Art by Medium: Wood Panel

"Phase 3: Struck, Half Full" is an original piece by Lauren Rinaldi made from oil on canvas. This piece measures 8"h x 8"w unframed. Lauren Rinaldi (b. 1983, Brooklyn, NY) is an Am...

Steven Nederveen's art is a testament to the complex and ever-evolving relationship between humans and nature. His vivid nature scenes, often seemingly uplifting and idyllic, also re...

In “Battle At Dawn,” Boston-based painter McKenzie West captures a dramatic historical moment with atmospheric realism and striking detail. This original oil painting depicts British...

In this quiet, contemporary still life painting in oil on panel, a single lamp with a yellowed lamp shade stands atop a dark brown mahogany wooden desk with gray metal handles on the...

Ricky Hunt’s mixed media minimalist wall art is influenced by his tumultuous past that led to a paradigm shift in creativity and life. He covers the wood panel with layers of acrylic...

Eric Johansson's "Woman with Red Bow" (1940) We are delighted to present for sale the evocative portrait “Woman with Red Bow” by the distinguished artist Eric Johansson, painted in ...

Maria Poroy (American, born 1952) "Big Sur" 2025 Acrylic Paint, Wood Panel The artist signed the bottom right of the painting. "Big Sur" by Maria Poroy offers a tranquil yet powerfu...

Blush (2020), figurative hot pink, light pink, fuchsia, magenta, lavender purple, aqua, turquoise & mint green nude portrait oil on wood panel painting Oil on wood panel Hand-signed...

This evocative painting, exemplifies the artist’s mastery of genre scenes and his sensitivity to the rhythms of everyday life. Executed with fluid and assured brushwork, the piece ca...

Brad Davis's "Candy’s" is an oil on wood panel painting measuring 20 x 20 inches, with an overall framed dimension of 22 x 22 inches. This contemporary realist piece captures an evoc...

Carrie Goller's (US based) "Solaire" (2024) is an original, handmade mixed media painting. Using a medium of oil paints with gold and silver leaf, created on wood panel, Goller depic...

Brad Davis’s *8th and Watts* (2025) is an original oil painting on wood panel that measures 24 x 36 inches, housed in a 26 x 38 inch frame. This detailed and atmospheric composition ...

'Carissima', elaborately and exquisitely painted by Adrienne Sherman in oil on panel with a lacquer-like luster. The original painting is rich and reflective. The painting is 14 x 11...

Carrie Goller's (US based) "Good Morning" (2024) is an original, mixed media using encaustic on wood panel that depicts an abstracted waterscape. Born and raised on Washington’s tin...

Oil on wood panel, 1951. Unique work, titled and hand-signed in felt pencil by artist on the verso. Work size: 30 x 30 cm Framed size: 58 x 58 cm Very good conditions, with deep bri...

Will Beger and his contemporary-minimalist paintings, take on an entirely unique approach to southwest art. Influenced by his youth and inspired by nature, he effortlessly captures a...

Darling by artist Jason Wright is a textured oil and acrylic painting on wood panel. It is 18x24, framed. This sailboat image is richly layered and created with a palette knife. J...

Tania Rivilis Portrait of Love Four panels of 40x40 cm all together framed in one piece of 94x94 cm Oilpaint on wood panel Tania Rivilis (b. 1986) 2022 winner of the 'William Locke Price' ( £ 30.000 ) from the Royal Society of Portrait Painters UK. Tania Rivilis began painting at the age of 27, after moving to Germany from Russia in 2012. Working hard on technique and creating her own signature style, just one year later Tania entered the art world with her first solo shows. Tania’s works range from classical to modern expressive style. For several years of working with painting and graphics, the artist held exhibitions in Germany, the Netherlands, and Russia. In 2016 began a collaboration between Tania Rivilis and Russian jeweler Petr Axenov, which led to many special projects, both for private and state collections. Her two drawings based on “War and Peace” novel by Leo Tolstoy...

