Art by Medium: Plexiglass

This work by James Chadwick features captivating cut-out plump lips, adorned with the vibrant and iconic shade of Rouge Libre red lipstick. These lips radiate a profound sense of emp...

"Seasons: Cycles Unveiled," poignantly captures the essence of life's transience through a symbolic composition. At the center of the canvas rests a meticulously rendered skull, an e...

This original Plexiglas with linen is numbered 5/20 in black pen in the lower left on one side. An unexpected energy is conveyed by the broken black and white lines respectively por...

Digital+Diasec Plexi Plexi Ed. 1/3 89 x 63 cm / 35 x 25 in

Digital+Diasec Plexi Plexi Ed. 1/3 89 x 63 cm / 35 x 25 inch

The Three Graces Acrylic+Digital+Diasec Plexi Plexi Ed. 1/3 120 x 90 cm / 47 x 35 in

Bandeau noir ondulé 108 x 41 cm Collage papiers sur carton plume, collé sur plaque plexiglass. 4 kg avec pochette emballage carton. Signé au dos. Prix galerie : 2300 €

Carré noir ondulé 1 et 2 60 x 60 cm Collage papiers sur carton mousse, encadrement plexiglass. 4 kg Signé au dos. Prix galerie : 2100 €

Carré noir ondulé 1 et 2 60 x 60 cm Collage papiers sur carton mousse, encadrement plexiglass. 4 kg Signé au dos. Prix galerie : 2100 €

Carré blanc ondulé 83 x 83 cm Collage papiers sur carton plume, encadrement baguette bois blanc. 8 kg avec pochette emballage carton. Signé au dos. 3000 €

First of May is a limited edition photograph by Nancy C. Woodward. This is a limited edition photograph with a plexifacemount. It 24" x 24". It is filled with Blues and Green colors. It is $1,850. This is an edition of 30. It was originally photographed in 2012. Nancy C. Woodward is an award winning photographic and mixed media artist. Her shadow portraits, colorful trees and ethereal landscapes depict unique views of the natural world. Nancy photographs moments when the natural world appears changed. Through experimenting with different color palettes, papers, fibers, mediums and surfaces, she brings new realms into view. Ms. Woodward has a studio along with twenty other working artists, at Firing Circuits Artist Studios in Norwalk, Connecticut. She was an Artist in Residence at Silver Lake Conference Center in Sharon, Connecticut for ten years. She is a member of the Ridgefield Guild of Artists, The Katonah Museum Artists...

Art books bookscape

Primarily an experimenter, Goldberg’s work is a collection of variations on the theme of water in movement, through drawings, paintings and sculptures She works primarily in resins ...

Primarily an experimenter, Goldberg’s work is a collection of variations on the theme of water in movement, through drawings, paintings and sculptures She works primarily in resins ...

Kim Fonder TERRA DI SIENA COLLAGE UNA Mixed Media on Paper with Plexiglass 20.00 X 20.00 in $1,100.00 Kim Fonder loves texture and touch. Her paintings and furniture reflect her inf...

"No title (No 44)" Ballet Photography 45x45 in Ed. of 18 by Yevgeniy Repiashenko No title (No 44) Photography 45 x 45 inch Year photo was taken: 2019 Edition of 18. Premium Qualit...

INIZIO AVORIO I by Kim Fonder is a mixed media on handmade paper, pigment, mica, on burlap over panel measures 24.00 X 24.00 in and is priced at $800. Kim Fonder loves texture and t...

INDACO COLLAGE III by Kim Fonder is a mixed media on handmade paper, pigment, mica, on burlap over panel measures 24.00 X 24.00 in and is priced at $800. Kim Fonder loves texture an...

After graduating from the University of Philadelphia with an engineering degree, Grossman soon discovered his passion for photography. In 2000, he graduated from NYU and the Interna...

ENSO SERIES II by Kim Fonder is a Mixed Media on Handmade Paper with Plexi that measures 12.00 X 12.00 in and is priced at $600.00. Kim Fonder loves texture and touch. Her paintings...

Ed of 5 + 2AP Among the contributors to the contemporary art world’s boundary-breaking experimentation in media, Kim Keever has hit on something truly unique—a photographic art in w...

"No title No 15" Ballet Photography 45 x 45 in Ed. of 18 by Yevgeniy Repiashenko No title (No 15) by Yevgeniy Repiashenko Year photo was taken: 2016 Edition of 18. Premium Quality: ...

No title (No 57) Ballet Photography 45"x45" in Ed. of 18 by Yevgeniy Repiashenko No title (No 57) Photography Edition of 18 45 x 45 inch Year photo was taken: 2017 This picture ...

“CUT WORK” is an evolving examination of emotion experienced through the inspired meeting of blade and paper. Beginning with the featureless plane of a blank paper canvas and a surge...

