Art by Medium: Screen

Pierre Clerk Black and White - 1973 Print - Silkscreen on Somerset paper 32'' x 36'' Edition: Signed in pencil and marked 27/100 image size: 28" x 32" i...

Tadashi Kawamata Untitled for the Relocation Project, Serpentine Gallery, London, 1997 Screenprint on wove paper Pencil signed, dated '97 and numbered 169/180. 34 1/2 × 24 3/4 inches...

Very large scale black and white abstract interior scene with dots, lines, brushstrokes, paint daubs, fingerprints, squares and rectangles. Striking print to hang in contemporary, modern and minimalist spaces. While British pop artists such as David Hockney and Patrick Caulfield numbered amongst Howard Hodgkin's circle of friends, Hodgkin's work is more painterly, expressionist, and abstract. Paper 45 x 55 in. / 114.3 x 139.7 cm. Souvenir by Howard Hodgkin. Screenprint on Arches aquarelle mould-made paper. Signed by the artist with initials and dated 80 in pencil lower center, numbered in pencil lower left. This bold Howard Hodgkin print layers five shades of black, with a wide variety of marks including some from the artist’s fingerprints and hand. Scribbles and lines of grey loosely define what could be an interior space with furniture. As is typical of his prints, there is a sense of space, and of the passage of time, expressed through shapes that seem to recede through the picture, deep black shades and, unusually for Hodgkin’s work, the white of the paper showing through. The last photograph displays these rich surface textures on the sheet at an angle. Catalogue reference: Elizabeth Knowles...

Sol LeWitt Limited Edition Geometric Abstraction Silk Scarf, ca. 1987 Limited Edition Silkscreen on 100% Italian silk scarf/shawl Signed on the fabric with artist's printed signature...

Niki de Saint Phalle I Rather Like You A Lot You Fool, 1970 Silkscreen on wove paper Signed and numbered 74//75 in graphite pencil on the front Frame included: This work is elegantly floated and framed in a museum quality white wood frame with UV plexiglass Accompanied by gallery issued Certificate of Guarantee A delightful and clever work. The text reads: I Rather Like You A Lot You Fool Not much Hair Crooked Nose You are not very rich You’re not terribly intelligent You smoke too much pot You are lazy A bit crazy But I like the way you touch me I like the way you look at trees and flowers I like the way you look at me You found the key to my heart Dimensions: Framed 23.5 vertical by 28.5 by 1.5 inches Artwork: 19.5 by 25.5 inches "Throughout her long and prolific career Niki de Saint Phalle, a former cover model for Life magazine and French Vogue, investigated feminine archetypes and women’s societal roles... Her Nanas, bold, sexy sculptures...

Artist: Raymond Parker, American (1922 - 1990) Title: Untitled 14 Year: 1980 Medium: Silkscreen, signed and numbered in pencil Edition: 70 Image Size: 31 x 36 inches Size: 32 x 37.5 ...

Untitled XXVI Piero Dorazio, Italian (1927–2005) Date: 1970 Screenprint, signed and numbered in pencil Edition of 37/80 Size: 28.5 x 38.5 in. (72.39 x 97.79 cm) Printer: Erker Presse...

John Plumb 'Colour Step C' 1971 Medium Type: Screen Print Size-Width Size-Height: 22'' x 30'' Signed Edition Size: Signed in pencil, titled and marked 18/75 John Plumb is one o...

New Nucleus Herbert Bayer, Austrian (1900–1985) Date: 1973 Screenprint, signed and numbered in pencil Edition of 7/50 Image Size: 29.75 x 29.75 inches Size: 32 in. x 32 in. (81.28 cm...

Donald Sultan is an American painter, sculptor, and printmaker. He is particularly well-known for large-scale still life paintings, and one of the first to employ a wide range of ind...

Richard Anuszkiewicz Annual Edition, 1987-1988 Limited edition silkscreen on masonite Signed and dated by the artist lower right in pencil Frame Included (floated within a box frame)...

This artwork titled "Tuxedo Black" is an original color serigraph on black paper by American artist Fermin Landin Hernandez, 1949-2015. It is hand signed, titled and numbered 1/65 in...

Richard Smith Seven from Logo Suite (Pink Blue), 1971 Silkscreen on 3-D Molded Plastic Over Wood Pencil signed, dated and numbered 65 from the edition of 75 on the front 23 1/2 × 19 ...

