Art by Medium: Pencil

Stamped, verso, with estate stamp for Victor Di Gesu (American, 1914-1988) and created circa 1955. Winner of the Prix Othon Friesz, Victor di Gesu first attended the Los Angeles Art...

Created circa 1955 by Victor Di Gesu (American, 1914-1988) and stamped verso with certification of authenticity. A bravura pencil study of a young woman in an overcoat, shown stand...

Created circa 1955 by Victor Di Gesu (American, 1914-1988) and stamped verso with certification of authenticity. An atmospheric and psychologically penetrating figural drawing, sho...

The Black Panther Trials - In this historically significant work, African American Artist Vicent D. Smith functions as an Art Journalist/ Court Reporter as much as a Artist. Here, he depicts, in complete unity, 21 Black Panther Protestors raising their fist of defiance at the White Judge. Smith's composition is about utter simplicity, where the Black Panther Protestors are symmetrically lined up in a confrontation with a Judge whose size is exaggerated in scale. Set against a stylized American Flag, the supercilious Judge gazes down as the protesters as their fists thrust up. Signed Vincent lower right. Titled Panter 21. Original metal frame. Tape on upper left edge of frame. 255 . Panther 21. Framed under plexi. _____________________________ From Wikipedia In 1969-1971 there was a series of criminal prosecutions in New Haven, Connecticut, against various members and associates of the Black Panther Party.[1] The charges ranged from criminal conspiracy to first-degree murder. All charges stemmed from the murder of 19-year-old Alex Rackley in the early hours of May 21, 1969. The trials became a rallying-point for the American Left, and marked a decline in public support, even among the black community, for the Black Panther Party On May 17, 1969, members of the Black Panther Party kidnapped fellow Panther Alex Rackley, who had fallen under suspicion of informing for the FBI. He was held captive at the New Haven Panther headquarters on Orchard Street, where he was tortured and interrogated until he confessed. His interrogation was tape recorded by the Panthers.[2] During that time, national party chairman Bobby Seale visited New Haven and spoke on the campus of Yale University for the Yale Black Ensemble Theater Company.[3] The prosecution alleged, but Seale denied, that after his speech, Seale briefly stopped by the headquarters where Rackley was being held captive and ordered that Rackley be executed. Early in the morning of May 21, three Panthers – Warren Kimbro, Lonnie McLucas, and George Sams, one of the Panthers who had come East from California to investigate the police infiltration of the New York Panther chapter, drove Rackley to the nearby town of Middlefield, Connecticut. Kimbro shot Rackley once in the head and McLucas shot him once in the chest. They dumped his corpse in a swamp, where it was discovered the next day. New Haven police immediately arrested eight New Haven area Black Panthers. Sams and two other Panthers from California were captured later. Sams and Kimbro confessed to the murder, and agreed to testify against McLucas in exchange for a reduction in sentence. Sams also implicated Seale in the killing, telling his interrogators that while visiting the Panther headquarters on the night of his speech, Seale had directly ordered him to murder Rackley. In all, nine defendants were indicted on charges related to the case. In the heated political rhetoric of the day, these defendants were referred to as the "New Haven Nine", a deliberate allusion to other cause-celebre defendants like the "Chicago Seven". The first trial was that of Lonnie McLucas, the only person who physically took part in the killing who refused to plead guilty. In fact, McLucas had confessed to shooting Rackley, but nonetheless chose to go to trial. Jury selection began in May 1970. The case and trial were already a national cause célèbre among critics of the Nixon administration, and especially among those hostile to the actions of the FBI. Under the Bureau's then-secret "Counter-Intelligence Program" (COINTELPRO), FBI director J. Edgar Hoover had ordered his agents to disrupt, discredit, or otherwise neutralize radical groups like the Panthers. Hostility between groups organizing political dissent and the Bureau was, by the time of the trials, at a fever pitch. Hostility from the left was also directed at the two Panthers cooperating with the prosecutors. Sams in particular was accused of being an informant, and lying to implicate Seale for personal benefit. In the days leading up to a rally on May Day 1970, thousands of supporters of the Panthers arrived in New Haven individually and in organized groups. They were housed and fed by community organizations and by sympathetic Yale students in their dormitory rooms. The Yale college dining halls provided basic meals for everyone. Protesters met daily en masse on the New Haven Green across the street from the Courthouse (and one hundred yards from Yale's main gate). On May Day there was a rally on the Green, featuring speakers including Jean Genet, Abbie Hoffman, Jerry Rubin, and John Froines (an assistant professor of chemistry at the University of Oregon). Teach-ins and other events were also held in the colleges themselves. Towards midnight on May 1, two bombs exploded in Yale's Ingalls Rink, where a concert was being held in conjunction with the protests.[4] Although the rink was damaged, no one was injured, and no culprit was identified.[4] Yale chaplain William Sloane Coffin stated, "All of us conspired to bring on this tragedy by law enforcement agencies by their illegal acts against the Panthers, and the rest of us by our immoral silence in front of these acts," while Yale President Kingman Brewster Jr. issued the statement, "I personally want to say that I'm appalled and ashamed that things should have come to such a pass that I am skeptical of the ability of a Black revolutionary to receive a fair trial anywhere in the U.S." Brewster's generally sympathetic tone enraged many of the university's older, more conservative alumni, heightening tensions within the school community. As tensions mounted, Yale officials sought to avoid deeper unrest and to deflect the real possibility of riots or violent student demonstrations. Sam Chauncey has been credited with winning tactical management on behalf of the administration to quell anxiety among law enforcement and New Haven's citizens, while Kurt Schmoke, a future Rhodes Scholar, mayor of Baltimore, MD and Dean of Howard University School of Law, has received kudos as undergraduate spokesman to the faculty during some of the protest's tensest moments. Ralph Dawson, a classmate of Schmoke's, figured prominently as moderator of the Black Student Alliance at Yale (BSAY). In the end, compromises between the administration and the students - and, primarily, urgent calls for nonviolence from Bobby Seale and the Black Panthers themselves - quashed the possibility of violence. While Yale (and many other colleges) went "on strike" from May Day until the end of the term, like most schools it was not actually "shut down". Classes were made "voluntarily optional" for the time and students were graded "Pass/Fail" for the work done up to then. Trial of McLucas Black Panther trial sketch...

