Art by Medium: Pastel

"Green" is a pastel on board by Pierre Dunoyer (1949- ). Scribbled, explosive marks in green, red, blue, and yellow give the abstract composition a sense of raw, creaturely energy. ...

"Black" is a pastel on board by Pierre Dunoyer (1949- ). Black anchors the composition amid bursts of green, yellow, blue, red, and white in a lively abstract arrangement. Black by ...

Layers of whispy chalk lines build up a compelling portrait of a bearded man in a hat. The artwork Captures the scored nature of the weathered subject's face and is signed in the low...

Presented in a rustic wood frame with gilt detail. Unsigned. On wove.

For me, an artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual and e...

You can access artist’s inspiration from the celebrations, dance events, ferias, festivals taking place in AndalucÃ

Girl With A Pearl Earring 8.0 x 8.0 x 1.0, 3.0 lbs Pastel on illustration board Hand signed by artist Artist's Commentary: "The things that wake me up at night! I’ve started this...

Judith Bledsoe, American (1938 - 2013) - Atlanta Olympics - 100m Race. Year: circa 1996, Medium: Pastel and Collage on Paper, signed l.r., Size: 19.5 x 25.5 in. (49.53 x 64.77 cm), ...

pastel on paper

Non-Objective Geometric Abstract 20th Century European American w/c Guggenheim RUDOLF BAUER (German/American 1889-1953) “Untitled," 1926 Watercolor and pastel on paper 19 3/4 x 14 ...

"Crossroads A-67" by Jan Richardson-Baughman is a pastel drawing on paper. It is signed in the lower right corner and titled in the lower left, both in pencil. The work is framed and matted with off-white acid-free mat board. The drawing depicts a landscape of what looks like a country road or field. Bright green grass populates the foreground with a puddle of blue water, while a barrier of brown separates the green from the yellow fields beyond. Red trees occupy the middle ground and background, while the cloudy sky is a soft shade of blue. Art size: 16" x 12" Framed size 29 3/4" x 26" A move to an eighty-acre farm in Western Michigan from Detroit suited Janet Richardson Baughman to a tee. She and her three siblings loved country life, and relished the many humorous adjustments to their new surroundings. The one-room schoolhouse she attended, for example, contrasted sharply to her earlier city school. Sports programs had been fairly sophisticated in the city. Rural sports consisted of her teacher piling everyone in her car, including the trunk, and then driving the children to another one-room schoolhouse for games. When Janet reached the sixth grade, a chapter in American history closed because all of the one-room schoolhouses were annexed by the nearest cities, but that unusual educational experience is something Janet fondly remembers. Growing up in a family that was very artistic, it is not surprising that Janet loved drawing. She and her brothers and sisters would make Christmas decorations for the Christmas tree and had ongoing art projects all year long. Her architect father was an artist in his free time. As the children have become adults, they are all involved in artistic endeavors from carving to sculpture. Janet's high school years were spent riding and showing her horses. "That was my life," she says. Living on the farm allowed her freedom to indulge her love of animals including the dogs that were so special to her. Active in 4H, Janet became an accomplished seamstress and an excellent cook. She took no art classes in high school although she sometimes helped her father with drafting. Starting college with the intention of majoring in speech and drama, Janet took an art class only because it was required. She found the art classes so appealing that she took one after another. Eventually, having taken every art class offered, the university had to design independent studies for her. With her beloved horses back on the farm, Janet discovered a new passion, and that was ceramics. First working as a waitress during college to earn income, Janet later became a Student Assistant and lived at the Ceramics Studio. As an assistant, she would make clay and glazes, fire the kiln, and assist the instructor however she could. At first, she had planned to become a high school teacher, but she was encouraged to earn her graduate degree and pursue her artistic endeavors, in addition to teaching. Janet graduated in 1975 with a BFA in Ceramics and Weaving from Central Michigan University in Mt. Pleasant, MI. Following her mentor's advice, she went to Indiana State University in Indiana for her graduate work where she studied under Dick Hay...

