Art by Medium: Screen

Allan D'Arcangelo (American/New York, 1930-1998), "Aspen Center of Contemporary Art", 1967 silkscreen, hand signed in pencil, dated, numbered "45/200" and blind stamped "Chiron Press, New York, NY" 32 in. x 24 in. Allan D'Arcangelo (1930-1998) was an American artist and printmaker, best known for his paintings of highways and road signs that border on pop art and minimalism, precisionism, Abstract illusionism and hard-edge painting, and also surrealism. His subject matter is distinctly American and evokes, at times, a cautious outlook on the future of this country. Allan D'Arcangelo was the son of Italian immigrants. He studied at the University of Buffalo from 1948–1953, where he got his bachelor's degree in history. After college, he moved to Manhattan and picked up his studies again at the New School of Social Research and the City University of New York, City College. At this time, he encountered Abstract Expressionist painters who were in vogue at the moment. After joining the army in the mid 1950s, he used the GI Bill to study painting at Mexico City College from 1957–59, driving there over 12 days in an old bakery truck retrofitted as a camper. However, he returned to New York in 1959, in search of the unique American experience. It was at this time that his painting took on a cool sensibility reminiscent of Roy Lichtenstein and Andy Warhol. His interests engaged with the environment, anti-Vietnam War protests, and the commodification and objectification of female sexuality. D'Arcangelo first achieved recognition in 1962, when he was invited to contribute an etching to The International Anthology of Contemporary Engraving: America Discovered; his first solo exhibition came the next year, at the Thiebaud Gallery in New York City. In 1965 he contributed three screenprints to Original Edition's 11 Pop Artists portfolio. By the 1970s, D'Arcangelo had received significant recognition in the art world. He was well known for his paintings of quintessentially American highways and infrastructure, and in 1971 was commissioned by the Department of the Interior to paint the Grand Coulee Dam in Washington state. However, his sense of morality always trumped his interest in art world fame. In 1975, he decided to quit the gallery that had been representing him for years, Marlborough Gallery, because of the way they handled Mark Rothko legacy. D'Arcangelo rejected Abstract Expressionism, though his early work has a painterly and somewhat expressive feel. He quickly turned to a style of art that seemed to border on Pop Art and Minimalism, Precisionism and Hard-Edge painting. Evidently, he didn't fit neatly in the category of Pop Art, though he shared subjects (women, signs, Superman) and techniques (stencil, assemblage) with these artists.He turned to expansive, if detached scenes of the American highway. These paintings are reminiscent of Giorgio de Chirico-though perhaps not as interested in isolation-and Salvador Dali-though there is a stronger interest in the present and disinterest in the past. These paintings also have a sharp quality that is reminiscent of the precisionist style, or more specifically, Charles Sheeler. 1950s, Before D'Arcangelo returned to New York, his style was roughly figurative and reminiscent of folk art. During the early 1960s, Allan D'Arcangelo was linked with Pop Art. "Marilyn" (1962) depicts an illustrative head and shoulders on which the facial features are marked by lettered slits to be "fitted" with the eyebrows, eyes, nose and mouth which appear off to the right in the composition. In "Madonna and Child," (1963) the featureless faces of Jackie Kennedy and Caroline are ringed with haloes, enough to make their status as contemporary icons perfectly clear. Select Exhibitions: Fischbach Gallery, New York, Ileana Sonnabend Gallery, Paris, Gallery Müller, Stuttgart, Germany Hans Neuendorf Gallery, Hamburg, Germany Dwan Gallery...

Two-color screen print, painted museum box (Edition of 3 + 2 APs) Signed and numbered on label, verso From the series, "Final Girls" This artwork is offered by ClampArt, located in...

An original silkscreen print by Scottish COBRA listed artist William Gear. An internationally famous abstract artist, Gear was a member of the COBRA group which was famous in the fif...

