Art by Medium: Pencil

We are proud to present an exquisite drawing by the renowned artist Christian Berg (1893-1976), executed around the 1920s. This captivating artwork port...

Exhibited in "Benji Stiles: A Human Day" at Reeves Art + Design. In “A Human Day,” a solo show dedicated to the work of contemporary multidisciplinary artist Benji Stiles, we explor...

Title: Provence House with Cypress Trees Pastel Pierre Neveu 1982 Artist: Pierre Neveu (French b.1929) Medium: Pastel on paper, unframed Size (H x W): 19.75 x 25.75 inches Signed low...

ink & graphite on mulberry paper

Ellsworth Kelly Drawing of Cyclamen III, and collage for Conques (Untitled), exhibited at the Johnson Museum of Art, Cornell University, 1987 Graphite drawing, and mixed media collag...

Niagara Series II by Larry Zox, 1937 - 2006 Date: 1970 Medium: Linocut on MBM Ingres D'Arches, signed and numbered in pencil Edition: 51/175 Image Size: 19.5 x 28 inches Size: 25.75 ...

John Rabone Harvey ( 1966 - 1922) graphic and chalk deep green artist paper , unframed artist paper : 5.5 x 7 inches Provenance: private collection Condition: very good condition Ha...

Carefully ordered patterns, geometric shapes in indigo, light blue and dark hunter green and delicate lines in bright colors complement a teal grayish blue background in this contemp...

Johan Jacob HOCH Mainz, 1750 - Mainz, 1829 Pencil drawing on paper 34 x 22 cm (50 x 41 cm with frame) Signed and dated lower left "Johann Jacob Hoch / July 1778" Pitch pine frame wit...

Title: The Guardians of Togetherness Painting, Modern, Abstract, Colorful, Contemporary, Invest, Artwork, Original The Guardians of Togetherness opens up the viewer to experience t...

Artist: Peter Max Title: Sailboat Sunrise Medium: Mixed Media On Paper Edition: Original Size: 13.5"x11.75" inches Hand signed by the artist Frame size 22.25"x18.25" inches Condition...

Los Angeles artist Taylour Martin creates captivating abstract compositions in acrylic on canvas, showcasing a dynamic interplay of emotions and colors. Martin's art is a reflection ...

Very stylish, unique and original 1930's French fashion design, no doubt of Parisian origin. The painting, executed in gouache/ watercolor and pencil, is dated to the upper corner...

Sister Mary Corita Kent Sister Corita hand signed poster, 1985 Offset Lithograph Signed in pencil by the artist on the lower right 24 x 18 inches Unframed This offset lithograph post...

Douglas M. Olsen (b. 1960). #28, Elemental Concerns, 1980. Watercolor on rag paper, 15.5 x 22.5 inches. Signed, titled and dated on verso.

Watercolor and graphite on watercolor paper, 9 x 12 inches (228 x 305 mm), the full sheet. In very good condition with a paper support running along the top sheet edge on the verso, ...

Linda Stein, Fantasia 418.029 - Signed Feminist LGBTQ+ Colorful Ink, Color Pencil, and Graphite on Paper Drawing Fantasia 418.029 is from Linda Stein's Profiles Notation series--d...

Signed lower right, 'DeMartis' for James Joseph DeMartis (American, 1926-1996) and painted circa 1965. Born in Queens, New York, James Joseph DeMartis served with distinction in World War II and was decorated at the Battle of the Bulge. He subsequently attended painting classes at New York's Museum of Modern Art (1946-47) and, later, at the Art Students League of New York. He then enrolled at the California School of Fine Arts in Santa Monica, California until 1949, before leaving t study in Europe in 1950. He settled in Florence, Italy where he attended L’Accademia di Belle Arti di Firenze (1950-54). While continuing to study painting, he participated in several group and one-man shows in Italy and Switzerland. In 1956, DeMartis returned to New York at the height of the American Abstract Expressionist movement. He settled with his new family in Brooklyn and, after participating in a series of grass-roots galleries opened with fellow artists, he opened the Armory Gallery and studio in Manhattan. He also exhibited in other Manhattan galleries and at the National Arts Club. In 1961, De Martis was awarded the prestigious Emily Lowe Award for Painting. This led to to shows at the Ward Egglestone, ROKO, Pierantonio and Artemis West galleries from 1962-68. He then returned to Europe to participate in a group show in Florence. Upon his return, he opened the Brownstone Gallery in the Park Slope section of Brooklyn, where he exhibited his own and others’ works until 1988. James De Martis exhibited widely and with success including at one-man shows in Tokyo, Brooklyn, New York, Sarasota, Florida, San Francisco and Santa Fe. Select Exhibitions: 1953 Brodighera, Italy 1954 Galerie an der Reuss, Lucerne, Switzerland 1955 La Casa di Dante, Florence, Italy 1956 Walden School, New York, New York 1957 Bottega 57 Gallery, Brooklyn, New York 1960, 61 Hicks Street Gallery, Brooklyn New York 1960 Heights Casino, Brooklyn, New York 1961 Ward Eggleston Gallery, New York, New York 1962 Ray Gallery, Brooklyn New York 1962 Pietroantonio Gallery, New York, New York 1962,3,5,7 Armory Gallery, New York, New York 1965 Brooklyn Arts Gallery, Brooklyn, New York 1966,9 Brooklyn Heights Association 1967 Roko Gallery, New York, New York 1970,3,4,5,8,9,83 Brownstone Gallery, Brooklyn, New York 1972 Artemis East Gallery, New York, New York 1975 Brooklyn Museum, Brooklyn, New York 1977 Marcoleo Gallery, New York, New York 1978 Long Island University, Brooklyn, New York 1989,91,92 Gallery Gion Tokyo, Japan 1994 Private show, Sarasota, Florida 1995 Private show, San Francisco, California 1995 Private show, Copake, New York 1996 Washington and Jefferson College, Washington, Pennsylvania May, 2018 Retrospective show, Ashawagh Hall...

