Art by Medium: Pencil

"Bourrée Fantasque #2", Pastel on Paper by Artist Francisco Moncion, is a Mid-20th Century fantasy image inspired by George Balanchine's 1949 ballet ...

A small octopus is inked in the Japanese style of Gyo-Taku print making over a playful background of black and white images of Frida Kahlo. Using sumi ink to "print" the octopus, th...

"Reticent" by Rick Sindt is a small graphite drawing of two figures. This deceptively simple drawing is very powerful in its beauty and intimacy. The graph ...

Painted by Victor di Gesu (American, 1914-1988) circa 1955 and with Di Gesu estate stamp verso. A loosely painted, Post-Impressionist study of a woman shown nude and seated. Winner...

In this work, the artist returns to a favorite spot in Alley Pond Park, Queens, to memorialize the ever-evolving carved names and glyphs in this majestic trunk. She is documenting no...

Consecutive Drawing This graphite pencil drawing ‘Delft – 24-03-23’ follows directly after my last one. In my art statement that goes with it I already told something about ...

Portrait in kitsch style with a Chinese pipe and two dragons. If you look closely, there are three dragons in the picture. Marina Skvortsova lives and works between Norway and Eston...

Artist: Jonas Wood Title: Untitled Medium: Collage with hand-colored pencil on book cover Size: 12" x 9 1/4" x 1" Edition: 1/20 Year: 2019 Inscription: Numbered and signed on inside ...

Attributed to Steven Spurrier RA (British, 1878 – 1961) Fun at the lido Pencil and watercolour on paper Signed in pencil ‘Spurrier’ (lower left) 11.1/8 x 14.1/4 in. (28.2 x 36.2 cm.)

German School 19th Century, Portrait of a boy, pencil on paper 25.7 x 16 cm (view) Framed : 41.8 x 31.5 cm The style and execution are v...

Monoprint with water based ink and graphite

Steven H. Rehfeld (American, born 1954) "Breaking News" 2001 Oil Paint, Mixed Media, Pencil, Newsprint, Canvas, Stretcher Bars The artist signed the back of the painting. The piece ...

André Eugène Costilhes (1865-1940) A Pensive young woman pencil on paper 29.5 x 22.5 cm (view) In good condition, except some traces of stains Framed : 55.5 x 41.5 cm (vintage frame...

An original mixed media work by Peter Max. Max created studies for his lithographic work in order to figure out the exact composition and colors. This is one such study. Max h...

In this piece, I blended vibrant acrylics, delicate pastels, and bold pen strokes to capture the fleeting beauty of flowers bursting through the everyday chaos. The contrast of soft ...

Portrait of a Woman Pencil signed and dated Feb 20. 20 unframed 14x11 George Kenneth Hartwell painter and illustrator was born in Fitchburg 1891-1949, Massachus...

Victor Di Gesu (American, 1914-1988) estate stamp verso; drawn circa 1955. A graphite study of a young woman, shown nude and seated on a couch, one knee drawn up, beside a table bea...

On Hansen bears the traces of lived experiences, exploring the possibilities of formal abstraction, seeking an organic experience between space and time through painting and photogra...

Nuanced grays intersected by bright lines and dashes result in this emotive, nearly explosive, spatial investigation. Gravity Composition 03 (2022) by Kyle Butler. Acrylic, graphite,...

In this piece, I blend delicate pen work with soft watercolor and pastel, framed by a bold acrylic rectangle, to explore the timeless strength and subtle fragility of nature. The tre...

Lubin de Beauvais (1873-1917) L'anse de Launay, a woman at the beach, 1911 signed, dated and titled "Anse de Launay, Loguivy Ploubazlanec, Bretagne,...

In Japan, they are known as Nishikigoi, or living jewels. These brilliantly colored varieties of the Amur carp have been selectively bred by family owned fisheries for generations. W...

Jane Birch I Must Have Done Something Good graphite on paper 6h x 7.50w in 10.5h x 12.5w in framed 15.24h x 19.05w cm JAB007 My drawings are lovingly objectifying. I’m an alien rese...