Clare Halifax K is for Kingfisher Limited Edition 3 Colour Silkscreen Print Edition of 75 Image size H 22 x W 22cm Sheet Size: H 27 x W 25cm x D 0.1cm Sold Unframed Please note that ...

Hand signed and numbered from edition of 90 Jakob Weder, (Switzerland, 1906-1990) Swiss color/music kinetic artist. known for his oil and tempera painting ...

An original silkscreen on canvas by Russell Young, created in 2011. Russell Young is a British Pop artist known for his large-scale silkscreen paintings of cultural icons. He is heav...

Artist: Josef Albers Title: Variant from the Formulation: Articulation portfolio Year: 1972 Medium: Screenprint on Mohawk Superfine Bristol paper Edition Size: 1000 Image Size: 9 x 1...

Artist: Robert Indiana (1928-2018) Title: Constance Fletcher (Sheehan 99) Year: 1977 Medium: Silkscreen on Arches rag paper Edition: 51/150, plus proofs Size: 24 x 20 inches Conditio...

Obey & Ganas Day of the Dead Calavera Set. 11 x 14 inches. Letterpress print by Aardvark Letterpress. Obey version Signed by Ernesto Yerena and Shepard Fairey. Ganas version signed b...

The Wounded One (El Herido) from Violence (La Violencia) 1969 signed, dated and titled in pencil Dimensions: sheet: 22 1/16 x 30 1/16" (56 x 76.4cm) Rafael Canogar ( Toledo , 1935) is a Spanish painter, one of the leading representatives of abstract art in Spain. Disciple of Daniel Vazquez Díaz (1948-1953), in his first works he found a way to reach the avant garde and, very soon, to study abstraction deeply. He initially used a sculpture technique: with his hands he scratched or squeezed the paste that vibrated on flat colored backgrounds. It was a painting in which the initial gesture comes directly from the heart. At this point, Canogar embodied the best of painting material . In 1957 he founded with other artists the EI Paso group. With artists like Luis Feito, Manolo Millares, Pablo Serrano, Manuel Rivera and Antonio Saura, he begins the Spanish avant-garde movement and continues to do so until 1960. It is influenced by Action painting. They defended, between 1957 and 1960 , an informal aesthetic and the opening of Franco Spain...

Silkscreen in eleven colors on vélin paper. Paper Size: 12.81 x 9.375 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Hiroshima, 1983. Published by Th...

Artist: Peter Max (1937) Title: Satchidananda Year: 1970 Edition: A.P.; 300, plus proofs Medium: Silkscreen on wove paper Size: 16.5 x 18 inches Condition: Good Inscription: Signed b...

Bits and Pieces No.7 by Wendy Pasmore, 1988 Additional information: Medium: screenprint on heavy paper 18 1/4 x 20 1/8 in 46.2 x 51 cm signed with initials, dated and numbered 4/50 ...

Social Distortion Shepard Fairey 18 x 24″ Screen Print, Signed and Numbered Edition of 600. Band poster of punk icons as pioneers, Social Distortion from 2019. "I first heard Social Distortion in 1985, and I was immediately struck by their punk power and rebellious themes delivered with an undeniable melodic appeal. I begged my parents to buy me the first Social Distortion album “Mommy’s Little Monster.” My parents hated punk, so when they asked me if the music was punk, I lied and said “no, it’s New Wave.” I listened to the album non-stop and a lot of the themes… freedom, generation gaps, questioning authority, sub-cultural community, etc… really resonated with me. As a frustrated teen, I especially related to the line, “I love the sound when I smash the glass… if I get caught they’re gonna kick my ass” from the song “Telling Them.” That line always stuck with me and was the first thing that came to mind when Mike Ness...

Artist: Menashe Kadishman, Israeli (1932 - 2015) Title: Sheep Portfolio 1 Year: 1981 Medium: Serigraph and Etching, signed in pencil Edition: 65, AP 5 Size: 33.5 x 31 in. (85.09 x 7...

