Art by Medium: Pencil

Stone Cottage by Jean Fourie (1927-2015) French artist, painting in the Champagne region of France watercolour and pencil painting on card , unframed double sided painting: 24 x 18 ...

Pencil drawing realized by Mino Maccari in 1950 ca. Hand signed. Realized on a proof for a woodcut print. Another drawing in pencil on rear.

Alan Saret (American, b. 1944), "Entered O Cast-In", Graphite on Paper, 1983, signed, titled, dated, and numbered "23/50" to the verso, ebonized wood frame. Image: 22" H x 29.75" W; ...

Pencil, watercolor and tempera realized in the early 20th Century as a sketch for the Opera "Turandot". Hand monogrammed in ink in the lower left. Includes a wooden frame cm. 26x25...

MEDIUM: Signed and Remarqued Giclée on Canvas Edition SIZE: 17" x 22" EDITION SIZE: 100 ARTIST: Bruce Timm SKU: CP1553R ABOUT THE IMAGE: This art was inspired by “Be A Clown,” a hugely popular episode in the first season of the Batman: The Animated Series television show. In this scene Batman tracks his main nemesis, The Joker, to an abandoned fairground, where he confronts the cunning clown in a death-defying battle atop a runaway roller coaster. “Be a Clown” was originally released in 1993 as a hand-painted limited edition animation art cel...

Mythcial Kindgom by Jean Fourie (1927-2015) French artist, painting in the Champagne region of France watercolour and pencil painting on card , unframed painting: 16.5 x 21 inches co...

James Floyd Clymer (1893-1982), ca.1930. Watercolor and pencil on paper measures 15 x 20 inches. Signed lower margin. Tape residue marks on back. James Floyd Clymer ( 1893-1982...

French pencil drawing of tree, circa 1920. The artist's perspective lends a sense of upward movement to this piece, as the tree's branches seem t...

Study of a sultry and seductive reclining platinum blond Pin Up with a wide-brimmed sun hat. Most likely done for Playboy. This work is very finely rendered and looks better the ...

We often hear about the "Female Gaze." It's how women view art and society from the female perspective. However, we rarely hear about the " Male Gaze" . In this 1969 Playboy cartoon,...

La Maison, Normandie by Paulémile Pissarro (1884-1972) Pencil on paper 24 x 32 cm (9 ¹/₂ x 12 ⁵/₈ inches) Signed lower left, Paulémile- Pissarro This work is accompanied by a certif...

John Rabone Harvey ( 1966 - 1922) graphic and chalk deep green artist paper , unframed artist paper : 5.5 x 7 inches Provenance: private collection Condition: very good condition Dou...

Academic Study of Hands Holding a Staff, Tuscan School, 32 × 23 cm Mid-19th century Pencil on paper Fine academic drawing depicting two hands holding a staff, executed with precisio...

James Stroudley 1906 -1985 Portrait of a Boy Graphite on paper Image size: 18 x 14 inches James Stroudley was born in London on 17 June 1906, the son of James Stroudley, showcard and ticket writer. He studied at Clapham School of Art (1923-27) and then at the Royal College of Art (1927-30), where his teachers included Alan Gwynne-Jones and William Rothenstein. As a recipient of the first Abbey Scholarship he was able to spend three years in Italy from 1930, where he absorbed the influences of Giotto and Piero della Francesca, and produced one of the last wholly satisfying decorative cycles by a Rome Scholar of the period. From 1934, he exhibited at the Royal Society of British Artists, and was elected to its membership in the following year. From the Second World War – in which he worked with the Camouflage Unit – Stroudley taught at St Martin’s School of Art and was a visiting lecturer at the Royal Academy Schools. Though he continued to live in London, his later work, exhibited at the Royal Academy from 1955, indicated regular painting trips to Kent and Sussex coasts. However, much of his later work was abstract. In 1971, his former student, Peter Coker...

