Art by Medium: Wood Panel

A CLOSER LOOK: OBSERVATIONS NOT FAR FROM HOME I have always addressed the details of physical reality in the subjects I choose in order to convey the spirit and feelings that were fi...

This wooden wall sculpture features hues of navy, turquoise and yellow. Nancy is inspired by the works of Carmen Herrera, Deborah Zlotzky and Grazia Varisco...

African American Artist Alvin Hollingsworth creates a mixed-media abstract painting/collage that abounds with inventiveness and creativity. Large s...

This contemporary figurative oil painting explores themes of politics and culture. Deborah Root’s dynamic colourful compositions tell an intimate story about her experience during s...

This contemporary figurative oil painting explores themes of politics and culture. Deborah Root’s dynamic colourful compositions tell an intimate story about her experience during s...

This contemporary figurative oil painting explores themes of politics and culture. Deborah Root’s dynamic colourful compositions tell an intimate story about her experience during s...

Set in the iconic Haji Lane—one of Singapore’s most eclectic and culturally rich neighborhoods—Night Scene, Haji Lane captures a fleeting night time moment as the cafes begin to clea...

"Wonderwheel #31" features hues of pink, yellow and gold. Kate Hooray Osmond is inspired by the work of Hilma af Klint and Damien Hirst. Kate Hooray ...

Watching, Original Contemporary Surrealist Painting, 2014 11.25" x 18" x 1.625" (HxWxD) Gouache on Wood Panel This surreal gouache painting features a woman laying on top of her bed...

Rob Katkowski’s original oil painting on wood panel, titled Untitled, is a masterful blend of abstraction and ethereal landscapes. Measuring 16 inches tall by 12 inches wide, this pi...

This painting captures the serenity of a corner in Madrid's El Capricho Garden at sunset. The balanced composition highlights a sculpture atop a column, emerging as the focal point i...

Non-objective artist Aimée Farnet Siegel works with color and line through the medium of hand-painted and manipulated paper. Her works inhabit space outside the two-dimensional plan...

"The Play Behind the Play" is an artist painted & found paper collage on wood panel featuring hues of red, green, black and white. Aimée Farnet Siegel is inspired by the work of Mark...

encaustic on panel b. 1954, Reno Nevada Michael David is best known for his use of encaustic on large abstract paintings. A practitioner of Abstract Expressionism, David layers bees...

A plein air painting of a quiet street in a Portuguese city. Bougainvillea spills over the rooftop of one of the buildings, adding color and vibrancy to an otherwise tranquil scene. ...

Katheryn Holt (American, born 1951) "Rivers End" 2022 Oil Paint, Mixed Media, Wood Panel, Wood The artist signed the back of the painting. 'River's End' by Katheryn Holt is an intri...

Lesley Anne Spowart (American, born 1957) "Little Miss" 2023 Acrylic Paint, Mixed Media, Wood Panel, Stretcher Bars The artist signed the bottom right and back of the painting. "Lit...

A great cormorant bird sits atop a bend wood chair, with a clear glass pitcher with a single white calla lily resting along beside. This oil pain...

Chaise #36 by California artist Jeffrey Palladini is a minimalist figurative painting on paper and framed. It is textured Oil and Charcoal on paper. It is 22" x 30". With the white...

Arnold Friedman studied with Robert Henri and Kenneth Hayes Miller at the Art Students League in 1905 . Yet as he developed his style he abandoned the academic influence of his teacher. He started experimenting with materials and techniques. Friedmans intimate style recalls a variety of post-impressionist artists such as Pointillism of Pisarro, Vuillard and Nabis, and perhaps even Seurat. His thick application of paint has definitive textual impasto that was influenced by his trip to Paris in 1909. In "Museum Piece...

Non-objective artist Aimée Farnet Siegel works with color and line through the medium of hand-painted and manipulated paper. Her works inhabit space outside the two-dimensional plan...