Michael Challenger C2 - 1979 Screen Print Paper Size 18'' x 25'' Edition: Signed in pencil, titled, dated and marked 299/300 Michael Challenger's work is a powerful interplay of o...

Alan Shields Alice in Grayland, 1979 Mixed media collage: Etching, aquatint, screen print with stitching and collage on hand made paper Hand signed, dated, titled and numbered 1/13 by Alan Shields on the front Unique variant This very unique and imaginative mixed media paper collage with stitching and fabric is floated and framed in a museum quality white wood frame with UV plexiglass. It is hand signed, dated, titled and numbered from the limited edition of 13 - but each is a unique variant. Frame included: Measurements: Frame: 27.75 x 22.5 x 2 inches Artwork: 23.5 x 18 inches Catalogue Raisonne: K. Tyler Tyler Graphics: Catalogue Raisonné, 1974-1985, New York: Abbeville Press, 1987. p. 289. Alan Shields came of age artistically in the late 1960s in New York. Expanding the boundaries of Minimalism, he became known as a master of aesthetic invention through his wide-ranging exploration of materials and techniques. His mixed media works often contain combinations of traditional silkscreen processes combined with found materials. New York Times critic Roberta Smith wrote in her 2005 obituary for the artist: "Mr. Shields's work combined expanses of gorgeous stained color, reminiscent of Helen Frankenthaler's canvases, with the humbler crafts and a Gypsy sense of portability." Critic Robert Hughes has described Shields as a brilliant bricoleur who could, and often did, make art out of just about anything. He became an innovative printmaker, experimenting with handmade paper and turning out editions in which each print was unique. After his passing, Shields was awarded a Judith Rothschild Foundation grant given to recently deceased abstract artists whose work is of the highest quality but merits further recognition. About Alan Shields: Alan Shields (b. 1944, Herington, KS; d. 2005, Shelter Island, NY) created unique, imaginative, and theatrical structures using unconventional materials and vibrant color. His three-dimensional paintings convey a playful, deconstructive impulse through the incorporation of un-stretched hand-dyed canvas, rope, yarn, beads, and wood. Shields moved to New York City in 1968, where he showed with Paula Cooper...

color lithograph, linocut, and screenprint with hand-coloring collage on T.H. Saunders and hand-cut Somerset paper Edition 48 of 60 signed, dated, and numbered in pencil (sheet) 52....

"Homage to the Square - Portfolio 2, Folder 4, Image 1" from the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 origina...

Günter Fruhtrunk (German, 1923-1982) Seh-Übung (from Dschuang Dsi), 1967 Medium: Screenprint on card Dimensions: 38 x 33 cm Edition of 40: This is an unsigned print outside the editi...

"This work was created with two separate entities that play against each other, in real and illusionary space, thus combining two separate realms that come together and play with one...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...

Lebadang (aka Hoi), Vietnamese (1922 - 2015) - Vase on Blue. Year: 1988-1989, Medium: Screenprint, signed and numbered in pencil, Edition: 203/275, Size: 45.5 x 30 in. (115.57 x 76....

Mark Tobey, American (1890 - 1976) - Sonata, Year: 1975, Medium: Screenprint on Richard Des Bas, signed and numbered in pencil, Edition: 100, Image Size: 16 x 19.5 inches, Size: 21...

JOSEF ALBERS, Bottrop 1888 - New Haven 1976 Homage to the Square, Grisaille and Patina, 1977 (no. 6) Color d'après silkscreen, mm. 207x207. (from 1962 oil on masonite). Perfect copy...

Larry Zox Two Screen Prints Edition: Signed in pencil and marked XXII/XXX Scissors Jack I Scissors Jack II 39'' x 29.5'' inches Larry Zox is one of the principal representatives...

Artist: Arthur Boden, American Title: T Series (Red) Year: circa 1970 Medium: Screenprint, signed and numbered in pencil Edition: 100 Size: 29 in. x 23 in...

DOROTHY DEHNER Mid Century Modern Geometric Abstraction, ca. 1970 Silkscreen on wove paper Plate signed on the front; bears Academy Arts label on the back Published by: Academy Arts...

Artist: Jean-Marie Haessle, American (1939 - ) Title: Symmetries Year: 1980 Medium: Serigraph, signed and numbered in pencil Edition: 295 Paper Size: 23 in. x 29 in. (58.42 cm x 73.6...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist's most important color and shape theories. A copy of the colophon bearing Albers’ hand signature...

