Art by Medium: Wood

Raymond Graber's celestial light sculptures transform the sense of perception, challenging the human eye’s sense for scale and time with a transcendenta...

Girl’s dream is a bronze sculpture by French contemporary artist Cécile Raynal, dimensions are 155 × 50 × 63 cm (61 × 19.7 × 24.8 in). Dimensions include white wood stand. The sculpt...

Gabrielle Pool’s inks on paper are simple and charming. Using an unforgiving medium she produces work that is delicately poised between reality and abstraction with an underlying hu...

Gabrielle Pool’s inks on paper are simple and charming. Using an unforgiving medium she produces work that is delicately poised between reality and abstraction with an underlying hu...

This rare 1790 oil painting depicts a village landscape in the Old Masters genre tradition. The composition shows peasants gathered near a cottage su...

'The Market in Bamako', oil on wood, by D. Nkuly (1957). A vibrant depiction of daily life in Bamako, the bustling capital of Mali. The artist captures the energy and rhythm of a loc...

Limited edition of 8 + 4 artist's proofs. Each cast is signed and numbered. Sold with a wooden base. Dimensions of the bronze sculpture: 10 H x 55 L x 15 D cm Dimensions of the base...

This piece, titled "The Meanderer" is an original free-standing sculpture by Seth Clark as part of his newest solo exhibition, "Passing Through". Clark's deteriorating structures h...

Abstract minimalist three-dimensional wood wall sculpture in blue, yellow and green. "Fiesta", hand-carved wooden wall sculpture by Hudson Valley artist, Stephen Walling, made in 2...

This piece, titled "Wanderer 17" is an original artwork by Seth Clark as part of his newest solo exhibition, "Passing Through". made of collage, charcoal, pastel, acrylic, and graphi...

Mnemonic Rhythm (Bright, Multicolored Textile Inspired Abstract Wall Sculpture), made by Susan Stover in 2025 wood, oil paint, varnish, waxed linen thread 30 x 30 inches Lightweight,...

Abstract minimalist three-dimensional wood wall sculpture in blue, mauve, purple and yellow. "Fade Up", hand-carved wooden wall sculpture by Hudson Valley artist, Stephen Walling, m...

A Native North American carved wood and painted effigy figure, Hopi Katsina or Kachina doll. A wonderfully playful, coloured and highly individual Hopi Katsina doll. Each doll repr...

This listing is for the professional stretching of the unstretched canvas artwork recently purchased by the buyer. The artwork will be mounted on stretcher bars and prepared for fram...

This example of Hunt Slonem's most well-known motif comes complete with a lovely golden frame sourced by Hunt himself. Slonem's artistic trajectory has always been characterized by ...

A finely executed mid-19th-century oil painting on panel depicting "The Milkmaid" after Jean-Baptiste Greuze (1725–1805). This captivating portrait, painted in a charming manner with...

Artwork signed at the bottom left. Jean Krillé’s paintings are known for their expressive use of color and dynamic, abstract forms, blending realism with abstraction in his depictio...