Signed lower left, 'Roberta Loach' and dated '79'; additionally signed verso and dated. An enigmatic and whimsical drawing of a young woman in swimming costume and cap preparing to...

Signed lower right, 'de Sala' for Eugène de Sala (Danish, 1899-1987) and created circa 1955. (Brush name for Oswald Lykkeberg Salomonsen). A stunning, mid-century portrait of a youn...

Created circa 1955 by Victor Di Gesu (American, 1914-1988) and stamped, verso, with Victor di Gesu estate stamp. Winner of the Prix Othon Friesz, Victor di Gesu first attended the L...

Signed lower right, 'Mario Cespedes' (Bolivian-American, born 1942) and created circa 1985. Matted dimensions: 24 H x 18 W x .25 D inches. Born in Bolivia, Mario Cespedes immigrated...

An oil study of a man shown vigorously drying his hair with a towel. Signed lower left, 'Termeh' for Termeh Yeghiazarian (Iranian-American, 1959-2022) and dated 1994. Additionally si...

Estate stamp verso for Victor di Gesu (AmerIcan, 1914-1986) and drawn circa 1955. Winner of the Prix Othon Friesz, Victor di Gesu first attended the Los Angeles Art Center and the C...

Signed lower right, 'Michonze' for Gregoire Michonze, also known as Gregoire Michonznic (Russian-French, 1902-1982) and dated 1945. Grégoire Michonze (Michonznic) was born into a Je...

Drawn circa 1955 by Victor Di Gesu (American, 1914-1988) and stamped verso with Victor di Gesu estate stamp. Winner of the Prix Othon Friesz, Victor di Gesu first attended the Los A...

Signed lower right, 'Storer' for Inez May Storer (American, born 1933) and dated 1978. Inez Storer first studied at the San Francisco College for Women, the San Francisco Art Instit...

Signed lower right, 'Storer' for Inez May Storer (American, born 1933) and dated 1979. Inez Storer first studied at the San Francisco College for Women, the San Francisco Art Instit...

Jane Birch Outskirts Delivery graphite on paper 7h x 5.50w in 17.78h x 13.97w cm JAB011 My drawings are lovingly objectifying. I’m an alien researcher, and my subject, humans, are f...

Signed verso lower left, 'Isaac Mizrahi'. A fashion designer and creator of costume, Isaac Mizrahi attended the Parsons School of Design before becoming immersed in haute couture in...

From a series of paintings by Clifford Ellis. To see them or our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - o...

Signed lower left, 'Richard Gabriel Chase' (American, 1919-2007) and painted circa 1960. Born in Massachusetts, Chase first studied at the Worcester Art Museum School, later earnin...

Artist: Vivian Rydgren Title: Portrait of a Gentleman Year: 1948 Medium: Color pencil and pastel on paper, signed and dated l.r. Paper Size: 23 x 15.5 inches Framed: 37.5 x 29.5 inches

Edward Burra CBE (British, 1905 – 1976) The harbour at low time pencil on paper signed with studio stamp ‘E.J. Burra’ (lower right) 21.3/4 x 30 in. (55.3 x 76 cm.) Provenance: Sotheb...

