Art by Medium: Silver

Wintry Song I is a unique painting by contemporary artist Lumi Mizutani. The painting is made with India ink, Japanese pigments and silver leaves on paper mounted on wood panel, dime...

Oil painting of a cupcake on the beach on a small silver tray. Artist Bio Anthony Ackrill was born in Alaska in 1958, but spent most of his childho...

Cosmos IV is a unique painting by contemporary artist Lumi Mizutani. The painting is made with pigments and silver leaves on Japanese cardboard, dimensions are 27.3 × 24.2 cm (10.7 ×...

I have been taking impressions of pills and creating a pill archive where pills are cast in silver and/or gold since 1995. At that time I was given pills as an answer to something th...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. "Pastel Umbrellas" by Lenny Cornforth is a captivating origina...

An incredible abstract work on lead by the indelible Giancarlo Impiglia. Born in Rome, Impiglia moved to New York in the 70s, where he established a signature style on the shoulder...

An incredible abstract work on lead by the indelible Giancarlo Impiglia. Born in Rome, Impiglia moved to New York in the 70s, where he established a signature style on the shoulder...

PABLO PICASSO (1881-1973) Visage de faune (A. R. 283) Terre de faïence plate, 1955, from the edition on 150, with the Edition Picasso and Madoura stamps.

This painting by Antoinette is a stylish and luxurious mixed media on canvas piece depicting abstract floral shapes with bold use of color and contrast. The Silver Leaf background allows for the luminosity to shine through effortlessly, as the lines and intricate details of the silk paper laid over paint and mixed media add a most interesting texture. The artist's hand embellishes with free fall paint dripping to add elegant accents. This painting comes housed in a black oak floater frame with hanging wire on verso ready to be displayed. Art measures 31.5 x 31.5 inches Frame measures 33 x 33 inches Antoinette Ferwerda is a renowned Australian artist largely recognized for producing a bold collection of fine artwork that joyfully explores the geometry of shape and the changing light from dusk to dawn. Championing her love for shape, reflection, and nature using a diverse pallet of mixed media to portray her abstract interpretations of nature. Antoinette's diverse past and a childhood that was somewhat nomadic has inspired much of her work today. Antoinette’s backstory reads like something out of an adventure series, having spent her early days living in remote pockets of Papua New Guinea, where she was lucky to spend time in a seaside shack on Ela Beach in Port Moresby, as well as the volcanic town of Rabaul, the Cargo Port Lae, before moving on to Darwin where her Dad worked for the Red Cross and helped with the re-build process after Cyclone Tracy. This was followed by a family stint in Europe, visiting Netherlands, London, Belgium, France, Italy, and Switzerland, before finally settling back in Melbourne for her formative years. Her love for nature and exploring the patterns and relationships she finds within started early. “I’ve been forever fascinated with color and the magical interplay of light”. “Blessed to have a teacher Mum who fostered regular creative time during our nomadic stint, my childhood was largely spent creating, especially outdoors”. Never without a pen, sketchbook or scraps of paper, her natural ability to create in layers instinctively started in these early years. Although her work continues to evolve, she consistently creates works that are rich in layers, resulting in pieces that are optimistic, luminous and full of stories from her colorful life. Her signature work is abundant with color and texture, resulting in a transparent quality of her works. Adaptable to any palette, Antoinette has produced works from a diversity of spectrums and mediums – sun-soaked, muted and ethereal, vibrant, as well as monochromatic with accents of gold. Her themes include abstract and metaphysical interpretations of fossicking in rock pools, exploring the rolling hills of the countryside both here and abroad, the rock formations of the Australian outback and the magical light of a European summer to name just a few. Her dream and longing to become an artist became a reality after starting her own family and farewelling a corporate life in the pharmaceutical industry, with her debut solo exhibition in 2014. Six years on, Antoinette has fast become a firm favorite amongst interior designers, stylists and home decorators alike, having been represented by fenton&fenton, Thom Gallery and Trit House (formally Click On Furniture) to name just a few. Continually experimenting and evolving as an artist, Antoinette invites the viewer to look deeper through surface layers to find hidden stories of color and form. Past collections have been inspired by visits to the bustling markets of India, the morning light outside her childhood beach shack...

