Art by Medium: Pigment

Stormwarning VI NY State slate/pigmented and sealed steel 25" (height) x 12" (width) x 5" (depth) Stone and metal, usually granite or slate, and found object steel are central in my...

'Cones: Married Couple' from Kim Frohsin's important and historic Cautionary Tales series series of 2015. 'Married Couple' featuring a pair of construct...

Red Landscape Original Art on Paper 60x70 cm 2023 Mineral oxide on paper Marilina Marchica was born in Agrigento, where she works and lives, After rec...

Exquisite work from Frohsin's Cautionary Tales, with the appearance of a Navajo Blanket or three dimensional urban street signs that are bold, strong, colorful. The painting is mainl...

Diptych Fused Glass created in a kiln. method Relatively simple materials. Beginning with float (recycled window) or plate glass, pieces are cut and arranged with hand-cut glass s...

Kerf V Granite/pigmented and sealed steel 12" (height) x 14" (width) x 5" (depth) Stone and metal, usually granite or slate, and found object steel are central in my sculpture. The ...

Painting on paper is 10 1/4 x 7 5/8 inches. Professionally hinged into an 8ply museum mat with an outer dimension of 19 x 16 1/4 inches, with an archival crystal clear case. Fro...

Frohsin began exhibiting in the San Francisco Bay Area in the early 1990s, and in 1993 was included with Nathan Olivera, Manuel Neri and Stephen De Staebler in an exhibit of "Four Fi...

Jennifer Wolf grew up in Southern California hiking the Santa Ynez and Santa Monica Mountains. This intimate connection with the landscape led Wolf to explore using the earthen color...

Diptych Fused Glass created in a kiln. method Relatively simple materials. Beginning with float (recycled window) or plate glass, pieces are cut and arranged with hand-cut glass s...

"CAMBRE V" by John Van Alstine Slate, Steel & Pigment Stone, Metal, Sculpture, Abstract, Contemporary, Large, Outdoor, Industrial, Industry, Nature, Orange The sculpture of John Va...

Fused Glass created in a kiln. method Relatively simple materials. Beginning with float (recycled window) or plate glass, pieces are cut and arranged with hand-cut glass shapes, ...

Valerio D'Ospina's "Estate Europa" a beautiful abstracted European cityscape painting, done in a realistic style. This piece is unframed yet ready to hang. Valerio D’Ospina was born...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Authenticity, guaranteeing its originality and provenance. We offer secure worldwide delivery to any address you specify, ensuring that your purchase arrives in pristine condition. If you require additional shipping options or a bespoke quote from our trusted network of carriers, please do not hesitate to contact us. Our team is here to help you find the best solutions for a smooth and secure delivery experience. Born in 1986 in Saarbrücken, Germany, Amela lives and works as a visual artist in Munich. As the daughter of migrants from former Yugoslavia, she grew up bilingual and her live had taken place between Germany and Bosnia. This experience has had a particularly strong influence on the content of her work. The paintings of Amela Rasi...

Landscape BW Mineral Oxide on Paper 55x74 cm framed 68x88 cm Original Art Ready to Hang The use of natural materials such as mineral oxide powder connects the work to a dimension...

This abstract painting by Roger Mudre is made with acrylic paint over marble dust and mica powder on cradled birch panel. It features a vibrant palette with small concentric circles ...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

Lunge 17 Slate/pigmented and sealed steel 17" (height) x 27" (width) x 5" (depth) Stone and metal, usually granite or slate, and found object steel are central in my sculpture. The ...

This work reflects Satria Nugraha’s intuitive and experimental approach to making, where everyday life, human connection, and the surrounding environment quietly inform the image. Wo...

Seeking the Sound of Cobalt Blue is a series of larger paintings on 8 ply museum board and large sheets of rag paper that have been created since the winter of 2016. Using domestic...

Beeswax, resin and pigment on canvas mounted on panel. Unframed. This work is from a series of formal trifold compositions of quiet horizontal abstraction, based in the Venetian tra...

Dunewood (Abstract Painting) Beeswax, resin and pigment on canvas mounted on panel. Unframed. This work is from a series of formal trifold compositions of quiet horizontal abstrac...

Medium: reclaimed wood, pigment and lacquer As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used a...

Medium: oak As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as the visual language. The figur...

Medium: oak As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as the visual language. The figur...

Medium: whitewashed oak As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as the visual languag...