"Night Views" Silkscreen Print by The Skyscape Artist, 25/100. By Tetsuro Sawada ( Japanese, 1933-1998) This raven black geometric abstraction focuses on hard-edged horizontal lines, color, and light, giving the impression of dusk through the "bokashi," or shading, technique, which is most difficult in the silkscreen medium, a good example of Sawada's theme of the infinite beyond, the silent emptiness of the universe. Signature in the bottom right corner reads, "T. Sawada '87," titled in the bottom center, "Night Views," and numbered, "25/100," in the bottom left corner. Presented in a new white mat. Paper size: 34"H x 22"W, Mat size: 39"H x 27"W Born in Hokkaido, Tetsuro Sawada (1933-1998, Japanese) graduated from Musashimo Art University where he majored in Western painting. In 1960, he began painting abstract oils...

Roland Martin Abstract Geometric Composition Medium: Color Silkscreen Year: 1972 Signed, numbered and dated by hand Edition: 15 Condition: Minor Defects Size: 23.2 × 16.4 inches COA provided Roland Martin (born July 29, 1927 in Tuttlingen ) is a German sculptor . As a 16-year-old Martin was used in 1943 as a Luftwaffenhelfer, towards the end of the war he was taken prisoner. From 1946 to 1951 he studied at the Bernstein School in Glatt with Hans Ludwig Pfeiffer and Paul Kälberer In 1950 he was for a short time at the State Academy of Fine Arts Karlsruhe, Field Office Freiburg in Freiburg im Breisgau with Wilhelm Gerstel, from 1951 to 1952 he was a student of Fritz Nuss. Since 1952 Martin works as a freelance sculptor in Tuttlingen. Among his students is Jörg Bach...

A colorful geometric screenprint by American artist Barbara Lynch Zinkel inspired by the Josef Albers "Homage to the Square". Date: 1994 Medium: Screenprint, estate stamped verso an...

This print features Johns's exuberant hatching in orange, white, bright green, and purple atop collaged newsprint. Printing on translucent parchment makes the image particularly vibr...

JACKSON POLLOCK (American, 1912-1956) Untitled, CR1095 (after painting Number 22, CR344), 1951, printed 1964 Screenprint, on Strathmore wove paper, numbered 49/50 in pencil lower left, and with the Estate of Jackson Pollock 1964 blindstamp lower left From the posthumous printing of 50 authorized by his widow, Lee Krasner, in 1964 (there was also a lifetime edition of 25) Published by Bernard Steffen...

Clouds Behind Clouds II by Simon Tozer [2021] This is one of an ongoing series of seascapes and sky images that have clouds as their main focus. Clouds are ethereal forms, and along...

Screenprint in colors on wove paper. Signed by the artist in pencil and also numbered 96/126 in pencil. Published by Lincoln Center List Poster and Print Program, New York. Second ...

Silkscreen on Mohawk Superfine Bristol paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the folio, X + X, Ten Works by Ten Painters, 1964. Publishe...

Jean Dubuffet Banque de L'Hourloupe Original Card with a title card Original edition of 350 numbered sets with 30 hors commerce Dimensions: 25 x 16 cm Screen printed by Kelpra Studios, London Editions Alecto, London 1967 Jean Dubuffet (1901 - 1985) Jean Dubuffet was born on July 31, 1901, in Le Havre, France. He attended art classes in his youth and in 1918 moved to Paris to study at the Académie Julian, which he left after six months. During this time, Dubuffet met Raoul Dufy, Max Jacob, Fernand Léger, and Suzanne Valadon and became fascinated with Hans Prinzhorn's book on psychopathic art. He traveled to Italy in 1923 and South America in 1924. Then Dubuffet gave up painting for about ten years, working as an industrial draftsman and later in the family wine business. He committed himself to becoming an artist in 1942. Dubuffet's first solo exhibition was held at the Galerie René Drouin, Paris, in 1944; the Pierre Matisse Gallery gave him his first solo show in New York in 1947. During the 1940s, the artist associated with André Breton, Georges Limbour, Jean Paulhan, and Charles Ratton...

"Homage to the Square - Portfolio 2, Folder 24, Image 1" from the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 origin...

Abstract Composition is a screen on aluminium print on paper realized in the 1970s by Salvatore. Hand-signed and numbered. Edition of 100 pieces.   Good conditions.

Michael Challenger Heaven Forbid - 1979 Print - Silkscreen 17.5'' x 25'' Edition: Signed in pencil, titled, dated and marked 291/300 Challenger's w...