Maria Deely When Life gives you Lemons 2025 Original Drawing with Colored Pencils Size: 14 x 11 inches (35.56 x 27.94 cm) Signed COA provided Inspired by the serene beauty of the La...

Take Me Dancing - An air of femininity is expressed in this series of four dress paintings on art board, evoking a classic sense of timeless glamour. Each piece holds its own unique ...

Signed "James Montgomery Flagg" Lower Right by Artist "Mr. Corroway was wearing a broad smile. He slapped Dave jovially on the shoulder and said: 'No hard feelings, I hope, about o...

is a visual meditation on the existential solitude of the self, ceaselessly turned toward the shadows of meaning. The work emerges from the silence between question and answer, betwe...

Blue Velvet Reprise This graphite pencil drawing ‘Solarized Roundism – 24-02-23’ stems from the latest session with my regular model. Solarization is back on the menu and I ...

Alison Haley Paul is a contemporary painter of lavishly textured landscapes full of nuanced color. Her work conjures up connotations and geographical memories: that summer you spent ...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About the Artist...

California visual artist Kim Frohsin is unsurpassed in her depictions of figures, mostly female, usually in paintings that are intimate in size and scale. All of her work, whether re...

The meticulously rendered symbol for OM and the Ram's head are prominent features of this mandala. In many ancient societies, the ram was a long held symbol of: determination, action...

Watercolour and Chinese ink on paper, signed and dated (upper right), 10cm x 17cm (30cm x 38cm framed). George Barbier was one of the great French illustrators of the early 20th century. Born in Nantes, France on 16 October 1882, Barbier was 29 years old when he mounted his first exhibition in 1911 and was subsequently swept to the forefront of his profession with commissions to design theatre and ballet costumes...

MARIO SIRONI 1885-1961 Sassari, Italy , 1885-1961 Milan, Italy (Italian) Title: Heads of Two Women Technique: Hand Signed Pencil and Crayon Drawing on Tan Paper size: 17.4x 21 cm ...

Head with Halo, Academic Study Inspired by Perugino, Tuscan School, 40 × 28 cm Mid-19th century Pencil on paper Academic drawing depicting a youthful head with a halo and upward gaz...

A graphite profile portrait drawing of a woman on paper by Johannes Collin (1873-1951), signed “Johannes Collin 98” and titled “Zigenerska”. This early and unusual work by Collin presents his interest in refined drawing and capturing character even at a modest scale. It dates from 1898, a formative moment for the artist when he was studying arts and stands out as a somewhat rare example of his graphic or drawing work rather than his better known small bronzes. Johannes Collin was born in 1873 in Skåne, south Sweden. After passing his matriculation at the Cathedral School in Lund in 1892, he studied at university in 1894–96 and then turned to art studies. From 1899 to 1901 he studied at the Royal Academy of Fine Arts in Stockholm, and from 1903 to 1905 he studied sculpture in Paris. Collin settled in Lund, Skåne and pursued a career as sculptor and poet. He died in 1951 in Lund. He was the son of a farmer and raised in the Skåne countryside. Early on he developed a sensitivity to form, figure, and expression, combining his sculptural ambitions with literary leanings (he later published a small volume of poetry). Collin appears to have had an individualistic personality: he moved in student and artistic circles in Lund, but also kept a modest, sometimes even eccentric public persona. In the mid-1930s, he increasingly turned to poetry and pared back his three-dimensional work. From his early years, he gradually developed into a sculptor working in bronze and patinated materials. Much of his work consists of small‐scale bronzes with an intensity of expression. One critic (in Kulturens yearbook) wrote of Collin that “the monumental is not in the work’s external dimensions but in the attitude … your small sculptures have an inner monumentality”. Collin exhibited his works in various venues: for example he took part in the Lund Exhibition (“Lundautställningen”) in 1907. Internationally, he showed works in Munich in 1909 and 1913, where his efforts were positively reviewed. A noteworthy retrospective or exhibition was held at the museum Kulturen in Lund, when a donation of Collin’s sculptures...

