Pencil More Art

This is a set of three original paintings on canvas featuring girls ballerina tutus in complimentary shades of pink, mauve and green. The dresses comes to life with soft, flowing bru...

This is an original painting on canvas featuring a child's ballerina tutu in soft shades of pink, mauve and touches of green. The painting comes to life with soft, flowing brushstrok...

This is an original painting on canvas featuring a girls ballerina tutu in soft shades of green, mauve and touches of pink. The painting comes to life with soft, flowing brushstrokes...

This is an original painting on canvas featuring a child's white ballerina tutu with soft shades of mauve, pink and green in the background. The painting comes to life with soft, flo...

"Regent Bicycle" by Annabelle Shelton captures the movement and rhythm of urban life through an abstract impressionist lens, blending meticulous detail with a sense of airy freedom. ...

"Morning Hike" by Cat Tesla is an abstract journey that evokes the serene yet invigorating experience of an early morning walk through nature. The painting captures the essence of th...

RICHARD PAUL LOHSE Modulare Ordnungen (one plate), 1976 Silkscreen on velincarton (thin board) Pencil signed and numbered 62/100 on the front Vintage Geneva, Switzerland-made frame ...

"Timeless No. 1" by Cat Tesla is a serene yet dynamic abstract painting that invites contemplation. The composition is dominated by expansive white spaces that create a sense of calm...

"Timeless No. 2" by Cat Tesla is a captivating exploration of color and texture, rendered in her distinctive abstract style. The painting features a large expanse of white, creating ...

"Dreaming of Wildflowers" by Cat Tesla is an abstract exploration of nature’s vibrant palette, capturing the fleeting beauty of wildflowers swaying in a gentle breeze. The painting i...

