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Art by Medium: Screen

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Style: Abstract
Medium: Screen
Untitled 4, Abstract Expressionist Screenprint by Larry Zox
Untitled 4, Abstract Expressionist Screenprint by Larry Zox

Untitled 4, Abstract Expressionist Screenprint by Larry Zox

By Larry Zox

Located in Long Island City, NY

Artist: Larry Zox Title: Untitled 4 Year: circa 1980 Medium: Screenprint, signed and numbered in pencil Edition Size: 175 Image Size: 30.5 x 19 inches Paper Size: 42 x 30 in. (106.6...

Category

1980s Abstract Expressionist Art by Medium: Screen

Materials

Screen

Arnaldo Pomodoro - Mid-Century Modern Geometric Italian Abstract Silkscreen S/N
Arnaldo Pomodoro - Mid-Century Modern Geometric Italian Abstract Silkscreen S/N

Arnaldo Pomodoro - Mid-Century Modern Geometric Italian Abstract Silkscreen S/N

By Arnaldo Pomodoro

Located in New York, NY

Arnaldo Pomodoro Untitled Mid-Century Modern Geometric Abstraction, 1968 Silkscreen with colors on rag paper with deckled edges Hand signed, numbered 44 from the edition of 80 and da...

Category

1960s Abstract Geometric Art by Medium: Screen

Materials

Rag Paper, Screen

Series 40B, Abstract Geometric Screenprint by Gordon House
Series 40B, Abstract Geometric Screenprint by Gordon House

Series 40B, Abstract Geometric Screenprint by Gordon House

By Gordon House

Located in Long Island City, NY

Artist: Gordon House, British (1932 - 2004) Title: Series 40 C Year: 1965 Medium: Screenprint, signed and numbered in pencil Edition: 13/50 Image Size: 16 x 15.5 inches Frame Size: 2...

Category

1960s Abstract Geometric Art by Medium: Screen

Materials

Screen

Chrome Green

Chrome Green

By Adolph Gottlieb

Located in New York, NY

A very good impression of this color screenprint on Arches. Signed, dated and numbered 125/150 in pencil by Gottlieb. Printed by Kelpra Studio, London, with the ink stamp verso. Publ...

Category

1970s Abstract Expressionist Art by Medium: Screen

Materials

Color, Screen

Myron Kozman, New Bauhaus, screenprint, 1947, edition 24
Myron Kozman, New Bauhaus, screenprint, 1947, edition 24

Myron Kozman, New Bauhaus, screenprint, 1947, edition 24

By Myron Kozman

Located in Fairlawn, OH

Myron Kozman (1916-2002) Abstraction #318 Screenprint in colors, 1947 Signed, titled, and numbered in pencil (see photos) Rare abstract screenprint Myron Kozman’s Abstraction #318 of...

Category

1940s Abstract Art by Medium: Screen

Materials

Screen

Large Abstract Silkscreen by Raymond Parker
Large Abstract Silkscreen by Raymond Parker

Large Abstract Silkscreen by Raymond Parker

By Raymond Parker

Located in Long Island City, NY

Artist: Raymond Parker, American (1922 - 1990) Title: Untitled 14 Year: 1980 Medium: Silkscreen, signed and numbered in pencil Edition: 70 Image Size: 31 x 36 inches Size: 32 x 37.5 ...

Category

1980s Abstract Expressionist Art by Medium: Screen

Materials

Screen

Interaction of Color
Interaction of Color

Interaction of Color

By Josef Albers

Located in New York, NY

Portfolio with complete text folder, bound text volume and 80 color screenprints, loose as issued. The German edition. Published in 1973 by Josef Keller, Starnberg. Original cream p...

Category

1960s Abstract Geometric Art by Medium: Screen

Materials

Color, Screen

Untitled - Screen Print After Jackson Pollock - 1964

Untitled - Screen Print After Jackson Pollock - 1964

By Jackson Pollock

Located in Roma, IT

Screenprint, from the posthumous edition of 50 printed in 1964 (first edition of 25 printed in 1951) With the blindstamp of the estate: “Estate of J. Pollock 1964” and “Strathmore us...

