Art by Medium: Screen

Rare Limited Edition Serigraph of John Lennon's playful double portrait of Yoko and himself . "Oh My Love" was originally drawn in 1968, this limited editi...

Frank Romero created this serigraph after learning that the original mural, completed on the 101 freeway in Los Angeles, 1984, had been painted over. The mural, which was done for the 1984 Los Angeles Olympics, has since been restored. Signed and numbered by the artist in black marker, in lower left corner of print on black background - hard to see except at an angle. Throughout his 40 year career as an artist, Frank Romero has been a dedicated member of the Los Angeles arts community. As a member of the 1970s Chicano art collective, Los Four...

Artist/Designer: Andy Warhol (American, 1928-1987) Marking(s); notes: copyright/publisher’s ink stamp, blind stamp; unknown edition size; 1986 Materials: screenprint in colors on Len...

Vintage American pop art show poster. In excellent original condition. Handsomely framed . Excellent condition, ready to hang and enjoy.

Ladies and Gentlemen is a colored screen print realized in 1975 by the Pop artist Andy Warhol.  Reference: Feldman-Schellmann, II.126. Monogrammed in pencil lower right and editio...

COULD ALSO BE FRAMED IN A BLACK FRAME - SAME SIZE & MODEL Christo The Umbrellas (Yellow & Blue) Lithoserigraphs Year: 1991 Size: 14.6 × 16.4 on 19.1 × 19.9 inches (EACH) Framed: 20....

This artwork "Intermission" 1995 is an original colors serigraph by American artist Barbara A. wood, born 1926. It is hand signed and numbered 251/350 in pencil by the artist. The a...

Rigoberto Mena (Cuba, 1961) "Parece que fue ayer" (Seems was yesterday), 2010 Series: Bon a Tirer engraving, mixed media, chine colle on paper Guarro Super Alpha 250g. 15.8 x 15.8 in...

Roy Lichtenstein Moonscape Silkscreen from Banner, 1969 Silkscreen on fold out card. WIth additional (removable) sleeve with greeting and text from the Roy Lichtenstein Foundation 9 ...

Milo MANARA Venus on the Beach Original Screen Print Printed signature in the plate On heavy paper 50 x 70 cm (c. 20 x 28 in) Excellent condition

This artwork titled "Thunder Bay" 1986 is a color serigraph on Wove paper by noted American artist Roy Ahlgren, 1927-2011 It is hand signed, titled, dated and numbered 14/95 in penci...

16 colour screen print with a two varnish overlay on Somerset Satin Tub sized 410 gsm Edition of 125 75 x 56 cm (30.1 x 22.5 in) Signed and numbered Mint. Minor imperfections may app...

Artist: Donald Sultan Title : Yellow Peppers   1993 Medium: Print - Screen Print Paper size : 22.75'' x 21.75'' inches Image size : 12" x 12" inches Edition: signed in pencil, title...

Silk scarf framed with museum-grade 92% UV-resistant glass. 90 x 90 cm / 35 7/16 x 35 7/16 inches 103 x 103 cm (incl frame) / 40 9/16 x 40 9/16 inches (incl frame) edition size unknown Map of Days is an intricate work that serves as a self-portrait of the artist's identity and psyche. Drawing inspiration from medieval maps...

Plaza by Eduardo Paolozzi is an exemplar of early pop art dynamism. Printed in black and white and packed with geometric forms, the composition contains references to maps, machinery...

Artist: Victor Vasarely Title: Profound Works VI Year: 1973 Not signed or numbered, as published Dimensions: 12 in. by 12 in. Framed Edition: From the Rare Limited Edition Publisher:...

Artist: Erté Title: Cloudy Morning Year: circa 1980 Medium: Serigraph, signed and numbered in pencil Edition: 83/112 Image Size: 21 x 14 inches Frame Size: 35 x 27 inches

Methylamine 13c Damien Hirst, English (1965) Date: 2014 Screenprint with Diamond Dust, signed and numbered in pencil Edition of 12/100 Size: 33 x 27 in. (83.82 x 68.58 cm) Frame Size...

Prospectus for publication of I-S k Reduced format prospectus announcement for the publication of I-S k, 1973 Unsigned (as usual) Printer: Sirocco Screenprints, New Haven Publisher: ...