Contemporary striped painting by Ron Piller. Painting: Acrylic, Graphite, Gesso, Household, found printed paper on Wood. Multi-colored stripes, modern contemporary. hang verticall...

Sans titre - 09-05-14 In my 'sans titre' series it was obvious that eye charmer Audrey Hepburn couldn't be missed so I did her cubistically too. Graphite pencil drawing (Pentel...

Sans titre - 21-04-18 When I saw a picture of a young Catherine Deneuve I immediately saw the potential for my roundism style. The challenge was to capture the cool distant look i...

Bastet – 01-01-19 My Egyptian series is an addition to my ‘j’accuse’ painting ‘The Revelation of Bettie Page’. My New Year’s resolution for this year: I dare all alg...

*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Moroccan Peasant Scene by Georges Manzana Pissarro (1871-1961) Pencil on paper 22 x 27 cm (8 ⁵/₈ x 10 ⁵/₈ inches)...

Pioneering female abstract artist Elsie Driggs paints stylized abstract organic forms in a warm palette of orange browns and tope. She merges abstraction with some figuration. A structured face composed of lines and tone emerges from an orange background. It's 1939, and even though Driggs is not well known, she is preceding many of the marquee names of abstraction by a decade. Although under the radar, this is a major work and is titled on the back stretcher is " Egyptian Gothic." It features the artist's inventiveness with her fine pencil lines incorporated in flat washes of color and collage elements. Signed lower right and inscribed on frame verso with title, artist and the date of 1939. Provenance, Christie's, Freemans. Framed under glass.. Elsie Driggs (1898 – July 12, 1992 in New York City) was an American painter known for her contributions to Precisionism, America's one indigenous modern-art movement before Abstract Expressionism, and for her later floral and figurative watercolors, pastels, and oils. She was the only female participant in the Precisionist movement, which in the 1920s and 1930s took a Cubist-inspired approach to painting the skyscrapers and factories that had come to define the new American landscape. Her works are in the collection of the Whitney Museum of American Art, the Houston Museum of the Fine Arts, the Fine Arts Museums of San Francisco, the James A. Michener Art Museum in Pennsylvania, and the Columbus Museum of Art, among others. She was married to the American abstract artist Lee Gatch. Career Born in Hartford, Connecticut, Driggs grew up in New Rochelle, a suburb of New York City, in a family that was supportive of her artistic interests. After a summer spent painting with her sister in New Mexico in her late teens, she felt she had found her life's calling. At twenty, she enrolled in classes at the Art Students League of New York, where she studied under George Luks and Maurice Sterne, both of whom were charismatic, inspirational figures in her early life. She also attended the evening criticism classes held at the home of painter John Sloan. Driggs spent fourteen months in Europe from late 1922 to early 1924, drawing and studying Italian art. There she met Leo Stein, first in Paris and later in Florence, who became an important intellectual influence, and who urged her to study Cézanne. He also introduced her to the works of Piero della Francesca, the Renaissance artist for whom she felt throughout her life the greatest admiration.[1] Driggs eventually settled in New York City, where she found representation with the progressive Charles Daniel Gallery.[2] (Advised that the old-fashioned and misogynistic Daniel would be unlikely to take on a woman artist, she signed the works she left for his consideration simply "Driggs" and waited to meet him in person until he had expressed his eagerness to include her in his gallery.)[3] In sympathy with those artists Daniel represented who were part of the burgeoning Precisionist movement, such as Charles Demuth, Charles Sheeler, George Ault, Niles Spencer, and Preston Dickinson, she too painted "the modern landscape of factories, bridges, and skyscrapers with geometric precision and almost abstract spareness."Impressionism and academic or Ashcan realism represented the past, in Driggs' view, and she intended to be resolutely modern. She was an attractive and engaging woman, but her demeanor belied a strong ambition and a clear sense of what it would take to make her mark in the New York art world. Driggs was part of the pre-eminent first group of Precisionist painters, including Demuth and Sheeler, who exhibited at the Daniel Gallery in the 1920s. Although a later group of Precisionist painters, including Louis Lozowick, Ralston Crawford and others, came on the American Art scene during the 1930s, Driggs felt that the style came to an end with the 1929 stock market crash.[5] In 1926 she painted her most famous work, Pittsburgh, a dark and brooding picture now in the permanent collection of the Whitney Museum of American Art, which depicts the gargantuan smokestacks of the Jones & Laughlin steel mills in Pittsburgh. Its focus is an overpowering mass of black and gray smokestacks, thick piping, and crisscrossing wires with only clouds of smoke to relieve the severity of the image, yet it was an image in which she found an ironic beauty. She called the picture "my El Greco" and expressed surprise that viewers in later years interpreted the painting as a work of social criticism. Like the other Precisionists (e.g., Demuth, Charles Sheeler, Louis Lozowick, Stefan Hirsch), she was concerned with applying modernist techniques to renderings of the new industrial and urban landscape, not in commenting on potential dangers the overly mechanized modern world of 1920s America might present. If anything, Precisionism, like Futurism, was a celebration of man-made energy and technology. One year later, she painted Blast Furnaces, in a similar vein. As noted above, Piero della Francesca's mural depicting "The Story of the True Cross" in Arezzo, with its tubular, static and frozen forms was the major influence on Driggs' "Pittsburgh" (it may have been the major influence for "Blast Furnaces" as well).[7] After Pittsburgh, Driggs' most acclaimed work was probably Queensborough Bridge...

