Art by Medium: Screen

Artist: William Taggart, American (1936 - 2007) Title: Mr. Bozzman's Dream Year: circa 1978 Medium: Screenprint, signed and numbered in pencil Edition: 200 Paper Size: 24 in. x 32.5 ...

Donald Sultan is an American painter, sculptor, and printmaker. He is particularly well-known for large-scale still life paintings, and one of the first to employ a wide range of ind...

Artist: Arthur Boden, American Title: T Series (Yellow) Year: circa 1970 Medium: Serigraph, signed and numbered in pencil Edition: 100 Size: 29 in. x 23 i...

This striking vintage original serigraph by Aspen artist Thomas Whelan Benton features a bold, graphic composition that captures the essence of the Colorado landscape through moderni...

Abstract expressionist print by American artist Michael Steiner, who is most commonly known for his large scale sculptures. Oxos II Michael Steiner, American (1945) Date: 1979 Scre...

Georg Karl Pfahler, German (1926 - 2002) - Ost-West Transit IV, Portfolio: Ost-West Transit, Year: 1971, Medium: Screenprint, signed and numbered in pencil on verso, Edition: 52/...

Dan Christensen, American (1942 - 2007) - Hyde Park II, Year: circa 1981, Medium: Screenprint, signed, titled and numbered in pencil, Edition: 133/175, Image Size: 37 x 24 inches...

Hugo Demarco Relation Couleur, 1973 Silkscreen on velincarton Hand signed and numbered 63/200 on lower front. Bears the publisher's blind stamp on the fro...

This artwork titled "Blomsterflicka" 1986 in an original screen print by renown Hungarian artist Victor Vasarely, 1906-1997. It is hand signed and numbered LI/CL in pencil by the art...

Roy Ahlgren Allegro, 1986 Serigraph Signed, title and edition in pencil in lower margin Edition 5/100 Sheet: 22 1/4in H x 29 3/4in L (unframed) Ahlgren came to art relatively late ...

"Nightscape" is a serigraph on paper by Seikichi Takara, signed 'S Takara' lower right and numbered HC 49/75 lower left. The image size is 35 x 32 inches and the framed dimensions ar...

Artist: Richard Mortensen Title: Red, Blue and Yellow Composition Year: 1962 Medium: Screenprint, signed, titled and numbered in pencil Edition: 62/75 Image Size: 19.75 x 12.75 inche...

Calder Exhibition Print is an original serigraph realized by Alexander Calder in 1976. Good conditions except for some light folds and tears. This...

Whimsical and bright limited edition abstract silkscreen print with fun colors and bold geometric shapes arranged in a lively, dynamic composition by Harvey Daniels (English, 1936-20...

Artist: Takesada Matsutani Title: Fly Medium: Screenprint Signed: Hand Signed Edition: 13/175 Measurements: 23" x 28.5" Year: 1971 Note: This piece is sold UNFRAMED Condition:...

Artist: Raymond Parker, American (1922 - 1990) Title: Untitled 20 Year: 1980 Medium: Screenprint, signed and numbered in pencil Edition: 70 Size: 35 x 45 inches

Artist: Leo Maranz, American (1900 - 1988) Title: Stacatto Year: 1977 Medium: Screenprint, signed and numbered in pencil Edition: 300 Paper Size: 30 x 30 inches ; 76.2 x 76.2 cm

Luitpold Domberger, German (1912 - 2005) - Arrow, Year: 1973, Medium: Screenprint on CM Fabriano, signed, numbered and dated in pencil, Edition: ...

Victor Rosado, Puerto Rican (1938 - ) - Abstract Composition, Year: circa 1975, Medium: Screenprint, signed and numbered in pencil, Edition: 94/400, Image Size: 18.25 x 14.5 inch...

Dan Christensen, American (1942 - 2007) - Hyde Park III, Year: circa 1981, Medium: Screenprint, signed, titled and numbered in pencil, Edition: 133/175, Image Size: 40 x 26.5 inc...

Colors Vibration is an screen print realized by Umberto Maria Casotti in 1971. Hand-signed and dated on the lower right. Numbered on the lower left. Edition of 27/80 prints The st...

Artist: Robert Natkin, American (1930 - 2010) Title: Untitled Year: 1985 Medium: Screenprint, signed and numbered in pencil Edition: 22/26 Image Size: 30 x 42 inches Size: 36 x 48 in...

Artist: Al Held, American (1928 - 2005) Title: Scholes II Year: 1991 Medium: Silkscreen, signed and numbered in pencil Edition: 80 Image Size: 23 x 29 inches Size: 29 x 34 in. (73.66...