Paper Size: 59.75 x 30.5 inches ( 151.765 x 77.47 cm ) Image Size: 59.75 x 30.5 inches ( 151.765 x 77.47 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling ...

Silkscreen in colors and sepia-tones on Langdell fait à la main paper. Paper Size: 15 x 11 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Bookmarks i...

Paper Size: 35 x 25 inches ( 88.9 x 63.5 cm ) Image Size: 35 x 25 inches ( 88.9 x 63.5 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional Details: Ser...

Abstract Composition is a beautiful colored serigraph on cream-colored paper, realized in the 1970's by the Italian artist, Luigi Montanarini (1906-1998) and published by La Nuova Fo...

Yayoi Kusama Pumpkin (YT), Edition 88/120. Screenprint [3 screens, 2 colors, 3 runs]. Edition 88/120 Image: 29.8 x 22.8 cm. Sheet: 40 x 32.5 cm. Framed: 48 x 40 x 2 cm. Published in ...

Artist: Jimmy Ernst  Title: Plate VI Year: 1970 Print: Screen Print on Heavy Paper 28'' x 37'' inches Edition: Signed in pencil and numbered 58 /125 Jimmy Ernst’s artwork was inf...

Artist/Designer; Manufacturer: Alice Neel (American, 1900-1984) Marking(s); notes: signed twice (once in plate, once in pencil); ed. 145/200 Materials: screenprint Dimensions (H, W, ...

"Superficie 324" is a 1988 screen print (serigraph) of a 1959 painting by Capogrossi. This is one of his famous "comb" or "fork" works that he perfected in the 1950s and continued to create for the remainder of his life. The blocks of primary red and yellow colors give a bright, joyful feel and contrast to the strong bold black that was Capogrossi's consistent color for the "combs". With no allegorical, psychological, or symbolic meanings, these structural elements could be assembled and connected in countless variations. Intricate and insistent, Capogrossi's signs determined the construction of the pictorial surface. This piece is identified along one side: Giuseppe Capogrossi By SIAE 1988 Silvio Zamorani Editor Via Saccarelli, 9 10144 Torino Italy Tel. (39)(11) 4730554 Progetto Grafico (Graphic Project): Studio Walter Benjamin. Serigrafia (Screen Print): BISI Torino. Capogrossi was born in Rome. After obtaining a degree in law in 1923–1924, he decided to study painting with Felice Carena at Accademia di Belle Arti di Roma. In 1927 Capogrossi embarked on a formative trip to Paris together with fellow artists and acquaintances Fausto Pirandello, Corrado Cagli and Emanuele Cavalli...

Seven Statues Thomas McKnight, American (1941) Screenprint, signed and numbered in pencil Edition of LVII/LXXV Image Size: 34 x 23 inches Size: 42 x 30.5 in. (106.68 x 77.47 cm) Fram...

Medium: serigraph (after Ad Reinhardt). Printed in Germany by Siebdruck Michel of Dusseldorf in 1972 for inclusion as a special loose insert with the catalogue for the Ad Reinhardt e...

"Homage to the Square - Portfolio 2, Folder 13, Image 1 " from the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 origi...

Cliclists is a screen print realized by Ugo Nespolo in 2008, in occasion of the Olympic Games in Beijing. Edition of 260. Hand signed and numbered in pencil. Excellent condition.

Thomas Pradzynski 1951–2007 Internationally renowned Modern Realist, Thomas Pradzynski painted street scenes of cities throughout the world, but was inspired and captured the mood, t...

Artist: George Rodrigue Title: Angel Baby Year: 2000 Dimensions: 20in. by 16in. Edition: from the rare limited edition of 150 Medium: Original serigraph on paper Condition: Excellent...

Renowned contemporary conceptual African American artist Glenn Ligon Black Rage (back cover), 2019 Silkscreen and digital print Accompanied by an official Certificate of Authenticity...

Hand Signed. Edition of 90 pieces. Very good conditions.

This artwork titled "Metropolitan Opera, New York City, Premiere" 1980 is an original colors serigraph by noted American artist LeRoy Neiman, 1921-2012. It is hand signed and numbere...

Ben Eine
 Sexy - Black Glitter, 2018 6-color hand-pulled screen print including black glitter
 48.3 x 48.3 cm Edition of 200 hand-signed and numbered by the artist There are creases...