Silhouettes You can access artist’s inspiration from the celebrations, dance events, ferias, festivals taking place in AndalucÃ

Country landscape, early 20th century pastel on paper. The work is signed bottom left, as yet undeciphered, and located and dated bottom right. It is presented in a fine patinated an...

Carte Blanche 10.0 x 8.0 x 1.0, 1.0 lbs Pastel on archival paper Hand signed by artist Artist's Commentary: "I like to paint in series and I usually also take a break, both durin...

Hot Flash 12.0 x 9.0 x 0.1, 1.0 lbs Pastel on archival paper Hand signed by artist Artist's Commentary: "The color red has significant meaning in many cultures around the world ...

This Vicente has a color glow akin to a Mark Rothko. Vicente explored parallel ideas to Rothko and others of the abstract expressionist and color field era. The pastel gives this w...

Pierre Carrier-Belleuse (1851-1932) Jeune femme ajustant son corset 1893 pastel on canvas 133.4 x 92.7 cm signed and dated 'Pierre Carrier-Belleuse 1893' (upper right) Price: £34,00...

"Dream" is a pastel and ink drawing by Sue Bartfield. It has blue and black forms. 25" x 25 1/4" art 28 1/4" x 26 1/8" framed Artist's Statement: "You might be surprised to know t...

Impressionist landscape with a focus on a house during sunset. :: Painting :: Impressionist :: This piece comes with an official certificate of authenticity signed by the artist :: ...

Albert Goltyakov (1924-2016) Born in a family of workers. Studied at the Krasnoselsk Technical School of Artistic Metal Processing (1948-52), graduated from the LVMA Department of ...

Irish Bells 9.0 x 12.0 x 1.0, 2.0 lbs Pastel on archival paper Hand signed by artist Artist's Commentary: "I've had this photo reference in my 'To Paint' file for over eight year...

Watercolor and pastel on paper, realized in 1968. Hand Signed.  Good condition.

figure drawn from life: pastels and metallic gouache powder. :: Painting :: Contemporary :: This piece comes with an official certificate of authenticity signed by the artist :: Read...