Hand drawn one of a kind original on 100% cotton watercolor paper with gold foil Buddhist Prayer Papers :: Drawing :: Contemporary :: This piece comes ...

This extraordinary and rare drawing by Wifredo Lam is one of the artworks that the artist took with him when he moved from Cuba to France. In Paris, Lam showed Picasso his drawings a...

"Daniel #1" is a graphite drawing by Rick Sindt. The two figures, one naked, one fully clothed, are standing in a doorway inviting the viewer in. The graphite is reminiscent of the...

Work is framed with Plexiglass. Signed on the right bottom corner of the drawing. Amilcar's drawings from the series of "Utopia by Tolina" inspired by the imagination of the artist...

Mario Zamparelli served as the chief designer for the reclusive billionaire Howard Hughes' empire, creating his promotional images and designing many of its products. In the present...

This drawing is one in a series of botanical line drawings depicting the seasonal flowers of English gardens and the countryside. Size: H:29.7 cm x W:21 cm Additional Information: ...

"White Swan" (2022) by Kate Breakey is an archival pigment print that depicts a swan in a lake. This piece was hand colored using pencil and pastel. About the artist: Kate Breakey...

George Bissill (1896-1973) Landscape view with barn and church, Devon Pencil sketch 25 x 35 cm Born in 1896, George Bissill was a British miner, painter and furniture designer. Ra...

1983 Gouache and pencil on graph paper 24.7 x 26 cm 9 3/4 x 10 1/4 in Bridget Riley is one of the most influential figures in postwar British art, celebrated for her rigorous explor...

Artist: Vivian Rydgren Title: Portrait of a Gentleman Year: 1948 Medium: Color pencil and pastel on paper, signed and dated l.r. Paper Size: 23 x 15.5 inches Framed: 37.5 x 29.5 inches

Red Baobab is a unique Conte pencil Sanguina on laminated wood drawing by contemporary artist Calo Carratalá, dimensions are 293 × 295 cm (115.4 × 116.1 in). The artwork is signed, ...

Bernard Cohen Untitled, 1965 Signature and date on front of sheet Paint, watercolour ink and pencil on paper 60 x 80 cm Bernard Cohen is mainly known as an abstract painter. Born in...

A small octopus is inked in the Japanese style of Gyo-Taku print making. Using sumi ink to "print" the octopus, the artist then embellishes it with colored pencil to convey an extraordinary dimensionality. By printing it on hand-made Mulberry paper the artist achieves a beautiful aesthetic. This artwork is unframed. Contact gallery for framing options. Jeff Conroy Goldilocks - Green Goblin...

Cantepie, Normandy by Paulémile Pissarro (1884-1972) Pencil on paper 21 x 27 cm (8 ¹/₄ x 10 ⁵/₈ inches) Signed lower right, Paulémile- Pissarro. This work is accompanied by a certif...

A small octopus is inked in the Japanese style of Gyo-Taku print making. Using sumi ink to "print" the octopus, the artist then embellishes it with colored pencil to convey an extraordinary dimensionality. By printing it on hand-made Mulberry paper, in this case a paper from the bygone Disco age, the artist achieves a beautiful aesthetic. The artwork is unframed. Please contact the gallery for framing options. Jeff Conroy Apples and Oranges sumi ink and colored pencil on mulberry paper 12.50h x 18.50w in 31.75h x 46.99w cm JEC135 Gyotaku - A Japanese word translated from "gyo" meaning fish and "taku" meaning stone impression and is believed to get its inspiration from Chinese stone rubbings of calligraphy, which then gave rise to printing . This tradition dates back to the mid-1800s and was used by fishermen to record their catches, but has also become an art form of its own. Prints were made using Sumi ink and Washi paper. It is rumored that Samurai would settle fishing competitions using Gyotaku prints...

Steven H. Rehfeld (American, born 1954) "Deity" 2003 Oil Paint, Newsprint, Pencil, Mixed Media, Canvas, Stretcher Bars The artist signed the back of the painting. This work is a dra...