Artist: Gene Davis (American, 1920-1985) Title: "Yankee Doodle" *Signed and numbered by Davis in pencil lower right Year: 1972 Medium: Original Screenprint on wove paper, laid down t...

Nancy Graves 5745, for the Jewish Museum, 1984 Silkscreen on paper Signed, numbered 5/90 and dated in graphite pencil on the front; bears publishers' blind stamp front left corner 30 1/4 × 40 1/2 inches Unframed Commissioned by the Mr. and Mrs. Albert A. List Graphic Fund for The Jewish Museum, New York Signed, numbered and dated in graphite pencil on the front; bears publishers' blind stamp front left corner. Commissioned by the Mr. and Mrs. Albert A. List New Year's Graphic Fund for The Jewish Museum, New York. During the 1980s, various artists were commissioned to create a print celebrating the Jewish New Year. This is the silkscreen renowned sculptor Nancy Graves created to celebrate the year 5745 of the Jewish Calendar, beginning in September 1984 (Rosh Hashanah). This work was published in a limited edition of 90. The number 90 has special significance in Jewish gamatria (numerology) for several reasons, including the fact that it equals five times life - or Chai. The number for Chai, meaning "Life " s 18, and 18 x 5 = 90. This is a magical number in Judaism. All of the works were published in editions that were multiples of 18, or the Life. In her lifetime, Nancy Graves did not receive the renown or acknowledgement that her ex-husband and former Yale School of Art classmate Richard Serra did, but she is finally getting the recognition she richly deserves. Biography: Nancy Graves (1939 – 1995) is an American artist of international renown. A prolific cross-disciplinary artist, Graves developed a sustained body of sculptures, paintings, drawings, watercolors, and prints. She also produced five avant-garde films and created innovative set designs. Born in Pittsfield Massachusetts, Graves graduated from Vassar College in 1961. She then earned an MFA in painting at Yale University in 1964, where her classmates included Robert Mangold, Rackstraw Downes, Brice Marden, Chuck Close, as well as Richard Serra with whom she was married from 1964 to 1970. Five years after graduating, her career was launched in 1969 when she was the youngest artist — and only the fifth woman — to be selected for a solo presentation at the Whitney Museum of Art. Graves’ work was subsequently featured in hundreds of museum and gallery exhibitions worldwide, including several solo museum exhibitions. She was awarded commissions for large-scale site-specific sculptures and her work is in the permanent collections of major art museums. A frequent lecturer and guest artist, her work was widely documented during her lifetime. In 1991 she married veterinarian Dr. Avery Smith. Graves travelled extensively and was fully engaged with the cultural and intellectual issues of her times. Her brilliant career and life were cut short by her untimely death from cancer at age 54. From a point of view that she described as “objective,” Graves transformed scientific sources, such as maps and diagrams, into artworks by re-producing their complex visual information in detailed paintings and drawings. Investigating the intersections between art and scientific disciplines, Graves created compelling, formally rigorous, yet ultimately expressive works of art that examine concepts of repetition, variation, verisimilitude, and the presentation and perception of visual information. Based in SoHo, New York, Graves gained prominence in the late 1960s as a post-Minimalist artist for innovative camel, fossil, totem, and bone sculptures that were hand formed and assembled from unusual materials such as fur, burlap, canvas, plaster, latex, wax, steel, fiberglass and wood. Made in reaction to Pop and Minimalism, these works reference archaeological sites, anthropology, and natural science displays. Suspended from the ceiling or clustered directly on the floor, these early sculptures also engage with Conceptualist ideas of display. For her Whitney Museum presentation Graves exhibited three seemingly realistic sculptures of camels in an installation that evoked taxidermy specimens and questioned issues of verisimilitude in art and science, particularly in light of their hand patched and painted fur surfaces. The exhibition elicited wide spread critical responses and established her artistic significance. After intensely engaging with sculpture in the early 1970s, Graves returned to painting. Her detailed pointillist canvasses re-produced — in paint — images culled from documentary nature photographs, NASA satellite recordings, and Lunar maps, commingling scientific exactitude with abstraction. Resuming sculpture in the late 1970s, Graves was among the first contemporary artists to experiment with bronze casting. She re-invigorated the traditional lost wax technique by assembling cast found objects into unique improbably balanced sculptures, with bright polychrome surfaces and distinctive patinas. Throughout the 1980s Graves became widely recognized for her increasingly large and graceful open-form sculpture commissions. At the same time, she also expanded her drawing, painting, and printmaking practice and made large gestural watercolors. Then, in the late 1980s she created wall-mounted works that combined her explorations of sculpture, painting, form and color. In these large-scale pieces, she mounted high relief polychrome sculptural elements to the surfaces and edges of painted shaped canvases so that patterned shadows were cast onto the paintings and surrounding wall. By the 1990s Graves was casting in glass, resin, paper, aluminum, and bronze, combining these varied materials and colors into daring sculptures with moving parts. As she proceeded in all the media she mastered, Graves increasingly re interpreted and transmuted forms sourced from her own earlier artwork — rather than from outside research — creating elaborate compositions that form a layered a-temporal archaeology of her own visual production. Nancy Graves’ pioneering art...

