Art by Medium: Plexiglass

Large-scale photograph from the Equine Beauty series. The legendary and complex relationship between humans and horses is an enduring one. The horse’s distinctive blend of grace and...

Framed Dimensions: 30.5h x 42.5w in Alexander Stolin, born and raised in Kiev, Ukraine (under the former Soviet Socialist Republic), where he received intensive training and a master of fine arts degree in his homeland’s traditional art academies. He immigrated to San Francisco in 1992, met his future wife in Hattiesburg, Mississippi, then married and settled in New Orleans. He maintains a home and studio in Madisonville, Louisiana, and is a significant but understated figure in the New Orleans art community. As art critic D. Eric Bookhardt suggested in 2002, “Stolin is more accomplished than he is famous.” His art, often exhibited in thematic series that incorporate a variety of media, ranges from intimate portraits to large-scale murals (one measuring twelve feet by seventy-two feet). He has worked on a progressively larger scale, most recently designing and painting projects for the Louisiana film industry. Stolin’s technically proficient and complexly layered art reflects a unique fusion of the academic training he received in Kiev and his evolving response to the very different culture, lifestyle, and subject matter he has discovered in New Orleans, Madisonville, and the Gulf South. Stolin was born on August 30, 1963. His art abilities were quickly recognized when in fourth grade he qualified for admission to the State School of Art in Kiev, which he attended from 1975 to 1981. He decided to concentrate on book illustration and graphic arts, and after graduating he was accepted into the Ivan Fedorov Polygraphic Institute in Moscow, where he studied from 1982 to 1988, graduating with a master of fine arts degree in 1988. He trained as a printmaker, creating etchings and lithographs, and as a graphic designer, and worked as a designer in Kiev. “I illustrated mysteries, science fiction, and different magazines,” he said. In 1988, after his family visited relatives in San Francisco, California, the Stolins decided to immigrate to the United States, a process that took four years. In 1992, Stolin and his parents immigrated to San Francisco, and he worked for graphic design and print businesses in nearby Emeryville, California. During a trip to Hattiesburg, Mississippi, where he was visiting cousins, Stolin met Mary Kay Holmes. The couple soon married and moved to New Orleans, where Stolin established himself as a working artist and began to exhibit in local galleries and group exhibitions. The art Stolin began to create in New Orleans demonstrated his technical skills, knowledge of art history, and the evolving range of his subject matter, reflected from one series and exhibition to the next, yet it was challenging for critics to classify his work. This was evident in the series Stolin exhibited during his first decade in the city, beginning with Byzantium on the Bayou (1993–1994), which combined historical Byzantine art references with New Orleans and Mardi Gras subjects, such as Mardi Gras Madonna and Adoration of St. Gator. In his Midnight Dessert series (1995–1997), he created works such as Tea in Manhattan and Rembrandt and Nathan, a large painting that Bookhardt described as “a vision of Rembrandt and various Dutch masters promenading down the sidewalk past Nathan’s Deli in New York.” Following that, he completed The Water Series (1998–1999), featuring reflective and heavily worked surfaces in paintings such as Reflections #2 and Study of Fish and Swimmers. Stolin’s Face to Face series of portraits, completed from 2000 to 2002, featured New Orleans artists including Douglas Bourgeois...