“CUT WORK” is an evolving examination of emotion experienced through the inspired meeting of blade and paper. Beginning with the featureless plane of a blank paper canvas and a surge...

these beautiful tjaps pronounced ‘chops’ are used to apply wax during the batik process

These beautiful tjaps pronounced ‘chops’ are used to apply wax during the batik process mounted on burlap and enclosed in a plexi glass frame antique copper batik stamps...

"Blind Standard" (FRAMED) Photography 48 x 36 In Edition of 3 by StillVika Size framed: 54" x 44.5" inch Medium: Digital Print, Plexiglass, Matte Varnish Signed and numbered by the ...

This piece can be framed for an additional $1,500. 4" white border

After graduating from the University of Philadelphia with an engineering degree, Grossman soon discovered his passion for photography. In 2000, he graduated from NYU and the Interna...

Framed Dimensions: 30.5h x 42.5w in Alexander Stolin, born and raised in Kiev, Ukraine (under the former Soviet Socialist Republic), where he received intensive training and a master of fine arts degree in his homeland’s traditional art academies. He immigrated to San Francisco in 1992, met his future wife in Hattiesburg, Mississippi, then married and settled in New Orleans. He maintains a home and studio in Madisonville, Louisiana, and is a significant but understated figure in the New Orleans art community. As art critic D. Eric Bookhardt suggested in 2002, “Stolin is more accomplished than he is famous.” His art, often exhibited in thematic series that incorporate a variety of media, ranges from intimate portraits to large-scale murals (one measuring twelve feet by seventy-two feet). He has worked on a progressively larger scale, most recently designing and painting projects for the Louisiana film industry. Stolin’s technically proficient and complexly layered art reflects a unique fusion of the academic training he received in Kiev and his evolving response to the very different culture, lifestyle, and subject matter he has discovered in New Orleans, Madisonville, and the Gulf South. Stolin was born on August 30, 1963. His art abilities were quickly recognized when in fourth grade he qualified for admission to the State School of Art in Kiev, which he attended from 1975 to 1981. He decided to concentrate on book illustration and graphic arts, and after graduating he was accepted into the Ivan Fedorov Polygraphic Institute in Moscow, where he studied from 1982 to 1988, graduating with a master of fine arts degree in 1988. He trained as a printmaker, creating etchings and lithographs, and as a graphic designer, and worked as a designer in Kiev. “I illustrated mysteries, science fiction, and different magazines,” he said. In 1988, after his family visited relatives in San Francisco, California, the Stolins decided to immigrate to the United States, a process that took four years. In 1992, Stolin and his parents immigrated to San Francisco, and he worked for graphic design and print businesses in nearby Emeryville, California. During a trip to Hattiesburg, Mississippi, where he was visiting cousins, Stolin met Mary Kay Holmes. The couple soon married and moved to New Orleans, where Stolin established himself as a working artist and began to exhibit in local galleries and group exhibitions. The art Stolin began to create in New Orleans demonstrated his technical skills, knowledge of art history, and the evolving range of his subject matter, reflected from one series and exhibition to the next, yet it was challenging for critics to classify his work. This was evident in the series Stolin exhibited during his first decade in the city, beginning with Byzantium on the Bayou (1993–1994), which combined historical Byzantine art references with New Orleans and Mardi Gras subjects, such as Mardi Gras Madonna and Adoration of St. Gator. In his Midnight Dessert series (1995–1997), he created works such as Tea in Manhattan and Rembrandt and Nathan, a large painting that Bookhardt described as “a vision of Rembrandt and various Dutch masters promenading down the sidewalk past Nathan’s Deli in New York.” Following that, he completed The Water Series (1998–1999), featuring reflective and heavily worked surfaces in paintings such as Reflections #2 and Study of Fish and Swimmers. Stolin’s Face to Face series of portraits, completed from 2000 to 2002, featured New Orleans artists including Douglas Bourgeois...

Framed Dimensions: 31.5h x 45.5w in Alexander Stolin, born and raised in Kiev, Ukraine (under the former Soviet Socialist Republic), where he receive...