Category

1960s Abstract Art by Medium: Screen

Materials

Paper, Screen

Wildflower 22
Wildflower 22

Wildflower 22

By Donald Sultan

Located in Hinsdale, IL

Screenprint in Color, 60/190. Initialed, numbered and dated along edges Published by Parasol Press, New York Often Sultan’s works are very architectural and bold, but the imagery ...

Category

Early 2000s Abstract Art by Medium: Screen

Materials

Screen

Sarah Morris, Deviancy is the Essence
Sarah Morris, Deviancy is the Essence

Sarah Morris, Deviancy is the Essence

By Sarah Morris

Located in Hamburg, DE

Sarah Morris (American, born 1967) Deviancy is the Essence [Sound Graph], 2023 Medium: Screenprint on 400 g/m Hahnemühle Dimensions: 42 × 42 cm (16.5 x 16.5 in) Edition 40 + 8 AP: Ha...

Category

21st Century and Contemporary Abstract Geometric Art by Medium: Screen

Materials

Screen

Longevity I Screen Print, Abstract Relief Print, 2010s, New
Longevity I Screen Print, Abstract Relief Print, 2010s, New

Longevity I Screen Print, Abstract Relief Print, 2010s, New

Located in Columbus, OH

Color is very material to Fishman, often triggering sensations of taste, smell, mood, and emotion. She combines natural and non-natural hues to encourage viewers to think about the w...

Category

2010s Abstract Geometric Art by Medium: Screen

Materials

Screen, Relief Print

White Mermaid, Tie Feng Jiang
White Mermaid, Tie Feng Jiang

White Mermaid, Tie Feng Jiang

By Tiefeng Jiang

Located in Fairfield, CT

Artist: Jiang Tie-Feng (1938) Title: White Mermaid Year: 1988 Medium: Silkscreen on Vellum Rag paper Edition: LXX/LXXV, 293 Arabic Numerals, 75 Roman Numerals, plus proofs Size: 36 x...

Category

1980s Abstract Expressionist Art by Medium: Screen

Materials

Screen

Imperial Red, Colorful Abstract Geometric Screenprint by Barbara Lynch Zinkel
Imperial Red, Colorful Abstract Geometric Screenprint by Barbara Lynch Zinkel

Imperial Red, Colorful Abstract Geometric Screenprint by Barbara Lynch Zinkel

By Barbara Lynch Zinkel

Located in Long Island City, NY

A colorful geometric screenprint by American artist Barbara Lynch Zinkel inspired by the Josef Albers "Homage to the Square". Date: 1994 Medium: Screenprint, estate stamped verso an...

Category

1990s Abstract Geometric Art by Medium: Screen

Materials

Screen

"Untitled" by Mark di Suvero (Pink, Orange, Green, Abstract, Vibrant)
"Untitled" by Mark di Suvero (Pink, Orange, Green, Abstract, Vibrant)

"Untitled" by Mark di Suvero (Pink, Orange, Green, Abstract, Vibrant)

By Mark di Suvero

Located in New York, NY

This screen print by Mark di Suvero pops with day-glo colors. Bright green lines on a hot pink and orange background make for a fun piece of art in any room. This print is signed and numbered by the artist. The print comes directly from the publisher, Lincoln Center Editions...

