Art by Medium: Screen

Screen print on paper realized in 1970s. Hand signed in pencil. Artist proof, aside of the edition of 100. Very good condition.

Benjamin Thomas Taylor I Want To Jump In David Hockney’s Swimming Pool With You, 2023 Hand finished screen print on 300gsm Somerset Satin Paper 3...

Serigraph in colors on paper. Hand signed lower right by Pedro Friedberg. Hand numbered 2/24 lower left. Framed as pictured in the signature Friedeberg striped gold leaf frame. S...

Edward Landon 'Chinoiserie', color serigraph, 1947, edition 50, Ryan 36. Signed in pencil in the image, lower right. Titled, dated, and annotated '4 COLORS – EDITION 50' in the scree...

Cindy Sherman - UNTITLED #92 Date of creation: 2024 Medium: Digital print on Canadian maple wood Edition: Open Size: 80 x 20 cm (each skate) Condition: In mint conditions and never d...

Created by Andy Warhol in 1966 to coincide with an early exhibition of the artist’s work at the Institute of Contemporary Art in Boston, Campbell’s Soup Can...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist's most important color and shape theories. A copy of the colophon bearing Albers’ hand signature...

16 Green Circles from the Eight Variants series, 1970 This work is number 51 from the edition of 165 printed by Hans Mayer, Krefeld, Germany. screenprint 28"x28" Julian Stanczak American/Polish, 1928-2017. explores the visual, psychological, and emotional resonance of color in his Op art paintings, through which he aims to induce a “color meltdown,” as he describes: “I want to fuse many colorants and their gradations into a single color experience.” Influenced by Josef Albers and Russian...

Icarus is an original colored print realized in the 1970s after Henri Matisse. Original colored serigraph. Very good conditions. The artwork is from an original artwork realized b...

Screen print on Lenox Museum Board. Hand signed lower right by Andy Warhol. Hand numbered 94/200 on lower right (there are also 30 APs, 5 PPs, and 3 HCs). Artwork size: 40 x 32 in...

Richard Bernstein Diamond Ring - 1977 Print - Silkscreen on Heavy Paper Paper : 30'' x 26'' inches image size : 28" x 23 ½" inches Edition: Signed in pencil, titled, dated and marked...

"Coca-Cola Girl 1" is the first and maybe most iconic one out of Alex Katz's Coca-Cola Girl series. These figures bear witness of his deep engagement with the ideas of advertisment, ...

Beautiful poster of Sophie Taeuber-Arp's exhibition at the National Museum of Modern Art in 1964. Sophie Henriette Gertrud Taeuber-Arp was a Swiss arti...

Screen print on paper. Hand signed, titled and numbered. Edition of 299. Excellent condition. A striking large-format colour screen print by Italian artist Franco Costa, depictin...

From the artist's Sinjerli Variations series created in 1977, this original print by Frank Stella was created as a lithograph and screenprint in colors on Arches paper. Hand-signed i...

Untitled is a colored serigraph on paper, realized by the Italian artist, Wladimiro Tulli. Hand-signed and numbered in pencil on lower margin. Edition of 99 prints. This contempor...

Artist: Gene Davis (1920-1985) Title: Royal Curtain Year: 1980 Medium: Silkscreen on Arches paper Edition: 41/250, plus proofs Size: 30 x 21.5 inches Condition: Good Inscription: Sig...

Robert Longo (born 1953) Eric (from Men in the Cities), 2025 Medium: Screenprint and varnish on Somerset paper Dimensions: 70 × 43.5 cm Edition of 1273: Hand-signed and numbered Cond...

Kamil Kubik, Czech/American (1930 - 2011) - Museum of Natural History, Medium: Screenprint, signed and numbered in pencil, Edition: AP, Image Size: 14 x 18 inches, Size: 17.5 x 2...

Artist: Robert Mangold Title: Untitled Portfolio: A Book of Silk Screen Prints: Multiple Panel Paintings, Edition C Medium: Screenprint in colors Year: 1992 Edition: AP 1/25 Framed S...