I have been taking impressions of pills and creating a pill archive where pills are cast in silver and/or gold since 1995. At that time I was given pills as an answer to something th...

In this painting, Art Nouveau French illustrator Georges Lepape depicts a high moment of personal drama. He exquisitely renders a beautiful yet solitary woman sitting on the beach...

This piece is part of a beautiful collection which includes twenty oil paintings, with silver/gold leaf on canvas. The astonishing light that this world-renowned artist has captured ...

Waiting for a Nightingale II is a unique painting by contemporary artist Lumi Mizutani. The painting is made with pigments and silver leaf on Japanese paper mounted on panels, dimens...

Erte Love's Enchantment, ca. 1980 Sterling silver brooch with 14K gold, onyx background and mother of pearl woman's head set with (4) full cut round brilliant diamonds 1 1/2 in diam...

Peter Blake A Walk in the Tuileries Gardens, 2004 26 colour Screenprint with Silver leaf and 3 Glazes Hand signed and numbered 28/200 by artist on lower front 30 1/5 × 22 1/2 inches The work is matted on board and unframed as it had been removed from its original frame. Measurements: Board: 30 1/8 x 22 1/2 inches Sheet: 24 x 20 inches Unframed A Walk Through the Tuileries Gardens is based on a memory of a stroll in Paris distilled through the ephemera he found along the way. ' The legendary Peter Blake, the father of British Pop Art, is renowned for his love of gathering and collecting the ephemera of life, of memories, of dreams and whimsies, sometimes mingled with those of other historical fantasists. Possessions he regards as symbolic of his relationships with his world, carefully questioning the personal significance of each object in this respect. The scraps of tickets, fragments of plastic, driftwood, pebbles and sycamore leaf in A Walk Through the Tuileries gardens are evocative and ephemeral souvenirs, gathered at the time and collated later perhaps with a whiff of romance. His image takes us, in turn, on a stroll down the wide gravel, under the autumnal trees, a lingering taste of saucisson and red wine on our palate and with a sudden impulse to take a turn on the Caroussel. This whimsical Peter Blake print would make a great gift for any Blake fan. Legendary British Pop Art pioneer British Blake was born in 1932, and after his formal training at the Gravesend School of Art, then at the Royal Academy of Art, he broke away from tradition, producing work from 1960 on that would come to define the British Pop Art Movement. He came to be known as the Grandfather of Pop Art, and his art achieved iconic status with his sleeve for The Beatles’ Sgt Pepper’s Lonely Hearts Club Band. Blake’s art draws on imagery from the popular culture of the past and present, as well as from the canon of fine art, thus creating an alternative, more democratic visual aesthetic. He freely mixes the ‘high’ with the ‘low’, ultimately inviting us to see beyond such distinctions. Always playful, and at times irreverent, he sets up the most unlikely juxtapositions across time and space, creating conversations and ‘parties’ to which all are invited. An abiding theme is an investigation, and celebration, of England and Englishness. Collage has always been a hallmark of Blake’s work, allowing him to freely mix found objects and images of people and other artworks; screenprinting, with its use of stencils and layers, lends itself perfectly to this technique, and indeed it was Pop Art that fully realised the potential of screenprinting as a medium for complex replication. More about Peter Blake: Sir Peter Thomas Blake...

This is an abstract encaustic painting by Linda Bigness. It features multicolored palette with silver leaf accents and neutral sides. Dabs of paint and organic shapes and linework ar...

Lithograph and screenprint with collage (silver foil) Prints are different sizes: 36 1/2 x 68 inches (92.7 x 172.7 cm) and 36 5/8 x 64 inches (93 x 162.6 cm) Published by Multiples...

I have been taking impressions of pills and creating a pill archive where pills are cast in silver and/or gold since 1995. At that time I was given pills as an answer to something th...

silver deposit and acrylic on canvas b. 1961 The surfaces of Jimi Gleason’s paintings have always responded to both the light and space of the environment they are in. Working with ...

Bellflower is a unique painting by contemporary artist Chen Yiching. The painting is made with mineral pigments, gold and silver leaf on Japanese paper mounted on wood, dimensions ar...

Artist: George Rodrigue Title: Blue Dog Sterling/Gold Plated Dog Pendant Medium: Foundry Jewelry Date: Circa 1993 Dimensions: 1 3/8" X 1" Description: @rodrigue & “Sterling” on...