Amy Londoner Beach at Atlantic City, circa 1922 Signed lower right Pastel on paper Sight 23 x 18 inches Amy Londoner (April 12, 1875 – 1951) was an American painter who exhibited at the 1913 Armory Show. One of the first students of the Henri School of Art in 1909. Prior to the Armory Show of 1913, Amy Londoner and her classmates studied with "Ashcan" painter Robert Henri at the Henri School of Art in New York, N.Y. One notable oil painting, 'The Vase', was painted by both Henri and Londoner. Londoner was born in Lexington, Missouri on April 12, 1875. Her parents were Moses and Rebecca Londoner, who moved to Leadville, Colorado, by 1880. In 1899, Amy took responsibility for her father who had come to Los Angeles from Leadville and had mental issues. By 1900, Amy was living with her parents and sister, Blanche, in the vicinity of Leadville, Denver, Colorado. While little was written about her early life, Denver City directories indicated that nineteenth-century members of the family were merchants, with family ties to New York, N.Y. The family had a male servant. Londoner traveled with her mother to England in 1907 then shortly later, both returned to New York in 1909. Londoner was 34 years old at the time, and, according to standards of the day, should have married and raised a family long before. Instead, she enrolled as one of the first students at the Henri School of Art in 1909. At the Henri School, Londoner established friendships with Carl Sprinchorn (1887-1971), a young Swedish immigrant, and Edith Reynolds (1883-1964), daughter of wealthy industrialist family from Wilkes-Barre, PA. Londoner's correspondence, which often included references to Blanche, listed the sisters' primary address as the Hotel Endicott at 81st Street and Columbus Avenue, NYC. Other correspondence also reached Londoner in the city via Mrs. Theodore Bernstein at 252 West 74th Street; 102 West 73rd Street; and the Independent School of Art at 1947 Broadway. In 1911, Londoner vacationed at the Hotel Trexler in Atlantic City, NJ. As indicated by an undated photograph, Londoner also spent time with Edith Reynolds and Robert Henri at 'The Pines', the Reynolds family estate in Bear Creek, PA. Through her connections with the Henri School, Londoner entered progressive social and professional circles. Henri's admonition, phrased in the vocabulary of his historical time period, that one must become a "man" first and an artist second, attracted both male and female students to classes where development of unique personal styles, tailored to convey individual insights and experiences, was prized above the mastery of standardized, technical skill. Far from being dilettantes, women students at the Henri School were daring individuals willing to challenge tradition. As noted by former student Helen Appleton Read, "it was a mark of defiance,to join the radical Henri group." As Henri offered educational alternatives for women artists, he initiated exhibition opportunities for them as well. Troubled by the exclusion of work by younger artists from annual exhibitions at the National Academy of Design, Henri was instrumental in organizing the no-jury, no-prize Exhibition of Independent Artists in 1910. About half of the 103 artists included in the exhibition were or had been Henri students, while twenty of the twenty-six women exhibiting had studied with Henri. Among the exhibition's 631 pieces, nine were by Amy Londoner, including the notorious 'Lady with a Headache'. Similarly, fourteen of Henri's women students exhibited in the groundbreaking Armory Show of 1913, forming about eight percent of the American exhibitors and one-third of American women exhibitors. Of the nine documented works submitted by Londoner, five were rejected, while four pastels of Atlantic City beach scenes, including 'The Beach Umbrellas' now in the Remington Collection, were displayed. Following Henri's example, Londoner served as an art instructor for younger students at the Modern School, whose only requirement was to genuinely draw what they pleased. The work of dancer Isadora Duncan, another artist devoted to the ideals of a liberal education, was also lauded by the Modern School. Henri, who long admired Duncan and invited members of her troupe to model for his classes, wrote an appreciation of her for the Modern School journal in 1915. She was also the subject of Londoner's pastel Isadora Duncan and the Children: Praise Ye the Lord with Dance. In 1914, Londoner traveled to France to spend summer abroad, living at 99 rue Notre Dames des Champs, Paris, France. As the tenets of European modernism spread throughout the United States, Londoner showed regularly at venues which a new generation of artists considered increasingly passe, including the annual Society of Independent Artists' exhibitions between 1918 and 1934, and the Salons of America exhibition in 1922. Londoner also exhibited at the Morton Gallery, Opportunity Gallery, Leonard Clayton Gallery and Brownell-Lambertson Galleries in NYC. Her painting of a 'Blond Girl' was one of two works included in the College Art Associations Traveling Exhibition of 1929, which toured colleges across the country to broad acclaim. Londoner later in life suffered from illnesses then suffered a stroke which resulted in medical bills significantly mounting over the years that her old friends from the Henri School, including Carl Sprinchorn, Florence Dreyfous, Florence Barley, and Josephine Nivison Hopper, scrambled to raise funds and find suitable long-term care facilities for Londoner. Londoner later joined Reynolds in Bear Creek, PA. Always known for her keen wit, Londoner retained her humor and concern for her works even during her illness, noting that "if anything happens to the Endicott, I guess they will just throw them out." Sprinchorn and Reynolds, however, did not allow this to happen. In 1960, Londoner's paintings 'Amsterdam Avenue at 74th Street' and 'The Builders' were loaned by Reynolds to a show commemorating the Fiftieth Anniversary of the Exhibition of Independent Artists in 1910, presented at the Delaware Art Center, Wilmington, DE. In the late 80's, Francis William Remington, 'Bill Remington', of Bear Creek Village PA, along with his neighbor and artist Frances Anstett Brennan, both had profound admiration for Amy Londoner's art work and accomplishments as a woman who played a significant role in the Ashcan movement. Remington acquired a significant number of Londoner's artwork along with Frances Anstett Brenan that later was part of an exhibition of Londoner's artwork in April 15 of 2007, at the Hope Horn...