Watercolor and pencil on watercolor paper, painted along the top portion of a sheet measuring 9 1/4 x 11 7/8 inches (235 x 302 mm), the full sheet. Titled in pencil in the lower left...

Contemporary colorful abstract landscape painting by New Jersey based artist Russ Rubin. The work features an otherworldly landscape winding in muted desert hues hung by the artist in a vintage decorative...

An air of femininity is expressed in this dress painting on art board, capturing a nostalgic nod to timeless glamour. Delicate detail (with a hint of shimmer) blends with a textured,...

"Entangled No 2", large scale drawing pencil and ultramarine tempera on paper, inspired by Matisse. Couple in love, part of Nude in Interior series. Shipped rolled in a tube, from E...

French Fauvist landscape drawing on card by Auguste Chabaud. The drawing is signed bottom left and carries the atelier stamp and reference numbers to the back. Presented in a fine bl...

A stylish 1950s Mid-Century Modern abstract geometric textile design in brown, yellow and pale pink tones by famed French costume, set and fashion designer Andre Delfau (1914-2000). Artwork size: 19 x 14 1/2 inches; Unframed. Presented in an archival mat measuring 26 x 20 inches (ready to frame). Estate stamped on reverse. Provenance: Estate of the artist. One from a series of related Modern textile designs by Andre Delfau. Please see our other 1stDibs gallery listings. Born in Paris, France in 1914, Andre Delfau became an internationally acclaimed stage, set and costume designer who worked world-wide from the 1930s to the 1980s. Delfau was a life long artist and painted independently of his noted design career. His artwork is recognized for it’s vibrant color and form, and a particularly keen use of line. He was highly influenced by the French Modern trends of Cubism and Surrealism, and his artwork is often infused with a dramatic sense of architecture and perspective. Delfau created fashion designs for such major Paris couture houses as Balmain, Jean Patou and Balenciaga. He completed noteworthy set designs and costumes for numerous international operatic and ballet productions, including those at the Royal Danish Ballet, the Royal Ballet of Great Britain, the Paris Opera, the Dance Theater of Harlem, the Ruth Page International Ballet, the Civic Ballet of Chicago, the Chicago Opera Ballet and the Lyric Opera of Chicago, among others. Most notably, Delfau designed the elaborate stage sets and costumes for the 1986 PBS television production of the Viennese operetta, "Die Fledermaus...

Jamie Mills (b. 1983,West Cornwall, England) is an artist whose multifaceted practice encompasses music, sound, and visual arts. His work is deeply rooted in the exploration of the i...

Reginald Marsh "Manhattan Bridge" NYC American Scene Modernism Watercolor WPA Urban Realism, 20 x 14 inches. Watercolor and pencil on paper, 1938. Signed...

Irvin Nahan (b.1927) Interior with Standing Dog, 1970. Watercolor and pencil on paper. Image measures 5 x 6.5 inches. Framed measurement: 10 x 12 inches. Signed and dated by ar...

1957 Signed, dated, and inscribed ‘to Klosvov with affection’ in pencil, l.r. Graphite on paper 18.75 x 13.5 inches, sheet This artwork is offered by CLAMP, New York.

FANTASY WITH FLOWERS 282: (series 300+) mixed, paper, 59x42. Original mixed media painting on heavy archival paper from the FANTASY WITH FLOWERS series. This enchanting artwork prese...

John Rabone Harvey ( 1966 - 1922) graphic and chalk deep green artist paper , unframed artist paper : 5.5 x 7 inches Provenance: private collection Condition: very good condition Ha...