'Arab Woman Gold' by Shepard Fairey, 2007 18 x 24 inches (45 x 61 cm) Screen Print on Fine Art Paper. Limited edition of 300 (AP) Hand-signed and dat...

Artist: Jasper Johns Title: Untitled Medium: Screenprint in colors on Patapar printing parchment Year: 1977 Edition: 3000 Frame Size: 18 1/2" x 18 1/2" Sheet Size: 10 5/8" x 10 1/4" ...

Donald Sultan's 'Seven Silvers Jan. 24, 2024' is a masterful color silkscreen featuring enamel inks, flocking, and tar-like textures, limited to an edition of 30. Donald Sułtan Seve...

This original and authentic poster, titled "Landscape with Philosopher" by Roy Lichtenstein, was published by the Boston Museum of Fine Arts, reflect...

"Homage to the Square - Portfolio 2,Folder 17,Image 2" from the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original...

Yoshitomo Nara MoMA Skateboard Decks (complete set of 2 works): These Yoshitomo Nara skateboard decks were published MoMa New York and created in 2017 under the supervision of Nara featuring his artworks, 'Welcome Girl' (left) and 'Solid Fist' (right). Complete set of two works. Completely sold-out/out of print. Makes for standout Yoshitomo Nara wall art that hangs with ease. Medium: Silkscreen on 2 individual maple wood skate decks. Dimensions: 31 x 8 inches (applies to each individual). Each housed in original shrink wrapping. Excellent overall condition. Please note minor manufacturing imperfections may be present. Unsigned from a sold-out/out of print edition of unknown. Published by MoMa New York. Artist copyright appears on lower front side of each; MoMa stamp reverse side each. Influenced by elements of popular culture such as anime, manga, Walt Disney cartoons, and punk rock, Yoshitomo Nara creates paintings, sculptures, and drawings of adorable-yet-sinister childlike characters. Painted with simple bold lines, primary colors, and set against empty backgrounds, these small children and animals often share the canvas with text, knives, plants, and cardboard boxes, among other recurring elements. As one of the fathers and central figures of the Japanese neo-Pop movement, Nara’s work expresses the struggle to find an identity fractured by war, rapid modernization, and an omnipresent visual culture. Related Categories: Pop Art, Tokyo Artists, Comic/Cartoon, Japan, Contemporary Pop, Popular Culture, Contemporary Asian Art...

This artwork titled "Ancient Civilization" 1996, is an original color serigraph on thin rice paper taped to a sheet of wove paper for stabilization by noted ...

"Harbor Rainbow" with rippling water reflections of the blue boat floating in the sea is a quintessential example of Tom Swimm's enhanced realism. This colorful hand pulled 90 color ...

Artist: Paul Jenkins, American (1923 - 2012) Title: Looking West Year: circa 1969 Medium: Silkscreen, signed and numbered in pencil Edition: 45/200 Image Size: 39 x 29 inches Size: 4...

Eyvind Earle (1916-2000) Three Horses (Version 2), 1987 Serigraph in colors on black wove paper Edition 46/100 Signed and editioned in blue pencil along lower edge 21 1/4 x 40- /8 in...

Artist: Erte, Russian (1892 - 1989) Title: Her Secret Admirers Year: 1982 Medium: Serigraph, signed and numbered in pencil Edition: 300 Image Size: 33 in. x 24 in. (83.82 cm x 60.96 ...

"Homage to the Square - Portfolio 2, Folder 5, Image 1" from the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 origina...

23-colour screenprint on Arches 88 paper Edition 37 of 68 + 14 AP's Signed, numbered, dated and blindstamped by publisher on the front (Gemini G.E.L.) Excellent, with minor loss of s...

Yayoi Kusama Dots Infinity (1986). Edition 58/100 Screenprint [2 screens, 2 colors] Signed, titled, dated and numbered 58/100 in pencil by the artist 28 x 32 cm [11 ¹/₃₂ x 12 ¹⁹/₃₂ ...

Eyvind Earle (1916-2000) Three Horses (Version 2), 1987 Serigraph in colors on black wove paper Edition 46/100 Signed and editioned in blue pencil along lower edge 21 1/4 x 40- /8 in...

Silkscreen on vélin d’Arches paper. Paper Size: 17.75 x 13.75 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Letter from Birmingham City Jail, 2007. ...