Framed Dimensions: 36.5h x 36.5w in Alexander Stolin, born and raised in Kiev, Ukraine (under the former Soviet Socialist Republic), where he received intensive training and a master of fine arts degree in his homeland’s traditional art academies. He immigrated to San Francisco in 1992, met his future wife in Hattiesburg, Mississippi, then married and settled in New Orleans. He maintains a home and studio in Madisonville, Louisiana, and is a significant but understated figure in the New Orleans art community. As art critic D. Eric Bookhardt suggested in 2002, “Stolin is more accomplished than he is famous.” His art, often exhibited in thematic series that incorporate a variety of media, ranges from intimate portraits to large-scale murals (one measuring twelve feet by seventy-two feet). He has worked on a progressively larger scale, most recently designing and painting projects for the Louisiana film industry. Stolin’s technically proficient and complexly layered art reflects a unique fusion of the academic training he received in Kiev and his evolving response to the very different culture, lifestyle, and subject matter he has discovered in New Orleans, Madisonville, and the Gulf South. Stolin was born on August 30, 1963. His art abilities were quickly recognized when in fourth grade he qualified for admission to the State School of Art in Kiev, which he attended from 1975 to 1981. He decided to concentrate on book illustration and graphic arts, and after graduating he was accepted into the Ivan Fedorov Polygraphic Institute in Moscow, where he studied from 1982 to 1988, graduating with a master of fine arts degree in 1988. He trained as a printmaker, creating etchings and lithographs, and as a graphic designer, and worked as a designer in Kiev. “I illustrated mysteries, science fiction, and different magazines,” he said. In 1988, after his family visited relatives in San Francisco, California, the Stolins decided to immigrate to the United States, a process that took four years. In 1992, Stolin and his parents immigrated to San Francisco, and he worked for graphic design and print businesses in nearby Emeryville, California. During a trip to Hattiesburg, Mississippi, where he was visiting cousins, Stolin met Mary Kay Holmes. The couple soon married and moved to New Orleans, where Stolin established himself as a working artist and began to exhibit in local galleries and group exhibitions. The art Stolin began to create in New Orleans demonstrated his technical skills, knowledge of art history, and the evolving range of his subject matter, reflected from one series and exhibition to the next, yet it was challenging for critics to classify his work. This was evident in the series Stolin exhibited during his first decade in the city, beginning with Byzantium on the Bayou (1993–1994), which combined historical Byzantine art references with New Orleans and Mardi Gras subjects, such as Mardi Gras Madonna and Adoration of St. Gator. In his Midnight Dessert series (1995–1997), he created works such as Tea in Manhattan and Rembrandt and Nathan, a large painting that Bookhardt described as “a vision of Rembrandt and various Dutch masters promenading down the sidewalk past Nathan’s Deli in New York.” Following that, he completed The Water Series (1998–1999), featuring reflective and heavily worked surfaces in paintings such as Reflections #2 and Study of Fish and Swimmers. Stolin’s Face to Face series of portraits, completed from 2000 to 2002, featured New Orleans artists including Douglas Bourgeois...

Framed Dimensions: 21.5h x 26w in Alexander Stolin, born and raised in Kiev, Ukraine (under the former Soviet Socialist Republic), where he received ...