Artist: Arthur Boden, American Title: T Series (Orange) Year: circa 1970 Medium: Screenprint, signed and numbered in pencil Edition: 100 Size: 29 in. x 23...

Interspaceograph - multidimensional silkscreen print on two clear plexiglass panes. There is space between the two silkscreen print plexiglass panes in the custom frame giving the a...

Artist: Darryl Hughto, American (1943 - ) Title: Number Four Date: 1978 Screenprint, signed, titled, dated and numbered in pencil Edition: 150 Image Size: 39 x 29 inches Size: 42.5...

Bold and bright limited edition abstract silkscreen print with fun colors and bold geometric shapes arranged in a lively, dynamic composition by Harvey Daniels (English, 1936-2013). ...

Artist: Kyohei Inukai Title: Eclipse I Year: 1978 Medium: Serigraph, Signed and numbered in pencil Edition: AP 30 Size: 26 x 34 inches

Jack Sonenberg (Canadian/American, 1925-2012), "Dimensions VI (I)", Serigraph in Colors, titled and numbered edition "11/50" lower left, signed in pencil lower right, silver-tone fra...

Enamel screen printing and collage on paper, edited in 1997. Limited edition of 199 copies, numbered 46/199 Signed in pencil by artist in lower right corner. Very good conditions. P...

Stuart Shedletsky (1944 - 2006) - Composition, Year: 1981, Medium: Screenprint on Arches, signed, numbered and dated in pencil, Edition: 21/250, Im...

Artist: Yaacov Agam Title: Hommage to Mondrian (Silver) Medium: Screenprint in colors Year: 1976 Edition: 2/100 Sheet Size: 26 1/2" x 28" Frame size: 31 3/4" x 33 1/4" Signed: Hand ...

Bold and bright limited edition abstract silkscreen print with fun colors and bold geometric shapes arranged in a lively, dynamic composition by Harvey Daniels (English, 1936-2013). ...

Jesus Soto (1923-2005) Serie Madrid B, 1990 Denise Rene Editeur, Paris (with Denise Rene's blind-stamp) Screen print in heavy paper 59 x 45.3 in (150 x 115 cm) Professionally framed...

Artist: Kyohei Inukai Title: Nine Units on Mint Year: 1978 Medium: Screenprint, Signed and numbered in pencil Edition: AP 30 Size: 22 x 30 inches

Howard Hodgkin (1932-2017), one of Britain’s greatest contemporary artists became best known for his vibrantly colored paintings that chronicle his personal experiences. IN TANGIER, ...

Artist: Hugo Dietz, Swiss (1930 - 1973) Title: Diamond Composition Year: 1973 Medium: Screenprint, signed and numbered in pencil Edition: 25/50 Size: 22 x 22 inches Frame: 31.5 x 31....

Artist: Robert Natkin, American (1930 - 2010) Title: Intimate Lighting I Year: 1972 Medium: Screenprint on Cream Arches Paper, signed, dated and numbered in pencil Edition: 42/150 Si...

Malcolm Morley, British (1931 - 2018) - Asteroid, Year: 1974, Medium: Screenprint and mixed media on Arches, signed, numbered and dated in pencil, Edition: 32/100, Image Size: 30 x 2...

The visible of the invisible - Red composition is an original contemporary artwork realized by Italo Bressan in 1989. Mixed colored serigraph. Hand signed and dated on the lower ma...

Artist: Dale Chihuly (1941) Title: Composition, Float Series Year: 2017 Medium: Silkscreen and acrylic on Waterford paper Edition: 18/110 Size: 37 x 25 inches Inscription: Signed and...

