardi (1678–1716) died when Francesco was just a small child, yet both he and his brothers Niccolò and Gian Antonio continued in their fathers’ footsteps. The Guardi family belonged to the nobility and originated from the mountainous area of Trentino, not far from the Alps. The brothers worked together on more challenging commissions and supported each other in the manner typical of family workshops or networks of artists. Their sister Maria Cecilia married no other than the artist Giovanni Battista Tiepolo himself, linking the family to the most renowned Venetian name of the time. During almost a decade, Guardi worked in the studio of Michele Giovanni Marieschi, sometimes simply known as Michiel, a painted similar in both style and motif. Canaletto is, however, the artist Guardi is most often compared to since they shared a mutual fascination for depicting the architecture and cityscape of Venice. During the course of his career, Guardi tried his hand in many different genres. He was as swift in painting landscapes, Vedutas of Venice, sacred motifs, interiors and architectural compositions as he was in a number of other motifs. His style is typical of the Venetian school but also distinct and personal once we look a little closer. There is an absolute certainty in the composition, the choice of which sometimes feels like that of a carefully calculated photograph – yet it is also very painterly, in the best sense of the word: fluid, bold, sensitive and full of character. The brushwork is rapid, intense, seemingly careless and extraordinarily minute at the same time; fresh and planned in a very enjoyable mixture. His interiors often capture the breath-taking spacious glamour of the palaces and all their exquisite decor. He usually constructed the motif through remarkably simple, almost spontaneous yet intuitively precise strokes and shapes. The result was a festive, high-spirited atmospheric quality, far away from the sterile and exact likeness that other painters fell victim to when trying to copy Canaletto. The painting here has nothing of the city of Venice in it. On the contrary, we seem to be transported far away into the solitary ocean, with no architecture, nothing to hold on to – only the roaring sea and the dangerous cliffs upon which the ships are just moments away from being crushed upon. It is a maritime composition evoking both Flemish and Italian precursors, in the proud tradition of maritime painting that for centuries formed a crucial part of our visual culture. This genre of painting is today curiously overlooked, compared to how esteemed and meaningful it was when our relationship to the sea was far more natural than it is today. When both people and goods travelled by water, and many nations and cities – Venice among them – depended entirely on sea fare, the existential connection to the ocean was much more natural and integrated into the imagination. The schools and traditions of maritime art are as manifold as there are countries connected to the sea, and all reflect the need to process the dangers and wonders of the ocean. It could symbolize opportunity, the exciting prospects of a new countries and adventures, prospering trade, beautiful scenery as well as war and tragedy, loss of life, danger and doom. To say that water is ambivalent in nature is an understatement, and these many layers were something that artists explored in the most wondrous ways. Perhaps it takes a bit more time for the modern eye to identify the different nuances and qualities of historic maritime paintings, they may on first impression seem hard to differentiate from each other. But when allowing these motifs to unfold and tell stories of the sea in both fiction and reality – or somewhere in between – we are awarded with an understanding of how the oceans truly built our world. In Guardi’s interpretation, we see an almost theatrically arranged shipwrecking scene. No less than five ships are depicted right in the moment of utter disaster. Caught in a violent storm, the waves have driven them to a shore of sharp cliffs and if not swallowed by the waves, crushing against the cliffs seems to be the only outcome. The large wooden ships are impressively decorated with elaborate sculpture, and in fact relics already during Guardi’s lifetime. They are in fact typical of Dutch and Flemish 17th century ships, giving us a clue to where he got the inspiration from. Guardi must have seen examples of Flemish maritime art, that made him curious about these particular motifs. One is reminded of Flemish painters like Willem van de Velde and Ludolf Backhuysen, and this very painting has indeed been mistakenly attributed to Matthieu van Plattenberg...

Winter Scene English School, 19th century oil on board, framed framed: 13.5 x 19 inches board: 6 x 12 inches provenance: private collection, England condition: good and sound conditi...

Judd Mercer's (US based) "Sleeping Giants," is an original, handmade oil painting that depicts an elevated view of a dense urban city packed with various architecture and buildings t...