Ancient houses in ruins, blanketed by a layer of snow, stand as remnants of bygone days. In the foreground, a wall with a window and two openings, one of them sealed, rises as a test...

Carolien van Olphen Feeling Good Oil on wood panel 122 x 70 cm (Framed 130 x 78 cm, frame is included) Dutch artist Carolien van Olphen has left a great impression in many places w...

"You're Not Listening" is an original piece by Branche Coverdale made from acrylic gouache on shaped wood panel. This piece measures 12"h x 12"w and is hand signed by the artist. Br...

oil on panel b. 1985, Phoenix, AZ Jake Fischer, born and raised in Phoenix, Arizona, graduated with a Master of Fine Art from Arizona State University in Drawing and Painting. Whil...

Brandon Gastinell, a Sacramento-born artist now based in Los Angeles, is celebrated for his captivating oil pastel creations that explore the human form with vibrant colors and bold ...

"EXAMINATION" is an original piece by Shawn Theodore made from found/family photos, polaroid lift, acrylic on wood panel. Theodore delves into the specific experiences of African American families, capturing a longing for lost photographs, missing heirlooms, and vanished archives. Using a blend of traditional portraiture, found photographs, paint, paper, pencils, and digital manipulation, Theodore creates archetypes representing hypothetical family members, spiritual guardians, and ancestors. These boldly crafted archetypes inhabit an imagined macro-family album, offering a unique perspective on portraiture, connection, and community. Theodore's work aims to deepen spiritual connections and encourage personal introspection. This pieces measures 16.75"h x 16.75"w framed and comes with a gallery-issued Certificate of Authenticity. Shawn Theodore (b. 1970) was born in Germany to American parents from Philadelphia, and currently lives and works in Philadelphia. Theodore was awarded the prestigious PDN’s 30 New & Emerging Photographers to Watch (2019), the Getty Images / ARRAY ‘Where We Stand’ grant, and a grant from the Knight Foundation for ‘A Dream Deferred’. Theodore was a two-time nominee for the Pew Center for Arts & Heritage Fellowship and a nominee for the Magnum Foundation Fund. He is an Associate Adjunct Professor at the University of the Arts, a trustee of The Print Center, a trustee of the Rush Philanthropic Arts Foundation, and a former trustee of the Philadelphia Photo Arts Center. Theodore was announced as a two-time nominee of The Pew Center for Arts & Heritage Fellowship and a nominee of the Magnum Foundation Fund in 2018. In the following years 2019 and 2020, he was awarded the PDN's 30 New & Emerging Photographers to Watch and AI-AP American Photography 35. He has had several solo exhibitions and is included in several group exhibitions. His work is held in the permanent collections of the Philadelphia Museum of Art, Philadelphia; the collection of the Philadelphia Library, Drexel University's Center for Black Culture, the Mennello Museum of American Art, Orlando; the Whitney Museum of American Art, New York; the Museum of Contemporary Art, Chicago; the Walker Center, Minneapolis; the National Museum of African American History and Culture, Washington D.C.; the Dallas Museum of Art, Dallas; and the Legacy Museum, Montgomery, among others. Artist photo...

"Congrajulicia" is an original piece made by Shawn Theodore from hand-crafted paper collage and acrylic and archival ink on Epson Hot Press Natural paper on wood panel. Using a blend...

Antique painting, still life, impressionist style. Oil on wood. Very decorative painting. Signed lower left with B. ADAM. Dimensions are without frame.