1982-84 Hunter College, New York (M.F.A.) 1978-80 School of Visual Arts, New York 1973-77 Bezalel Academy of Art, Jerusalem (B.F.A.) American, born in Romania Lives and works in New York City Solo Exhibitions 2008 Michael Steinberg Fine Art, New York 2006 Galeria Joan Prats, Barcelona 2005 Karpio + Facchini Gallery, Miami Jacob Karpio Galeria, San Jose (Costa Rica) 2004 Michael Steinberg Fine Art, New York 2001 Marella Arte Contemporanea, Milan 2000 Von Lintel & Nusser, New York Galerie Von Lintel & Nusser, Munich 1998 Galerie Thomas von Lintel, Munich 1997 Galerie des Archives, Paris 1995 Galerie Samuel Lallouz, Montreal L.A. Louver, Los Angeles 1994 Marc Jancou Gallery, London Galerie des Archives, Paris 1993 Galerie Barbara Farber, Amsterdam Real Art Ways, Hartford (Connecticut) 1992 Tom Cugliani Gallery, New York Galerie Marc Jancou, Zurich Galerie des Archives, Paris 1989 Tom Cugliani Gallery, New York Galerie Barbara Farber, Amsterdam Studied at bezalel from 1973 to 1977. And it was a very fascinating time because it was a highly conceptually based school. Very much influenced by Joseph Beuys, and European Conceptualism, I didn’t really like the atmosphere there that much, because it was dominated by male painters like Jörg Immendorf, Marcus Lupertz, and a few others. then came to New York to study at SVA for two years. New York in 1978 was exciting. I was very lucky to be in a class that was full of very bubbly and very energetic artists like Keith Haring, Kenny Scharf, Tim Rollins, Moira Dryer, Frank Holliday, and Tom Cugliani (who later became one of my dealers).The eighties were dominated largely by Neo-Expressionist paintings. There were Germans, such as Baselitz, Kiefer, Richter, Penck, and the Italians, Clemente, Chia, Cucchi, Palladino as well as Schnabel, Fischl, Basquiat, Salle, and many others, but all of their paintings were figuratively based. But below the popular consent, there was a group of painters who were working more in the vein of what Stephen Westfall referred to as “Neo-Surrealism,” including George Condo, Jeffrey Wasserman, Kenneth Scharf, David Humphrey. However, I felt that Carroll Dunham and you were the only two painters who seemed to be less interested in the kind of narrative, lyrical, or let’s say, stationary composition. He belongs to the generation of Terry Winters, Elizabeth Murray, David Reed and Jonathan Lasker but in some strange way, if we’re looking back to the mid-eighties, we have to include New Image painters like Susan Rothenberg, Neil Jenney, and Robert Moskowitz who were working in between the figure and abstraction with a kind of condensation and compression, in relationship, lets say, to cartoon imagery. There are artists like Jeff Koons, or even Damien Hirst who took the Duchampian aspect and brought it into the continuity of his readymade. But for me, I see no difference between the crack in “Large Glass” and the drips in Jackson Pollock’s paintings. There was something that I felt in my own equation of the continuity between Paul Klee, Duchamp, Picabia, and, oddly enough, Clyfford Still. What essentially is important is how different artists carry on a dialogue among themselves so that they can all keep their work vital. Whether from the abstract paintings of Richmond Burton, Fabian Marcaccio extending the borders of his paintings on to the wall, or Cady Noland’s early scattered installation, my own pre-occupation with machinery, urban environment, and the Duchampian models has always materialized in relationship to other forms of art making. Selected Group Exhibitions: 2014 Drawing on Difference: An Ambition by Saul Ostrow and Lidija Slavkovic, Studio Vendome Gallery, New York. 2013 Drawing on Habit: An Ambition by Saul Ostrow and Lidija Slavkovic, South Carlton Beach and The Betsy-South Beach Exhibition Programs, Art Basel, Miami Beach. 2013 Imprinted Pictures: Lydia Dona...

Heavily textured abstract print in a serigraph and terragraph technique. It has a raised texture to the surface, A beautiful piece. This listing is for the one print, the cover justification sheet and the photograph are just included for provenance. This is from the limited edition of 100. Hand signed and numbered on colophon page. (They are not signed and numbered on each print) Arches paper. Dimensions: 15.75 X 15.25 These have a texture that feels like a painting. Done in Jaffa Israel based on the Hebrew Bible. Jewish, Judaica interest. Emil Schumacher is among the best-known exponents of Art Informel in Germany. His painting style, which he initially developed in the 1950s under the influence of Wols, is marked by dark, brownish black or brilliant thick red colours and a graffiti like sign language that endow the pictures the expressive character of old cracked masonry. Emil Schumacher (29 August 1912 in Hagen, Westfalen – 4 October 1999 in San José, Ibiza) was a German artist and painter. He was an important representative of abstract expressionism in post-war Germany. As an 18-year-old, Emil Schumacher undertakes a four-week-long bicycle tour to Paris, France. 1932–1935: Studies graphic design at the School of Applied Arts in Dortmund intending to become a graphic designer in advertising. 1935–1939: Independent artist without participating in exhibits. He undertakes study trips by bicycle to the Netherlands and Belgium. 1939–1945: Service obligation as draftsman in an arms factory, the Akkumulatoren–Werke of Hagen. Since 1945: Immediately after end of war, new start as independent artist. 1947: First solo exhibit in the Studio für neue Kunst. Co-founder of the artist group Junger Westen. 1954: Participates in the Willem Sandberg...