Category

Early 2000s Abstract Art by Medium: Screen

Materials

Screen

Milton Glaser signed abstract mixed media landscape mid century modern  (unique)
Milton Glaser signed abstract mixed media landscape mid century modern  (unique)

Milton Glaser signed abstract mixed media landscape mid century modern (unique)

By Milton Glaser

Located in New York, NY

MILTON GLASER Untitled Abstract Landscape, 1965 Monotype with Mixed Media Signed and dated 1965 on the front Unique 1960s Milton Glaser mixed media monotype landscape with letters, in original 1960s metal frame. Signed and dated 1965 in graphite on the front. This was acquired from the Helen Lesser and Gene Federico Estate in Pound Ridge New York. Gene Federico was a renowned Art Director, and Helen Lesser was a well known Graphic Designer and Book Illustrator. This work has been elegantly framed in a museum quality frame painted bold blue under UV plexiglass. Measurements: 17.5 inches (vertical) by 19.5 inches (horizontal) by 2 inches Signed monoprint: 10.5 inches (vertical) by 12.5 inches (horizontal) MILTON GLASER BIOGRAPHY Milton Glaser (1929–2020) was a giant figure in the history of graphic design. Born in the Bronx to immigrants from Hungary, Glaser graduated in 1951 from The Cooper Union for the Advancement of Science and Art, where he and other students received full-tuition scholarships from the endowment established by Peter Cooper. Glaser also studied in Bologna, Italy, with the painter Giorgio Morandi. This New York kid mixed together commercial art and fine art to create a potent new language. He co-founded Push Pin Studios in 1954 with friends from Cooper Union. Based in New York City, Push Pin became an international force in the 1960s and 70s, with a legacy that continues to inspire designers and illustrators today. Glaser is best known among designers for his illustrated posters and album covers. His Dylan poster...