Masculine inspiration can take many forms and looks different depending on the individual, his personality, energy, and emotional state. But generally speaking, masculine inspiration...

This exceptional and rare rendering of a horse head, composed of gold over silver, hails from the illustrious Tang dynasty of China. The powerful Tang dynasty reigned for nearly 300 ...

Oil, acrylic polymers, grout, gold leaf, on shaped canvas.

Medium: Silver Leaf, Basswood As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as the visual l...

I have been taking impressions of pills and creating a pill archive where pills are cast in silver and/or gold since 1995. At that time I was given pills as an answer to something th...

I have been taking impressions of pills and creating a pill archive where pills are cast in silver and/or gold since 1995. At that time I was given pills as an answer to something th...

Pedro Friedeberg is an artist and designer from Mexico of Italian origin, known for his surreal work full of lines, colors, and ancient religious symbols. His best-known piece is the...

A new and exclusive version of the world-famous Hand Chair created in collaboration with Pedro Friedeberg's studio.

SANDRA CHEVRIER - La Cage, Benediction Ou Malediction (Gold & Silver Leaf Edition) Date of creation: 2023 Medium: Screen print on Somerset paper with gold and silver leaf Edition: 1...

Something so special it's hardly ever seen - creative silver and gold leafing. The face passed through seven stages before it was complete and crushed marble is used to adorn her fac...

Robert Indiana LOVE Brooch, Limited Edition for the Yorkshire Sculpture Park, 2022 Sterling silver in black gift box with silver foil detail Accompanied by fold out information card ...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. Experience the magic of the season with "Winter Fireworks," an...

“I thought the world was turned upside down when I started this body of work right after the 2016 presidential election. Little did I know. I had gone to the Woman's March in Washing...

Brian O'Neill's (US based) "Emergence" is an original, handmade oil painting that depicts a floral robe slipping from a female figure's shoulders and expos...

A rare abstract work by the indelible Giancarlo Impiglia. Oil, gold leaf, and silver leaf on lead, mounted on wood. Born in Rome, Impiglia moved to New York in the 70s, where he es...

Jimi Gleason introduces two exuberantly gestural, lustrous silver nitrate paintings edged with electric bands of color.

© Michael Putland Led Zeppelin Led Zeppelin performing at Madison Square Garden, New York, USA 1977Jimmy Page, Robert Plant, John Paul Jones, and John Bonham hidden behind the drum...

A sterling silver Besamim (spice) container, In the shape of Harp with Hebrew letters "בשמים". In silver and gold colors, very nice and decorative, Mono...

James Van Fossan's "Sky 57" is an original, handmade oil and silver leaf painting that depicts a skyscape of grey and white clouds arching through a blue sky as the sunlight highligh...

Because they cut back old growth and consume lower quality plant matter as they graze, Zebras increase the overall quality of vegetation in areas where they travel. They play a criti...

Robert Smith (United States, 1944) 'Last spring', 1972 engraving and etching on paper 21.7 x 29.6 in. (55 x 75 cm.) Edition of 75 Unframed ID: SMI1158-002-075 Hand-signed by author