By Virginia Conroy Dedini (American, 1922-2006). Titled lower left, 'Mitsuko ''Okaido Born''' and dated August 1976. Exhibited: Carmel Art Association, 1983 (label, verso). Carmel...

James Floyd Clymer (1893-1982), ca.1930. Watercolor and pencil on paper measures 14 x 20 inches. Signed lower margin. James Floyd Clymer ( 1893-1982 ) known for his Regionalist st...

Historic French Town Street with Outlined Architecture and Figures Maurice Mazeilie (French, 1924–2021) Pencil and watercolour on artist paper, unframed. Artwork: 5.5 × 7.5 inches. P...

Robert Petersen Eight of Hearts, 1989 Mixed media silkscreen with hand applied acrylic on paper with deckled edges Hand signed, numbered 6/21, dated, and inscribed on the front Uniqu...

The Last Song is a monumental figurative painting that marks a decisive moment in Claus Bertermann’s oeuvre and his first figurative work presented on 1stDibs. Measuring an imposing ...

Zox moved to New York in 1958 and became part of the downtown art scene. By the mid-60s, his large geometric paintings were appearing at prestigious galleries. This silkscreen is unf...

Denis Ymeri (b. 1990, Tirana, Albania) is a Barcelona-based visual artist whose practice spans painting and sculpture. His work explores the relationship between matter, memory, spac...

17th Century Old Master Drawing Old master drawing with figure and putti Housed in a handsome contemporary wooden frame Drawing dimensions 4...

A charming mid 20th century graphite study of a sleeping cat. Unsigned. Smartly presented in a vintage frame. On paper. Image size: 31 x 45cm.

Pastel Landscape by Irina Hale (British 1932-2022) pastel sketch on brown artist tracing paper , unframed painting: 4.5 x 3.75 inches provenance: private collection, Cotswolds condit...

Title: Circles of Strength Original One-of-a-kind Freedom Blue Extra-large Geometric Striking Elephant Unity Karnish’s 'Circles of Strength' masterfully merges a complex geometric ...

Rocio Rodriguez December 3, 2011, 2011 pastel, oil pastel and charcoal on paper 18 x 24 in. This original oil oil pastel drawing on paper by Rocio Rodriguez features abstracted rect...

Color screenprint, color pencil on heavy white wove paper, 1971. 840x595 mm; 33 1/4×23 1/2 inches (sheet), full margins. Signed and numbered 47/175 in pencil, lower margin. Publishe...

Minimal pastel abstract by San Antonio artist Kenneth Jewesson. The piece is signed and dated by the artist. It is framed in a silver frame. Dimensions without Frame: H 14.5 in x W 1...

Watercolor and pencil on buff wove watercolor paper, 10 x 8 inches (255 x 203 mm). In good condition with overall minor toning. Some watercolor paint splatters on the verso, contem...

Two watercolor compositions on one sheet of watercolor paper, 10 x 6 7/8 inches (255 x 175 mm), the full sheet. Signed illegibly and dated in pencil on the lower right corner of the ...

Artist: Roberto Estopiñan, Cuban (1921 - 2015) Title: Homenaje de Camilla Claudel 1 Year: 1992 Medium: Conte Crayon and Pencil Drawing on Alcantara h...

Elizabeth Taylor Costume Design "Elephant Walk" 1954 Hollywood Film Large Oscars Edith Head (1897-1981) Elizabeth Taylor in "Elephant Walk" Sight: 24 x 18 inches Watercolor and penc...

Live Transmission Morgan O'Hara's conceptually based performative drawing researches the vital movement of living beings, the human experience of time and space. It is culturally co...

"Sea Centaur". Original art, signed, 100x70cm / 30x27in, ink, graphite, tempera on paper, large size. Ready for hanging, no need for frame (see back). Shipped rolled in a tube direct...

A minimalist landscape depicting a waterfall is the subject of this small framed drawing by Ahzad Bogosian. Water tumbles over rocks in this loose drawing creating a sense of calm a...

Bio: I was born into a family which valued artistic and craftsmanly work, so from a young age I developed an interest in drawing. A strong sense of history and culture was important ...

A fine early 19th century portrait depicting a curly haired gentleman, with a romantic air. Faintly signed and dated to the lower right. Well presented in a gilt frame with bird's-ey...

Watercolor with graphite and white heightening on watercolor paper adhered to a sketchbook page, 5 x 10 1/2 inches (127 x 267 mm), the full sheet. Initialed, dated and titled in penc...

Nina Tichava is a pattern-based, abstract painter primarily focused on spatial relationships that emphasize the inherent surface quality, color, and visual variations in her work. Sh...