Framed Dimensions: 30.5h x 30.5w in Alexander Stolin, born and raised in Kiev, Ukraine (under the former Soviet Socialist Republic), where he received intensive training and a master of fine arts degree in his homeland’s traditional art academies. He immigrated to San Francisco in 1992, met his future wife in Hattiesburg, Mississippi, then married and settled in New Orleans. He maintains a home and studio in Madisonville, Louisiana, and is a significant but understated figure in the New Orleans art community. As art critic D. Eric Bookhardt suggested in 2002, “Stolin is more accomplished than he is famous.” His art, often exhibited in thematic series that incorporate a variety of media, ranges from intimate portraits to large-scale murals (one measuring twelve feet by seventy-two feet). He has worked on a progressively larger scale, most recently designing and painting projects for the Louisiana film industry. Stolin’s technically proficient and complexly layered art reflects a unique fusion of the academic training he received in Kiev and his evolving response to the very different culture, lifestyle, and subject matter he has discovered in New Orleans, Madisonville, and the Gulf South. Stolin was born on August 30, 1963. His art abilities were quickly recognized when in fourth grade he qualified for admission to the State School of Art in Kiev, which he attended from 1975 to 1981. He decided to concentrate on book illustration and graphic arts, and after graduating he was accepted into the Ivan Fedorov Polygraphic Institute in Moscow, where he studied from 1982 to 1988, graduating with a master of fine arts degree in 1988. He trained as a printmaker, creating etchings and lithographs, and as a graphic designer, and worked as a designer in Kiev. “I illustrated mysteries, science fiction, and different magazines,” he said. In 1988, after his family visited relatives in San Francisco, California, the Stolins decided to immigrate to the United States, a process that took four years. In 1992, Stolin and his parents immigrated to San Francisco, and he worked for graphic design and print businesses in nearby Emeryville, California. During a trip to Hattiesburg, Mississippi, where he was visiting cousins, Stolin met Mary Kay Holmes. The couple soon married and moved to New Orleans, where Stolin established himself as a working artist and began to exhibit in local galleries and group exhibitions. The art Stolin began to create in New Orleans demonstrated his technical skills, knowledge of art history, and the evolving range of his subject matter, reflected from one series and exhibition to the next, yet it was challenging for critics to classify his work. This was evident in the series Stolin exhibited during his first decade in the city, beginning with Byzantium on the Bayou (1993–1994), which combined historical Byzantine art references with New Orleans and Mardi Gras subjects, such as Mardi Gras Madonna and Adoration of St. Gator. In his Midnight Dessert series (1995–1997), he created works such as Tea in Manhattan and Rembrandt and Nathan, a large painting that Bookhardt described as “a vision of Rembrandt and various Dutch masters promenading down the sidewalk past Nathan’s Deli in New York.” Following that, he completed The Water Series (1998–1999), featuring reflective and heavily worked surfaces in paintings such as Reflections #2 and Study of Fish and Swimmers. Stolin’s Face to Face series of portraits, completed from 2000 to 2002, featured New Orleans artists including Douglas Bourgeois...

This laser cut acrylic series of Scribble Sculptures is inspired by the gestures and quick mark making found in abstract expressionist painting and drawing, and the whimsical, bold color and shape found in classic cartoon. Ryan Coleman...

This laser cut acrylic series of Scribble Sculptures is inspired by the gestures and quick mark making found in abstract expressionist painting and drawing, and the whimsical, bold color and shape found in classic cartoon. Ryan Coleman...

Bandeau noir ondulé 108 x 41 cm Collage papiers sur carton plume, collé sur plaque plexiglass. 4 kg avec pochette emballage carton. Signé au dos. Prix galerie : 2300 €

Carré noir ondulé 1 et 2 60 x 60 cm Collage papiers sur carton mousse, encadrement plexiglass. 4 kg Signé au dos. Prix galerie : 2100 €

Carré noir ondulé 1 et 2 60 x 60 cm Collage papiers sur carton mousse, encadrement plexiglass. 4 kg Signé au dos. Prix galerie : 2100 €

Carré blanc ondulé 83 x 83 cm Collage papiers sur carton plume, encadrement baguette bois blanc. 8 kg avec pochette emballage carton. Signé au dos. 3000 €

Fernanda Naman Fenix IV Mounted on Plexiglas

Fernanda Naman Fenix III Mounted on Plexiglas

Fernanda Naman Extremes II Mounted on Plexiglas

Fernanda Naman Extremes I Mounted on Plexiglas

Ed of 5 + 2AP Among the contributors to the contemporary art world’s boundary-breaking experimentation in media, Kim Keever has hit on something truly unique—a photographic art in w...

"No title (No 44)" Ballet Photography 45x45 in Ed. of 18 by Yevgeniy Repiashenko No title (No 44) Photography 45 x 45 inch Year photo was taken: 2019 Edition of 18. Premium Qualit...