This series by Enric Servera explores the relationship of humans to salt and seawater. The intention of these works is to submerge us into the sea, a salty treasure that surrounds us...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Ola...

Victorian English Landscape, Haymaking near Hazlemere, Surrey A Victorian English harvesting landscape by John Seymour Adams captures the essence of a bygone era, offering more than...

The Garden Room by Laure Noetzin-Azam (French 1929-2024) pupil of André LHOTE oil on canvas, unframed canvas: 20 x 20 inches Provenance: all the paintings we have by this artist have...

A Peep At Loch Earn From Glen Ogle Signed by Everett Watson Mellor (1878-1965) oil on board, framed Framed: 11.5 x 15.5 inches Board: 10 x 14 inches Inscribed verso Provenance: Priva...

Title: French Oil painting of a Outdoor Market Scene in Impressionist Style By Fanch Lel (French b. 1930) Size: 6.5 x 8 inches (height x width) Signed: Bottom left Oil painting on bo...

Title: Passage des Volumes Artist: Sophie Dumont Medium: Oil on canvas Dimensions: 65 x 54 cm (25.6 x 21.3 in) Framed dimensions: approx. 72 x 61 cm (28.3 x 24 in) Year: 2025 Conditi...

Robert Delaunay (Paris, 1885 – Montpellier, 1941). Bigoudène Maternity. c. 1905 - 1906 Oil on cardboard 48 x 54 cm (65 x 74 cm) Provenance: - Private collection, Dr. G. Piras, F...

Portrait of J. L. David (Portrait), c. 1930, oil on canvas adhered to board, apparently unsigned, 26 x 20 inches, exhibited: 1) Fourth Annual State-Wide Exhibition, Santa Cruz Art Le...

A Striking, Colorful Post- War Modern Studio Portrait of an African American Male Model by Notable Chicago Modern Artist, Walter Burt Adams (Am. 1903-1990). Titled "Three Hours", the painting a is well executed, intimate figurative work by the artist, depicting a distinguished looking African American male model seated in colorful studio interior during a figure painting class, with a self portrait of the artist painting beside an easel and smoking a pipe in the background. The painting exemplifies the artist's adept, practiced skill at portraiture, and was likely completed in Evanston, Illinois, at the studio painting class held by the artist's longtime friend and colleague, Arnold Turtle. Artwork size: 18 x 14 inches, oil on canvas, accompanied with the artist's original hand-painted strip frame (framed size: 18 1/2 x 14 1/2 inches). Signed "Walter Burt Adams" and dated 1971 center left; signed, titled and dated on the reverse. Provenance: Estate of the artist. Walter Burt Adams was a dedicated painter of the American Scene and a singular personality among his peers in the Chicago Modern Art community. His no-nonsense manner, devotion to his craft and sardonic sense of humor characterize a man whose paintings capture life in and around Chicago between the early 1920s and the late 1970s. Born in Kenosha, Wisconsin just after the turn of the last century, Walter Burt Adams spent his childhood in Fargo, North Dakota and began his artistic education there through a correspondence cartooning class as a boy. After finishing high school in Fargo, Adams moved to Chicago in 1922 in order to enroll at the school of the Art Institute of Chicago. Adams’ instruction at the school with artists such as George Oberteuffer, Frederick V. Poole, Charles Wilimovsky...

Title: Mid Century French Abstract Expressionist Black Ink Gestural Painting Medium: Black ink/ gouache painting on paper, unframed French, circa 1950's Size: 25.75 inches x 19.75 (h...

Title: Le Pontreau French Coastal Landscape Watercolour Seaside Scene by Pierre Neveu Artist: Pierre Neveu (French b.1929) Medium: Watercolour on card, unframed Size (H x W): 8.25 x ...

This work is presented in a scroll-like (parchment-style) format, with the painting executed on a flexible support and suspended using metal rods at the top and bottom, allowing the ...