Lee Cox (American, born 1941) "Presidio Vista" 2024 Acrylic Paint, Pencil, Canvas, Stretcher Bars The artist signed the bottom right of the painting. In “Presidio Vista,” Lee Cox di...

Christian Eckart, an internationally acclaimed artist born in Calgary, Alberta in 1959, became an American citizen in 1995. After establishing his career in New York City between 198...

"Float" is a luminous abstract work by Arminée Chahbazian that evokes the sensation of suspension—between thought and feeling, surface and depth. With her refined use of muted color,...

"Reflections in the Pond" is an original mixed media on board by Tom Perkinson. His use of saturated violets, vivid yellows, and resplendent oranges pushes color to almost-otherworld...

June Glasson is an artist, illustrator, and designer. She lives in New York. Her paintings have been exhibited at the National Portrait Gallery in London, Nature Morte Gallery in Ber...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (issued by The Gal...

Brazilian artist, Clara Fialho, is based in New York. Her abstract work with bright and exuberant colors is inspired by her Latin heritage. She received her BFA from the prestigious...

MEDIUM: Signed and Remarqued Giclée on Canvas Edition SIZE: 17" x 22" EDITION SIZE: 100 ARTIST: Bruce Timm SKU: CP1553R ABOUT THE IMAGE: This art was inspired by “Be A Clown,” a hugely popular episode in the first season of the Batman: The Animated Series television show. In this scene Batman tracks his main nemesis, The Joker, to an abandoned fairground, where he confronts the cunning clown in a death-defying battle atop a runaway roller coaster. “Be a Clown” was originally released in 1993 as a hand-painted limited edition animation art cel...

Acrylic paint with water-soluble Art Graf and graphite heightens the directness of marking in this diptych series on paper. Art Graf comes in tailor’s squares, easily fitting into th...

Nordell, Carl Johan David. GLOUCESTER FISHERMAN and PREPARATORY DRAWING FOR GLOUCESSTER FISHERMAN. Etching and pencil drawing, not dated, but circa...

graphite on mylar

Ernst Albert Fischer-Cörlin (1853 Körlin - 1932 Persante). Feeding the Kittens, 1893. Pencil on painting cardboard, 38 x 29 cm. Signed and dated by the artist at lower left "E[rnst] A[lbert] Fischer=Cörlin 1893". - Lightly stained, somewhat dusty and minimally foxed. - Little cat mother - About the artwork Daughter, mother and grandmother gather in the sunlight to feed a litter of kittens. The mother and grandmother hold the lively, playful animals in their arms, while the young girl feeds two of the four kittens with cookies. There is also a small bucket of milk and a bowl of milk. The women and the girl watch as the cute, still blind animals eat. It is a scene taken from everyday life, but it also has an allegorical dimension, bringing maternal care into the representation. Three generations are represented, with the grandmother and the mother already mothers. They not only offer the kittens to the youngest, but also proudly observe the maternal care that the youngest gives to the kittens. Like the kittens, she will grow up and become a mother herself, so the image is also an allegory of life's ever-new beginnings. In keeping with this, the morning sun shines into the picture from the right. Fischer-Cörlin has masterfully worked out the quality of the light, with its light and dark areas, with the pencil used...

Spray paint, pencil, ink, watercolor on paper - Unframed Peter Soriano is an abstract artist who divides his time between New York City and Penobscot, Maine. Although he began his c...

A sensitive early 20th-century life study by the artist Raymond Moisset (1906-1994). The artist has employed gestural, confident lines and shading to depict the subject. Signed verso...

Floral encounters, suddenly (Abstract painting) Acrylics, oil, spray paint on unprimed canvas - Unframed Artwork exclusive to IdeelArt. This artwork will be shipped rolled in a den...

Di Gesu Estate Stamp verso for Victor di Gesu (American, 1914-1988) and created circa 1955. An elegant, freehand sketch of a young woman with a bob cut, shown reclining on a blanket...

Created by Carole Doyle Peel (American, 1934-2016) circa 1985 and accompanied by first edition volume, 'Carole Doyle Peel: The Delight of Drawing', 2016. Mat dimensions: 22.25 x 34 x...

Signed lower right, 'V. Conroy' for Virginia Conroy (American, 1922-2006) and dated 1985. Exhibited: Carmel Art Association, 1983 (on original backing). This early California Woman...

The materials are acrylic paint, and simple marking implements of graphite and Art Graf. Art Graf is a water-soluble media that comes in tailor’s squares, easily fitting into the han...