Jean-Michel Basquiat - Both Poles Date of creation: 2024 Medium: Digital print on Canadian maple wood Edition: Open Size: 80 x 20 cm (each skate) Condition: In mint conditions and never displayed This triptych is formed by three skate decks made of 7 ply grade A Canadian maple wood. © Estate of Jean-Michel Basquiat. Licensed by Artestar, New York This skateboard set reproduces Both Poles (1982), an iconic work by Jean-Michel Basquiat that encapsulates the tensions running through his visual language: past and present, earth and sky, history and immediacy. The original piece, executed in acrylic, oil stick, and collage, presents a fragmented scene dominated by a symbolic mountain, a crescent moon, and charged elements such as a sickle and a post. Here, Basquiat confronts “both poles” of his inner and outer worlds: excavation and invocation, memory and transmission. This edition brings that conceptual force into the urban language of skateboarding, becoming both a collectible object and a contemporary artistic statement. Transposed onto the skateboard format, the work becomes a visual declaration that bridges art and street culture, while preserving the expressive and conceptual intensity of the original. ABOUT THE ARTIST Jean-Michel Basquiat (1960-1988) was one of the most influential artists of the 20th century, famous for his ability to fuse urban culture, social criticism and art history into a unique style. Born in Brooklyn, New York, to a Haitian father and Puerto Rican mother, his life and work were shaped by his multicultural heritage, the New York art scene and the social tensions of his time. Although his career was brief, his impact on contemporary art has been lasting and significant. Basquiat showed an interest in art from an early age. His mother, Matilde Andrades, took him to museums and encouraged him to draw. At the age of seven, a car accident left him hospitalized for a time, and it was then that his mother gave him a copy of the anatomy book Gray's Anatomy, which influenced his fascination with the human body and its visual representation. Despite his early talent, Basquiat's family life was turbulent. His mother was hospitalized for psychiatric problems and his relationship with his father, Gerard Basquiat, was troubled. This instability contributed to Basquiat dropping out of school at age 17 to pursue his artistic career on the streets of New York. As a teenager, Basquiat joined the New York graffiti scene under the pseudonym SAMO (an acronym for "Same Old Shit"), which he used to sign his cryptic and poetic messages on the streets of Manhattan with his friend Al Diaz. SAMO's graffiti were a mixture of philosophical and social commentary on popular culture, capitalism and religion, and soon attracted the attention of the underground art scene. In 1980, SAMO "died" when Basquiat and Diaz decided to end their collaboration, marking the beginning of Basquiat's transition from street graffiti to art galleries. Basquiat emerged as a talent to watch in 1980, when he participated in the group exhibition The Times Square Show, which included other emerging artists from New York's Lower East Side scene. That same year, he attracted the attention of critics and collectors who saw in his work an electrifying blend of street art and neo-expressionism, the predominant movement of the time. In 1981, art critic René Ricard published the influential essay The Radiant Child in Artforum magazine, which positioned Basquiat as one of the most promising artists of his generation. Shortly thereafter, he met renowned artist Andy Warhol, with whom he formed a close friendship and significant artistic collaboration. This association was instrumental in catapulting his career into the world of high art. The collaboration with Warhol was a pivotal point in Basquiat's career. The two artists, although coming from very different worlds, shared a fascination with fame and popular culture. Together, they produced a series of works that combined Warhol's pop art icons with Basquiat's raw, spontaneous style. However, this collaboration was also a source of controversy. Many critics accused Warhol of "exploiting" Basquiat, while others saw the collaboration as a creative dialogue between two genius minds. Although the criticism was mixed, there is no doubt that the relationship between the two artists helped cement Basquiat's reputation in the art world. Basquiat's style is a unique amalgam of influences. His work is characterized by the use of dismembered human figures, skeletons and internal organs, evoking the fragility of the body and mortality. Basquiat also used symbols that alluded to African-American and African history, such as crowns, masks and references to historical figures such as Toussaint Louverture. The use of text is another crucial aspect of his work. Words, phrases and numbers appeared in his paintings, often crossed out or overlapped, creating a sense of controlled chaos. These fragmented words provoked a non-linear reading of his works and conveyed multiple layers of meaning. His art also reflected his concerns about racial issues, especially the place of people of African descent in Western art history and in society at large. The crowns that Basquiat often drew on his figures were a symbol of power and resistance, a way of proclaiming himself "king" in a world that had historically excluded black artists from the upper echelons of art. In works such as The Death of Michael...

Viga 1, 2, 3 & 4 is a group of sculptures by contemporary artist Tom Price. These sculptures are made of resin, tar, steel, wood. Overall dimensions are 242 × 180 × 45 cm (95.2 × 70....

Plastic Jesus is a Los Angeles based street artist that specializes in bold stencil and installation work, inspired by world news events, society, the urban environment, culture and ...