Artist: Rene Portocarrero, After, Cuban (1912 - 1986) Title: Flor Ornamentada II Medium: Screenprint on Johannot paper, signed in the plate and numb...

(Unique) 1/1 edition Max, Peter Land of Sunshine, c. 1989 Mixed media with watercolor and serigraphy on paper 13 3/4 x 12 in.

Eye of the Sparrow is a striking 14 color reduction screenprint by American artist Jos Sances. The composition presents a close-up portrait of a sparrow against a swirling field of p...

Various artists We Love You...So Love Us, 2000 We Love You – AMOUR 1 LP Cover art credit: Banksy Album cover with vinyl record inside Vinyl record held silkscreened album cover 12 1/...

Arístides Esteban (ARES) Hernández Guerrero (Cuba, 1963) 'The Rolling Stone (verde)', 2016 silkscreen on paper 27.6 x 19.7 in. (70 x 49.8 cm.) Edition of 50 ID: ARE-204 Hand-signed ...

"Objects": Color silkscreen after sculpture by Volker Kühn. Humorous depiction of interpersonal relationships. Graphic Art, Miniature Etchings, Objec...

Ralph Goings Pizza Stromboli Mezzalluna - Mezzogiorno - New York, NY, 1996 Ceramic Plate Artist signature fired into the plate on the front and back and numbered 105 from an edition of 510. 10 1/5 inches diameter by 1/4 inch height Unframed This beautiful, limited edition, signed and numbered bowl...

This artwork titled "Confiding" 2008 is an original color serigraph on Wove paper by Israeli artist Itzchac Tarkay 1935-2012. It is hand signed and numbered E.A 63/80 in pencil by t...

Keith Haring Pop Shop I (Littmann PP. 83), is the fourth and final print in the artist’s Pop Shop I portfolio of 1987. This silkscreen depicts two figures, one purple figure holding ...

A serigraph print by Pedro Friedeberg from 1987. A optical abstract image of a surrealist interior. Artist: Pedro Friedeberg, Mexican (1936 - ) Title: Encuentro de dos Mundos Year:...

Julian Schnabel, American (1951 - ) - Tibet House, Year: 1995, Medium: Screenprint, signed and numbered in pencil, Edition: 26/200, Size: 57.85 x 42 in. (146.94 x 106.68 cm), Fra...

Sequential V from the Sequential Portfolio by Richard Anuszkiewicz, American (1930–2020) Date: 1972 Screenprint, signed, dated, and numbered in pencil Edition of 165/200 Image Size: ...

Watercolor and screen print on paper Signed in black ink, u.l. Titled in black ink, l.l. This artwork is offered by ClampArt, located in New York City. Price includes framing. Jack Balas...

Materials: Presented on acid-free, archival cotton PhotoRag Giclee paper from Hahnemuhle Size 11 × 14 in 27.9 × 35.6 cm Rarity Medium: Fine Art Print Condition: Print is in pristi...

CARLOS CRUZ-DÍEZ - COULEUR À L’ESPACE NOVA Date of creation: 2012 Medium: Chromography on PVC and steel Edition: 75 Size: 52 x 12 x 12 cm Condition: In perfect conditions, brand new ...

Julian Schnabel Invierno Primaveral, 1995 Hand-painted, 17-color screenprint with poured resin 40 x 30 inches (102 x 76 cm) Edition of 80 signed in pencil and stamped on verso "S...

Myron Kozman (1916-2002) Abstraction #318 Screenprint in colors, 1947 Signed, titled, and numbered in pencil (see photos) Rare abstract screenprint Myron Kozman’s Abstraction #318 of...

Red Grooms Mr. Chuck Berry, 1978 Original silkscreen in colors with 3D construction and die-cut collage on paper Signed and numbered 9/25 AP in graphite pencil on the front Pencil si...