"Morning By The Bay" features a colorful street scene leading to the sparkling Caribbean sea, and is a quintessential example of Tom Swimm's enhanced realism. This colorful hand pull...

Artist: Rainer Gross Title: Liberty Year: 1986 Medium: Silkscreen, signed and numbered in pencil Edition: 400, AP 20 Image Size: 24 x 34 inches Sheet: 29.5 x 41 inches

"References the language used by the powerful fuel industry lobby to soften political and public resistance to fracking. Fracking is a form of gas extraction which beyond the carbon ...

"M16", 2019, 80 x 60 cm, is a mixed media work by German artist Devin Miles depicting Sean Connery as James Bond. The mixed media work is a painstaking crafted work made of brushed a...

Obey Deco Flower (Blue, Black, Red). Screenprint on thick cream Speckle Tone Paper. 18 x 24 inches. Signed by Shepard Fairey. Numbered edition of 144/300. "The Obey Deco Flower is inspired by Constructivism...

"A simple twist on the white peace dove with olive branch, but hey, good guys don't always wear white! The "rise above" is a call to take the high road with a...

Artist: Victor Vasarely, Hungarian (1908 - 1997) Title: Two Tigers on Green Year: 1980 Medium: Screenprint, signed and numbered in pencil Edition: 250, CL I...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...

Psycho: Psycho is a 1960 American psychological horror thriller film produced and directed by Alfred Hitchcock. The screenplay, written by Joseph Stefano, was based on the 1959 novel of the same name by Robert Bloch. The film stars Anthony Perkins, Janet Leigh, Vera Miles, John Gavin and Martin Balsam. The plot centers on an encounter between on-the-run embezzler Marion Crane (Leigh) and shy motel proprietor Norman Bates (Perkins) and its aftermath, in which a private investigator (Balsam), Marion's lover Sam Loomis (Gavin) and her sister Lila (Miles) investigate the cause of her disappearance. Artists: Phantom City Creative...

Tim Southall Out with the Dogs Limited Edition Print 6 colour silkscreen made on Somerset tub size, a heavyweight 350 gram handmade paper Tim Southall was born in Staffordshire in 1...

This Blue Dog work consists of a white background. There are 2 blue dogs with a naked female between them. Both dogs have soulful yellow eyes and the female has brown hair and brow...

A colorful geometric screenprint by American artist Barbara Lynch Zinkel. Date: 1994 Medium: Screenprint, estate stamped verso and numbered in pe...

Sultan’s artworks are rich in color and texture. He is known for his iconic, abstract poppy flowers. The poppies are large in scale and overlay a minimal background, often made from tar. This Mixografia print, "Yellow Flowers...

Artist: Hunt Slonem, American (1951 - ) Title: Three Deer Year: 1980 Medium: Screenprint, signed and numbered in pencil Edition: AP 30 Image Size: 24 x 32 inches Size: 26 in. ...