Original and unique artwork by Hunt Slonem. Oil on wood, four bunnies bunnies. Painting is framed, as seen in the images. Dimensions of the artwork with the frame: 14.5 x 12.5 inche...

Winged Victory of Los Angeles, c. 1960, oil on masonite, signed lower right, artist’s name and title verso, 33 x 34 1/2 inches, exhibited: 1) Edward Biberman, Heritage Gallery, Los A...

This charming British oil painting by David Charles Jenkins (1867-1916) captures a serene countryside landscape bathed in the gentle glow of sunset. The composition leads the eye alo...

This piece, titled "Wanderer 10" is an original artwork by Seth Clark as part of his newest solo exhibition, "Passing Through" is made of collage, charcoal, pastel, acrylic, and gra...

Cherry wood, treated and stained with natural oxide, red, and blue dyes. These dyes are produced using vinegars from his homeland, Asturias. He uses a secret formula that he has been...

This previously unpublished painting was first securely attributed to Govert Dircksz Camphuysen in 1944, following an examination at the Nationalmuseum in Stockholm during which the ...

Three Skunks of WWII c. 1940s Carved and painted wood Unsigned 8 x 10 in. h. each These skunks are depicted as Adolf Hitler, Benito Mussolini, and Hideki Tojo. Condition: There ...

Jean Krillé’s paintings are known for their expressive use of color and dynamic, abstract forms, blending realism with abstraction in his depictions of nature. His landscapes often f...

Jean-Michel Basquiat Untitled Head (Skull 2) - Set of 3 skate decks Made of 7 ply Grade A Canadian Maple Wood 31 1/2 × 7 9/10 in 80 × 20 cm (each deck)

A Charming, Colorful 1950s Mid-Century Modern Harbor Scene of Martha's Vineyard by Notable Chicago Artist, Francis Chapin (Am. 1899-1965). Painted near the artist's studio and summe...

Original and unique artwork by Hunt Slonem. Oil on wood Green, red, yellow, purple, blue and multicolored multiple butterflies on a scored silver background 2024 Painting is framed,...

Immerse yourself in the serene world of lyrical landscape painting, rendered in the post-impressionist manner by Swedish artist Gabriel Strandberg. This work reveals Strandberg's ful...

Tabula Alba II is a unique contemporary modern painting relief by renowned Polish-Dutch artist Eliza Kopec. This painting relief is a typical example of her preferred abstract geomet...

JOHN BALDESSARI - Throwing Three Balls in the Air to get a Straight Line (Best of Thirty-Six Attempts) Date of creation: 2025 Medium: Digital print on Canadian maple wood Edition: 3...

A charming, vibrant, early Mexican city street scene by famed Chicago Modern artist Francis Chapin (Am. 1899-1965). Depicting a quiet, picturesque view of the rooftops and cathedral...

Jean Krillé’s paintings are known for their expressive use of color and dynamic, abstract forms, blending realism with abstraction in his depictions of nature. His landscapes often f...

Hunt Slonem's artistic trajectory has always been characterized by a deep exploration of spiritual themes. His use of repetition in form—particularly with his beloved bunnies—serves ...

Raymond Graber‘s celestial light sculptures transform the sense of perception, challenging the human eye’s sense for scale and time with a transcendenta...

Title" Freedom Flowers Painting Flowers Freedom Contemporary Modern Bold Original Nature Statement Joy Whilst creating Freedom Flowers, I connected to the gift of nature, the abund...

Vintage French folk art, Early 19th century, painted wood wedding, hope or bridal chest, for the wedding of Charles Herbert Frederic and Corinne de Blaru in 1848. The names and dates...

This piece, titled "Wanderer 16" is an original artwork by Seth Clark as part of his newest solo exhibition, "Passing Through". made of collage, charcoal, pastel, acrylic, and graphi...

A tall dynamic chipped wood standing nude torso mounted on a stone base. Great form and patina. Stone, wood and ceramics sculptor Lorrie Goulet, who also makes drawings and lithograp...