Swiss-born artist Marco Schmidli creates large-scale minimalist paintings reminiscent of color field studies with a contemporary edge. Placing emphasis on process, he lets the mediums naturally manifest within his artwork. “An important aspect of my artwork is the removal of my own artistic hand. Instead of controlling and demanding the paint move and act a certain way, I let the paint naturally manifest and express its pure form/ true colors/ most natural movement.” Schmidli's work is known for its sensitive surfaces and subtle textures. He has developed specialized techniques for applying and layering color, giving depth to his large-scale paintings. This 11-inch high by 9-inch wide and 1.75-inch deep original artwork is an abstract composition in acrylic on wood. It is framed in a natural wood frame. Size and price include frame. It is signed and dated on the back. Convenient local Los Angeles area shipping. Affordable Continental U.S. and worldwide shipping also available. A certificate of authenticity issued by the art gallery is included. Schmidli studied photography and fine art in Switzerland and Rome. He worked as a photographer and painter in Zurich and then in 1989 he moved to California. Schmidli has been creating large-scale artworks since. He has developed specialized techniques for applying and layering color. His artworks have been featured in the film and entertainment industry, such as fashion photography, celebrity portraits, music videos, films, editorials, and at red carpet events. Schmidli has set a new standard for large-scale contemporary abstract works in Los Angeles. His original paintings have appeared in highly respected magazine publications, such as Vogue, Flaunt, and Harper’s Bazaar. His work has also been featured in fashion spreads of iconic international brands such as Nike and Balenciaga. REPRESENTATION Artplex Gallery, Los Angeles, USA CLIENT LIST ADVERTISING Acura, Aveda, Bath & Body Works, Bloomingdales, Cost Plus, Covergirl, Heather Levine, JC Penny, Loehmann's, Lord and Taylor, Macy's, Mazda, MGM Resorts International, Neiman Marcus, Noah's Bagels, Nordstrom, O.P.I., Oakley, Porsche, QVC, Saks Fifth Avenue, Silverman Group, Sketchers, Smashbox Beauty, Sprint, Stila. EDITORIAL Architectural Digest, Cosmo Girl, Cosmopolitan, Details, Elle Décor, Elle, Empire Magazine, Entertainment Weekly, ESPN, Esquire, Essence, Forbes Life, Giant, Glamour, Golf Digest, Good Housekeeping, GQ, Hearst Magazine, House Beautiful, Instyle, Ladies Home Journal, Latina Magazine, Los Angeles Magazine, Los Angeles Times, Lucky, Martha Stewart Living, Maxim, Men’s Vogue, New York Magazine, New York Times Magazine, Oprah Magazine, Parade, Parents, People, Playboy, Rolling Stone, Seventeen, Shape, Spin, Sports Illustrated, Teen People, The Hollywood Reporter, The Wall Street Journal, Town & Country, US Magazine, Vanity Fair, Vogue, Wonderland, Women’s Wear Daily FASHION Ann Taylor, Anthropologie, Banana Republic, BCBG, BEBE, Bluefly, Brooks Brothers, Calvin Klein, Chanel, Chrome Hearts, David Yurman, Delia’s, Eileen Fisher, INC, FIDM, Fredricks of Hollywood...

The Shore, a small format painting that invites contemplation and reflection. In this oil on panel, the sea emerges as the undisputed protagonist, displaying its powerful presence an...

Nancy is inspired by the works of Carmen Herrera, Deborah Zlotzky and Grazia Varisco. Nancy Talero is an artist and designer whose multi-panel works ch...

oil on panel b. 1985, Phoenix, AZ Jake Fischer, born and raised in Phoenix, Arizona, graduated with a Master of Fine Art from Arizona State University in Drawing and Painting. Whil...

Non-objective artist AIMÉE FARNET SIEGEL works with color and line through the medium of found, hand-painted, and manipulated paper. Her works inhabit space outside the two-dimension...

In this canvas the author invites us to explore an inner world that transcends the mere physical representation of an architectural space. In the center of the composition, an imposi...

Ricky Hunt’s mixed media minimalist wall art is influenced by his tumultuous past that led to a paradigm shift in creativity and life. He covers the wood panel with layers of acrylic...

"Self Portrait of Addison Thomas Millar at Desk" is a captivating painting by the American Impressionist artist Addison Thomas Millar. This self-portrait offers a glimpse into the in...

"Late Summer Light on Cornwall Cove" by the acclaimed Cornish artist Jon Doran is an enchanting oil painting that offers a glimpse into the serenity of a Cornish cove bathed in the g...