Artist: Josef Albers (German-American, 1888-1976) Title: "Arrived" Portfolio: Soft Edge - Hard Edge *Signed and dated by Albers in pencil lower right ...

Pierre Fernandez Arman Year: 1978 GREY MOOD Medium Type: Silkscreen, on grey vellum paper Size-Width Size-Height: 22'' x 30'' Edition Size: Signed in pencil and marked 12/150 Ste...

Sun is an original screen print realized by Luigi Veronesi in 1995. Excellent condition on a white cardboard. Hand-signed with pencil by the artist on the lower left corner. Luigi...

Artist: Arthur Boden, American Title: T Series Year: circa 1970 Medium: Six Screenprints, each signed and numbered in pencil Edition: 100 Size: 29 in. x 23 in...

Artist: Jean-Marie Haessle - French/American (1939-) Title: To and Fro Year: 1980 Medium: Screen Print Sight size: 20 x 26 inches. Sheet size: 23 x 29 inches. Signature: Signed lower right Edition: 295 This one: 82/295 Condition: Very good Unframed This bold abstract geometric print is by the well-known French/American artist, Jean-Marie Haessle (1939- ). It is in very good, never-framed condition with no flaws to note. Jean Marie Haessle was born in Buhl, Haut-Rhin, France. After living for a few years in Paris, he moved to New York City in 1967 where he still works and lives in his studio on Spring Street in Soho. Over the years, he had numerous shows in the US, New York, Miami, Texas and California, France and Italy (see the resume). In the mid-80’s he worked for a period in France (Paris, Lyon, and Cannes). In the late 90’s he worked in Mexico (San Miguel de Allende) where he had a one person show in 1997 in the Museo de Art in Queretaro. He had a survey exhibition of the last 30 years of his work at the Korean University Museum, Seoul, Korea in spring 2014 and a major one person show in the Namu Modern &Contemporary gallery in Seoul in September of the same year. In September 2016 he had a sold out show at the Wada Garou gallery in Tokyo, Japan. In recent years, he had numerous shows in Korea, Seoul and Busan as well as in Japan, Tokyo, Kyoto, and Osaka. One-Person Exhibitions 2021 Mizuma, Kips Gallery New York, USA 2020 Shijimi Gallery and Wada Garou, Tokyo, Japan Mizuma, Kips Gallery New York, USA Keumsan Gallery, Seoul, Korea 2019 Mizuma, Kips & Wada Art, New York, USA 2018 Wada Garou, Tokyo, Japan Superior Gallery, Gangnam Seoul Korea 2017 Foley Gallery, New York, USA KOUDOURAN, Kyoto, Japan 2016 Wada Garou Gallery, Tokyo, Japan 2015 Soohoh Gallery, Korea Kips Gallery New York, USA 2014 Paintings 1983 – 2013, Korea University Museum, Seoul, Korea NaMu Modern & Contemporary, Seoul, Korea 2013 Wada Garou Gallery Tokyo, Japan Keumsan Gallery, Seoul, Korea 2012 Hillwood Art Museum, LIU Post, NU USA Gallery Wooduk. Seoul Korea SOOHOH Gallery, Seoul, Korea bcs Gallery, Long Island City, NY, USA 2011 Chantal Bamberger Galerie, Strasbourg, France Whitelabs Gallery, Milan, Italy Kips Gallery New York, NY USA 2010 David Richard Contemporary, Santa Fe NM, USA Gallery AKA Space, Seoul Korea Gallery One Tokyo, Japan 2009 Kips Gallery New York, NY USA La Minoterie Penze, France 2008 Galerie Claire Gastaud, Clermont-Ferrand, France Kips Gallery, New York, NY USA 2007 Kips Gallery, New York, NY USA 2000 Gallery Yvonamor Palix, Mexico DF Mexico 1997 Galerie Gastaud & Caillard, Paris France Galerie Prebet, Roanne France Galerie de la Tour, Altkirch France Ecole des Beaux Arts de Metz, Metz France Kunsthous Santa Fe, San Miguel de Allende Mexico Museo de Art, Queretaro Mexico Museo Regional de Tlaxcala, Tlaxcala Mexico 1996 Kim Foster Gallery, New York NY USA Galerie Gastaud, Clermont-Ferrand France 1995 Kim Foster Gallery, New York NY USA Galerie Gastaud & Caillard, Paris France Center Europeen d'action Artistiques Contemporaines, Strasbourg