This remarkable, deeply evocative fragment is a hand-carved piece of religious statuary from 16th Century France. It depicts the torso of a serene figure, likely a Saint or Archangel...

This work is full of gentleness and inspired by the observation of nature. It is a celebration of love, tenderness and passion between two beings. It could therefore be the ideal rom...

Plastic Jesus is a Los Angeles based street artist that specializes in bold stencil and installation work, inspired by world news events, society, the urban environment, culture and ...

Follower of Johann Heinrich Tischbein the Elder (1722–1789) Man with Bagpipes oil on oak panel no signature 25 × 19 cm (9.8 × 7.5 in) 31 x 26 cm (12.2 x 10.2 in) This refined 18th...

Zoa Ace's (US based) "Cat Ladies" is an original, handmade mixed media collage on wood that is unframed and ready to hang. About the Artist: "My work is figurative and deals primari...

A Compelling '50s Mid-Century Modern Portrait of a Young Woman by Francis Chapin. Titled "Red Dress", the painting is oil on Masonite and dates circa 1950. A very well executed, co...

Symphonie verticale III is one of the latest medium size contemporary modern sculpture painting reliefs by French-Dutch artist Olivier Julia. The relief is made from 140 (!) individu...

Framed Size: 35.5" x 44.5" Paysage Marin is a vibrant testament to Olive’s lifelong relationship with the sea. It captures a fleeting moment of natural power; waves smashing, foam f...

A Fabulous, 1950s Mid-Century Modern Still Life Painting of a Colorful Bouquet of Spring Flowers by Notable Chicago Artist, Francis Chapin (Am. 1899-1965). Completed in the vibrant,...

This piece, titled "Wanderer 13" is an original artwork by Seth Clark as part of his newest solo exhibition, "Passing Through", made of collage, charcoal, pastel, acrylic, and graph...

Amanda Watt (Irish, 1960-) Thatched Chair 1996 7/25 Paint on wood Hand signed, titled and dated verso Dimensions: 48 X 23 X 1 This is a colorful Trompe L'oeil surrealist wall hangin...

Self-Portrait, c. 1940, oil and tempera on Masonite, artist’s name inscribed verso, 30 x 25 inches William Ashby McCloy was an American artist, educator, and clinical psychologist. ...

Zoa Ace's (US based) "When Dreams Collide" is an original, handmade mixed media collage on wood that is unframed and ready to hang. About the Artist: "My work is figurative and deal...

hand signed original painting contemporary masterpiece in best renaissance traditions egg tempera on wood 22x18x3cm original painting is available

Original and unique artwork by Hunt Slonem. Oil on wood, blue bunny. Painting is framed, as seen in the images. Dimensions of the artwork with the frame: 14.5 x 12.5 inches I 40,64 ...

L’Ordine delle Onde (The Order of the Waves) is a textural sculpture by Vera Vizzi, part of her ongoing exploration of contemporary coastal art. Crafted from foam clay, acrylic, plas...