Richard Pettibone The Appropriation Print Andy Warhol, Frank Stella, Roy Lichtenstein, 1970 Silkscreen in colors on masonite board (unique variant on sculpted board) Hand-signed by artist, Signed and dated on the front (see close up image) Bespoke frame Included This example of Pettibone's iconic Appropriation Print is silkscreened on masonite board rather than paper, giving it a different background hue, and enabling it work to be framed so uniquely. The Appropriation print is one of the most coveted prints Pettibone ever created ; the regular edition is on a full sheet with white background; the present example was silkscreened on board, allowing it to be framed in 3-D. While we do not know how many examples of this graphic work Pettibone created, so far the present work is the only one example we have ever seen on the public market since 1970. (Other editions of The Appropriation Print have been printed on vellum, wove paper and pink and yellow paper.) This 1970 homage to Andy Warhol, Frank Stella and Roy Lichtenstein exemplifies the type of artistic appropriation he was engaging in early on during the height of the Pop Art movement - long before more contemporary artists like Deborah Kass, Louise Lawler, etc. followed suit. This silkscreen was in its original 1970 vintage period frame; a bespoke custom hand cut black wood outer frame was subsequently created especially to house the work, giving it a distinctive sculptural aesthetic. Measurements: Framed 14.5 inches vertical by 18 inches horizontal by 2 inches Work 13 inches vertical by 16.5 inches horizontal Richard Pettibone biography: Richard Pettibone (American, b.1938) is one of the pioneering artists to use appropriation techniques. Pettibone was born in Los Angeles, and first worked with shadow boxes and assemblages, illustrating his interest in craft, construction, and working in miniature scales. In 1964, he created the first of his appropriated pieces, two tiny painted “replicas” of the iconic Campbell’s soup cans by Andy Warhol (American, 1928–1987). By 1965, he had created several “replicas” of paintings by American artists, such as Warhol, Roy Lichtenstein (1923–1997), Ed Ruscha (b.1937), and others, among them some of the biggest names in Pop Art. Pettibone chose to recreate the work of leading avant-garde artists whose careers were often centered on themes of replication themselves, further lending irony to his work. Pettibone also created both miniature and life-sized sculptural works, including an exact copy of Bicycle Wheel by Marcel Duchamp (French, 1887–1968), and in the 1980s, an entire series of sculptures of varying sizes replicating the most famous works of Constantin Brancusi (Romanian, 1876–1957). In more recent years, Pettibone has created paintings based on the covers of poetry books by Ezra Pound, as well as sculptures drawn from the grid compositions of Piet Mondrian (Dutch, 1872–1944). Pettibone straddles the lines of appropriation, Pop, and Conceptual Art, and has received critical attention for decades for the important questions his work raises about authorship, craftsmanship, and the original in art. His work has been exhibited at the Institute for Contemporary Art in Philadelphia, the Museum of Modern Art in New York, the Museum of Contemporary Art in Miami, and the Laguna Art Museum in Laguna Beach, CA. Pettibone is currently based in New York. "I wished I had stuck with the idea of just painting the same painting like the soup can and never painting another painting. When someone wanted one, you would just do another one. Does anybody do that now?" Andy Warhol, 1981 Since the mid-1960s, Richard Pettibone has been making hand-painted, small-scale copies of works by other artists — a practice due to which he is best known as a precursor of appropriation art — and for a decade now, he has been revisiting subjects from across his career. In his latest exhibitions at Castelli Gallery, Pettibone has been showing more of the “same” paintings that had already been part of his 2005–6 museum retrospective,1 and also including “new” subject matter drawn from his usual roster of European modernists and American postwar artists. Art critic Kim Levin laid out some phases of the intricate spectrum from copies to repetitions in her review of the Warhol-de Chirico showdown, a joint exhibition at the heyday of appropriation art in the mid-1980s when Warhol’s appropriations of de Chirico’s work effectively revaluated “the grand old auto-appropriator”. Upon having counted well over a dozen Disquieting Muses by de Chirico, Levin speculated: “Maybe he kept doing them because no one got the point. Maybe he needed the money. Maybe he meant it when he said his technique had improved, and traditional skills were what mattered.” On the other side, Warhol, in her eyes, was the “latter-day exemplar of museless creativity”. To Pettibone, traditional skills certainly still matter, as he practices his contemporary version of museless creativity. He paints the same painting again and again, no matter whether anybody shows an interest in it or not. His work, of course, takes place well outside the historical framework of what Levin aptly referred to as the “modern/postmodern wrestling match”, but neither was this exactly his match to begin with. Pettibone is one of appropriation art’s trailblazers, but his diverse selection of sources removes from his work the critique of the modernist myth of originality most commonly associated with appropriation art in a narrow sense, as we see, for example, in Sherrie Levine’s practice of re-photographing the work of Walker Evans and Edward Weston. In particular, during his photorealist phase of the 1970s, Pettibone’s sources ranged widely across several art-historical periods. His appropriations of the 1980s and 1990s spanned from Picasso etchings and Brancusi sculptures to Shaker furniture and even included Ezra Pound’s poetry. Pettibone has professed outright admiration for his source artists, whose work he shrinks and tweaks to comic effect but, nevertheless, always treats with reverence and care. His response to these artists is primarily on an aesthetic level, owing much to the fact that his process relies on photographs. By the same token, the aesthetic that attracts him is a graphic one that lends itself to reproduction. Painstakingly copying other artists’ work by hand has been a way of making it his own, yet each source is acknowledged in his titles and, occasionally, in captions on white margins that he leaves around the image as an indication that the actual source is a photographic image. The enjoyment he receives in copying is part of the motivation behind doing it, as is the pleasure he receives from actually being with the finished painting — a considerable private dimension of his work. His copies are “handmade readymades” that he meticulously paints in great quantities in his studio upstate in New York; the commitment to manual labor and the time spent at material production has become an increasingly important dimension of his recent work. Pettibone operates at some remove from the contemporary art scene, not only by staying put geographically, but also by refusing to recoup the simulated lack of originality through the creation of a public persona. In so doing, Pettibone takes a real risk. He places himself in opposition to conceptualism, and he is apprehensive of an understanding of art as the mere illustration of an idea. His reading of Marcel Duchamp’s works as beautiful is revealing about Pettibone’s priorities in this respect. When Pettibone, for aesthetic pleasure, paints Duchamp’s Poster for the Third French Chess...

This dress painting features an interplay of paint and pencil with an outcome both expressive and refined. Through the process of adding and subtracting, textures and tone on tone la...

With attention to detail, this delightful series of paintings on canvas places focus on the eyes, which have a way of drawing you in. The blending of acrylic paint and coloured penci...

With attention to detail, this delightfully delicate painting on canvas places focus on the green eyes which have a way of drawing you in. The portrait blends acrylic paint and colou...

With attention to detail, this delightfully delicate painting on canvas places focus on the brown eyes which have a way of drawing you in. The portrait blends acrylic paint and colou...

With attention to detail, this delightfully delicate painting on canvas places focus on the blue eyes which have a way of drawing you in. The portrait blends acrylic paint and colour...