A dramatic Neapolitan School scene depicting Mount Vesuvius in violent eruption, its fiery lava illuminating the Bay of Naples with an ominous glow against a darkening night sky. The...

A charming nineteenth century portrait of a young lady wearing a pale blue dress and lace bonnet, set against a dark brown background. Well presented in a rustic white frame. Unsigne...

Mark Harrison’s Last Light (2025) is an original, handmade oil painting on canvas that captures the fleeting beauty of twilight as it falls over a snow-covered plain and the rugged p...

This work belongs to Richard Hambleton’s late Shadow period, in which the human figure is reduced to a haunting silhouette—simultaneously present and anonymous. In Four Shadows, Hamb...

Oil paint and marble dust. Signed inscribed and dated to verso Gareth Edwards is a contemporary landscape painter. He is a graduate of Goldsmiths Coll...

"Smell Da Flowers" is a one-of-a-kind piece created by Eustace Mamba. This original sewn mixed media in painted wood frame artwork measures 7.5”h x 9.5”w framed. It ships with a gal...

" Water lilies" Original Oil painting by Ukrainian artist Evgeny Chernyakovsky 65.0 X 80.0 CM / 25.5 X 31.4 IN HIGH QUALITY oil on canvas Signed on the front and back Dated 2026 Goo...

Vintage American modernist street scene oil painting. Oil on canvas. Signed verso. Framed. Measuring: 27 by 30 inches overall, and 18 by 22 painting alone. Excellent condition, rea...

A finely detailed watercolour scene by Paul Marny (1829-1914) featuring fortified walls and quaint cottages, with the spires of a cathedral rising beyond. Faintly signed to the lower...

Signed oil on canvas pointillist landscape circa 1980 by French painter Jean Vollet. The work depicts a view of a flooded River Loing - a tributary if the River Seine that runs throu...

"Round Portrait of a Brown and Black Terrier," French, 19th Century, circa 1850s Oil on wood panel Unsigned. 9 x 9 inches frame One of a pair of charming portraits of Black White Te...

Kathleen Keifer is a California-based internationally collected artist. She is a leading force of the New California Realism. With a high level of technical virtuosity Keifer creates...

A stylish, vintage, 1940s fashion study featuring elegant designs for women's evening wear by Lilly Daché, Likely an illustration study for a print advertisement for the famed Chic...

"Southern Beach" Coastal Landscape in Oil on Canvas Oil painting of the a beach landscape by Max Flandorfer (American, b. 1962). A sandy path winds towards the beach through some gr...

Signed lower right, 'Gallo Giovanni' for Giovanni Gallo (Italian, 20th century) and dated 1954. Titled lower left, 'Eseguito a Pompei, 'Trionfo di Bacco'' (Done in Pompeii, 'Triumph...

Shelli Langdale's "And Belonged to Otherwise Memory" is an original, handmade oil painting that depicts a white horse reflected in a rear view mirror with a pink sunset in the distan...

William Ablett was born in Paris of English parents. He was accepted at the prestigious Ecole des Beaux-Arts and began working in oils. Under the tutelage of his professors and mento...

Lourmarin (The Luberon Valley, Provence) by Pierre Neveu (French b.1929) Signed lower right Medium: oil on canvas, unframed Canvas: 38 x 51 inches Inscribed and titled verso Conditio...

Sunlight on Snow, 1927 Oil on canvas, 24 x 30 inches (61 x 76.2 cm) Framed dimensions: 31 1/4 x 37 1/4 inches Signed lower left: Leith-Ross Provenance The CIGNA Museum and Art Collection, until 2004; Sotheby's, New York, December 15, 2004, lot 14; Thomas Colville Fine Art until the present Harry Leith...

Details: Title: Blue Fish Medium: Acrylic Painting on Paper Size: 90x70 cm total ( 35.5x28 inches) Year: 2026 * Frame is for illustrative purposes only. Artwork shipped carefully ro...

A rare 18th-century Italian painting. Oil on panel artwork depicting a captivating mythological subject, Mercury delivers the infant Bacchus to the Nymphs of Mount Nysa. According to...