Category

Mid-20th Century Abstract Art by Medium: Screen

Materials

Mixed Media, Monotype, Screen

Jupiter 4
Jupiter 4

Jupiter 4

By Rafael Bogarin

Located in San Francisco, CA

Artist: Rafael Bogarin – Venezuelan (1946- ) Title: Jupiter 4 Year: 1980 Medium: Screen Print Sight size: 19.5 x 25.5 inches. Sheet size: 22.5 x 28.5 inches. Signature: Signed lower right Edition: 295 This one: 116/295 Condition: Excellent Unframed This exceptional geometric abstract serigraph is by the noted Venezuelan artist Rafael Bogarin (1946- ). This is Jupiter 4. I have others from the series, also for sale. The print has never been framed and is in excellent condition. It measures 22.5" x 28.5". Rafael Bogarin is an established contemporary Venezuelan artist known for his abstract serigraphs. Bogarin was born in 1946, in El Tigre, where he grew up making his own toys and learning to draw. He studied in Caracas at the Cristobal Rojas School of Fine Arts, specializing in lithography and etching. From 1970 to 1992, Bogarin, like so many artists, lived in New York. As he explored various techniques, he became an expert in serigraphs, earning himself acclaim in Latin America as a pioneer. In South America he traveled the continent giving classes and learning about native cultures. When he returned to the land of his youth, he was inspired to create the concept of the entire world in the Museo Vial in El Tigre in 1982. Later he made others along the route between Colombia and Venezuela. Recently he has been creating and realizing ideas like the Museo de Murales a Cielo Abierto (Museum of Murals to the Open Sky). Detailed biographical information (source: artist's website): Rafael Bogarín was born in El Tigre, Anzoátegui state, Venezuela, on January 20, 1946. He studied at the Cristóbal Rojas School, which he finished in 1966; Among his teachers are Luis Guevara Moreno, Pedro León Zapata, Luisa Palacios and Luis Chacón. Upon returning from school he founded the Zapato Roto group with other artists, with the aim of taking art to the streets. In 1966 he directed the outdoor exhibitions of the Venezuelan American Center, and two years later he participated in the XXVIII Official Salon, where he received the Rome Prize. During that time he ordered elements such as nuts and serrated blades in relation to discs engraved with burin and other techniques, and made the final impression in planes of one color. In 1970 he received a scholarship and traveled to New York; He studies at the Pratt Graphic Center and the Blackburn Printmaking Workshop. In 1973 he founded, together with Manuel Kohn, the Bogarín Printmaking Workshop, a workplace for Venezuelan artists living in the United States; This workshop, of which he has been master printer, allowed continuity to his artistic work. Bogarín investigates the possibilities of super eight cinema and makes films with quality similar to commercial formats; From these experiences emerge The Lonely World (1975) and New World Symphony (1976). In 1977 he deepened his study of color with The New Color, a portfolio where he produced superimposed colors through transparencies and glazes. His teaching experience includes courses at the Rafael Monasterios School of Plastic Arts in Maracay (1969-1970), Ceagraf (1979), as well as workshops in various cities around the world. In 1980 he made an exhibition of silkscreen prints in cities in Italy, El Salvador, Colombia, Mexico and the United States. That year he resumed his interest in outdoor exhibitions with a museum project with murals by 30 artists for El Tigre (Venezuela); The Rafael Bogarín Road Museum was inaugurated in 1982 and brought together 30 murals on 2 x 4 meter fences, by artists such as Mario Toral, Édgar Sánchez and Paul Davis. He carried out the project to recover the architectural spaces of El Tigre (Venezuela), through murals, sculptures, plazas and humanized spaces. In 2006 he painted the largest painted flag in the world in El Tigre, Venezuela. Bogarín has exhibited his work on all 5 continents and currently lives and works in Panama City in his private workshop and in the Articruz workshop. Individual exhibitions Ø 1966. Gallery of the Medical College. Caracas Venezuela. Ø 1966. Venezuelan American Center. Caracas Venezuela. Ø 1970. Protobello Gallery. Caracas Venezuela. Ø 1977. First National Bank of Louisville. Luosville, Kentucky, USA. Ø 1978. Venezuela Gallery. New York City, USA. Ø 1979. Julián Marchena Room, Museum of Costa Rica. San Jose Costa Rica. Ø 1979. La Otra Banda Gallery. Merida, Venezuela. Ø 1980. Galeter Center. Adro, Italy. Ø 1980. Gallery of Modern Art. Santo Domingo Dominican Republic. Ø 1980. Jewish Community Center. Monmouth, New Jersey, USA. Ø 1980. Frank Fedele Fine Arts. New York City, USA. Ø 1980. El Túnel Gallery. Guatemala, Guatemala. Ø 1981. Garcés – Velásquez Gallery. Bogota Colombia. Ø 1982. Siete Siete Gallery. Caracas Venezuela. Ø 1984. Acquavella Gallery. Caracas Venezuela. Ø 1985. Cultural Center. Santa Cruz, Bolivia. Ø 1992. Sotage Gallery, Puerto La Cruz, Venezuela. Ø 2017. Arteconsult Gallery. Panama City, Panama. Awards Ø 1969. Rome Prize. XXIX Official Salon of Venezuelan Art, Museum of Fine Arts. Caracas Venezuela. Ø 1971. Honorable mention. First Young Artists' Salon. Maracay, Venezuela. Ø 1984. First prize, Salón Aragua. Maracay, Venezuela. Murals Ø 1974. Venezuelan Consulate. New York City, USA. Ø 1982. Creator of the First Road Museum in the World. El Tigre, Venezuela. Ø 1983. Road Museum. Roldanillo, Colombia. Ø 1984. Bicentennial Road Museum. Cucuta, Colombia. Ø 2000. Ceramic mural. Dairy, Venezuela. Group exhibitions Ø 1963 to 1966. Spiral Gallery. Caracas Venezuela. Ø 1966. El Pez Dorado Gallery. Caracas Venezuela. Ø 1966. “Zapato Roto” Festival. Caracas Venezuela. Ø 1967. D´Empaire Hall. Maracaibo Venezuela. Ø 1970. Drawings and engravings room. Central University of Venezuela. Caracas Venezuela. Ø 1966 and 1971. Arturo Michelena Hall. Valencia, Venezuela. Ø 1966 to 1968. Annual Venezuelan Art Salon. Museum of Fine Arts. Caracas Venezuela. Ø 1968. Luis Ángel Arango Library. Bogota Colombia. Ø 1969. Tertulia Room. Cali, Colombia. Ø 1969. Lunn Gallery. Washington, DC, USA. Ø 1969. Gallery of Visual Arts. Maracay, Venezuela. Ø 1970. Venezuelan Cultural Week. Miami and Jamaica. Ø 1972. Two Rivers Gallery. Binghampton, New York City, USA. Ø 1972. Moos Gallery. Montreal, Canada. Ø 1973. Spoleto Festival. Italy. Ø 1974. Young Artists, Union Carbide Building. New York City, USA. Ø 1975. Government of Caracas. Caracas Venezuela. Ø 1975. Graphic VII, Mendoza Gallery. Caracas Venezuela. Ø 1976. Brooke Alexander Gallery. New York City, USA. Ø 1977. Denise Rene Gallery. New York City, USA. Ø 1978. Sam Flax...