Seymour Lipton Maquette for Laureate, ca. 1968-1969 Nickel silver on monel metal Unique 18 × 8 1/2 × 7 inches Marlborough-Gerson Gallery, New York Acquired from the above by the previous owner, 1969 thence by descent Christie's New York: Monday, June 30, 2008 [Lot 00199] Acquired from the above Christie's sale This unique sculpture by important Abstract Expressionist sculptor Seymour Lipton is a maquette of the monumental sculpture "Laureate" - one of Lipton's most iconic and influential works located on the Riverwalk in downtown Milwaukee, Wisconsin. Laureate is a masterpiece that was commissioned by the Allen-Bradley Company in memory of Harry Lynde Bradley and as an enhancement for the newly constructed Performing Arts Center. It is located on the east bank of the Milwaukee River at 929 North Water Street. The Bradley family in Milwaukee were renowned patrons of modernist sculpture, known for their excellent taste who also founded an eponymous sculpture park. For reference only is an image of the monumental "Laureate" one of Milwaukee's most beloved public sculptures. According to the Smithsonian, which owns a different unique variation of this work, "The full-size sculpture Laureate was commissioned by the Marcus Center for the Performing Arts in Milwaukee. In the initial drawings, Seymour Lipton combined details from the architectural plan with a wide variety of images, ranging from musical instruments to a lighthouse on the island of Tobago. He transformed the basic shapes from these sketches into a welded sculpture, which evokes a figure composed of columns, harp strings, and coiled rope. Lipton created this piece to celebrate achievement in the arts. The dramatic silhouette commands your attention, reflecting the title Laureate, which means worthy of honor and distinction. The final version of the piece is over twelve feet high and stands out against the pale, flat buildings of the arts center.,," Provenance Marlborough-Gerson Gallery, New York Acquired from the above by the previous owner, 1969 thence by descent Christie's New York: Monday, June 30, 2008 [Lot 00199] Acquired from the above Christie's sale About Seymour Lipton: Born in New York City in 1903, Seymour Lipton (1903-1986) grew up in a Bronx tenement at a time when much of the borough was still farmland. These rural surroundings enabled Lipton to explore the botanical and animal forms that would later become sources for his work. Lipton’s interest in the dialogue between artistic creation and natural phenomena was nurtured by a supportive family and cultivated through numerous visits to New York’s Museum of Natural History as well as its many botanical gardens and its zoos. In the early 1920s, with the encouragement of his family, Lipton studied electrical engineering at Brooklyn Polytechnic Institute and pursued a liberal arts education at City College. Ultimately, like fellow sculptor Herbert Ferber, Lipton became a dentist, receiving his degree from Columbia University in 1927. In the late 1920s, he began to explore sculpture, creating clay portraits of family members and friends. In addition to providing him with financial security, dentistry gave Lipton a foundation in working with metal, a material he would later use in his artwork. In the early 1930s, though, Lipton’s primary sculptural medium was wood. Lipton led a comfortable life, but he was also aware of the economic and psychological devastation the Depression had caused New York. In response, he generally worked using direct carving techniques—a form of sculpting where the artist “finds” the sculpture within the wood in the process of carving it and without the use of models and maquettes. The immediacy of this practice enabled Lipton to create a rich, emotional and visual language with which to articulate the desperation of the downtrodden and the unwavering strength of the disenfranchised. In 1935, he exhibited one such early sculpture at the John Reed Club Gallery in New York, and three years later, ACA Gallery mounted Lipton’s first solo show, which featured these social-realist-inspired wooden works. In 1940, this largely self-taught artist began teaching sculpture at the New School for Social Research, a position he held until 1965. In the 1940s, Lipton began to devote an increasing amount of time to his art, deviating from wood and working with brass, lead, and bronze. Choosing these metals for their visual simplicity, which he believed exemplified the universal heroism of the “everyman,” Lipton could also now explore various forms of abstraction. Lipton’s turn towards increasing abstraction in the 1940s allowed him to fully develop his metaphorical style, which in turn gave him a stronger lexicon for representing the horrors of World War II and questioning the ambiguities of human experience. He began his metal work with cast bronze sculptures, but, in 1946, he started welding sheet metal and lead. Lipton preferred welding because, as direct carving did with wood, this approach allowed “a more direct contact with the metal.”[ii] From this, Lipton developed the technique he would use for the remainder of his career: “He cut sheet metal, manipulated it to the desired shapes, then joined, soldered, or welded the pieces together. Next, he brazed a metal coating to the outside to produce a uniform texture.”[iii] In 1950, Lipton arrived at his mature style of brazing on Monel metal. He also began to draw extensively, exploring the automatism that abstract expressionist painters were boasting at the time. Like contemporaries such as Jackson Pollock, Lipton was strongly influenced by Carl Jung’s work on the unconscious mind and the regenerative forces of nature. He translated these two-dimensional drawings into three-dimensional maquettes that enabled him to revise his ideas before creating the final sculpture.The forms that Lipton produced during this period were often zoomorphic, exemplifying the tension between the souls of nature and the automatism of the machine. In the years following the 1950s, Lipton’s optimism began to rise, and the size of his work grew in proportion. The oxyacetylene torch—invented during the Second World War—allowed him to rework the surfaces of metal sculptures, thus eliminating some of the risks involved with producing large-scale finished works. In 1958, Lipton was awarded a solo exhibition at the Venice Biennale and was thus internationally recognized as part of a small group of highly regarded avant-garde constructivist sculptors. In 1960, he received a prestigious Guggenheim Award, which was followed by several prominent public commissions, including his heroic Archangel, currently residing in Lincoln Center’s David Geffen Hall. A number of important solo exhibitions of his work followed at The Phillips Collection in Washington, DC (1964); the Milwaukee Art Center and University of Wisconsin, Milwaukee (1969); the Virginia Museum of Fine Arts in Richmond (1972); the Everson Museum in Syracuse, NY (1973); the Herbert E. Johnson Museum of Art of Cornell University in Ithaca, NY (1973); the National Collection of Fine Arts, Smithsonian Institution (now the Smithsonian American Art Museum) in Washington, DC (1978); and a retrospective in 1979 at The Jewish Museum in New York. In 1982 and 1984 alone, two exhibitions of his sculpture, organized respectively by the Mint Museum (Charlotte, NC) and the Hillwood Art Gallery of Long Island University (Greenvale, NY), traveled extensively across museums and university galleries around the nation. In 2000, the traveling exhibition An American Sculptor: Seymour Lipton was first presented by the Palmer Museum of Art of Pennsylvania State University in University Park. Most recently, in 2009, the Ackland Art Museum in Chapel Hill, NC mounted The Guardian and the Avant-Garde: Seymour Lipton’s Sentinel II in Context. Since 2004, Michael Rosenfeld Gallery has been the exclusive representative of the Estate of Seymour Lipton and has presented two solo exhibitions of his work—Seymour Lipton: Abstract Expressionist Sculptor (2005) and Seymour Lipton: Metal (2008). In 2013, Michael Rosenfeld Gallery presented Abstract Expressionism, In Context: Seymour Lipton, which included twelve major sculptures by the artist, along with works by Charles Alston, Norman Bluhm, Beauford Delaney, Willem de Kooning, Jay DeFeo, Michael Goldberg, Adolph Gottlieb, Hans Hofmann, Lee Krasner, Norman Lewis, Conrad Marca-Relli, Boris Margo, Alfonso Ossorio, Richard Pousette-Dart, Milton Resnick, Charles Seliger...