Mixed-Media / Stickers / Illustration / Pop and Contemporary Pop / Human Figure / Chess / Comic Books / Video Games / Resin / Drawing / Representations of Everyday Objects / Figurative Art / Pop Art From Macauley Norman's solo exhibition, CRYPTIC CLUTTER, "Sticker Painting" is an incredible and unique resin coated pop surrealist painting featuring well over 70 gel pen drawings on sticker paper affixed to a wood panel painted in oil and acrylic paint. Among the illustration images are a panoply of pop culture references from the Eastern, Western, Northern and Southern hemispheres -- birds and other animals, landscapes, UFOs, food items, nineties-era pornography, vehicles, yin yang symbols, skulls, daggers, a Teenage Mutant Ninja Turtle...

Vase in the Window (Impressionist Floral Still Life of Magenta Pink Peony Flowers in a Vase Against an Off-White Window Scene) by David Konigsberg oil on panel 50 x 36 x 1.5 inches no frame required - painting is wired on reverse for easy installation Signed by the artist, verso This painting is an exquisite example of the artist's unique ability to capture the very whimsical side of nature. Widely known for painting expansive views of the Hudson Valley where the artist often embarks on extensive hiking trails, Konigsberg also takes to painting more intimate and commonplace household objects. A coffee pot, salt and pepper shaker, or as in this case, a simple bouquet of long stemmed pink peonies careening over the side of a green vase; his use of oil washes capture both fluidity and structure. The fanciful treatment of the flowers calls to mind French Impressionist Toulouse Latrec...

This impressionistic oil painting was created en plein air, capturing the tranquil beauty of a winter landscape. A fallen tree stretches across a snowy riverbank, its bare branches c...

"In the Wings" Wood Panel Original Painting and Carving Carved sculpture and painting by Mickey "Kano" Kane (American, 20th century). This wall sculpture features a bold, symmetrica...