Serigraph in colors on 300gsm paper. Hand signed lower right by Ronnie Wood; hand signed lower left by Muhammad Ali. Hand numbered 32/100 lower right. Sheet size: 28.5 x 21.5 inches. Frame size: 37 x 30 inches. This image was published in two editions - Both were autographed by Muhammad Ali in addition to being signed by Ronnie Wood. The first one, an edition of 99 pieces, was printed on canvas. The second, an edition of 100 pieces, was printed on paper and given to the Muhammad Ali Foundation's Center for Peace to be used as donor gifts. Artwork is in excellent condition. About the Artist: Ronald David "Ronnie" Wood (born 1 June 1947) is an English rock guitarist and bassist best known as a former member of The Jeff Beck Group, Faces, and a member of The Rolling Stones since 1975. He also plays lap and pedal steel guitar...

The specific information regarding edition will be provided at the time of sale. Please contact the seller for more details. Part of the 'Icons Series', Three Eyed Monster is one of...

Printer's Proof /5 Her appeal was classless and she rapidly became Britain’s most popular artist. She was a ‘heart and soul’ painter, compelled to paint with a passion. Her paintin...

Ed Ruscha Actual Size (Spam), 2024 UV pigment print with yellow silkscreen details and a matte varnish seal, printed on 410gsm Somerset Tub Sized Radiant White paper. Individually nu...

Artist: Andy Warhol (1928-1987) Title: Mao 90 Year: 1972 Medium: Silkscreen in colors on Lenox Museum Board Size: 36 x 36 inches Condition: Excellent Inscription: signed in ball-poin...

Color screen print on paper, edited in 1983
. Limited edition, numbered 174/275 in the lower left corner. Hand-signed in pencil by the artist in the lower right corner. Plate size: ...

JACKSON POLLOCK (American, 1912-1956) Untitled, CR1095 (after painting Number 22, CR344), 1951, printed 1964 Screenprint, on Strathmore wove paper, numbered 49/50 in pencil lower left, and with the Estate of Jackson Pollock 1964 blindstamp lower left From the posthumous printing of 50 authorized by his widow, Lee Krasner, in 1964 (there was also a lifetime edition of 25) Published by Bernard Steffen...

"Still Life with Goldfish Bowl" is an authorized reproduction of a painting by Roy Lichtenstein, originally created in 1972. Officially approved by the Roy Lichtenstein Foundation, t...