Sax Berlin’s Skull series form part of his Neo-Expressionist works. Berlin works with speed on these pieces, gives them a sense of urgency. In “person” they are electric and magnetic...

This is an ephemeral piece from Berlin, in it he portrays the nebulous form of woman and allows his audience to interpret the power of woman. Almost meditational this painting is wom...

Signed/Numbered 3/8 ex. Silver plated bronze. Acquired directly from the artist. Free shipment worldwide. William Sweetlove, born in Ostend, Belgium, in 1949, unites dadaism with surrealism and pop art in humoristic sculptures that at first sight may seem “kitschy”. However, closer familiarity with his works reveals their role as a creative antidote to the overproduction and overconsumption of our society. With his cloned animals William Sweetlove calls for greater ecological awareness and urges us to reflect on the consequences of the climate change challengeing humanity. His cloned dogs wear boots since the sea level rises and the penguins carry water bottles since we are runnig out of drinking water. William Sweetlove has had exhibitions at art fairs, galleries and museums all over the world. His works are found in several private art collections. He has also participated in different art manifestations worldwide together with the Italian Cracking Art Group. The community of Borås acquired the sculpture “Cloned Frogs on Gala Dress...

My paintings are glimpses into my perception of life along the coast of Maine and the high desert of Taos, N.M. Using rich color and employing the dramatic light of the coast and...

The Lightning is a unique pigments and silver crayon on wood painting by contemporary artist Franco Salas Borquez, dimensions are 80 × 60 cm (31.5 × 23.6 in). The artwork is signed,...

This is an abstract encaustic painting by Linda Bigness with silver and gold leaf on board with neutral sides. The painting features a multicolored palette with vibrant teal, red, ye...

An Art Deco gouache painting by American artist Anthony Nelle featuring exquisite details and materials to create a fantastic and enchanting scene.

Takashi Murakami, a pivotal figure in contemporary art, is renowned for his ability to blend traditional Japanese aesthetics with modern pop culture. His 2016 limited edition print, ...

In Serengeti Dawn, a lone elephant moves steadily across the open plains, its two large tusks glinting softly in the filtered morning light. This solitary figure captures the quiet d...