Harry Humphrey Moore led a cosmopolitan lifestyle, dividing his time between Europe, New York City, and California. This globe-trotting painter was also active in Morocco, and most importantly, he was among the first generation of American artists to live and work in Japan, where he depicted temples, tombs, gardens, merchants, children, and Geisha girls. Praised by fellow painters such as Thomas Eakins, John Singer Sargent, and Jean-Léon Gérôme, Moore’s fame was attributed to his exotic subject matter, as well as to the “brilliant coloring, delicate brush work [sic] and the always present depth of feeling” that characterized his work (Eugene A. Hajdel, Harry H. Moore, American 19th Century: Collection of Information on Harry Humphrey Moore, 19th Century Artist, Based on His Scrap Book and Other Data [Jersey City, New Jersey: privately published, 1950], p. 8). Born in New York City, Moore was the son of Captain George Humphrey, an affluent shipbuilder, and a descendant of the English painter, Ozias Humphrey (1742–1810). He became deaf at age three, and later went to special schools where he learned lip-reading and sign language. After developing an interest in art as a young boy, Moore studied painting with the portraitist Samuel Waugh in Philadelphia, where he met and became friendly with Eakins. He also received instruction from the painter Louis Bail in New Haven, Connecticut. In 1864, Moore attended classes at the Mark Hopkins Institute in San Francisco, and until 1907, he would visit the “City by the Bay” regularly. In 1865, Moore went to Europe, spending time in Munich before traveling to Paris, where, in October 1866, he resumed his formal training in Gérôme’s atelier, drawing inspiration from his teacher’s emphasis on authentic detail and his taste for picturesque genre subjects. There, Moore worked alongside Eakins, who had mastered sign language in order to communicate with his friend. In March 1867, Moore enrolled at the prestigious École des Beaux-Arts, honing his drawing skills under the tutelage of Adolphe Yvon, among other leading French painters. In December 1869, Moore traveled around Spain with Eakins and the Philadelphia engraver, William Sartain. In 1870, he went to Madrid, where he met the Spanish painters Mariano Fortuny and Martin Rico y Ortega. When Eakins and Sartain returned to Paris, Moore remained in Spain, painting depictions of Moorish life in cities such as Segovia and Granada and fraternizing with upper-crust society. In 1872, he married Isabella de Cistue, the well-connected daughter of Colonel Cistue of Saragossa, who was related to the Queen of Spain. For the next two-and-a-half years, the couple lived in Morocco, where Moore painted portraits, interiors, and streetscapes, often accompanied by an armed guard (courtesy of the Grand Sharif) when painting outdoors. (For this aspect of Moore’s oeuvre, see Gerald M. Ackerman, American Orientalists [Courbevoie, France: ACR Édition, 1994], pp. 135–39.) In 1873, he went to Rome, spending two years studying with Fortuny, whose lively technique, bright palette, and penchant for small-format genre scenes made a lasting impression on him. By this point in his career, Moore had emerged as a “rapid workman” who could “finish a picture of given size and containing a given subject quicker than most painters whose style is more simple and less exacting” (New York Times, as quoted in Hajdel, p. 23). In 1874, Moore settled in New York City, maintaining a studio on East 14th Street, where he would remain until 1880. During these years, he participated intermittently in the annuals of the National Academy of Design in New York and the Pennsylvania Academy of the Fine Arts in Philadelphia, exhibiting Moorish subjects and views of Spain. A well-known figure in Bay Area art circles, Moore had a one-man show at the Snow & May Gallery in San Francisco in 1877, and a solo exhibition at the Bohemian Club, also in San Francisco, in 1880. Indeed, Moore fraternized with many members of the city’s cultural elite, including Katherine Birdsall Johnson (1834–1893), a philanthropist and art collector who owned The Captive (current location unknown), one of his Orientalist subjects. (Johnson’s ownership of The Captive was reported in L. K., “A Popular Paris Artist,” New York Times, July 23, 1893.) According to one contemporary account, Johnson invited Moore and his wife to accompany her on a trip to Japan in 1880 and they readily accepted. (For Johnson’s connection to Moore’s visit to Japan, see Emma Willard and Her Pupils; or, Fifty Years of Troy Female Seminary [New York: Mrs. Russell Sage, 1898]. Johnson’s bond with the Moores was obviously strong, evidenced by the fact that she left them $25,000.00 in her will, which was published in the San Francisco Call on December 10, 1893.) That Moore would be receptive to making the arduous voyage across the Pacific is understandable in view of his penchant for foreign motifs. Having opened its doors to trade with the West in 1854, and in the wake of Japan’s presence at the Philadelphia Centennial Exposition of 1876, American artists were becoming increasingly fascinated by what one commentator referred to as that “ideal dreamland of the poet” (L. K., “A Popular Paris Artist”). Moore, who was in Japan during 1880–81, became one of the first American artists to travel to the “land of the rising sun,” preceded only by the illustrator, William Heime, who went there in 1851 in conjunction with the Japanese expedition of Commodore Matthew C. Perry; Edward Kern, a topographical artist and explorer who mapped the Japanese coast in 1855; and the Boston landscapist, Winckleworth Allan Gay, a resident of Japan from 1877 to 1880. More specifically, as William H. Gerdts has pointed out, Moore was the “first American painter to seriously address the appearance and mores of the Japanese people” (William H. Gerdts, American Artists in Japan, 1859–1925, exhib. cat. [New York: Hollis Taggart Galleries, 1996], p. 5). During his sojourn in Japan, Moore spent time in Tokyo, Yokohama, Kyoto, Nikko, and Osaka, carefully observing the local citizenry, their manners and mode of dress, and the country’s distinctive architecture. Working on easily portable panels, he created about sixty scenes of daily life, among them this sparkling portrayal of a young woman dressed in a traditional kimono and carrying a baby on her back, a paper parasol...