"7 // 23" is a celebration of subtlety and nuance in art, an acrylic and textured relief on wood that harnesses the quiet interplay between light and structure. Part of a thought-pro...

Will Beger and his contemporary-minimalist paintings, take on an entirely unique approach to southwest art. Influenced by his youth and inspired by nature, he effortlessly captures a...

Gough’s interest in the elusive quality of memory has always been an invariable interest in his art practice. Rooted in memories of his upbringing in Newfoundland, Gough’s paintings ...

What Thoughts Are Made Of is a monochromatic, textured oil painting by James Austin Murray. It is an all black oil painting on canvas on wood panel. It is 36x36 It is a stunning a...

In James' paintings, he explores how uncertainty can lead to meaning and understanding. How harmony can be experienced even within tension and chaos and how the recognizable can rise out of purely abstract form. In his abstract paintings he responds to these phenomena by creating contemporary icons – works meant to encourage contemplation and meditation. James' more recent works have evolved from the romantic representational ideal into the symbolic, abstract archetype. He comes from a classical background inspired by the great romantic landscape painters such as Turner, Lorrain, Friedrich and Moran, his recent work is more influenced by the work of artists like Klee, Miro, Rothko, Pollock, Riley and Richter. James creates complex abstractions layered in familiarity and veiled in mysteriousness. The unorthodox methods he uses to apply and move oil paint allow him to create compositions that are formally beautiful – infused with tension and drama but also expressive of the spiritual, symbolic, mysterious and eternal. James' work counters...

Born in San Pedro, California in 1969, Francis DiFronzo has been painting and exhibiting his artwork in the United States for more than thirty years. "I discovered at a young age that art had the ability to transport me out of my world and into the lives of artists I admired. When I looked at paintings by Andrew Wyeth or Edward Hopper, I felt as though I was momentarily living in the worlds they created. I wanted to do the same thing. I wanted my work to have that power." After receiving his B.F.A in 1994 from California State University, Fullerton, DiFronzo moved to Philadelphia, PA where he continued his studies in drawing and painting at the Pennsylvania Academy of the Fine Arts. There he worked and learned under the guidance of artists Murray Dessner, Jan Baltzell, Sidney Goodman, Vincent Desiderio and Irving Petlin. Di Fronzo...

Niels Frederik Martin Rohde, born 27 May 1816 in Copenhagen, died 14 July 1886 at Frederiksberg Castle, Copenhagen, was a Danish painter. Rodhe studied, among other things, at Det Ko...

Ricky Hunt’s mixed media minimalist wall art is influenced by his tumultuous past that led to a paradigm shift in creativity and life. He covers the wood panel with layers of acrylic...

School Yard in an English Village by JL Appleby Original oil on Board The School Yard in an English Village scene is rendered in a somewhat naive style by the artist JL Appleby, Eng...