Guardian Angel Sista was created by Berlin as part of his Neo-expressionism series. He uses sgraffito to evoke the feel of the New York subway and it frames the iconic Guardian Angel...

This beautiful painting is by Japanese artist, Takefumi Hori. He was born in Tokyo, Japan. He paints beautiful gold leaf paintings. This piece is acrylic, gold leaf and metal leaf ...

He and She reach for manifestation. He opens the way, She holds the foundation, grounds. He is spirit, She is matter. He is gold, She is silver. They are in the harmony of Creativity...

This delicate drawing is made with silverpoint on prepared archival board. The exploration of ephemerality, and the fragility of nature, its textures and movement, is the focus of this work by Margot Glass. The exquisite beauty of a group of simple feathers, often overlooked or considered mundane, is discovered and elevated through close examination and exquisite drawing by the artist. Signed and titled on verso and initialed on recto, lower right corner. Framed in a silver frame, 10 x 8 inches (unframed), 12 x 10 inches (framed). Glass draws with pure silver not only for the delicacy of line the metal point provides, but also for the allure of using a semiprecious metal as a drawing material. Working on an archival board allows the gleam and luster and delicate reflective silver properties of the metallic medium to present as soft and textured against the ground. The surface is primed with traditional silverpoint ground. The silverpoint ground is slightly chalky when dry to provide a subtle toothy surface to grab the silver particles. Glass is interested in the tradition of using nature as idealized ornament in art and design while seeking to carefully observe as accurately as possible in all the irregularity and imperfection. The metallic lines enhance the decorative qualities of the filigree patterns formed by the minute details in each object. Her compositions are tightly cropped to bring the subject as close to the edge of the picture plane as possible. Margot Glass’s work been exhibited widely in the United States and internationally. Glass’s education includes studies in the Brown/RISD Exchange Program, Brown University...

Engraving on silver plate numbered 24/100 and signed Augusto Perez (Messina, 1929 - Naples, 2001) Augusto Perez made his debut in the 1951 Neapolitan co...

Maestro Pedro Friedeberg's works take us to a universe where birds serve as metaphors for freedom and transcendence. Against a light, profound background, the birds rise in metallic ...

In the novel "The Man with the Golden Arm" by Nelson Algren, the main character is a card shark. Here Art has taken a twist on that title by showing Algren as the dealer in one of Art's most famous shots. This work is framed in a simple black metal frame measuring 21.5h x 25.25w inches. Art Shay The Man with the Golden Arm, 1949 silver gelatin print 16h x 20w in 40.64h x 50.80w cm ASY15107 “Art Shay’s photography shakes you up, sets you down gently, pats you on the head and then kicks you in the ass.” Roger Ebert “[Shay’s work] ranks with some of the greats of the 20th century.” Ellen & Richard Sandor, Renowned photo collectors “I’ve admired Art Shay’s work for almost forty years, and he keeps getting better. He can do anything with a camera, but what he mostly does is capture real moments and transform them into visual poetry. His work continues to be an inspiration to me.” William Friedkin, Director of French Connection “Art Shay is one of our finest photographers. His work over the past fifty years has artfully captured the beauty, humor, and pathos of America.” Studs Terkel “Art Shay is one of the best photojournalists I know. I’ve been a fan of his work since the early 1950s - before the launch of playboy magazine.” Hugh Hefner “Algren, Terkel, Royko, they gave us a voice. Art Shay gave us a face.” Tony Fitzpatrick, Chicago Artist “Art Shay is America’s Cartier-Bresson.” Thomas Dyja, author of The Third Coast “Chicago’s Art Shay in many ways is to American photography what Nelson Algren was to American writing: that rare and absolutely necessary citizen who’s blessed with a cold eye, a clear head, and a warm heart. What is it about Chicago that keeps giving us men like this?” Russell Banks, Novelist “The best images of Simone de Beauvoir and her times have been passed down to us by Henri Cartier-Bresson, Gisele Freund, Robert Doisneau, Georges Brassai, and in America, the Chicago-based Art Shay, all world-class photographers.” Christophe Loviny, Art Editor, Paris “Art Shay is the best photo-journalist Chicago ever produced.” Arthur Siegel...

mixed media on paper with silver frame and glass Total size with frame: 51x41 cm