Initialed lower left, 'A.D.' for Amanda Danitschek (American, born 1956) and painted circa 2010. Additionally signed twice, verso, and titled, 'Against All Odds (12 Stories)' A subs...

Jean-Henri Cless (1774-1812) Portrait of a young woman in a landscape signed "Cless fec" for fecit on the lower left Brown ink and brown ink wash on paper Size of the sheet : 31.5 x 22 cm Size of the motive : 24.5 x 17 cm very simply framed under glass without actual frame 32 x 22.5 cm This pre...

Untitled Male Nude, Seated Unique Ink on Paper Drawing Hand signed by Archipenko Good condition overall. There are paper losses and tears to upper right corner, as shown. There is a companion to this work, a ink on paper unique drawing, also shown on on Donna Leatherman Editions...

Louis Valtat Young Girl Stamped with initials lower right Pencil on brown paper Sight 7 x 6 inches Provenance: Mrs. Ernest M. Werner, New York Private Collection, Rhode Island Loui...

"White Eggplant on Red Table" is a color pencil drawing on paper by artist Emilio Sanchez. The drawing is to the paper edge and initialed "ES" in the lower right. There is an Emilio...

Renelio Marin Untitled, 2018 28 x 22 inches Acrylic and colored pencil on paper Renelio Marin is a visual artist with a diverse range of influences and styles and the co-owner of AM...

Ink & pencil on paper Nina Narimanishvili is a Georgian artist born in 1999 who lives and works in Tbilisi, Georgia. Nina has been painting since childhood and over time her interes...

Milton Avery, in full Milton Clark Avery, (born March 7, 1893, Altmar, New York, U.S.—died January 3, 1965, New York City), painter noted in his lat...

HELLEU, PAUL CÉSAR (1859 -1927) "JEUNE FEMME ASSISE" (Young Woman Seated) Original Drawing in sanguine, white and black chalks, c. 1910 Signed in pencil by artist, lower right Full M...

A fantastic industrial drawing dated 1935, which depicts the former Plymouth Motor Company's Powerhouse in Buffalo, NY. Housed in a contemporary frame presentation this unique work ...

Emotional Color Change 34 (Abstract painting) Acrylic on canvas — Unframed. Kyong Lee's series combines colour and language to visually represent the external environment. The proce...

Black Sky (The Cave Series), 4 graphite on paper 77 x 112 cm

Adonna Khare is an America artist mainly focused on carbon pencil on paper drawings. She received her Masters of Fine Art from California State University Long Beach. Her work has been collected by prestigious public and private collections throughout the world. In 2012 she won the world's largest art competition ArtPrize, competing against over 1500 artists from all around the world. She has been featured in the Los Angeles Time, NPR, The Huffington Post, Daily Mail, Juxtapoz Magazine...

Staedtler pencil & acrylic on canvas

Big Melt #10 (Abstract drawing) Pigment pencil and water on mylar - Unframed. This work is from a series titled Big Melt. It has been created with pigment pencils and ice. It captu...

Howard Halbert (Born 1957) Texas Artist Image Size: 14 x 9 Frame Size: 22 x 17 Medium: Graphite # 2 pencil only "Honky Donkin" Donkey HALBERT - Biography Halbert was born and raised in North Central Texas, and early on developed an interest in portraying the horses, cattle and every day occurrences of the west, in pencil. Eventually Halbert became a partner in a large ranching operation, which kept him away from his art for many years. A few years ago, he picked up a pencil and began to pursue his dream of becoming a professional artist. " I believe my passion and love of horses and the western way of life show in my work. I thank God for this gift which allows me to share with others what I truly enjoy. " Halbert credits Texas artist George Hallmark...

Jules Noel (1810-1881) Landscape with a manor and a traveler Signed lower left Pencil on paper 27.5 x 44.5 cm Framed under glass : 43 x 59.5 cm This drawing shows more particularly...

Katherine Porter Country Music (Nashville is an Enigma), 1986 Mixed media; colored pencil, gouache, and graphite on paper, uniquely signed and inscribed with Nashville dateline Hand ...

Willem De Klerk 1800 – Dordrecht – 1876 Dutch Painter 'A winter landscape with an ox-cart on a wooded road near a village' Signature: signed lower left ‘W. de Klerk f’ Medium: oi...

Various Studies of Figures on a Boat, Paul Cadmus Sketch on Paper. Graphite on paper 6 x 8.5 inches This work is offered by CLAMP in New York City...

Woman in a Red Kimono This drawing of a woman in a red kimono is based on a session with my regular model. It so happened that I teamed up with a student of mine who rents a lovel...