This artwork titled "Left Bank Cafe, Paris" 1987 is an original color serigraph by noted American artist LeRoy Neiman, 1921-2012. It is hand signed and numbered H.C 166/175 in pencil by the artist. The image size is 26 x 38 inches, sheet size is 32.25 x 44 inches. With the blind stamp of the printer Styria Studio at the lower left corner margin. It is in excellent condition, two small pieces of hanging tape remain on the back. About the artist: Mr. Neiman's kinetic, quickly executed paintings and drawings, many of them published in Playboy, offered his fans gaudily colored visual reports on heavyweight boxing matches, Super Bowl games and Olympic contests, as well as social panoramas like the horse races at Deauville, France, and the Cannes Film Festival. Quite consciously, he cast himself in the mold of French Impressionists like Toulouse-Lautrec, Renoir and Degas, chroniclers of public life who found rich social material at racetracks, dance halls and cafes. Mr. Neiman often painted or sketched on live television. With the camera recording his progress at the sketchpad or easel, he interpreted the drama of Olympic Games and Super Bowls for an audience of millions. When Bobby Fischer and Boris Spassky faced off in Reykjavik, Iceland, to decide the world chess championship, Mr. Neiman was there, sketching. He was on hand to capture Federico Fellini directing "8 ½" and the Kirov Ballet performing in the Soviet Union. In popularity, Mr. Neiman rivaled American favorites like Norman Rockwell, Grandma Moses and Andrew Wyeth. A prolific one-man industry, he generated hundreds of paintings, drawings, watercolors, limited-edition serigraph prints and coffee-table books yearly, earning gross annual revenue in the tens of millions of dollars. Although he exhibited constantly and his work was included in the collections of dozens of museums around the world, critical respect eluded him. Mainstream art critics either ignored him completely or, if forced to consider his work, dismissed it with contempt as garish and superficial — magazine illustration with pretensions. Mr. Neiman professed not to care. Maybe the critics are right," he told American Artist magazine in 1995. "But what am I supposed to do about it — stop painting, change my work completely? I go back into the studio, and there I am at the easel again. I enjoy what I'm doing and feel good working. Other thoughts are just crowded out." His image suggested an artist well beyond the reach of criticism. A dandy and bon vivant, he cut an arresting figure with his luxuriant ear-to-ear mustache, white suits, flashy hats and Cuban cigars. "He quite intentionally invented himself as a flamboyant artist not unlike Salvador Dalí, in much the same way that I became Mr. Playboy in the late '50s," Hugh Hefner told Cigar Aficionado magazine in 1995. LeRoy Runquist was born on June 8, 1921, in St. Paul. His father, a railroad worker, deserted the family when LeRoy was quite young, and the boy took the surname of his stepfather. He showed a flair for art at an early age. While attending a local Roman Catholic school, he impressed schoolmates by drawing ink tattoos on their arms during recess. As a teenager, he earned money doing illustrations for local grocery stores. "I'd sketch a turkey, a cow, a fish, with the prices," he told Cigar Aficionado. "And then I had the good sense to draw the guy who owned the store. This gave me tremendous power as a kid." After being drafted into the Army in 1942, he served as a cook in the European theater but in his spare time painted risqué murals on the walls of kitchens and mess halls. The Army's Special Services Division, recognizing his talent, put him to work painting stage sets for Red Cross shows when he was stationed in Germany after the war. On leaving the military, he studied briefly at the St. Paul School of Art (now the Minnesota Museum of American Art) before enrolling in the School of the Art Institute of Chicago, where, after four years of study, he taught figure drawing and fashion illustration throughout the 1950s. When the janitor of the apartment building next door to his threw out half-empty cans of enamel house paint, Mr. Neiman found his métier. Experimenting with the new medium, he embraced a rapid style of applying paint to canvas imposed by the free-flowing quality of the house paint. While doing freelance fashion illustration for the Carson Pirie Scott department store in Chicago in the early 1950s, he became friendly with Mr. Hefner, a copywriter there who was on the verge of publishing the first issue of a men's magazine. In 1954, after five issues of Playboy had appeared, Mr. Neiman ran into Mr. Hefner and invited him to his apartment to see his paintings of boxers, strip clubs and restaurants. Mr. Hefner, impressed, showed the work to Playboy's art director, Art Paul, who commissioned an illustration for "Black Country," a story by Charles Beaumont about a jazz musician. Thus began a relationship that endured for more than half a century and established Mr. Neiman's reputation. In 1955, when Mr. Hefner decided that the party-jokes page needed visual interest, Mr. Neiman came up with the Femlin, a curvaceous brunette who cavorted across the page in thigh-high stockings, high-heeled shoes, opera gloves and nothing else. She appeared in every issue of the magazine thereafter. Three years later, Mr. Neiman devised a running feature, "Man at His Leisure." For the next 15 years, he went on assignment to glamour spots around the world, sending back visual reports on subjects as varied as the races at Royal Ascot, the dining room of the Tour d'Argent in Paris, the nude beaches of the Dalmatian coast, the running of the bulls at Pamplona and Carnaby Street in swinging London. He later produced more than 100 paintings and 2 murals for 18 of the Playboy clubs that opened around the world. "Playboy made the good life a reality for me and made it the subject matter of my paintings — not affluence and luxury as such, but joie de vivre itself," Mr. Neiman told V.I.P. magazine in 1962. Working in the same copywriting department at Carson Pirie Scott as Mr. Hefner was Janet Byrne, a student at the Art Institute. She and Mr. Neiman married in 1957. She survives him. A prolific artist, he generated dozens of paintings each year that routinely commanded five-figure prices. When Christie's auctioned off the Playboy archives in 2003, his 1969 painting Man at His Leisure: Le Mans sold for $107,550. Sales of the signed, limited-edition print versions of his paintings, published in editions of 250 to 500, became a lucrative business in itself after Knoedler Publishing, a wholesale operation, was created in 1975 to publish and distribute his serigraphs, etchings, books and posters. Mr. Neiman's most famous images came from the world of sports. His long association with the Olympics began with the Winter Games in Squaw Valley in 1960, and he went on to cover the games, on live television, in Munich in 1972, Montreal in 1976, Lake Placid in 1980, and Sarajevo and Los Angeles in 1984, using watercolor, ink or felt-tip marker to produce images with the dispatch of a courtroom sketch artist. At the 1978 and 1979 Super Bowls, he used a computerized electronic pen to portray the action for CBS. Although he was best known for scenes filled with people and incident, he also painted many portraits. Athletes predominated, with Muhammad Ali and Joe Namath among his more famous subjects, but he also painted Leonard Bernstein, the ballet dancer Suzanne Farrell...