France Galerie Athisma, Lyon France 1994 Chateau du Grand Jardin, Joinville France 1993 Galerie Catherine Fletcher, Paris France 1991 Galerie Gastaud, Clermont-Ferrand France Galerie Athisma, Lyon France 1989 FCI Institut, New York NY USA Galerie Jade, Colmar France Galerie Laurentienne, Bordeaux France 1988 Galerie Lucien Durand, Paris France 1987 Galerie Lucien Durand, Paris France Guggenheim Gallery, Miami Florida USA 1986 LittleJohn-Smith Gallery, New York NY USA 1985 Reynold Kerr Gallery, New York NY USA Taylor Hudson Gallery, Boca Raton Florida USA 1981 Gabrielle Bryers Gallery, New York NY USA 1980 RR Gallery, New York NY USA 1979 National Academy of Sciences, Washington DC USA The Atlantic Gallery, Washington DC USA 1973 Westbroadway Gallery, New York NY USA 1972 Westbeth Gallery, New York NY USA 1968 Panoras Gallery, New York NY USA Selected Group Exhibitions 2021 KIAF art fair Seoul, Korea Busan Art Fair, Kips gallery, Busan, Korea Miami art fair, Miami, USA 2019 Busan Art Fair, Kips gallery, Busan, Korea Kiaf Art Fair, Mizuma, Kips & Wada Art, Seoul, Korea Osaka art fair, Wada Garou, Tokyo, Japan 2018 Mizuma, Kips & Wada Art, New York, NY USA Busan Art Fair, Kips gallery, Busan, Korea Wada Garou, Tokyo, Japan 2017 Busan Art fair, Kips Gallery, Busan, Korea 2016 Busan Art fair, Kips Gallery, Busan, Korea Art Hamptons, Kips Gallery, NY USA Busan Museum of Art, Busan, Korea “Master Works” Galerie Claire Gastaud, Clermont-Ferrand France “Diaspora in Contemporary Art” Permanent Mission of the Republic of Korea to the United Nation , NY USA Corps Accords Pôle Culturel, Drusenheim, France Salon Zurcher, Zurcher Gallery, New York, NY USA 2015 Palm Springs Art Fair, Kips Gallery, CA USA Houston Art Fair, Kips Gallery, Houston TX, USA Art Hamptons, Kips Gallery, NY USA KIAF Art Fair, Kips Gallery, Seoul, Korea Busan Art fair, Kips gallery, Busan Korea 2014 CIGEE China International Gallery Exposition, Kips Gallery, Beijing, China Palm Springs Art Fair, Kips gallery, CA USA Houston Art Fair, Kips Gallery, Houston TX, USA Art Hamptons, Kips Gallery, NY USA KIAF Art Fair, Kips Gallery, Seoul, Korea David Richard Contemporary, Santa Fe NM USA 2013 Art Hamptons, Kips gallery, NY USA Houston Art Fair, Kips gallery, Houston, TX USA KIAF Art Fair, Keumsan Gallery, Seoul, Korea 2012 Art Karlsruhe Germany, Galerie Chantal Bamberger Kips Gallery, New York, NY USA Lee C gallery, Seoul Korea 2011 KIAF Art Fair, Kips Gallery, Seoul Korea St-Art, Galerie Chantal Bamberger, Strasbourg France Houston Art Fair, DavidRichard Conremporary, TX, USA Red Dot Art Fair, Kips Gallery, New York, NY, USA Red Dot Art Fair, Miami, FL, USA Art Chicago, Kips Gallery, New York, NY, USA Wada Garou, Tokyo Japan San Francisco Art Fair, Kips Gallery NY, USA Dallas Art Fair, DavidRichard Contemporary Santa Fe, NM, USA 2010 David Richard Contemporary, Santa Fe, NM, USA Claire Gastaud Galerie, Clermont-Ferrand, France KIAF Art Fair, Kips Gallery, Seoul Korea Korean Art Fair, New York, NY Hong Kong Art Fair, Kips gallery Hamptons Art Fair, USA Kips gallery 2009 Kips Gallery, New York NY 10012 Scope Art Fair Miami, Kips Gallery NY, USA 2008 Bridge Art Fair Miami, Kips Gallery, Fl. USA 2007 Kips Gallery, New York NY, USA 2004 Mexico Arte Contemperano, Gallery Yvonamor Palix, Mexico DF 2003 Galerie Kahn, Strasbourg, France 2002 Art Chicago, Yvonamor Palix Gallery, Chicago USA St-Art, Galerie Khan, Strasbourg France Art Paris, Galerie Claire Gastaud, Paris France 2001 Art Chicago, Yvonamor Palix Gallery, Chicago USA 2000 Art Chicago, Yvonamor Palix Gallery, Chicago USA En construccion, Universidad de Guanajuato, Guanajuato, Gto Mexico Nomad Territories, DFN Gallery, New York NY USA 1999 Gallery Yvonamor Palix, Mexico DF Mexico 1998 Albright-Knox