MEDIUM: ​Original Production Cel on Printed Background IMAGE SIZE: 12 Field PRODUCTION: Looney Tunes SKU: IFA7752 ABOUT THE IMAGE: Looney Tunes is a series of animated short films b...

Silverpoint and colored pencil on paper, 29 x 23 in. Signed (at lower right): Joseph Stella Executed about 1919 EXHIBITED: Hirschl & Adler Galleries, New York, November 23, 1985–January 4, 1986, American Masterworks on Paper: Drawings, Watercolors, and Prints, pp. 6, 46 no. 47 illus. // (probably) Richard York Gallery, New York, October 5–November 17, 1990, Joseph Stella: 100 Works on Paper, no. 36 EX COLL.: [Dudensing Galleries, New York]; sale, Christie’s, New York, December 7, 1984, lot 324; [Hirschl & Adler Galleries, New York, 1984]; to private collection, 2006 until the present An independent-minded artist who adhered to the credo “Rules don’t exist,” Joseph Stella explored a range of styles, media, and themes, willfully ignoring the “barricades erected by ... [the] self-appointed dictators” of the art establishment (Joseph Stella, “On Painting,” Broom 11 [December 1921], pp. 122–23; Joseph Stella, “Discovery of America: Autobiographical Notes,” Art News 59 [November 1960], p. 41). By doing so, he produced a diverse and highly eclectic body of work, ranging from realist figure subjects, pulsating Futurist cityscapes, and modernist religious...

An archeological memory of Bettie Page - 13-11-18 The reference picture I used was slightly different from the one I used for 'The revelation of Bettie Page (2018)'. I kept it for quite some time but finally saw a great looking sphinx coming from her arm. The difficulty was to create three different images in one: her body, the sphinx and also the incorporation of the fox / dog figure I used before...

Watercolor drawing realized by Mino Maccari in 1960s. Hand signed in pencil lower right. Matted, in very good condition.

The premonition of Bettie Page - 08-02-20 My painting 'The Restoration of Bettie Page' heads for its final stage of completion. It just feels right to announce the birth of this p...

Art Sz: 11"H x 8 3/8"W 1944 Provenance stamp on verso: The Estate of Paul Desmond Brown *Book sold separately*

Lee Cox (American, born 1941) "Campfires" 2025 Acrylic Paint, Pencil, Canvas, Stretcher Bars The artist signed the bottom right of the painting. In "Campfires", Lee Cox conjures the...