Peano Curves is an original Serigraph realized by Bruno Munari in 1991. Hand-signed and numbered with pencil by the artist on the lower margin. Excellent condition. Bruno Munari (...

Rare Limited Edition Serigraph of John Lennon's "One Day At A Time" originally drawn in 1979, this limited edition was released by Bag One Arts (The Lennon Estate) in 1990 and has b...

Artist: Peter Max (1937) Title: Umbrella Man (Retro Suite II) Year: 1994 Edition: A.P.; 300, plus proofs Medium: Silkscreen on Arches paper Size: 11 x 10.5 inches Condition: Excellen...

Artist: Ralph Steadman Title: Lono's Fighting Chair Medium: One color silkscreen on White Rising Stonehenge Deckle Edge Paper Size: 22 x 30 Inches Edition: of 250 Year: 2006 Notes: ...

Lawrence, Jacob. THE FIRST BOOK OF MOSES, CALLED GENESIS. THE KING JAMES VERSION. Limited Editions Club, NY 1989. Copy Number 204 of the edition of 400 copies, signed in pencil by Ja...

Robert Natkin Intimate Lighting, 1974 Silkscreen on Arches paper 27 × 38 inches Pencil signed, dated and numbered from the limited edition of 150 on the front Published by Chromacomp...

"THEFT" DOT DOT DOT 6 layer screen print 350gsm Arches 88 Edition of 150 65 x 95 cm Signed and numbered by the artist DOT DOT DOT is a visual artist fr...

3d screenprint by Invader featuring image of the Space_One mosaic from when it was launched in space by the artist. Great piece as it marks the occasion when the artist also known a...