Seated male nude that falls fully within the academic "model from life" production of the early 19th century, as also seems confirmed by the "Titus-like" hairdo of the effigy. The s...

Italian artist Fabio Coruzzi merges painting and photography into one imaginative image that offers a new outlook on an otherwise ordinary urban scene. His artworks represent an auth...

Winnie the Pooh was created by English author A.A. Milne and English illustrator E.H Shepard. The first collection of stories about the character was the book Winnie-the-Pooh and th...

MEDIUM: ​Original Production Cel on Printed Background IMAGE SIZE: 12 Field PRODUCTION: Looney Tunes SKU: IFA6278 ABOUT THE IMAGE: Looney Tunes is a series of animated short films b...

Jean-Pierre Laurens (1875-1932) Study of a sitting bearded man Pencil on paper 24.5 x 20 cm Stamp of the Jean-Pierre Laurens Estate on the lower left In quite good condition : glued...

The painting shows a large female portrait built from overlapping translucent planes, creating a sense of multiple faces and gazes. In the center is a softly rendered head with deep...

Léonard Tsuguharu Foujita Chien couché (Lying Dog), 1937 Pencil on Japon paper Image size 17 x 25.5 cm Frame size 41 x 51 cm Signed lower right Foujita Provenance : Estate of Kimiyo...

Artist: Ian Hornak (1944-2002) Title: Gabriel’s Pavilion Variation II Year: 1980 Medium: Pencil on Arches paper Size: 29 x 41 inches Condition: Good Provenance: Fischbach Gallery, Ne...

Gouache and graphite on handmade paper. 24 x 18 inches unframed. 28 x 22.25 inches framed. Artist Statement: “As an artist, I find endless possibilities overwhelming and use self-imposed boundaries to focus my work. This often includes some combination of: a literal grid or graphite border, employment of barbecue skewers or wooden chopsticks in lieu of paintbrushes for mark making, use of a monochromatic or limited color palette, and a reliance on shape and pattern to tell a story. Limiting the elements at play adds a measure of gravity to each decision, and every detail about the paper, the viscosity of the paint, micro variations in hues, and even the sharpness of the point on a skewer matters. I’ve found that the more restrictions I put in place when I paint, the freer my work has become, allowing a tension to form between the organic and prescribed. Rather than sketch before starting a new piece, I spend time with the paper and begin to visualize possibilities. From there, I can expand the work incrementally. Whether I’m working in an adapted form of pointillism, playing with opacity and hue, or building patterns through repeating shape, the work evolves in its own time. It is an intentionally open process of discovery that seeks to uncover the greatest potential of the basest elements we have at our disposal”. - Kate Snow