Harry Humphrey Moore led a cosmopolitan lifestyle, dividing his time between Europe, New York City, and California. This globe-trotting painter was also active in Morocco, and most importantly, he was among the first generation of American artists to live and work in Japan, where he depicted temples, tombs, gardens, merchants, children, and Geisha girls. Praised by fellow painters such as Thomas Eakins, John Singer Sargent, and Jean-Léon Gérôme, Moore’s fame was attributed to his exotic subject matter, as well as to the “brilliant coloring, delicate brush work [sic] and the always present depth of feeling” that characterized his work (Eugene A. Hajdel, Harry H. Moore, American 19th Century: Collection of Information on Harry Humphrey Moore, 19th Century Artist, Based on His Scrap Book and Other Data [Jersey City, New Jersey: privately published, 1950], p. 8). Born in New York City, Moore was the son of Captain George Humphrey, an affluent shipbuilder, and a descendant of the English painter, Ozias Humphrey (1742–1810). He became deaf at age three, and later went to special schools where he learned lip-reading and sign language. After developing an interest in art as a young boy, Moore studied painting with the portraitist Samuel Waugh in Philadelphia, where he met and became friendly with Eakins. He also received instruction from the painter Louis Bail in New Haven, Connecticut. In 1864, Moore attended classes at the Mark Hopkins Institute in San Francisco, and until 1907, he would visit the “City by the Bay” regularly. In 1865, Moore went to Europe, spending time in Munich before traveling to Paris, where, in October 1866, he resumed his formal training in Gérôme’s atelier, drawing inspiration from his teacher’s emphasis on authentic detail and his taste for picturesque genre subjects. There, Moore worked alongside Eakins, who had mastered sign language in order to communicate with his friend. In March 1867, Moore enrolled at the prestigious École des Beaux-Arts, honing his drawing skills under the tutelage of Adolphe Yvon, among other leading French painters. In December 1869, Moore traveled around Spain with Eakins and the Philadelphia engraver, William Sartain. In 1870, he went to Madrid, where he met the Spanish painters Mariano Fortuny and Martin Rico y Ortega. When Eakins and Sartain returned to Paris, Moore remained in Spain, painting depictions of Moorish life in cities such as Segovia and Granada and fraternizing with upper-crust society. In 1872, he married Isabella de Cistue, the well-connected daughter of Colonel Cistue of Saragossa, who was related to the Queen of Spain. For the next two-and-a-half years, the couple lived in Morocco, where Moore painted portraits, interiors, and streetscapes, often accompanied by an armed guard (courtesy of the Grand Sharif) when painting outdoors. (For this aspect of Moore’s oeuvre, see Gerald M. Ackerman, American Orientalists [Courbevoie, France: ACR Édition, 1994], pp. 135–39.) In 1873, he went to Rome, spending two years studying with Fortuny, whose lively technique, bright palette, and penchant for small-format genre scenes made a lasting impression on him. By this point in his career, Moore had emerged as a “rapid workman” who could “finish a picture of given size and containing a given subject quicker than most painters whose style is more simple and less exacting” (New York Times, as quoted in Hajdel, p. 23). In 1874, Moore settled in New York City, maintaining a studio on East 14th Street, where he would remain until 1880. During these years, he participated intermittently in the annuals of the National Academy of Design in New York and the Pennsylvania Academy of the Fine Arts in Philadelphia, exhibiting Moorish subjects and views of Spain. A well-known figure in Bay Area art circles, Moore had a one-man show at the Snow & May Gallery in San Francisco in 1877, and a solo exhibition at the Bohemian Club, also in San Francisco, in 1880. Indeed, Moore fraternized with many members of the city’s cultural elite, including Katherine Birdsall Johnson (1834–1893), a philanthropist and art collector who owned The Captive (current location unknown), one of his Orientalist subjects. (Johnson’s ownership of The Captive was reported in L. K., “A Popular Paris Artist,” New York Times, July 23, 1893.) According to one contemporary account, Johnson invited Moore and his wife to accompany her on a trip to Japan in 1880 and they readily accepted. (For Johnson’s connection to Moore’s visit to Japan, see Emma Willard and Her Pupils; or, Fifty Years of Troy Female Seminary [New York: Mrs. Russell Sage, 1898]. Johnson’s bond with the Moores was obviously strong, evidenced by the fact that she left them $25,000.00 in her will, which was published in the San Francisco Call on December 10, 1893.) That Moore would be receptive to making the arduous voyage across the Pacific is understandable in view of his penchant for foreign motifs. Having opened its doors to trade with the West in 1854, and in the wake of Japan’s presence at the Philadelphia Centennial Exposition of 1876, American artists were becoming increasingly fascinated by what one commentator referred to as that “ideal dreamland of the poet” (L. K., “A Popular Paris Artist”). Moore, who was in Japan during 1880–81, became one of the first American artists to travel to the “land of the rising sun,” preceded only by the illustrator, William Heime, who went there in 1851 in conjunction with the Japanese expedition of Commodore Matthew C. Perry; Edward Kern, a topographical artist and explorer who mapped the Japanese coast in 1855; and the Boston landscapist, Winckleworth Allan Gay, a resident of Japan from 1877 to 1880. More specifically, as William H. Gerdts has pointed out, Moore was the “first American painter to seriously address the appearance and mores of the Japanese people” (William H. Gerdts, American Artists in Japan, 1859–1925, exhib. cat. [New York: Hollis Taggart Galleries, 1996], p. 5). During his sojourn in Nippon (which means, “The Land of the Rising Sun”), Moore spent time in locales such as Tokyo, Yokohama, Kyoto, Nikko, and Osaka, carefully observing the local citizenry, their manners and mode of dress, and the country’s distinctive architecture. Working on easily portable panels, he created about sixty scenes of daily life, among them this depiction of an interior of a dwelling. The location of the view is unknown, but the presence of a rustic rail fence demarcating a yard bordering a distant house flanked by tall trees, shrubs and some blossoming fruit trees, suggests that the work likely portrays a building in a city suburb or a small village. In his book, Japanese Homes and Their Surroundings, Edward S. Morse (an American zoologist, orientalist, and “japanophile” who taught at Tokyo Imperial University from 1877 to 1879, and visited Japan again in 1891 and 1882) noted the “openness and accessibility of the Japanese house...