Initialed lower right, 'DJ' and dated 1957. Titled, 'Look Homeward, Angel' and 'Eugene Grant, Anthony Perkins'. Inscribed with costume designer notes and bearing costumer's fabric swatches. Costumes for this production were undertaken by Motley Design Group (Margaret Harris, Audrey Sophia Harris and Elizabeth Montgomery). Premiering on November 28, 1957 at the Ethel Barrymore Theatre on Broadway, 'Look Homeward, Angel' ran for a total of 564 performances, closing on April 4, 1959. Directed by George Roy Hill, written by Ketti Frings, and based on Thomas Wolfe's 1929 largely autobiographical novel of the same title, the cast starred Jo Van Fleet and Anthony Perkins. Ketti Frings won the 1958 Pulitzer Prize for Drama and the New York Drama Critics' Circle Award. The production received Tony Award nominations for Best Play; Best Actor in a Play (Hugh Griffith...

Up for sale is an original model cel for Winnie the Pooh. Piece such as these were a very important part of the animation process. They were used by the artists as a guide on how t...

MEDIUM: ​Original Production Cel on Printed Background IMAGE SIZE: 12 Field PRODUCTION: Looney Tunes SIGNED: Darrell Van Citters SKU: IFA6785 ABOUT THE IMAGE: Looney Tunes is a ser...

Pooh, Piglet, Eeyore MEDIUM: Sericel on Printed Background  IMAGE SIZE: 14" x 11" PRODUCTION: Snow White and The Seven Dwarfs FRAMING: Framing included in Pricing SKU: CCV2664

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authent...

This detailed artwork on paper puts emphasis on design and composition. Using pencil, colour pencil and ink, a Navajo inspired rug motif is created using traditional design elements....

Up for sale is an original model cel for Winnie the Pooh. Piece such as these were a very important part of the animation process. They were used by the artists as a guide on how t...

MEDIUM: ​Original Production Cel on Original Background IMAGE SIZE: 11" x 7.75" SKU: CCV2640F Framing included in price. ABOUT THE MEDIUM: Original Production Cels are one-of-a-kin...

Receding Tide, Rye, Oil Pastel with Pencil Painting by Pamela Burns B. 1938, 1998 Additional information: Medium: Oil pastel with pencil 25 x 31 cm 9 7/8 x 12 1/4 in signed, dated, and titled; further inscribed verso Pamela Burns is a British painter. Burns was born in London and now lives in Pembrokeshire. She studied at the Royal Academy Schools until 1963 and later taught at St Martins and Chelsea College of Art, London. The technique Burns uses is engrossing and it is hard not to wonder at how these paintings are made. The marks, as if enchased, in their repeated lines, have an almost hallucinogenic quality - one is fixated by their minute scale. Some have been painstakingly created in reverse, with the background colour revealing the contrasting lines. It is a technique with its own mystery, delicately matching the mysteries of her compositions. Burns paintings from the 1970s and '80s were inspired by the neolithic landscapes of the South West and the deep-rutted fields that lie in the shadows of the Malvern Hills, drenched in the warm greys, endlessly variant greens and deep browns of England's mud-bound cores. In particular, she looked to Maiden Castle, Dorset, and Cherhill in Wiltshire, both sites where the chalky soil had slipped to form narrow parallel ridges along the contours of the landscape. More recently Burns paintings have recorded the changing of the tides, first in Deal, Kent and now in Pembrokeshire. Unlike most coastal painters who tend to look across the surface of the water to the far horizon, Pamela's eye is always drawn back to the shore, to the point where the land melts into the sea. Her paintings record the changing of the tides, as the shore reclaims itself from the water, the parallel striations in the silt holding within their curved lines the imprint of the waves. The tidemarks themselves become a metonym for the process of erosion, a slow revelation of the bones of the land. She has exhibited at the Cairn Gallery in Nailsworth (1990), a formative centre for Land Artists such as Richard Long and Hamish Fulton...

This is a series of four original artworks on paper showcasing timeless, elegant dresses through the use of paint, colour pencil and collage elements. Delicate details and intuitive ...

Benares, India Watercolour with graphite under-drawing, on paper Image Size: 13.94” x 10.04” c 1860 Titled in pencil, verso Provenance: a Private UK Collection Condition: Overall i...

Super rare original signed The Gates proposal book for famous art critic: Christo: The Gates Project for Central Park New York City (Hand Signed and Inscribed to art critic Anthony ...

Alyson Borycki is a self-taught artist, creating energetic and playful abstract paintings. Her paintings are inspired by shapes and patterns observed in nature as well as the array o...

Pencil on Paper 'Untitled I' Painting by Jon Probert B. 1966, 2023 Additional information: Medium: Pencil on paper Dimensions: 59.5 x 42 cm 23 3/8 x 16 1/2 in Signed and dated. Hav...