Annick b. Cuadrado, a French artist, born and working in Paris, introduces in her works of art the most famous products of our consumer life. She has convinced the owners of the most famous brands and logos in the world of her original and creative approach to such brands. A difficult task knowing the legal means of such owners to protect their brands. Annick b. Cuadrado enjoys interpreting and diverting, with elegance, vigor and humor, the well-known candies, soft drinks, washing powders. The image and memory of these products and brands is an actual appeal to our taste buds : Coca-Cola, Hollywood chewing-gum, Tagada strawberries, Car en Sac, Marshmallows, Haribo Dragibus, Carambar, Malabar, Krema candies, Danone etc… Acrylic painting on canvas or plexiglas, paintings, collages or forms : Annick b. Cuadrado re-discovers our weaknesses in big formats. The multiplication and repetition of the various themes interpreted by the artist (Vache qui Rit, Cachou Lajaunie, Coca-Cola), echo our child’s remembrances. « I love the shelves of the hypermarkets with all their cans, boxes and packaging of all kinds of colors and transparencies, which speak, better than words, to the memory of our childhood » says Annick b. Cuadrado. Her pictorial approach, very entertaining and « rock and roll », smells the rolls and sticks of candies and liquorice. It sounds like a song of Souchon and reminds the best of pop-art, new realism...

"No title No 15" Ballet Photography 45 x 45 in Ed. of 18 by Yevgeniy Repiashenko No title (No 15) by Yevgeniy Repiashenko Year photo was taken: 2016 Edition of 18. Premium Quality: ...

No title (No 57) Ballet Photography 45"x45" in Ed. of 18 by Yevgeniy Repiashenko No title (No 57) Photography Edition of 18 45 x 45 inch Year photo was taken: 2017 This picture ...

“CUT WORK” is an evolving examination of emotion experienced through the inspired meeting of blade and paper. Beginning with the featureless plane of a blank paper canvas and a surge...

“CUT WORK” is an evolving examination of emotion experienced through the inspired meeting of blade and paper. Beginning with the featureless plane of a blank paper canvas and a surge...

Monica Sánchez-Robles (Spanish, b. Madrid, Spain) is a multidisciplinary contemporary artist whose work spans photography, digital media, and installation. Currently based in Madrid,...

"Blind Standard" (FRAMED) Photography 48 x 36 In Edition of 3 by StillVika Size framed: 54" x 44.5" inch Medium: Digital Print, Plexiglass, Matte Varnish Signed and numbered by the ...

X-Ray photography printed onto C-Type and mounted on Diasec. Edition of 9 "We live in a world obsessed with image. What we look like, what our clothes look like, houses, cars… I li...

Limited edition 1 on 10 Mounted on DIASEC ( PLEXI MOUNTING ) About the artist : The multi-award winning artist, Gregoire A. Meyer creates digital illustrations that evoke emotional...

In a statement Roesch says: "The spires describe my journey on the planet. I have placed spires in rows, in star patterns, and in random placement. The spires in Random placement are...

"Abstract Composition XII" by James Chadwick is from his series that takes from vintage patterning, zooming in to see the abstraction of the detail whic...

"Abstract Composition X" by James Chadwick is from his series that takes from vintage patterning, zooming in to see the abstraction of the detail which largely goes unnoticed. Inspir...

"Abstract Composition IX" by James Chadwick is from his series that takes from vintage patterning, zooming in to see the abstraction of the detail which largely goes unnoticed. Inspi...

"Abstract Composition VII" by James Chadwick is from his series that takes from vintage patterning, zooming in to see the abstraction of the detail whic...

"Abstract Composition VIII" by James Chadwick is from his series that takes from vintage patterning, zooming in to see the abstraction of the detail which largely goes unnoticed. Ins...

"Abstract Composition VI" by James Chadwick is from his series that takes from vintage patterning, zooming in to see the abstraction of the detail which...

"Abstract Composition V" by James Chadwick is from his series that takes from vintage patterning, zooming in to see the abstraction of the detail which ...

"Abstract Composition III" by James Chadwick is from his series that takes from vintage patterning, zooming in to see the abstraction of the detail whic...