Robert Indiana ERR 1963: A rare, sought-after early Robert Indiana print defined by surreal, experimental cinematic-like energy. Hand-signed by Indiana on the lower right. Medium: Photoengraving and etching on Rives BFK. Dimensions: 4 1/2x6 inches (including margins). Very good overall vintage condition. Signed, dated and inscribed "Artist's Proof 'E'" and "CHI" in pencil, lower margin. Rare Trial proof, aside from the main edition of 60. Printed by the artist at the School of the Art Institute of Chicago. Further background: According to Susan Sheehan, Indiana printed only six progressive trial proofs at the School of the Art Institute of Chicago, where he learned printmaking from 1949 to 1952, under the supervision of Vera Berdich (inscribed "CHI"). Additionally 13 trial proofs were printed at the Pratt Graphic Art Center, New York (these inscribed "NYC"). The regular edition was printed by Atelier Georges Lablanc, Paris and published by Galleria Schwarz, Milan to be included in International Anthology of Contemporary Engraving: The International Avant-Garde: America Discovered, Volume 5. The plate used for this print was originally given to the School of the Art Institute of Chicago by the R.R. Donnelly Company, printers of Life magazine. Indiana discovered the plate while visiting Berdich at the school and decided to use it in his contribution to the Avant-garde portfolio. Sheehan 29. Robert Indiana 1991: "When I went back to the Art Institute of Chicago at that particular time - I think I was judging a show - I learned that Vera Berdich (Indiana's former teacher) was still there and the idea occurred to me, wouldn't it be fun to do a visiting artist etching, and she concurred. There on the floor was a box of copper plates and the images had been defaced on each one. These copper plates had been donated by the R.R. Donnelly Company, which put out Life magazine. I used to work for Donnelly. My only commercial art job was with them doing the little drawing that appear in the Yellow Pages, like lawnmowers and vacuum cleaners and things like that. Anyway, the idea being that the student was supposed to turn the plate over to use the back side and forget about the image on the front. But I found this image of this actress sitting on her bed with her ironing board and decided it was only very lightly defaced, so I asked if I could use it. And the word "Err" was actually added in New York; it was not in the first proofs in Chicago. Two weeks later, I was thumbing through LIFE magazine and there was this actress in the same page..." About the artist: Robert Indiana is best known for his iconic “LOVE” image, which has appeared across media including sculptures, prints, and paintings and epitomizes the artist’s graphic, predominantly text-based Pop art practice. Throughout his career, Indiana reimagined the aesthetics of American advertisements...

A lithograph and silkscreen on aluminum by Richard Haas from 1999. A detailed sectional view of the support and suspension structure of the George Washingt...

Medium: serigraph (after the 1917 painting). Printed in a limited edition of 300 in 1957 at the atelier Arcay and issued by Galerie Denise René. Printed on Bristol San Francisco smoo...

Artist: Jean-Marie Haessle, American (1939 - ) Title: To and Fro Year: 1980 Medium: Screenprint, signed and numbered in pencil Edition: 295 Paper Size: 23 in. x 29 in. (58.42 cm x 73...

Artist: Gene Davis, American (1920 - 1985) Title: Royal Curtain Year: 1980 Medium: Silkscreen in Colors on Arches, signed and numbered in pencil Edition: 250 Paper Size: 29.75 x 21....

Heavily textured abstract print in a serigraph and terragraph technique. It has a raised texture to the surface, A beautiful piece. This listing is for the one print, the cover justification sheet and the photograph are just included for provenance. This is from the limited edition of 100. Hand signed and numbered on colophon page. (They are not signed and numbered on each print) Arches paper. Dimensions: 15.75 X 15.25 These have a texture that feels like a painting. Done in Jaffa Israel based on the Hebrew Bible. Jewish, Judaica interest. Emil Schumacher is among the best-known exponents of Art Informel in Germany. His painting style, which he initially developed in the 1950s under the influence of Wols, is marked by dark, brownish black or brilliant thick red colours and a graffiti like sign language that endow the pictures the expressive character of old cracked masonry. Emil Schumacher (29 August 1912 in Hagen, Westfalen – 4 October 1999 in San José, Ibiza) was a German artist and painter. He was an important representative of abstract expressionism in post-war Germany. As an 18-year-old, Emil Schumacher undertakes a four-week-long bicycle tour to Paris, France. 1932–1935: Studies graphic design at the School of Applied Arts in Dortmund intending to become a graphic designer in advertising. 1935–1939: Independent artist without participating in exhibits. He undertakes study trips by bicycle to the Netherlands and Belgium. 1939–1945: Service obligation as draftsman in an arms factory, the Akkumulatoren–Werke of Hagen. Since 1945: Immediately after end of war, new start as independent artist. 1947: First solo exhibit in the Studio für neue Kunst. Co-founder of the artist group Junger Westen. 1954: Participates in the Willem Sandberg...

Artist: Clarence Holbrook Carter, American (1904 - 2000) Title: Burning Bush Year: 1978 Medium: Silkscreen, signed and numbered in pencil Edition: 200, AP...