Book Cover with Stripes II Painting by Daisy Cook B. 1965, 2023 Additional information: Medium: Oil and pencil on found book cover Dimensions:23.5 x 19.5 cm 9 1/4 x 7 5/8 in Daisy ...

Sunflower Painting by Daisy Cook B. 1965, 2023 Additional information: Medium: Oil and pencil on found book cover Dimensions: 24 x 18 cm 9 1/2 x 7 1/8 in ...

Abstract Book Cover with Ochre Painting by Daisy Cook B. 1965, 2023 Additional information: Medium: Oil and pencil on found book cover Dimensions: 24.5...

MEDIUM: ​Original Production Cel on Original Background IMAGE SIZE: 12.5" x 10.5" PRODUCTION: Johnny Bravo SIGNED: Bob Singer SKU: IFA11324 ABOUT THE IMAGE: Johnny Bravo is an Ame...

Mowgli and Hathi Jr. MEDIUM: ​Original Production Cel on Printed Background IMAGE SIZE: 12" x 10" PRODUCTION: The Jungle Book, 1967 SKU: CCV2990 ABOUT THE MEDIUM: Original Product...

Scooby, Shaggy from The Witches Ghost MEDIUM: Original Production Cel on Printed Background SIZE: 10.5" x 9" SIGNED: Hand-Signed by Bob Singer and Iwao T...

Inspired by the legacy of Fortuny fabrics, this dress painting embraces a minimalistic aesthetic. Tone-on-tone textures are built up with a blend of paint, pencil and an accent of Fo...

MEDIUM: ​Original Production Cel IMAGE SIZE: 16" x 11" PRODUCTION: Alice in Wonderland YEAR: 1951 SKU: CCV3130 ABOUT THE IMAGE: Alice in Wonderland is a 1951 American animated musical fantasy-adventure film produced by Walt Disney Productions and based on the Alice books by Lewis Carroll. The 13th release of Disney's animated features, the film premiered in London on July 26, 1951, and in New York City on July 28, 1951. The film features the voices of Kathryn Beaumont as Alice, Sterling Holloway as the Cheshire Cat...

MEDIUM: Original Production Cel on Printed Background PRODUCTION: The Aristocats, 1970 IMAGE SIZE: 14.75" x 12.5" SKU: CCV2940 ABOUT THE MEDIUM: Original Production Cels are one-of...

MEDIUM: ​Original Production Model Cel Signed by Bob Singer IMAGE SIZE: 12.5" x 10.5" PRODUCTION: Space Ghost SKU: IFA11322 ABOUT THE IMAGE: Space Ghost ...

MEDIUM: ​Original Production Cel on Original Background IMAGE SIZE: 12.5" x 10.5" PRODUCTION: The Smurfs, circa 1980s SKU: CCV2931 ABOUT THE MEDIUM: Original Production Cels are one...

Mowgli, Buzzie, Dizzy MEDIUM: ​Original Production Cel on Printed Background IMAGE SIZE: 16" x 12.5" PRODUCTION: The Jungle Book, 1967 SKU: CCV3121 ABOUT THE MEDIUM: Original Production Cels are one-of-a-kind pieces of art that were used in the creation of an animated film or television show. Each has been hand-painted by studio artists on a piece of celluloid acetate and has been photographed over a background painting to create a frame of the finished production. ABOUT THE FILM: The Jungle Book is a 1967 American animated musical comedy film produced by Walt Disney Productions. Based on Rudyard Kipling's 1894 book of the same name, it is the 19th Disney animated...

Baloo, Baghera MEDIUM: ​Original Production Cel on Printed Background IMAGE SIZE: 15.5" x 12.5" PRODUCTION: The Jungle Book, 1967 SKU: CCV3122 ABOUT THE MEDIUM: Original Production Cels are one-of-a-kind pieces of art that were used in the creation of an animated film or television show. Each has been hand-painted by studio artists on a piece of celluloid acetate and has been photographed over a background painting to create a frame of the finished production. ABOUT THE FILM: The Jungle Book is a 1967 American animated musical comedy film produced by Walt Disney Productions. Based on Rudyard Kipling's 1894 book of the same name, it is the 19th Disney animated...

MEDIUM: Original Production Drawing IMAGE SIZE: 16" x 12.5" PRODUCTION: The Pink Panther SKU: CCV2950 COMES WITH CERTIFICATE OF AUTHENTICITY ABOUT THE IMAGE: The Pink Panther animat...