Category

1980s Abstract Geometric Art by Medium: Screen

Materials

Paper, Screen

Sam Gilliam -Buoy Landscape IV Mixed media signed/n Abstract Expressionist print
Sam Gilliam -Buoy Landscape IV Mixed media signed/n Abstract Expressionist print

Sam Gilliam -Buoy Landscape IV Mixed media signed/n Abstract Expressionist print

By Sam Gilliam

Located in New York, NY

Sam Gilliam Buoy Landscape IV, 1982 Color relief print, etching, screenprint, drypoint, aquatint and roulette all from deeply etched copper plates, on handmade wove paper 31 1/2 × 24...

Category

1980s Abstract Art by Medium: Screen

Materials

Mixed Media, Drypoint, Etching, Aquatint, Screen

Spanish Artist signed limited edition original art print silkscreen

Spanish Artist signed limited edition original art print silkscreen

By Eduardo Chillida

Located in Miami, FL

Eduardo Chillida (Spain, 1924-2002) 'Bilbao – Mundial 1982', 1982 silkscreen on japanese paper 37.5 x 23.7 in. (95 x 60 cm.) Edition of 150. P/A: 25, H.C.: 50 Publisher: Maeght Unframed ID: CHI1038-010 Hand-signed by author ____________________________________________________ He began his career in 1943 studying architecture at the University of Madrid, but in 1947 he dedicated himself to drawing and sculpture, and in 1948 he moved to Paris, then the world capital of the arts. Although he abandoned his studies, his work betrays his architectural training, showing an underlying sense of structural organization, as well as discipline in materials, planning of spatial relationships, and scale of elements. Over the years, the artist turned to materials that showed his investigations into conceptual questions and metaphysical concerns. Chillida's first stone and plaster creations oscillated between the human world and the natural world using figures and images of landscapes. Consistently guided by the quality of space, density and rhythm, his works consider ways in which mass and volume contain space. His public works, which exist on a more massive scale, not only inhabit the space but also determine a qualifying space of their own. His monumental sculptures, designed for both urban and more secluded spaces, are permanently installed internationally and constitute an important facet of his artistic production. The main retrospectives of Chillida's graphic and sculptural work have been mounted by the Museum of Fine Arts in Houston (1966); Carnegie Institute, Pittsburgh (1979); National Gallery of Art, Washington, DC (1979); Guggenheim Museum (1980); Miramar Palace, San Sebastián (1992); and Museo Nacional Centro de Arte Reina Sofía, Madrid (1999). Chillida received numerous awards, including the Grand International Prize for Sculpture at the Venice Biennale (1958), the Kandinsky Prize (1960), the Carnegie Prize for Sculpture (1964), the Andrew Mellon...