The ancient Egyptian artist is the one who introduced the world to colours. Colours are normally extracted from nature. Greens come from plants, browns come from earth and reds come ...

Signed and dated on base. Lohman studied at John Herron Art Institute, and Cranbrook and Yale for graduate work. Assisted Carl Milles at Cranbrook Academy before becoming Director o...

Donald Martiny’s signature work is composed of dispersed pigment on aluminum. He creates immediately frozen brushstrokes that are made from his own movements. They are defined by the...

There are two Little Oil installations available with 6 sculptures each on top of LED light boxes. Little Oil 19 is a digital photographic print on aluminum for the flat files. Katherine Jackson has been working with glass and light together for many years, Recently, she's been making glass castings of vintage oil cans, and displaying them -- singly, in small groupings, or in vitrines -- on light boxes. So far she has created about 90, each one unique. The series is called Little Oil, alluding to Big Oil, and sometimes Small Oils, as in oil painting. But “oil” can mean many things. It has been a source of light (sometimes from unconscionable sources) since ancient times as well as a source of eternal light in many faith traditions. Set atop lightboxes, where each work glows from within, these pieces can simply seem like vessels of light itself. At times, they appear to me to transcend their relation to oil altogether, appearing anthropomorphic or creaturely, even biological. These days, I think of them as archeological artifacts, relics of a past, oil-based, civilization. Necropolis is a print of a painting inspired by a map of the necropolis where the terra cotta soldiers...

This drawing by Frank Girard is created with pigments and ink, on 300g/m2 neutral white paper. It is not framed. Through drawings, the masterful French a...

HelioBray's latest work, titled "This must be Illegal," is a stunning fusion of his urban intervention style and the intricacies of composite paint. The piece showcases the artist's ...

"As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as the visual language. The figure is abstrac...

Seeking the Sound of Cobalt Blue is a series of larger paintings on 8 ply museum board and large sheets of rag paper that have been created since the winter of 2016. Using domestic construction materials from her garage, extras from home improvement projects or the garden, have been captured, much like a photogram, but with paint, not silver. By blending photography and painting, Fagan finds that the patterns created with industrial, mass-produced objects around the house and garage, speak to her interest in producing paintings that link to sound. These works are portraits of the artist’s home, its history, and the materials used to build that maintain her home. Ellen Hackl Fagan builds connections between color and sound using installations, interactive games, and collaborative projects that combine color-and-texture saturated paintings with music...

This drawing by Frank Girard is created with ink and pigments Colors, on 300g/m2 neutral white paper. It is not framed. Through drawings, the masterful French artist Frank Girard is...

Stone and metal, usually granite or slate, and found object steel are central in my sculpture. The interaction of these materials is a major focus. On the most basic level, the work ...

Seeking the Sound of Cobalt Blue is a series of paintings and sculptures that have been created since the spring of 2014. Ellen Hackl Fagan_SeekingtheSoundofCobaltBlue_Found Object...

"Concrete Gardens" is a body of work that translates Patrick Burns' deep love of the land into mixed-media paintings with rich texture and reverberating, monochrome color. Using pres...

Twister '23 Slate/pigmented and sealed steel 32" (height) x 12" (width) x 6" (depth) Stone and metal, usually granite or slate, and found object steel are central in my sculpture. T...

All available sizes & editions for each size of this photograph: 27” x 48" Edition of 7 37” x 66" Edition of 10 48” x 85” Edition of 5 This project Before Ever After was less ab...

Seeking the Sound of Cobalt Blue is a series of larger paintings on 8 ply museum board and large sheets of rag paper and clayboard panels that have been created since the winter of 2...

Seeking the Sound of Cobalt Blue is a series of larger paintings on 8 ply museum board and large sheets of rag paper and clayboard panels that have been created since the winter of 2...

Riverstone, pigmented and sealed steel Stone and metal, usually granite or slate and found object steel are central in my sculpture. The interaction of these materials is a major fo...

By developing a geometry between line and the spaces in between in their work, the abstract paintings of Tayo Heuser create a point of departure for the mind into a spiritual consci...

Seeking the Sound of Cobalt Blue is a series of larger paintings on 8 ply museum board and large sheets of rag paper and clayboard panels that have been created since the winter of 2...

Riverstone/ Pigmented and sealed steel Stone and metal, usually granite or slate and found object steel are central in my sculpture. The interaction of these materials is a major fo...