Diane Burko Lily Pond at Giverny, 1990 Hand colored monoprint (lithograph with hand coloring) Hand signed and numbered 8/95 by the artist and bears publisher's stamp on the front 21 ...

Notenboompark - 18-09-20 Notenboompark The shortest way to my studio where I teach is via the Prins Bernhardlaan in Voorburg, Netherlands but once in a while I take a slight deto...

Remembrance #6 is a unique painting by contemporary artist Maho Maeda. This painting is made with acrylic, coloured pencil, ink and antique textile on cotton canvas, dimensions are 5...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

CHRISTO Closed Highway, Project for 5000 Miles, 6 Lanes East-West Highway (Schellmann, 51), 1972 Lithograph with Offset lettering on wove paper Hand signed in felt tip pen and pencil...

Frameless. Jose Antonio Herrera Alcazar was born in 1960 and was largely influenced by the 1970s. The art sphere of the 1970s was epitomized by a longing to evolve and reinforce its...

Sandy Litchfield’s “Lingerlin” (mixed media on paper, 30 x 22 in.) reflects her signature practice of transforming landscapes into lyrical, layered compositions. Drawing inspiration ...

"Waiting for Death" is a haunting graphite drawing by American artist William Perkins Babcock, known for his symbolic and evocative works. In this powerful composition, Babcock explo...

Beth Secor Sparrow, 2016 gouache, pencil and ink on paper 24-3/4 x 24-3/4 inches

Vítor Mejuto introduces a geometric synthesis that breaks down painting into its most structural essence. His work, in which line, stain and shape establish a precise chromatic balan...

Lee Cox (American, born 1941) "Spring Stroll" 2024 Acrylic Paint, Pencil, Canvas, Stretcher Bars, Wire The artist signed the bottom right of the painting. In “Spring Stroll,” Lee Co...

Medium: Pencil, Charcoal and Orange Wash on Paper Signature: Signed "O'Neill" Upper Left Sight Size 24.00" x 19.50", Framed 35.00" x 29.00" Illustration for the poem "Baby's First Christmas" by Margaret G. Hayes, published in Harper's Bazar, December 1910. ​​​​​​​The artwork is also reproduced within Walt Reed's The Illustrator in America, 1860-2000 (Society of Illustrators, 2001) on page 154. Exhibited: Brandywine River...

ink on paper signed OSC. LYCKE unframed 24 x 34 cm (9.4 x 13.4 in) framed 33.5 x 43.5 cm (13.2 x 17.1 in) Provenance: Acquired directly from Katarina Gunnarsson, who inherited the ...

A fine portrait study by William Henry Ladd. Signed and dated to the lower right. Float mounted in a stylish frame with a vintage finish. On paper.

Original French Artwork by Robert Ladou (French 1929-2014) original pencil drawing on artist paper stuck on paper, unframed size: 12 x 12.5 inches condition: very good provenance: f...

Original French Artwork by Robert Ladou (French 1929-2014) original pencil drawing on artist paper, unframed size: 11 x 17 inches condition: very good provenance: from the artists e...

Daffy Duck, Elmer Fudd, Bugs Bunny MEDIUM: ​Original Production Cel on Printed Background IMAGE SIZE: 12 Field PRODUCTION: Looney Tunes, Quackbuster SIGNED: Darrell Van Citters SKU...

Robert Rauschenberg Human Rights Award, 1981 Silkscreen and Lithograph with Collage Embossing on Hodgkins Handmade Paper Pencil signed and numbered 73/100 on the front Silkscreen an...

Jay Alan Babcock is a St. Louis-based graphic designer and painter. His work exhibits his interest in the visual language of Americana, including old ...

Excellent overall Conditions Free US CONTINENTAL shipping, incl Europe and Asia. Paul Hoeniger studied at the art academies in Berlin and Munich. He was at the time a famous stud...