Category

1980s Abstract Art by Medium: Screen

Materials

Paper, Screen

Then Came a Fire and Burnt the Stick (AXSOM 275)
Then Came a Fire and Burnt the Stick (AXSOM 275)

Then Came a Fire and Burnt the Stick (AXSOM 275)

By Frank Stella

Located in New York, NY

color lithograph, linocut, and screenprint with hand-coloring collage on T.H. Saunders and hand-cut Somerset paper Edition 48 of 60 signed, dated, and numbered in pencil (sheet) 52....

Category

1980s Abstract Geometric Art by Medium: Screen

Materials

Lithograph, Linocut, Screen

Flowers
Flowers

Flowers

By Donald Sultan

Located in San Francisco, CA

This artwork titled, Flower, 1990 is a color silkscreen and lithograph on Arches 88 paper, by artist Donald Sultan (American, b. 1951) It is hand signed and numbered 31/125 in pencil by the artist. It was published by Parasol Editions Press L.T.D. Portland, Oregon. From the suite,Fruits. It is beautifully framed in a wood maple custom frame, with bevel and fabric matting. Donald Sultan is an American painter, sculptor, and print maker, well-known for large-scale still life paintings and the use of industrial materials such as tar, enamel, spackle and vinyl tiles. He has been exhibiting internationally in prominent museums and galleries, and his works are included in important museum collections all over the globe. Donald Sultan rose...

Category

Late 20th Century Abstract Art by Medium: Screen

Materials

Lithograph, Screen

The Whale Watch

The Whale Watch

By Frank Stella

Located in New York, NY

A remarkably printed work of art, created by Frank Stella in collaboration with master-printer, Ken Tyler of Tyler Graphics Limited, The Whale Watch is a beautifully colored screenpr...

Category

20th Century Abstract Expressionist Art by Medium: Screen

Materials

Screen, Silk

Bonac II, Abstract Expressionist Screenprint by Larry Zox

Bonac II, Abstract Expressionist Screenprint by Larry Zox

By Larry Zox

Located in Long Island City, NY

Artist: Larry Zox Title: Bonac II Year: 1981 Medium: Screenprint, Signed and numbered in Pencil Edition Size: 160 Image Size: 36 x 17 inches Size: 42.5 in. x 30 in. (107.95 cm x 76....

Category

1980s Abstract Expressionist Art by Medium: Screen

Materials

Screen

Royal Curtain, Minimalist Abstract Screenprint by Gene Davis
Royal Curtain, Minimalist Abstract Screenprint by Gene Davis

Royal Curtain, Minimalist Abstract Screenprint by Gene Davis

By Gene Davis

Located in Long Island City, NY

Artist: Gene Davis, American (1920 - 1985) Title: Royal Curtain Year: 1980 Medium: Screenprint in Colors on Arches, signed and numbered in pencil Edition: 250 Paper Size: 29.75 x 21...

Category

1980s Abstract Art by Medium: Screen

Materials

Screen

Longevity II Screen Print, Abstract Relief Print, 2010s, New
Longevity II Screen Print, Abstract Relief Print, 2010s, New

Longevity II Screen Print, Abstract Relief Print, 2010s, New

Located in Columbus, OH

Color is very material to Fishman, often triggering sensations of taste, smell, mood, and emotion. She combines natural and non-natural hues to encourage viewers to think about the w...

Category

2010s Abstract Geometric Art by Medium: Screen

Materials

Screen, Relief Print

INTERFACE

INTERFACE

By Thomas Barrett

Located in Portland, ME

Barrett, Thomas. INTERFACE. Screenprint in colors, not dated. Edition of 100. Numbered 48/100, titled and signed and dated in pencil. 22 1/2 x 28 1/2 inches. In excellent condition.

Category

20th Century Abstract Art by Medium: Screen

Materials

Screen

Screen art for sale on 1stDibs.

Find a wide variety of authentic Screen art available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add art created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, red, purple and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Shepard Fairey, Robert Indiana, George Rodrigue, and Josef Albers. Frequently made by artists working in the Contemporary, Abstract, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Screen art, so small editions measuring 0.01 inches across are also available