"Homage to the Square - Portfolio 2, Folder 19, Image 1" from the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 origin...

Julian Schnabel Invierno Primaveral, 1995 Hand-painted, 17-color screenprint with poured resin 40 x 30 inches (102 x 76 cm) Edition of 80 signed in pencil and stamped on verso ...

Artist: Josef Albers Title: Homage to the Square (double) from the Portfolio: Formulation: Articulation (Double Portfolio) Year: 1972 Medium: Screenprint on Mohawk Superfine Bristol ...

Blue Ombre Leonid Date: circa 1980 Screenprint, signed and numbered in pencil Edition of 100, AP Image Size: 23 x 23 inches Size: 29 x 29 in. (73.66 x 73.66...

Abstract Composition is a beautiful colored screen print realized by Mario Padovan in 1977. Hand-signed in pencil on the lower right. Numbered, on the lower left, the edition of 10...

Artist: Pierre Clerk, American (1928 - ) Title: Red Year: 1981 Medium: Silkscreen on BFK Rives, signed and numbered in pencil Edition: PP 4/4 Image Size: ...

Artist: Al Held, American (1928 - 2005) Title: Scholes I Year: 1991 Medium: Screenprint, signed and numbered in pencil Edition: 80 Image Size: 23 x 29 inches Size: 29 x 34 in. (73.66...

Plate I Jimmy Ernst, American (1920–1984) Date: 1970 Screenprint, signed and numbered in pencil Edition of 71/125 Image Size: 33 x 22.5 inches Size: 37 x 28 in. (93.98 x 71.12 cm)

Violet Composition is a screen print realized by Umberto Maria Casotti in 1971. Hand-signed and dated on the lower right. Numbered on the lower left. Edition of 27/80 prints The ...

Untitled screenprint published in 1972 in an edition of 42. This is example number 4.

This incredible work comes with a COA. The work is currently framed in a new acid free mat and the original 1969 silver metal frame, but new framing is available included in the pric...

“Homage to the Square - Portfolio 1, Folder 23, Image 2 “ from the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 orig...

Friedel Dzubas (1915-1994) was a Berlin-born, American abstract painter and a key artist associated with both the New York School and the Color Field movement. Dzubas studied art i...

Artist: Norio Azuma Title: Day Year: circa 1970 Medium: Serigraph on Canvas, signed l.r. Edition: 50 Size: 42 x 42 inches Frame: 44 x 44 inches

A colorful geometric screenprint by American artist Barbara Lynch Zinkel, signed and numbered in pencil. Date: 1980 Medium: Screenprint, signed, numbered, dated and titled in pencil...

James Rosenquist (American, 1933-2017), Sketch for Forest Ranger, Screenprint in Colors on Plastic Film, 1967, from Ten from Leo Castelli portfolio, published by Tanglewood Press, In...

Heavily textured abstract print in a serigraph and terragraph technique. It has a raised texture to the surface, A beautiful piece. This listing is for the one print, the cover justification sheet and the photograph are just included for provenance. This is from the limited edition of 100. Hand signed and numbered on colophon page. (They are not signed and numbered on each print) Arches paper. Dimensions: 15.75 X 15.25 These have a texture that feels like a painting. Done in Jaffa Israel based on the Hebrew Bible. Jewish, Judaica interest. Emil Schumacher is among the best-known exponents of Art Informel in Germany. His painting style, which he initially developed in the 1950s under the influence of Wols, is marked by dark, brownish black or brilliant thick red colours and a graffiti like sign language that endow the pictures the expressive character of old cracked masonry. Emil Schumacher (29 August 1912 in Hagen, Westfalen – 4 October 1999 in San José, Ibiza) was a German artist and painter. He was an important representative of abstract expressionism in post-war Germany. As an 18-year-old, Emil Schumacher undertakes a four-week-long bicycle tour to Paris, France. 1932–1935: Studies graphic design at the School of Applied Arts in Dortmund intending to become a graphic designer in advertising. 1935–1939: Independent artist without participating in exhibits. He undertakes study trips by bicycle to the Netherlands and Belgium. 1939–1945: Service obligation as draftsman in an arms factory, the Akkumulatoren–Werke of Hagen. Since 1945: Immediately after end of war, new start as independent artist. 1947: First solo exhibit in the Studio für neue Kunst. Co-founder of the artist group Junger Westen. 1954: Participates in the Willem Sandberg...