Seeking the Sound of Cobalt Blue is a series of paintings and sculptures that have been created since the spring of 2014. Using domestic construction materials from her garage, extras from home improvement projects or the garden, have been captured, much like a photogram, but with paint, not silver. By blending photography and painting, Fagan finds that the patterns created with industrial, mass-produced objects around the house and garage, speak to her interest in producing paintings that link to sound. These works are portraits of the artist’s home, its history, and the materials used to build that maintain her home. Ellen Hackl Fagan builds connections between color and sound using installations, interactive games, and collaborative projects that combine color-and-texture saturated paintings with music...

Stone and metal,usually granite or slate and found object steel are central in my sculpture. The interaction of these materials is a major focus. On the most basic level the work is ...

"All The Pieces Floated Into The Sky" is a mixed media eye-catching painting by Jason Hackenwerth. The application of pigment adds intrigue and textu...

Medium: Textile / Fiber Style: Contemporary Materials: Dyed Natural Hemp Fiber Form: Organic Seed Pod / Cocoon Form Contemporary Organic Wall Sculpture in Natural Hemp Fiber, Signed...

Stone and metal, usually granite or slate, and found object steel are central in my sculpture. The interaction of these materials is a major focus. On the most basic level, the work ...

In Sylvia Schwartz' structures, silicone molds are cast from both natural and hand-made forms, including clay coils, volcanic rock patterns, seaweed, and the artist's own fingerprint...

Seeking the Sound of Cobalt Blue is a series of larger paintings on 8 ply museum board and large sheets of rag paper that have been created since the winter of 2016. Using domestic...

This drawing by Frank Girard is created with pigments and ink, on 300g/m2 neutral white paper. It is not framed. Through drawings, the masterful French a...

Ellen Hackl Fagan is an interdisciplinary abstract painter who uses synaesthesia, digital media and interactive performance as tools for developing a corresponding language between color and sound in her work. This year she focused in on the core concept in her abstract work and began creating a small series of works on paper titled “Seeking the Sound of Cobalt Blue.” This series has evolved into floor to wall installations of blue paintings on paper and on the floor that explore the nature of printmaking processes, texture and surface. Ellen Hackl Fagan is the inventor of The Reverse Color Organ and the ColorSoundGrammar Game, two projects that enable viewers to interact aurally with color. In collaboration with cognitive scientist Michael Cole...

This contemporary botanical drawing is part of the series "Golden Roots" by Silvana Ilieva — a body of three-dimensional abstract paintings created on a black relief wooden surface a...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

With Light Glyphs, Casper Brindle presents two new bodies of work, each involving dramatic investigations into light, color and perspective. The results are poetic, sensual and spat...

Aaron Fink (American, b. 1955) "Cherry" Signed and dated "Aaron Fink 1980" lower right. framed. there is a label that was on the board on back from Obelisk gallery. it is currently not attached. it is unframed. Floated against a foam core backing so that the edges of the sheet are visible. The two tiny tears are probably at site of old tack holes, where the tacks pulled through the paper due to the weight. Born in Boston, Fink received his BFA from the Maryland Institute College of Art and his MFA from the Yale University School of Art. His work has been exhibited widely throughout the U.S., Europe, Japan and Australia. He has been the subject of solo exhibitions at the Massachusetts Institute of Technology, the Muskegon Museum of Art, Michigan, the Rockford Art Museum, Illinois, and Colorado State University, Fort Collins. In 2002 a monograph on Fink’s work, Out of the Ordinary, was published, with text by Eleanor Heartney. In 1983 Fink met the collector John Powers, who remained a strong supporter of his work until his death in 1999. Fink’s work is represented in the collections of the Art Institute of Chicago, the Hara Museum, Tokyo, the Metropolitan Museum of Art, New York, the Museum of Modern Art, New York and the National Gallery of Art, Washington, DC, among many others. Fink currently divides his time between Boston and Rockport, Massachusetts. S E L E C T E D C O L L E C T I O N S Art Institute of Chicago Bank of America Boston Public Library Bouwfonds Netherlandse Gemeenten, The Netherlands Brooklyn Museum of Art Castelli Collection, New York Chase Manhattan Bank Chemical Bank Childrens Hospital, Chicago Choate Rosemary Hall...

This drawing by Frank Girard is created with Chinese ink and pigment Colors, on 300g/m2 neutral white paper. It is not framed. Through drawings, the masterful French artist Frank Gi...