Offset print 4C process with cold stamp Edition 27 of 300 55 x 44.2 cm (21.7 x 17.4 in) Signed and numbered on the front Mint

Color screenprint on heavy white wove archival paper. Edition of 200. Printed by l'Atelier Eric Linard, Paris. Published by Editions T.A.T Arts, Paris, with the printed justificat...

An original silkscreen by American Abstract Expressionist, Adolph Gottlieb. Artist: Adolph Gottlieb, American (1903 - 1974) Title: Peace from the Peace Portfolio Year: 1970 Medium: ...

Sixteen Skulls, Tim Armstrong, Punk Rock Street Art Print. Comes from an edition of 100 released in 2016. Dimensions of 20 in x 16 in. Archival pigment print on 100% archival paper Signed by the artist, numbered and embossed. Tim Armstrong is an American musician, singer, songwriter, producer, poet, music label owner and actor. He is the singer/guitarist for the punk rock band Rancid and hip hop/punk rock Transplants. Tim got his start in the Bay Area and playing in Berkley frequently on 924 Gilman...

"Homage to the Square - P2, F17, I2" from the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original screenprints that...

"Procession (Fish)" is an original serigraph print by Ronald Osiecki. It is signed and part of a limited edition. This print depicts fish hea...

Kenny Scharf Ratfinkbonerthunk : Surrealist Rat, 1990 Original Giclee Print Handsigned in pencil On Arches vellum 56 x 76 cm (c. 22 x 30 in) Published by Editions Vermorel in 1990 ...

Screenprint on paper Signed and titled in pencil Numbered from the edition of 75 Image size: 505 x 505 mm Paper size: 665 x 685 mm Silkscreen print on Paper Edition of 100 50...

Medium: silkscreen. Printed in 1984 for "Ficciones" and published by The Limited Editions Club in an edition of 1500. Size: 8 x 7 3/4 inches (203 x 198 mm). Not signed. Condition: t...

Color screenprint on wallpaper, 1971. Printed by Bill Miller's Wallpaper Studio, Inc., New York. Published for a Warhol exhibition at the Whitney Museum by Factory Additions, New Yor...

Artist: Gene Davis (1920-1985) Title: Royal Curtain Year: 1980 Medium: Silkscreen on Arches paper Edition: 27/250 Size: 30 x 21.5 inches Condition: Excellent Inscription: Sign...

Josef Albers (German/American, 1888-1976) Gray Instrumentation I, 1974 color screenprint signed, titled, and numbered in pencil edition of 36, #16/36 Framed: 20 3/4 x 20 3/4 inches ...

Country Town is an original colored screen print realized by Ivan Rabuzin in the 1990s. Hand-signed on the lower margin. Numbered on the lower left.143/150. This very fine print re...