SOLD UNFRAMED Deux Bretonnes by Georges Manzana Pissarro (1871 - 1961) Pastel on paper 26.5 x 34.6 cm (10 ⅜ x 13 ⅝ inches) Signed and dated lower left, Manzana 1930 This work is a...

Color Addition This pastel drawing ‘Free Floating Blue Wave Nude – 10-02-21’ is based on a previous graphite pencil drawing ‘Roundism – 19-07-16’. In my art statement to...

Cubist influence mixed with soft warm colors is on full display in this charming work. Signed twice. 6 Gallery Tags on verso Sotheby's Kennedy Galleries Barbara Mathes Gallery Sid Deutsch Gallery The Downtown Gallery University of Arizona Art...

Early 20th-century French School Portrait of Daniel Schlumberger at age 34 Pastel H. 99.5 cm; W. 63.5 cm Title and dated lower right. Unsigned 1913 The Schlumberger family, of Prote...

Cantepie, Sous la Neige by Hughes Claude Pissarro (b. 1935) Pastel on card 51 x 37 cm (20 ¹/₈ x 14 ⁵/₈ inches) Signed lower left, H. Claude Pissarro The work comes with a certifica...

American Impressionist

Early modern pink and gold pair of abstract female figure paintings by Mexican artist Arnaldo Coen. The work features two separate paintings of feminine torsos framed vertically on t...

Artist Comments
The impressionist pastel artwork depicts a lone summer cottage sitting proudly on a marshland. The tidal river traces its narrow path through late summer beach ...

Original cover for Cosmopolitan, published September 1935. Crandell (1896-1966) was the undisputed "artist of the stars," befriending and immortalizing Hollywood's most beautiful starlets in his portraits. Among his subjects were Bette Davis, Judy Garland, Carole...

Artwork by Paula Elliott. Part of the "Beginnings" series. Beginnings comprises a group of small-scale works that serve as a prelude to a new, large-scale series on paper initiated ...

Cottage in a garden, early 20th century pastel on paper. The work is signed bottom right, as yet undeciphered, and located and dated. It is presented in a fine patinated and gilt woo...

I intuitively paint each of my paintings based on my mood of the day or at that moment. I never know what I am going to create until I see the end result. Sometimes it is a colorful,...

Dzidra Bauma (1930) Dzidra Bauma works in watercolor technique. She paint figural compositions, portraits, landscapes, flowers and still life. She is one of the most productive wate...

Expressionist ink and pastel crayon drawing of flowers in vase. Framed in a vintage cobalt blue glass original frame Hand signed and dated Framed it measures 13.5 X 10.5 The actual ...

Albert Goltyakov (1924-2016) Born in a family of workers. Studied at the Krasnoselsk Technical School of Artistic Metal Processing (1948-52), graduated from the LVMA Department of ...

Soft pastel on Grey toned archival paper signed ABOUT Stephen Basso Stephen Basso's highly original pastels and oil paintings are romantic, yet thought provoking fantasies. His ...

Gemma Di Grazia (b.1970) is a native New Yorker raised on the Upper West Side in an exceptionally loving and creative home surrounded by art and poetry. Her parents attended The Coop...

This study, composed of luscious reds and hues of blue, is a 22x28 pastel on paper that would feel right at home with similar or darker colors. Study in Reds is currently framed, bu...

Signed lower right, 'Barbara Johnson' (American, 1927-2021) and titled, lower left, 'After the Storm' with number and limitation '2/3'. A hand-embellished woodblock print comprising...

SOLD UNFRAMED Le lac en automne by Paulémile Pissarro (1884-1972) Pastel and charcoal on paper 25 x 32.8 cm (9 ⁷/₈ x 12 ⁷/₈ inches) Signed lower right, Paulémile Pissarro Signed on...