Materials: acrylic painted paper on Birch panel Non-objective artist Aimée Farnet Siegel works with color and line through the medium of hand-painted and manipulated paper. Her wor...

Abstract mixed media painting with green spurge plant material and neutral encaustic on panel 12 x 12 x 1.5 inches, ready to hang as is Sturdy d-ring is on the back for installation ...

The prow of a fishing boat is bathed in the warm hues of the sunset, creating a dreamlike scene at the harbor. The golden light gently caresses the vessel, highlighting its details a...

Pop Art. Americana + Female Form. Ephemera, Oil, Acrylic, Resin on Panel. About the Artist: John Joseph Hanright is a contemporary painter and assemblage artist who brings toget...

medium: paint chip sample mosaic on panel Born in 1971 in Cincinnati, Ohio, CARLTON SCOTT STURGILL received his Masters of Arts (Fine Art) from London’s Chelsea College of Art in De...

Keimpe van der Kooi Summer 100 x 122 cm framed: 110-132 cm ( This frame is included) Oil on wood panel This Painting is made by Dutch Artist Keimpe van der Kooi. He likes to paint ...

"As an African-American artist in today’s world, I embody the vast differences found in our collective backgrounds. I view them as cultural assets. We are always self discovering and...

Charming tavern scene depicting drunken peasants enjoying dancing and drinking in front a farmhouse/ tavern in a landscape. Painted in great detail in vivid colors on a hand cut oak ...

Christopher Clark's "Corridor Cafe" is an original, hand made oil and acrylic painting that depicts an outdoor cafe located in a city corridor. Christopher has been an artist since early childhood, when he would watch Bob Ross on PBS and mimic the famed oil painter’s art with crayons. He considers himself a self-educated artist, with his studies ranging from personal training with contemporary masters, to classical academic art technique, with much inspiration from 19th Century art and the Impressionist Movement. Christopher lived in Italy for a time, immersing himself in Italian culture and art, which continues to influence his painting. His fan base has grown considerably since his return to the US, gaining the attention of Lucasfilm and Marvel Fine Art, which both signed him as an officially licensed artist in 2016. Other clients include George Lucas, Major League Baseball, Louisville Slugger, and Fender Guitars. Christopher’s painting skills are not his only talent in the arts. He has won several national swing dance championship competitions, and also studies tango and blues dancing. He has played guitar since the age of 12, and during his time as lead guitarist for a rock band, he opened for Blue Oyster Cult and Eddie Money...

Patricia Traub (b. 1947, Allentown, PA) is a graduate of the Pennsylvania Academy of the Fine Arts and the York Academy of the Arts. She continued her studies in Paris at the Académi...