Colonel Hathi and Hathi Jr. MEDIUM: ​Original Production Cel on Printed Background IMAGE SIZE: 12" x 10" PRODUCTION: The Jungle Book, 1967 SKU: CCV3115 ABOUT THE MEDIUM: Original Production Cels are one-of-a-kind pieces of art that were used in the creation of an animated film or television show. Each has been hand-painted by studio artists on a piece of celluloid acetate and has been photographed over a background painting to create a frame of the finished production. ABOUT THE FILM: The Jungle Book is a 1967 American animated musical comedy film produced by Walt Disney Productions. Based on Rudyard Kipling's 1894 book of the same name, it is the 19th Disney animated...

MEDIUM: Original Production Layout Drawing IMAGE SIZE: 12.5" x 12" PRODUCTION: Justice League SKU: IFA10171 ABOUT THE IMAGE: Justice League is an American animated television series...

MEDIUM: ​Original Production Drawing IMAGE SIZE: 12" x 10" PRODUCTION: Snow White and the Seven Dwarfs, 1937 SKU: CCV3021 ABOUT THE FILM: Snow White and the Seven Dwarfs is a 1937 A...

Buzzy, Flaps, Dizzy, and Ziggy MEDIUM: ​Original Production Cel on Printed Background IMAGE SIZE: 15.5" x 12.5" PRODUCTION: The Jungle Book, 1967 SKU: CCV3114 ABOUT THE MEDIUM: Original Production Cels are one-of-a-kind pieces of art that were used in the creation of an animated film or television show. Each has been hand-painted by studio artists on a piece of celluloid acetate and has been photographed over a background painting to create a frame of the finished production. ABOUT THE FILM: The Jungle Book is a 1967 American animated musical comedy film produced by Walt Disney Productions. Based on Rudyard Kipling's 1894 book of the same name, it is the 19th Disney animated...

MEDIUM: Original Production Drawing IMAGE SIZE: 16" x 12" PRODUCTION: Yellow Submarine YEAR: 1968 SKU: CCV2955 ABOUT THE IMAGE: Yellow Submarine (also known as The Beatles: Yellow S...

MEDIUM: ​Original Production Cel on Original Background IMAGE SIZE: 11.5" x 9" PRODUCTION: Tom and Jerry, Tot Watchers (1958) SKU: CCV2926 ABOUT THE MEDIUM: Original Production Cels...

This piece titled "Econolines" is an original artwork by James Bonney and is made from colored pencil on paper. This piece measures 15.25”h x 12.25”w fr...

MEDIUM: ​Original Production Cel on Hand Painted Background IMAGE SIZE: 13" x 10" PRODUCTION: Disney Educational Film, Circa 1980s SKU: CCV2927 ABOUT THE IMAGE: This is a production cel from a Disney Educational Cartoon. In the 1980s, Disney's educational film division created animated short subject films to teach on a variety of topics including historical and safety. They would frequently use the characters from the Hundred Acre Wood...

MEDIUM: ​Original Production Drawing IMAGE SIZE: 12" x 10" PRODUCTION: Canine Caddy (1941) SKU: CCV2637 ABOUT THE IMAGE: A drawing from the theatrical s...

MEDIUM: ​Original Production Cel on Hand Painted Background IMAGE SIZE: 13" x 10" PRODUCTION: Disney Educational Film, Circa 1980s SKU: CCV2929 ABOUT THE IMAGE: This is a production cel from a Disney Educational Cartoon. In the 1980s, Disney's educational film division created animated short subject films to teach on a variety of topics including historical and safety. They would frequently use the characters from the Hundred Acre Wood...

Winnie the Pooh, Kanga, and Eeyore MEDIUM: ​Original Production Cel on Hand Painted Background IMAGE SIZE: 13" x 10" PRODUCTION: Disney Educational Film, Circa 1980s SKU: CCV2928 ABOUT THE IMAGE: This is a production cel from a Disney Educational Cartoon. In the 1980s, Disney's educational film division created animated short subject films to teach on a variety of topics including historical and safety. They would frequently use the characters from the Hundred Acre Wood...

MEDIUM: ​Original Production Drawing IMAGE SIZE: 12" x 10" PRODUCTION: Canine Caddy (1941) SKU: CCV2639 ABOUT THE IMAGE: A drawing from the theatrical s...

This still life painting captures the simplicity of the bowl, an everyday object with the ability of representing a story. Emphasis is placed on composition with the use of positive ...

This still life painting captures the simplicity of the bowl, an everyday object with the ability of representing a story. Emphasis is placed on composition with the use of positive ...