Untitled (Wizard Fantasy) Pen and ink on paperboard, 1948 Signed and dated by the artist lower right Extremely rare "Middle Period" drawing. One of two drawings that were given by the artist to Jeanette Kear, Chevy Chase, MD which were signed and dated by the artist. All others in the exhibition are from sketchbooks and have the estate stamp and numbering. Exhibited at National Collection of Fine Arts, Smithsonian Institution, Dec. 6 1979-Feb. 3, 1980 and Fogg Museum of Art, Harvard University, Feb. 22-April6, 1980 Illustrated twice in the resulting catalog, The Drawings of Morris Louis, by Diane Upright Headly, Harvard Univeristy and author of the catalog essay and entries. (See photos) Condition: Mounted to paper board by owner, Jeanette Kear for framing Glazed with glass Image size: 13 7/8 x 16 5/8 inches Frame size: 20 x 23 x 3/4 inches Provenance: Jeanette F. Kear, Chevy Chase, MD Illustrated: National Collection of Fine Art, 1979: "The Drawings of Morris Louis," Catalog No. 1, illustrated D1, reproduced p. 73 Morris Louis Bernstein (November 28, 1912 – September 7, 1962), known professionally as Morris Louis, was an American painter. During the 1950s he became one of the earliest exponents of Color Field painting. While living in Washington, D.C., Louis, along with Kenneth Noland and other Washington painters, formed an art movement that is known today as the Washington Color Schoo Early life and education From 1929 to 1933, he studied at the Maryland Institute of Fine and Applied Arts (now Maryland Institute College of Art) on a scholarship, but left shortly before completing the program. Louis worked at various odd jobs to support himself while painting, and in 1935 was president of the Baltimore Artists' Association. From 1936 to 1940, he lived in New York City and worked in the easel division of the Works Progress Administration Federal Art Project. During this period, he knew Arshile Gorky, David Alfaro Siqueiros, and Jack Tworkov. He also dropped his last name. Work Color field painting He returned to his native Baltimore in 1940 and taught privately. In 1948, he pioneered the use of Magna paint—a newly developed oil-based acrylic paint made for him by his friends, New York paintmakers Leonard Bocour and Sam Golden. In 1952, Louis moved to Washington, D.C. Living in Washington, D.C., he was somewhat apart from the New York scene and he was working almost in isolation. During the 1950s he and a group of artists that included Kenneth Noland, Gene Davis, Thomas Downing, Howard Mehring, Anne Truitt and Hilda Thorpe...

An original Inkjet prints, carbon and beeswax mounted to wood that was included in the artistic duo's exhibition at the world renowned Albright Knox Art Gallery. Virocode is compose...

Original mixed media drawing created with acrylic, ink, and colored pencils on Fabriano 120g/m² paper. The artwork incorporates a unique technique developed with natural pigments ext...

"Profile of Man" (FRAMED) Drawing 25" x 17" inch (1957) by Salah Abdel Kerim Medium: pencil & charcoal on paper ATT: part of anniversary exhibition. The artwork can be shipped ...

Romans Suta Born on April 28, 1896 in the vicinity of Cesis (Latvia), died on July 14, 1944 in Tbilisi (Georgia), rehabilitated posthumously. Painter, graphic artist, decorative and stage designer, art critic and theoretician. Studied at the J. Madernieks' Art Studio (1913), Riga City Art School (1913-1915), and Penza Art School (1915 -1917). A prominent figure and active protagonist of modernist trends in Latvian art. Travels to Berlin and Paris, where he made the acquaintance of A. Ozanfant, Le Corbusier, and others. The influences of Cubism and Constructivism. A member of the Riga Artists' Group (1920-1924) and the Riga Graphic Artists' Society. Painter of still lifes and figural compositions. After the first experiments in Modernism, he turned to a more realistic manner of representation. The initiator and developer of a national constructive style, especially in interior design; the founder of Baltars creative workshop for porcelain painting (1924-1928); a designer and painter at Kuznetsov...

Dennis Oppenheim (1938 - 2011) Pencil and colored pencil drawing on paper, 'Memory Generator Receiver; Transmitter project for ACE Gallery Los Angeles' (possibly with watercolor pai...

British caricature drawing, especially flourishing in the 18th and 19th centuries, holds a significant place in art and social commentary. Renowned for its satirical edge, this art f...

Over a hundred years ago, my grandfather registered as a homesteader with the Department of the Interior Land Office in Buffalo, Wyoming. Building a cabin on a remote 640 acre plat,...

“My biomorphic abstractions range from intimate to immersive in scale, referencing our interconnectedness. Building curvilinear ceramic sculpture and then drawing intertwined graph...

Leopold Survage (French / Finnish 1879- 1968) Les danseuses Signed and dated ‘Survage / 31’ (lower right) Pencil on paper 10.1/2 x 8.5/8 in. (27 x 22.2 cm...

C. Late 19th Century / Early 20th Century - Etching depicting a Horse & Carriage by Edgar Chahine ( Pencil Signed )

Joseph-Marie Vien (1716-1809) ‘Ambassadeur de Siam’ and ‘La Sultana Reine’ Both titled lower centre, the drawing of the ambassador inscribed with colours intended for the prints, e...