Jacob Lawrence (1917 - 2000) The Capture of Marmelade (from The Life of Toussaint L'Ouverture series), 1987 Color screenprint on Bainbridge Two Ply Rag paper Sheet 32 1/8 x 22 1/16 inches Sight 29 3/4 x 19 1/4 inches A/P 1/30, aside from the edition of 120 Signed, titled, dated, inscribed "A/P" and numbered 1/30 in pencil, lower margin. Literature: Nesbett L87-2. A social realist, Lawrence documented the African American experience in several series devoted to Toussaint L’Ouverture, Frederick Douglass, Harriet Tubman, life in Harlem, and the civil rights movement of the 1960s. He was one of the first nationally recognized African American artists. “If at times my productions do not express the conventionally beautiful, there is always an effort to express the universal beauty of man’s continuous struggle to lift his social position and to add dimension to his spiritual being.” — Jacob Lawrence quoted in Ellen Harkins Wheat, Jacob Lawrence: The Frederick Douglass and Harriet Tubman Series of 1938 – 40. The most widely acclaimed African American artist of this century, and one of only several whose works are included in standard survey books on American art, Jacob Lawrence has enjoyed a successful career for more than fifty years. Lawrence’s paintings portray the lives and struggles of African Americans, and have found wide audiences due to their abstract, colorful style and universality of subject matter. By the time he was thirty years old, Lawrence had been labeled as the ​“foremost Negro artist,” and since that time his career has been a series of extraordinary accomplishments. Moreover, Lawrence is one of the few painters of his generation who grew up in a black community, was taught primarily by black artists, and was influenced by black people. Lawrence was born on September 7, 1917,* in Atlantic City, New Jersey. He was the eldest child of Jacob and Rosa Lee Lawrence. The senior Lawrence worked as a railroad cook and in 1919 moved his family to Easton, Pennsylvania, where he sought work as a coal miner. Lawrence’s parents separated when he was seven, and in 1924 his mother moved her children first to Philadelphia and then to Harlem when Jacob was twelve years old. He enrolled in Public School 89 located at 135th Street and Lenox Avenue, and at the Utopia Children’s Center, a settlement house that provided an after school program in arts and crafts for Harlem children. The center was operated at that time by painter Charles Alston who immediately recognized young Lawrence’s talents. Shortly after he began attending classes at Utopia Children’s Center, Lawrence developed an interest in drawing simple geometric patterns and making diorama type paintings from corrugated cardboard boxes. Following his graduation from P.S. 89, Lawrence enrolled in Commerce High School on West 65th Street and painted intermittently on his own. As the Depression became more acute, Lawrence’s mother lost her job and the family had to go on welfare. Lawrence dropped out of high school before his junior year to find odd jobs to help support his family. He enrolled in the Civilian Conservation Corps, a New Deal jobs program, and was sent to upstate New York. There he planted trees, drained swamps, and built dams. When Lawrence returned to Harlem he became associated with the Harlem Community Art Center directed by sculptor Augusta Savage, and began painting his earliest Harlem scenes. Lawrence enjoyed playing pool at the Harlem Y.M.C.A., where he met ​“Professor” Seifert, a black, self styled lecturer and historian who had collected a large library of African and African American literature. Seifert encouraged Lawrence to visit the Schomburg Library in Harlem to read everything he could about African and African American culture. He also invited Lawrence to use his personal library, and to visit the Museum of Modern Art’s exhibition of African art in 1935. As the Depression continued, circumstances remained financially difficult for Lawrence and his family. Through the persistence of Augusta Savage, Lawrence was assigned to an easel project with the W.P.A., and still under the influence of Seifert, Lawrence became interested in the life of Toussaint L’Ouverture, the black revolutionary and founder of the Republic of Haiti. Lawrence felt that a single painting would not depict L’Ouverture’s numerous achievements, and decided to produce a series of paintings on the general’s life. Lawrence is known primarily for his series of panels on the lives of important African Americans in history and scenes of African American life. His series of paintings include: The Life of Toussaint L’Ouverture, 1937, (forty one panels), The Life of Frederick Douglass, 1938, (forty panels), The Life of Harriet Tubman, 1939, (thirty one panels), The Migration of the Negro,1940 – 41, (sixty panels), The Life of John Brown, 1941, (twenty two panels), Harlem, 1942, (thirty panels), War, 1946 47, (fourteen panels), The South, 1947, (ten panels), Hospital, 1949 – 50, (eleven panels), Struggle: History of the American People, 1953 – 55, (thirty panels completed, sixty projected). Lawrence’s best known series is The Migration of the Negro, executed in 1940 and 1941. The panels portray the migration of over a million African Americans from the South to industrial cities in the North between 1910 and 1940. These panels, as well as others by Lawrence, are linked together by descriptive phrases, color, and design. In November 1941 Lawrence’s Migration series was exhibited at the prestigious Downtown Gallery in New York. This show received wide acclaim, and at the age of twenty four Lawrence became the first African American artist to be represented by a downtown ​“mainstream” gallery. During the same month Fortune magazine published a lengthy article about Lawrence, and illustrated twenty six of the series’ sixty panels. In 1943 the Downtown Gallery exhibited Lawrence’s Harlem series, which was lauded by some critics as being even more successful than the Migration panels. In 1937 Lawrence obtained a scholarship to the American Artists School in New York. At about the same time, he was also the recipient of a Rosenwald Grant for three consecutive years. In 1943 Lawrence joined the U.S. Coast Guard and was assigned to troop ships that sailed to Italy and India. After his discharge in 1945, Lawrence returned to painting the history of African American people. In the summer of 1947 Lawrence taught at the innovative Black Mountain College in North Carolina at the invitation of painter Josef Albers. During the late 1940s Lawrence was the most celebrated African American painter in America. Young, gifted, and personable, Lawrence presented the image of the black artist who had truly ​“arrived”. Lawrence was, however, somewhat overwhelmed by his own success, and deeply concerned that some of his equally talented black artist friends had not achieved a similar success. As a consequence, Lawrence became deeply depressed, and in July 1949 voluntarily entered Hillside Hospital in Queens, New York, to receive treatment. He completed the Hospital series while at Hillside. Following his discharge from the hospital in 1950, Lawrence resumed painting with renewed enthusiasm. In 1960 he was honored with a retrospective exhibition and monograph prepared by The American Federation of Arts. He also traveled to Africa twice during the 1960s and lived primarily in Nigeria. Lawrence taught for a number of years at the Art Students League in New York, and over the years has also served on the faculties of Brandeis University, the New School for Social Research, California State College at Hayward, the Pratt Institute, and the University of Washington, Seattle, where he is currently Professor Emeritus of Art. In 1974 the Whitney Museum of American Art in New York held a major retrospective of Lawrence’s work that toured nationally, and in December 1983 Lawrence was elected to the American Academy of Arts and Letters. The most recent retrospective of Lawrence’s paintings was organized by the Metropolitan Museum of Art in 2020, and was accompanied by a major catalogue. Lawrence met his wife Gwendolyn Knight...