This Blue Dog work consists of one blue dog sitting on the sand with a view of the ocean and 3 blue and yellow striped umbrellas. The dog has soulful yellow eyes. This pop art anima...

"Homage to the Square - Portfolio 2, Folder 19, Image 1" from the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 origin...

Supreme set of 3 Spin skateboards

A striking contemporary linoprint in colour, depicting three male figures. Titled to the lower edge. Presented in a light wood frame and off-white card mount. Unsigned. On paper.

By Raoul Dufy 34.5" x 34.5" Silk Screen Print on wearable scarf

Robert Indiana (American, 1928 - 2018) Der Traum Heisst Verlangen (A Streetcar Named Desire), 1971 Screenprint in colors Edition 29/135 Signed a...

Artist: Robert Indiana, American (1928 - 2018) Title: Indianapolis Museum of Art Year: 1970 Medium: Silkscreen Poster Size: 35 x 25 in. (88.9 x 63.5 cm)

Jayson Lilley Only Living Boy Limited Edition Print Edition of 21 Image Size: H 46cm x W 138cm Signed Sold Unframed Please note that insitu images are purely an indication of how a p...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...

Dawn rowers at Putney by Robyn Forbes [2023] Additional information: Screen print on Paper Edition of 12 40 H x 40 W x 1 D cm (15.75 x 15.75 x 0.39 in) Sold unframed Image size: H...

Artist: Josef Albers Title: Portfolio 2, Folder 21, Image 2 from Formulation: Articulation Year: 1972 Medium: Screenprint on Mohawk Superfine Bristol paper Edition: 1000 Paper Size: ...

Gavin Dobson Puffin Gold Limited Edition Screen Print Edition of 50 Signed Size: H 50cm x W 35cm x D 0.1cm Puffin Gold is a limited edition print by Gavin Dobson. A special gold edit...

Artist: Roy Ahlgren, American (1927 - 2011) Title: Fiesta Year: circa 1970 Medium: Screenprint, signed and numbered in pencil Edition: 130 Image Size: 18 x 26 inches Size: 22 x 30 in...

Artist: Josef Albers Title: Homage to the Square (double) from the Portfolio: Formulation: Articulation (Double Portfolio) Year: 1972 Medium: Screenprint on Mohawk Superfine Bristol ...

Silkscreen and Cut Paper on Fine Art paper. Geometrical form Work Title : "Forme et Ciel 1" Artist : Marie Vandooren (French b. 1976) The work is sig...

ED RUSCHA (1937-Present) Organic screenprint, signed, dated and numbered to lower left ‘28/125 E. Ruscha 1970’. This work is number 28 from the edition of 1...

Rose Gown is an expertly crafted, embossed serigraph on paper with foil stamping and an image size of 30 x 23 inches. From the edition of 690, the art is numbered 294/300 and signed ...

Artist: Nassos Daphnis, Greek (1914 - 2010) Title: SS 29-76 Year: 1976 Medium: Silkscreen, signed and numbered in pencil Edition: 100, AP 30 Size: 33 x 37 in. (83.82 x 93.98 cm)

CB Hoyo titled Overthinking Will Fucking Kill You. Condition: Brand New Signature: Signed and Numbered by Artist in Pencil, C.B. HOYO. Dated 2020. Frame: Not included Edition of onl...

Artist: Josef Albers Title: Portfolio 2, Folder 20, Image 1 from Formulation: Articulation Year: 1972 Medium: Screenprint on Mohawk Superfine Bristol paper Edition: 1000 Paper Size: ...

Condition: Print has been stored flat since purchase. Print has four sharp corners. Signature Hand-signed by artist, Print is signed and numbered in pencil by the Artist, Shepard Fa...

Artist: Arthur Boden, American Title: T Series Year: circa 1970 Medium: Six Silkscreens, each signed and numbered in pencil Edition: 100 Size: 29 in. x 23 in....