Framed Dimensions: 36.5h x 36.5w in Alexander Stolin, born and raised in Kiev, Ukraine (under the former Soviet Socialist Republic), where he received intensive training and a master of fine arts degree in his homeland’s traditional art academies. He immigrated to San Francisco in 1992, met his future wife in Hattiesburg, Mississippi, then married and settled in New Orleans. He maintains a home and studio in Madisonville, Louisiana, and is a significant but understated figure in the New Orleans art community. As art critic D. Eric Bookhardt suggested in 2002, “Stolin is more accomplished than he is famous.” His art, often exhibited in thematic series that incorporate a variety of media, ranges from intimate portraits to large-scale murals (one measuring twelve feet by seventy-two feet). He has worked on a progressively larger scale, most recently designing and painting projects for the Louisiana film industry. Stolin’s technically proficient and complexly layered art reflects a unique fusion of the academic training he received in Kiev and his evolving response to the very different culture, lifestyle, and subject matter he has discovered in New Orleans, Madisonville, and the Gulf South. Stolin was born on August 30, 1963. His art abilities were quickly recognized when in fourth grade he qualified for admission to the State School of Art in Kiev, which he attended from 1975 to 1981. He decided to concentrate on book illustration and graphic arts, and after graduating he was accepted into the Ivan Fedorov Polygraphic Institute in Moscow, where he studied from 1982 to 1988, graduating with a master of fine arts degree in 1988. He trained as a printmaker, creating etchings and lithographs, and as a graphic designer, and worked as a designer in Kiev. “I illustrated mysteries, science fiction, and different magazines,” he said. In 1988, after his family visited relatives in San Francisco, California, the Stolins decided to immigrate to the United States, a process that took four years. In 1992, Stolin and his parents immigrated to San Francisco, and he worked for graphic design and print businesses in nearby Emeryville, California. During a trip to Hattiesburg, Mississippi, where he was visiting cousins, Stolin met Mary Kay Holmes. The couple soon married and moved to New Orleans, where Stolin established himself as a working artist and began to exhibit in local galleries and group exhibitions. The art Stolin began to create in New Orleans demonstrated his technical skills, knowledge of art history, and the evolving range of his subject matter, reflected from one series and exhibition to the next, yet it was challenging for critics to classify his work. This was evident in the series Stolin exhibited during his first decade in the city, beginning with Byzantium on the Bayou (1993–1994), which combined historical Byzantine art references with New Orleans and Mardi Gras subjects, such as Mardi Gras Madonna and Adoration of St. Gator. In his Midnight Dessert series (1995–1997), he created works such as Tea in Manhattan and Rembrandt and Nathan, a large painting that Bookhardt described as “a vision of Rembrandt and various Dutch masters promenading down the sidewalk past Nathan’s Deli in New York.” Following that, he completed The Water Series (1998–1999), featuring reflective and heavily worked surfaces in paintings such as Reflections #2 and Study of Fish and Swimmers. Stolin’s Face to Face series of portraits, completed from 2000 to 2002, featured New Orleans artists including Douglas Bourgeois...

Framed Dimensions: 21.5h x 26w in Alexander Stolin, born and raised in Kiev, Ukraine (under the former Soviet Socialist Republic), where he received ...

Framed Dimensions: 30.5h x 30.5w in Alexander Stolin, born and raised in Kiev, Ukraine (under the former Soviet Socialist Republic), where he received intensive training and a master of fine arts degree in his homeland’s traditional art academies. He immigrated to San Francisco in 1992, met his future wife in Hattiesburg, Mississippi, then married and settled in New Orleans. He maintains a home and studio in Madisonville, Louisiana, and is a significant but understated figure in the New Orleans art community. As art critic D. Eric Bookhardt suggested in 2002, “Stolin is more accomplished than he is famous.” His art, often exhibited in thematic series that incorporate a variety of media, ranges from intimate portraits to large-scale murals (one measuring twelve feet by seventy-two feet). He has worked on a progressively larger scale, most recently designing and painting projects for the Louisiana film industry. Stolin’s technically proficient and complexly layered art reflects a unique fusion of the academic training he received in Kiev and his evolving response to the very different culture, lifestyle, and subject matter he has discovered in New Orleans, Madisonville, and the Gulf South. Stolin was born on August 30, 1963. His art abilities were quickly recognized when in fourth grade he qualified for admission to the State School of Art in Kiev, which he attended from 1975 to 1981. He decided to concentrate on book illustration and graphic arts, and after graduating he was accepted into the Ivan Fedorov Polygraphic Institute in Moscow, where he studied from 1982 to 1988, graduating with a master of fine arts degree in 1988. He trained as a printmaker, creating etchings and lithographs, and as a graphic designer, and worked as a designer in Kiev. “I illustrated mysteries, science fiction, and different magazines,” he said. In 1988, after his family visited relatives in San Francisco, California, the Stolins decided to immigrate to the United States, a process that took four years. In 1992, Stolin and his parents immigrated to San Francisco, and he worked for graphic design and print businesses in nearby Emeryville, California. During a trip to Hattiesburg, Mississippi, where he was visiting cousins, Stolin met Mary Kay Holmes. The couple soon married and moved to New Orleans, where Stolin established himself as a working artist and began to exhibit in local galleries and group exhibitions. The art Stolin began to create in New Orleans demonstrated his technical skills, knowledge of art history, and the evolving range of his subject matter, reflected from one series and exhibition to the next, yet it was challenging for critics to classify his work. This was evident in the series Stolin exhibited during his first decade in the city, beginning with Byzantium on the Bayou (1993–1994), which combined historical Byzantine art references with New Orleans and Mardi Gras subjects, such as Mardi Gras Madonna and Adoration of St. Gator. In his Midnight Dessert series (1995–1997), he created works such as Tea in Manhattan and Rembrandt and Nathan, a large painting that Bookhardt described as “a vision of Rembrandt and various Dutch masters promenading down the sidewalk past Nathan’s Deli in New York.” Following that, he completed The Water Series (1998–1999), featuring reflective and heavily worked surfaces in paintings such as Reflections #2 and Study of Fish and Swimmers. Stolin’s Face to Face series of portraits, completed from 2000 to 2002, featured New Orleans artists including Douglas Bourgeois...