Heavily textured abstract print in a serigraph and terragraph technique. It has a raised texture to the surface, A beautiful piece. This listing is for the one print, the cover justification sheet and the photograph are just included for provenance. This is from the limited edition of 100. Hand signed and numbered on colophon page. (They are not signed and numbered on each print) Arches paper. Dimensions: 15.75 X 15.25 These have a texture that feels like a painting. Done in Jaffa Israel based on the Hebrew Bible. Jewish, Judaica interest. Emil Schumacher is among the best-known exponents of Art Informel in Germany. His painting style, which he initially developed in the 1950s under the influence of Wols, is marked by dark, brownish black or brilliant thick red colours and a graffiti like sign language that endow the pictures the expressive character of old cracked masonry. Emil Schumacher (29 August 1912 in Hagen, Westfalen – 4 October 1999 in San José, Ibiza) was a German artist and painter. He was an important representative of abstract expressionism in post-war Germany. As an 18-year-old, Emil Schumacher undertakes a four-week-long bicycle tour to Paris, France. 1932–1935: Studies graphic design at the School of Applied Arts in Dortmund intending to become a graphic designer in advertising. 1935–1939: Independent artist without participating in exhibits. He undertakes study trips by bicycle to the Netherlands and Belgium. 1939–1945: Service obligation as draftsman in an arms factory, the Akkumulatoren–Werke of Hagen. Since 1945: Immediately after end of war, new start as independent artist. 1947: First solo exhibit in the Studio für neue Kunst. Co-founder of the artist group Junger Westen. 1954: Participates in the Willem Sandberg...

Keith Haring Memorial 1990 (Keith Haring Baby, Keith Haring Barking Dog: Original screen-printed folding invitation with double-sided artwork publish...

Artist: Ralph Steadman Title: Savage Journey the American Dream Edition Medium: One color silkscreen on White Conventry Rag Paper Size: 32 × 40 in 81.3 × 101.6 cm Edition: of 150 + 20 AP Year: 2017 Notes: From Hunter Thompson's cult classic, Fear and Loathing in Las Vegas, one of the most iconic images in the novel is Savage Journey. Ralph has collaborated with Brian Chambers to create this extraordinary, limited edition, screen print. The edition of 150 have all been signed and numbered in red ink and embellished with his trademark flourish, the splat, in Ultramarine Blue. Each is a unique piece in its own right. They are produced by Kentucky based, Master Printer, Joe Petro III who has collaborated for decades with Ralph on his screen prints including the Hunter Memorial print, Vintage Dr Gonzo...

Man Ray Alphabet Pour Adultes (Alphabet For Adults), 1970 Silkscreen in colors and lithograph on paper mounted on wood veneer mounted on card stock. Hand Signed. Numbered. Dated. Ha...

Yaacov Agam, Israeli (b. 1928) Hand signed, and numbered. Limited edition lenticular lens kinetic Agamograph Titled 'Sea Fathom'. Hand-signed and numbered edition 24/99, size of w...

The Skateroom x Estate of Jean-Michel Basquiat ROBOT Triptych (Set of Three (3) Skateboards), 2017 Set of 3 Silkscreens on 7-Ply Canadian Maplewood Skate Decks (Set of 3) Estate of J...

Marie Therese Vacossin Geometric Composition Medium: Colour Silkscreen Year: 1979 Signed, dated, titled, numbered or inscribed Edition: 15 Size: 8.2 × 8.2 on 14.0 × 13.3 inches COA ...

Sam Gilliam Cuatro, 1994 Monoprint with screenprint, collage, acrylic, stitching and embossing in colors on handmade paper Hand signed, dated, titled and annotated P/P by Sam Gilliam...

Silkscreen screenprint. Hand signed and numbered. A pyramid or ziggurat in vibrant colors of blue, red, yellow, orange and green on heavy paper Joseph Charles Tilson RA (born 24 Au...

12 colour screenprint with a two varnish overlay Edition of 125 Signed, numbered and dated on the back Mint. Minor imperfections may appear due to the production process. Sold with a...

Hand signed and marked AP (Artist Proof), apart from the standard edition of 85 by Shepard Fairey. Hand pulled Screenprint on Cream Speckle Tone paper. Cream and Red color version. ...