Flow - Expressionist Composition in Wax and Acrylic on Wood Panel Bold abstract composition from the studio of David Francis by unknown artist "Margo" (20th Century). Bright colors ...

Vivid emerald green, vibrant orange, and violet blue tones are created in Joanne Ungar's unique poured wax process, to create this multi-panel wall installation. 37"x54"x 1" pigmented wax, board, photograph, installed on welded metal backing brace (included) signed on reverse by artist, and COA. This wall piece is composed of 24 cast wax panels. The abstracted image imbedded in the work is a photograph of the packing for Botox treatments. Vivid emerald green, vibrant orange, and violet blue tones are created in Joanne Ungar's unique poured wax process. This large scale wax painting is a beautiful statement piece that is signed on reverse by the artist. In addition to the cosmetic applications of Botox, it is also used as a pain relief medication for migraine sufferers. The geometric abstract composition is created through the imagery of the folds from the boxed packaging. The grid is created and installed on a heavy duty welded metal back brace...

Marisa Mallol was born in Alcoy, Alicante, Spain in 1942. At the age of thirteen, Mallol began her first studies of painting at La Escuela de Artes y Oficios in Alcoy. After completi...

Robertson K. Mygatt (American, 1862-1919) Green Field and Barn Oil on panel, 6 1/8 x 9 7/8 inches Framed: 10 x 15 inches The landscape painter and etcher Robertson K. Mygatt was born in New York City and studied at the Art Students’ League with John Twachtman...

acrylic on panel Acrylic on 2 wood panels. 30 x 40 each. Horizontal or Vertical installation possible. Luminous green cross hatched painting on wood panel. This piece has a sculpt...

Gough’s interest in the elusive quality of memory has always been an invariable interest in his art practice. Rooted in memories of his upbringing in Newfoundland, Gough’s scenic lan...

Autumn in Tuscany Italian artist Florence Realism Italian Landscape Oil Framed is an oil painting done in the style of Realism in the artist studio in Florence, Italy. It has a cu...

This contemporary figurative oil painting explores themes of politics and culture. Deborah Root’s dynamic colourful compositions tell an intimate story about her experience during s...

Pine Trees in the Summer 16" x 12" is an oil painting done in the style of Realism in the artist studio in Florence, Italy. It has a custom frame made in Florence by a master framer....

This piece titled "Home Plate 14" is an original artwork made from oil paint and acrylic on panel by Lauren Rinaldi. This piece is freestanding and measures approx. 7.25"h x 2.5"w x ...

"Dancing Water 14" is a captivating original lake water painting by the esteemed Irina Cumberland. This artwork, a stunning representation of contemporary realism, invites viewers to...

Brian Keith Stephens' "Butterfly Kisses for You #3" (2018) is an evocative wildlife portrait, skillfully executed in oil on linen mounted to wood. With dimensions of 11 inches high b...

"Entrance to a Portal in Green" original abstract oil painting by Jocelyn Auld (b. 1999.) Evocative oil painting depicting a figure standing in front of a bright and glowing light s...

Ryōan-ji is the Japanese Zen temple in Kyoto, a monastery that gave rise to the idea of ​​the purely abstract Zen garden that inspired this series Francisco Larios’ works are done by...

Victor Abeloos 1881 – Brussels – 1965 Belgian Painter 'Girl at the Mirror' Signature: signed lower left and dated 1920 'V. Abeloos. 1920' Medium: oil on panel Dimensions: ima...

Contemporary Impressionist Encaustic Landscape Painting "Spring Snow", made by Regina Quinn in 2023 Encaustic, oil with wax, and India Ink on panel 16 x 12 inches, 17.25 x 13.25 x 2...