Jean-Michel Basquiat - Charles The First Date of creation: 2024 Medium: Digital print on Canadian maple wood Edition: Open Size: 80 x 20 cm (each skate) Condition: In mint conditions and never displayed This triptych is formed by three skate decks made of 7 ply grade A Canadian maple wood. © Estate of Jean-Michel Basquiat. Licensed by Artestar, New York This skateboard set reproduces Charles The First (1982), a key work by Jean-Michel Basquiat that pays tribute to Charlie Parker, the influential jazz saxophonist known as "Bird." Basquiat captures the frantic energy and complexity of Parker through his signature style, blending elements of Black culture, music, and the figure of the artist in a raw and powerful representation. The original painting, executed with acrylics, oils, and pastels, presents a stylized figure that recalls both a portrait and a symbol. The face is fragmented, filled with quick strokes and vibrant colors, while the outline and details evoke both divinity and struggle. Basquiat uses his unique visual language to convey the chaos and beauty of Parker’s life, a metaphor for creativity as a form of resistance and expression. Transposed onto the skateboard format, Charles The First becomes a dynamic work of art that not only celebrates the life of a musical icon but also merges contemporary art with urban culture. This piece transcends simple reproduction, inviting a connection between visual art and movement in the streets, with the same vigor and attitude Basquiat infused into his work. ABOUT THE ARTIST Jean-Michel Basquiat (1960-1988) was one of the most influential artists of the 20th century, famous for his ability to fuse urban culture, social criticism and art history into a unique style. Born in Brooklyn, New York, to a Haitian father and Puerto Rican mother, his life and work were shaped by his multicultural heritage, the New York art scene and the social tensions of his time. Although his career was brief, his impact on contemporary art has been lasting and significant. Basquiat showed an interest in art from an early age. His mother, Matilde Andrades, took him to museums and encouraged him to draw. At the age of seven, a car accident left him hospitalized for a time, and it was then that his mother gave him a copy of the anatomy book Gray's Anatomy, which influenced his fascination with the human body and its visual representation. Despite his early talent, Basquiat's family life was turbulent. His mother was hospitalized for psychiatric problems and his relationship with his father, Gerard Basquiat, was troubled. This instability contributed to Basquiat dropping out of school at age 17 to pursue his artistic career on the streets of New York. As a teenager, Basquiat joined the New York graffiti scene under the pseudonym SAMO (an acronym for "Same Old Shit"), which he used to sign his cryptic and poetic messages on the streets of Manhattan with his friend Al Diaz. SAMO's graffiti were a mixture of philosophical and social commentary on popular culture, capitalism and religion, and soon attracted the attention of the underground art scene. In 1980, SAMO "died" when Basquiat and Diaz decided to end their collaboration, marking the beginning of Basquiat's transition from street graffiti to art galleries. Basquiat emerged as a talent to watch in 1980, when he participated in the group exhibition The Times Square Show, which included other emerging artists from New York's Lower East Side scene. That same year, he attracted the attention of critics and collectors who saw in his work an electrifying blend of street art and neo-expressionism, the predominant movement of the time. In 1981, art critic René Ricard published the influential essay The Radiant Child in Artforum magazine, which positioned Basquiat as one of the most promising artists of his generation. Shortly thereafter, he met renowned artist Andy Warhol, with whom he formed a close friendship and significant artistic collaboration. This association was instrumental in catapulting his career into the world of high art. The collaboration with Warhol was a pivotal point in Basquiat's career. The two artists, although coming from very different worlds, shared a fascination with fame and popular culture. Together, they produced a series of works that combined Warhol's pop art icons with Basquiat's raw, spontaneous style. However, this collaboration was also a source of controversy. Many critics accused Warhol of "exploiting" Basquiat, while others saw the collaboration as a creative dialogue between two genius minds. Although the criticism was mixed, there is no doubt that the relationship between the two artists helped cement Basquiat's reputation in the art world. Basquiat's style is a unique amalgam of influences. His work is characterized by the use of dismembered human figures, skeletons and internal organs, evoking the fragility of the body and mortality. Basquiat also used symbols that alluded to African-American and African history, such as crowns, masks and references to historical figures such as Toussaint Louverture. The use of text is another crucial aspect of his work. Words, phrases and numbers appeared in his paintings, often crossed out or overlapped, creating a sense of controlled chaos. These fragmented words provoked a non-linear reading of his works and conveyed multiple layers of meaning. His art also reflected his concerns about racial issues, especially the place of people of African descent in Western art history and in society at large. The crowns that Basquiat often drew on his figures were a symbol of power and resistance, a way of proclaiming himself "king" in a world that had historically excluded black artists from the upper echelons of art. In works such as The Death of Michael Stewart...

Abstract geometric three-dimensional wood wall sculpture resembling stacked books in blue, grey, and white "Blue Books", hand-carved wooden wall sculpture ...