Bruce Cohen is known for engaging his viewers with intriguing interiors in his distinctive, crisp, realist style. Influenced by Dutch still-life painting and Surrealism he orchestrat...

Pamela Burns British, b. 1938 Gulls Near Deal Pier, 1999 pastel and pencil 29.5 x 42 cm 11 5/8 x 16 1/2 in signed, dated and titled Pamela Burns is a British painter. Burns was ...

Statue in the Park by Kamil Kubik, Czech/American (1930–2011) Pastel on Paper, signed l.r. Size: 19.5 x 25.5 in. (49.53 x 64.77 cm)

Albert Goltyakov (1924-2016) Born in a family of workers. Studied at the Krasnoselsk Technical School of Artistic Metal Processing (1948-52), graduated from the LVMA Department of ...

Medium: Pastel and Collage on Paper Signature: Signed Lower Center and Dated Lower Right Framed dimensions: 30.00" x 27.00"

Pierre Carrier-Belleuse 1851-1932 French Danseuse Signed “Pierre Carrier-Belleuse” (lower right) Pastel on canvas Strikingly elegant, this extraordinary pastel by French impressi...

Evening Mist II pastel on paper 6 x 6inches 12 x 12 inches 2023

Indian Man from Mexico is a souvenir of Winold Reiss’s 1920 sketching tour of Mexico. As he traveled, Reiss’s style began to reflect the influence of the aesthetics, color palette, a...

This piece, titled "Wanderer 11" is an original artwork by Seth Clark as part of his newest solo exhibition, "Passing Through" and is made of collage, charcoal, pastel, acrylic, and...

Peri Schwartz (born October 4, 1951, Brooklyn, New York) is an American painter and printmaker. She was born in Brooklyn, New York and raised in Far Rockaway, New York. She received her BFA from Boston University College of Fine Arts in 1973 and an MFA from Queens College in 1975. Up for sale is a wonderful Still Life with fruits Painting...

This framed 39" x 39" pastel work on paper by Oklahoma-based artist Marie Kash Weltzheimer depicts Hopi Point, a popular viewpoint accessed by traveling to the Grand Canyon's South R...

“Bloom from Chaos” is a dynamic and textural 18x15 pastel on paper that exudes vitality. I intuitively paint each of my paintings based on my mood of the day or at that moment. I ne...

Description im Solliday's pastel painting, "Moonlit Arroyo Pathway," invites the viewer to a moonlight hike along a meandering trail that gently vanishes into the undulating landscape of hills. The rolling clouds above accentuate the fullness of the landscape while a radiant moon bathes the scene in a celestial glow, casting its luminous enchantment upon the scene. Solliday's meticulous attention to delineated edges skillfully captures the rich textures and authentic essence of the natural world, transporting the observer into a mesmerizing nocturnal dreamscape. Provenance Acquired by the gallery directly from the artist Signed " T. Solliday" on lower right corner Exhibitions 20th Anniversary Exhibition: Celebrating a Legacy of Excellence, American Legacy Fine Arts, Pasadena, California, November 10 – December 16, 2023 Theodore N. Lukits (1897-1992): An Aesthetic Realist and Peter Adams and Tim Solliday: Continuing the Lukits Legacy at Palos Verdes Art...

Tetouanoui Man Albert Charles Dequene Pastel on paper, signed and dated 1933 lower left, titled upper right Image size: 23 x 18 inches (58.4 x 45.7 cm) Hand made ebonised and gilded ...

Dutch School (Early 20th Century) 'Farmer Ploughing a Field' Pastel on paper 1921 37 x 53.5 cm, framed 48.2 x 64.4 cm

Travel notes Paper, pastel, 19x25 cm The focal point of the artwork is a colorful cityscape, reflecting the artist's impressions and experiences of a particular place during their...