Carl Friedrich Deiker (1838 Wetzlar - 1892 Düsseldorf). Vigilant fox. Pencil drawing on brown paper, 18 × 29.5 cm (inside measurement), 31.5 x 43.5 cm (mount), signed and dated "Deiker [18]54" at lower right. - a little bit stained, with a light water stain at lower right About the artwork Carl Friedrich Deiker's consummate ability to depict animals is already evident in this early work. He brought a whole new psychological dimension to animal painting, so that one could literally speak of animal portraits. The naturalistic appearance of the fox alone makes it seem alive. Every strand of muscle, even every hair, is captured, which requires an intensive artistic study of animal anatomy and physiology. But the fox's real liveliness comes not from its natural appearance, but from its internal movement: Stretched out, it has been brought out of rest. It turns around and, with its ears pricked up, looks intently in the direction from which it has seen something. His mouth is slightly open and his pointed teeth are bared, as if he were growling. Tension gradually takes hold of his whole body. While the hind legs were still in a relaxed position, closely observed by Deiker, one front leg was already raised, ready to begin a rising movement. The fox seems so alarmed with all its senses that one gets the impression that, at any moment, its tail will move jerkily and the animal will jump up. While wild animals have traditionally been portrayed as beasts or anthropomorphised, often for caricatural purposes, Deiker explores their inherent nature by attempting to capture their psychic impulses. The wild animal is neither bestial nor human, but a creature in its own right, valued by Deiker for its own sake. In this way, he brought the dignity of the animal into representation and raised animal painting to a whole new artistic level. About the artist Carl Friedrich Deiker was the son of the drawing teacher Christian Friedrich Deiker and the younger brother of the animal painter Johannes Deiker. In addition to the family art lessons, Christian Friedrich shared a studio with his brother Johannes at Braunfels Castle, Deiker attended the drawing academy in Hanau, and from 1858 he was a student at the Karlsruhe Art Academy, where he studied under the landscape painter Johann Wilhelm Schirmer. Carl Friedrich Deiker was already in demand as an artist during his first year: Grand Duke Frederick I of Baden, Margrave Max of Baden and Grand Duke Michael of Russia bought hunting scenes by him. In 1859 he went on a study trip to the Reinhardswald. Just as the Barbizon School had rediscovered the landscape, Deiker opened up the forest for animal painting. From 1861-64 Deiker had his own studio in Karlsruhe, then moved to Düsseldorf, where his brother Johannes followed four years later. Deiker married a daughter of the landscape painter Karl Hilger and remained in Düsseldorf until his death. In 1868 he finally achieved international fame with his painting 'Pursued Noble Deer' and was regarded as a virtuoso new founder of animal painting. "Deiker brought for the first time a truly great artistic quality to animal painting [...]". - Hans Vollmer From 1870 he participated in the academic art exhibitions in Berlin, Dresden, Munich and Hanover. He was also very busy as an illustrator. He drew for the Gartenlaube, the Salon, the Universum, and produced many of the finely illustrated hunting and animal books of the period. He also worked as a printmaker, while his oil paintings circulated as reprints by Franz Dinger. From 1865 to 1892 Deiker was a member of the artists' association Malkasten. Carl Friedrich Deiker's life's work was honoured with a large posthumous memorial exhibition at the Düsseldorf Kunsthalle in 1892. His son Carl Deiker, born in 1879, also became a painter. Selection of art museums that own works by Carl Friedrich Deiker: Hamburger Kunsthalle / Kunsthalle Karlsruhe / Kunstmuseum Düsseldorf / Wallraff Richartz Cologne. Selected Bibliography H. Schmidt: Johannes and...

Prankster This colored pencil drawing ‘Woman in a Red Kimono – 10-11-22’ answers the most frequently asked question of late. I thought this prank of the red kimono title given to monochrome drawings would be appreciated. However, there were many that took the bait and mailed me with regard to the total absence of red. To satisfy their whim down I finally made this drawing. Hmm, of course satisfying my own inner urge to return to colored pencils may be the cause as well. I always wanted to make something similar to a previous drawing, called ‘Julia – 11-09-18’. That one exceeded my expectations and the divisionalist result I found very exciting. In this one I skipped the cubist styling though. Hatching up As you can see the drawing was done in hatched strokes,deviating from the execution of the Louise Brooks drawing. Before 2015 I exclusively worked with hatching until I discovered Bristol paper allowing me to study smooth gradients. There was this one thing on my wish list...

Untitled_Remains. The Dead Body on the Field, 2022 coloured pencils on paper 39 3/8 H x 27 9/16 W inches 100 H x 70 W cm Signed on reverse Zsolt Berszán em...

Daniel Ralph Celentano, Untitled (Strike Breakers) pencil, c. 1934. Signed, lower right. A fine, social-realist drawing, on cream wove paper, with margins (1 1/2 to 2 1/2 inches), in...

Title: Letters of Liberation Elephant Birds Liberation Heartbeat Humanity Contemporary Invest Statement Bold Freedom Over-sized Maximalism Original One-of-a-kind Letters of Liberat...