Galleries, Buffalo NY USA Galerie Gastaud, Clermont-Ferrand France 1997 Kim Foster Gallery, New York NY USA Galerie Gastaud, Clermont-Ferrand France Eric Linard Galerie, La Garde Adhemar France Museo de Arte, Queretaro Mexico 1996 Art Chicago, Kim Foster gallery, Chicago USA "Blue" Broadway Gallery, New York NY USA 1995 Galerie Cocotier, St Etienne France Centre Europeen d'Action Artistiques Contemp., Strasbourg France 1994 Kim Foster Gallery, New York NY USA Galerie Catherine Fletcher, Paris France Foster-Peet Gallery, New York NY USA 1993 Andover-White Gallery, New York NY USA Galerie Athisma, Lyon France Cavaliero/Navarra Fine Arts, New York NY USA 1992 Cavaliero/Navarra Fine Arts, New York NY USA "Contemporary Works on Paper" Gallery Standhal, New York NY USA Foster-Peet Gallery, New York NY USA 1991 Cavaliero Fine Arts, New York NY USA Salon de Montrouge, Paris France Galerie Lucien Durand, Paris France 1990 Galerie Lucien Durand, Paris France Galerie Jade Colmar, France, Chicago International Art Fair, Chicago, USA 1989 Galerie Lucien Durand, Paris France 1988 Salon de Montrouge, Paris France Galerie Lucien Durand, Paris France 1987 Art Barn Association, Washington DC USA LittleJohn-Smith Gallery, New York NY USA Galerie Jade Colmar France 1986 LittleJohn-Smith Gallery, New York USA 1985 Reynold Kerr Gallery, New York NY USA 1984 Reynold Kerr Gallery, New York NY USA 1983 Cavaliero Fine Arts, Kunstmess, Basel Switzerland Galerie Bertin, Lyon France 1982 Cavaliero Fine Arts, Kunstmess, Basel Switzerland 1981 Gabrielle Bryers Gallery, New York NY USA 1980 Gabrielle Bryers Gallery, New York NY USA 1979 Katheryn Markel Gallery, New York NY USA Haber-Theodore Gallery, New York NY USA 1977 The Aldrich Museum of Contemporary Art, Ridgefield, CT USA Contemporary Reflexions. Untitled, acrylic and pencil on wall. 1977 Robert Friedus Gallery, New York NY USA OIA, New York NY USA 1976 Fine Art Gallery, New York NY USA 1975 "Young Talent Festival" "75"Union Carbide, New York NY USA 1974 "Young Talent Festival" Pace Editions, New York NY USA "59th Annual Juried Exhibition" Hudson River Museum, Yonkers NY 1973 Springfield Art Association, Springfield CT USA Works on Paper, Triangle Church, New York NY USA "Young Artists 73" Union carbide, New York NY USA New York Contemporary Graphic Exhibition, Taiwan Museum, Taipei 1972 Palace of Fine Arts, Mexico DF Mexico Albright-Knox Gallery, Buffalo NY USA "9th Annual print Exhibition" Silvermine Guild, New Canaan, CT USA 1971 Martha Jackson Gallery, New York NY USA Cornell University, Ithaca NY USA Publications 1985 Renold Kerr Gallery, New York, NY USA Text by David Shaff 1989 Galerie Jade, Colmar France. The primary paintings of Haessle by Frederick Ted Castle. Introduction by Jean-Yves Bainier 1994 Chateau du Grand Jardin, Joinville France. In memory of the body Text by David Shapiro. Interview by Marc Vaudey. In French/English . ISBN 2-910695 -026 1994 Chateau du Grand Jardin, Joinville France. Edition of 200 exemplary 1995 Centre Europeen d’Action Artistiques Contemp., Strasbourg , France Text by Gilbert Lascault. Interview by Jean-Yves Bainier. ISBN -2-910036-12 X Hard cover. In French and English. 1995 HAESSLE 30 ans de peinture. Monograph 145 pages with 70 pages Full color reproductions. Editions Alternatives ISBN : 2 86227 095 4 Text by David Shaff, David Shapiro, Jean-Yves Bainier. Interview by Catherine Ulmer. 2008 Haessle, Selected works, M magazine, 15 pages all colors reproductions 2012 Haessle, paintings, Hillwood Art Museum, LIU Post NY. Text by Jonathan Goodman (English), Bernard Zurcher (French) 52 pages, 35, color reproductions 2014 Haessle Paintings, 1983-2013, Korea University Art Museum. Text by Jonathan Goodman (English, Korean) Robert Morgan...