"Abstract Composition II" by James Chadwick is from his series that takes from vintage patterning, zooming in to see the abstraction of the detail which...

"Abstract Composition I" by James Chadwick is from his series that takes from vintage patterning, zooming in to see the abstraction of the detail which ...

Claire Clarkson's "Vase of Flowers Green" After Jan Davidsz. de Heem is from a series of photographs exploring the replication of the cyanotype photographi...

Claire Clarkson's "Red Chrysler" is from a series of photographs exploring the replication of the antiquated photographic and printing process through modern technologies. Her works ...

Claire Clarkson's "Blue Ivy II" is from a series of photographs exploring the replication of the cyanotype photographic process through modern technologies. H...

Claire Clarkson's "Blue Ivy" is from a series of photographs exploring the replication of the cyanotype photographic process through modern technologies. Her ...

"Brigitte" (Robin Egg Blue) by artist Sarah Hanhart is from her series of Hollywood movie stars, where she explores female ideas of beauty by eliminating all other relevant informati...

"Raquel" (Pink) by artist Sarah Hanhart is from her series of Hollywood movie stars, where she explores female ideas of beauty by eliminating all other relevant information except fo...

"Liz" (Robin Egg Blue) by artist Sarah Hanhart is from her series of Hollywood movie stars, where she explores female ideas of beauty by eliminating all other relevant information ex...

Fine art inkjet print on special paper rag Ask us for framing options Hans Withoos career spans more than twenty years worldwide. After graduating from the Art Academy. He specializ...

Fine art inkjet print on special paper rag Ask us for framing options Hans Withoos career spans more than twenty years worldwide. After graduating from the Art Academy. He specializ...

Fine art inkjet print on special paper rag Ask us for framing options Hans Withoos career spans more than twenty years worldwide. After graduating from the Art Academy. He specializ...

Fine art inkjet print on special paper rag Ask us for framing options Hans Withoos career spans more than twenty years worldwide. After graduating from the Art Academy. He specializ...

Fine art inkjet print on special paper rag Ask us for framing options Hans Withoos career spans more than twenty years worldwide. After graduating from the Art Academy. He specializ...

Fine art inkjet print on special paper rag Ask us for framing options Hans Withoos career spans more than twenty years worldwide. After graduating from the Art Academy. He specializ...

Fine art inkjet print on special paper rag Ask us for framing options Hans Withoos career spans more than twenty years worldwide. After graduating from the Art Academy. He specializ...

Fine art inkjet print on special paper rag Ask us for framing options Hans Withoos career spans more than twenty years worldwide. After graduating from the Art Academy. He specializ...

Fine art inkjet print on special paper rag Ask us for framing options Hans Withoos career spans more than twenty years worldwide. After graduating from the Art Academy. He specializ...

Fine art inkjet print on special paper rag Ask us for framing options Hans Withoos career spans more than twenty years worldwide. After graduating from the Art Academy. He specializ...

Fine art inkjet print on special paper rag Ask us for framing options Hans Withoos career spans more than twenty years worldwide. After graduating from the Art Academy. He specializ...

Fine art inkjet print on special paper rag Ask us for framing options Hans Withoos career spans more than twenty years worldwide. After graduating from the Art Academy. He specializ...

Fine art inkjet print on special paper rag Ask us for framing options Hans Withoos career spans more than twenty years worldwide. After graduating from the Art Academy. He specializ...

Fine art inkjet print on special paper rag Ask us for framing options Hans Withoos career spans more than twenty years worldwide. After graduating from the Art Academy. He specializ...

Fine art inkjet print on special paper rag Ask us for framing options Hans Withoos career spans more than twenty years worldwide. After graduating from the Art Academy. He specializ...

Fine art inkjet print on special paper rag Ask us for framing options Hans Withoos career spans more than twenty years worldwide. After graduating from the Art Academy. He specializ...