"PLACEBO MARILYN MONROE" Plexiglass Print 55' x 39' in Ed. of 50 by Edyta Grzyb Image form: pigment print behind acrylic glass, glossy, inlaid. On the back with a mounting rail for ...

No title (No 90) Ballet Photography 45 x 45 in Ed. of 18 by Yevgeniy Repiashenko No title (No 90) Photography Edition of 18 45 x 45 inch Year photo was taken: 2019 This picture is...

Large-scale photograph from the Equine Beauty series. The legendary and complex relationship between humans and horses is an enduring one. The horse’s distinctive blend of grace and...

Large-scale photograph from the Equine Beauty series. The legendary and complex relationship between humans and horses is an enduring one. The horse’s distinctive blend of grace and...

Large-scale photograph from the Equine Beauty series. The legendary and complex relationship between humans and horses is an enduring one. The horse’s distinctive blend of grace and...

Large-scale photograph from the Equine Beauty series. The legendary and complex relationship between humans and horses is an enduring one. The horse’s distinctive blend of grace and...

Large-scale photograph from the Equine Beauty series. The legendary and complex relationship between humans and horses is an enduring one. The horse’s distinctive blend of grace and...

Shot from a helicopter over the Dead Sea in Israel. . Abstract feel. Archival Print. Mounted on Plexiglass. White, wooden frame. with matte finish. About the Artist Dinesh B...

“CUT WORK” is an evolving examination of emotion experienced through the inspired meeting of blade and paper. Beginning with the featureless plane of a blank paper canvas and a surge...

“CUT WORK” is an evolving examination of emotion experienced through the inspired meeting of blade and paper. Beginning with the featureless plane of a blank paper canvas and a surge...

Annick b. Cuadrado, a French artist, born and working in Paris, introduces in her works of art the most famous products of our consumer life. She has convinced the owners of the most...

In a statement Roesch says: "The spires describe my journey on the planet. I have placed spires in rows, in star patterns, and in random placement. The spires in Random placement are...

"Abstract Composition XII" by James Chadwick is from his series that takes from vintage patterning, zooming in to see the abstraction of the detail whic...

"Abstract Composition X" by James Chadwick is from his series that takes from vintage patterning, zooming in to see the abstraction of the detail which largely goes unnoticed. Inspir...

"Abstract Composition IX" by James Chadwick is from his series that takes from vintage patterning, zooming in to see the abstraction of the detail which largely goes unnoticed. Inspi...

"Abstract Composition VII" by James Chadwick is from his series that takes from vintage patterning, zooming in to see the abstraction of the detail whic...

"Abstract Composition VIII" by James Chadwick is from his series that takes from vintage patterning, zooming in to see the abstraction of the detail which largely goes unnoticed. Ins...

"Abstract Composition VI" by James Chadwick is from his series that takes from vintage patterning, zooming in to see the abstraction of the detail which...

"Abstract Composition V" by James Chadwick is from his series that takes from vintage patterning, zooming in to see the abstraction of the detail which ...

"Abstract Composition III" by James Chadwick is from his series that takes from vintage patterning, zooming in to see the abstraction of the detail whic...

"Abstract Composition II" by James Chadwick is from his series that takes from vintage patterning, zooming in to see the abstraction of the detail which...

Claire Clarkson's "Vase of Flowers Green" After Jan Davidsz. de Heem is from a series of photographs exploring the replication of the cyanotype photographi...

Claire Clarkson's "Vase of Flowers Cyan" After Jan Davidsz. de Heem is from a series of photographs exploring the replication of the cyanotype photographic...

Claire Clarkson's "Vase of Flowers Blue" After Jan Davidsz. de Heem is from a series of photographs exploring the replication of the cyanotype photographic...

Claire Clarkson's "Red Chrysler" is from a series of photographs exploring the replication of the antiquated photographic and printing process through modern technologies. Her works ...