MILTON GLASER Untitled Abstract Landscape, 1965 Monotype with Mixed Media 11 × 13 inches Signed and dated 1965 on the lower right recto Unique Frame included: held in original vinta...

Artist: Clarence Holbrook Carter, American (1904 - 2000) Title: Untitled (Mandalas in a Grid) Year: 1973 Medium: Screenprint on Scintilla paper, Signed and numbered in pencil Edition...

'EVEN THE HEART SKIPS A BEAT' (Black on Black) is a signature stylistic print by RETNA. The large-scale glittering artwork is a silkscreen print with layers of genuine diamond dust. ...

Richard Anuszkiewicz (American, 1930–2020) Six Squares, 1969 Medium: Screenprint on card Dimensions: 64 x 94 cm (25 x 37 in) Edition of 200: Hand-signed and numbered in pencil

John Plumb 'Colour Step D' 1971 Medium Type: Screen Print Size-Width Size-Height: 22'' x 30'' Signed Edition Size: Signed in pencil, titled and marked 19/75 John Plumb is one o...

Jean Marie Haessle, French-American (1939-) Serigraph silkscreen Hand signed in pencil and numbered Elana's Dream (red background) 1980 Jean Marie Haessle was born in 1939 in Alsa...

Jimmy Ernst  Plate IV - 1970 Print - Screen Print on Heavy Paper 28'' x 37'' inches Edition: Signed in pencil and numbered 125/125 Jimmy Ernst’s artwork was influenced by a number of powerful talents and vital currents in the art of his time. Son of Max Ernst, Jimmy drew upon the biomorphic and surreal compositions of his father, as well as Arp, Klee, André Breton, and Lyonel Feininger. His mature oil paintings, which emerged in the 1950s and 1960s, reflect the Atomic Age aesthetic of the period. Often, they resemble crystals or webs; many look like vast labyrinths and are interpreted as symbols of the unconscious mind. Ernst was always interested in spirituality and drew inspiration from indigenous American art...

Artist: Kikuo Saito, Japanese (1939 - 2016) Title: Onion Train Year: 1979 Medium: Silkscreen, signed and numbered in pencil Edition Size: 225 Size: 42 x 29.5 inches [106.68 x 74.93 cm]

Abstract composition is a colored screen print realized by the contemporary artist Giulio Turcato (Mantova, 1912 - Roma, 1995) in 1973. Good conditions. Edition 14/100. Giulio Tur...

Artist: Hiroshi Murata Title: Circles Year: circa 1970's Medium: Serigraph, signed and numbered in pencil Paper Size: 19.5 x 27 inches Framed Size: 24.5 x 32

This is a fourteen (14) color screen print on Reeves textured rag paper, hand signed and numbered in graphite from an edition of 118. There are an additional 18 Artist Proofs. The pr...

Pierre Clerk African Suite #7 Monaco - 1980 Print - Silkscreen, on Arches archival paper 30.5'' x 19.5'' Edition: Signed in pencil, dated and marked 173/200 unframed The images of ...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...