Eddy Lee’s figurative surrealist portrait paintings on exposed wood depict emotive sirens who evoke a sense of mystery and seductiveness. His original artworks combine geometric elements with innocent women portraits seeking to trigger emotions, rather than communicating specific explanations. He reconciles the unconscious with rational life, exploring the power of dreams, embracing automatism, and freeing his subjects from the constraints of conscious thought. This colorful, intriguing portrait is painted with acrylic and gouache on a hand-built cradled wood panel. This one-of-a-kind original artwork is 48 inches high by 36 inches wide and is signed by the artist on the back. It is wired and ready to hang. It does not require framing. Free local Los Angeles delivery. Affordable Continental U.S. and worldwide shipping available. A certificate of authenticity issued by the art gallery is included with this unique work. Originally from Seattle, Washington, Eddy Lee relocated to Los Angeles in late 2012 to pursue a full-time career as a fine artist. He started his career on the Venice Beach Boardwalk and quickly gained a large following across the United States with exhibitions in San Francisco, Las Vegas, and Los Angeles. The artist’s work is inspired by the works of Audrey Kawasaki...

Rothman’s work employs many printmaking techniques, including silkscreen, stencils, resists, relief and intaglio, combined with painting in oil on panel utilizing her own handmade te...

"EXAMINATION" is an original piece by Shawn Theodore made from found/family photos, polaroid lift, acrylic on wood panel. Theodore delves into the specific experiences of African American families, capturing a longing for lost photographs, missing heirlooms, and vanished archives. Using a blend of traditional portraiture, found photographs, paint, paper, pencils, and digital manipulation, Theodore creates archetypes representing hypothetical family members, spiritual guardians, and ancestors. These boldly crafted archetypes inhabit an imagined macro-family album, offering a unique perspective on portraiture, connection, and community. Theodore's work aims to deepen spiritual connections and encourage personal introspection. This pieces measures 16.75"h x 16.75"w framed and comes with a gallery-issued Certificate of Authenticity. Shawn Theodore (b. 1970) was born in Germany to American parents from Philadelphia, and currently lives and works in Philadelphia. Theodore was awarded the prestigious PDN’s 30 New & Emerging Photographers to Watch (2019), the Getty Images / ARRAY ‘Where We Stand’ grant, and a grant from the Knight Foundation for ‘A Dream Deferred’. Theodore was a two-time nominee for the Pew Center for Arts & Heritage Fellowship and a nominee for the Magnum Foundation Fund. He is an Associate Adjunct Professor at the University of the Arts, a trustee of The Print Center, a trustee of the Rush Philanthropic Arts Foundation, and a former trustee of the Philadelphia Photo Arts Center. Theodore was announced as a two-time nominee of The Pew Center for Arts & Heritage Fellowship and a nominee of the Magnum Foundation Fund in 2018. In the following years 2019 and 2020, he was awarded the PDN's 30 New & Emerging Photographers to Watch and AI-AP American Photography 35. He has had several solo exhibitions and is included in several group exhibitions. His work is held in the permanent collections of the Philadelphia Museum of Art, Philadelphia; the collection of the Philadelphia Library, Drexel University's Center for Black Culture, the Mennello Museum of American Art, Orlando; the Whitney Museum of American Art, New York; the Museum of Contemporary Art, Chicago; the Walker Center, Minneapolis; the National Museum of African American History and Culture, Washington D.C.; the Dallas Museum of Art, Dallas; and the Legacy Museum, Montgomery, among others. Artist photo...

In this luminous canal scene, painted during his stay in Venice in the early 1880s, Wilhelm von Gegerfelt captures the vivid atmosphere and dazzling light of the city with remarkable...

Shana Wilson (Canadian, born 1966) "Seated Young Man" 2014 Oil Paint, Wood Panel, Wire The artist signed the back of the painting. Shana Wilson, born in Edmonton in 1966, has carved...

'Figure no. 10, 2020' by John Goodman. The artwork is 8 x 5 inches. Artist signed, dated in ink verso. Condition is excellent, as new. Goodman’s signature restrained palette and i...

Suzanne Kiggins is a self-taught artist who works primarily with acrylic and gouache on paper, wood panel, and canvas. She takes inspiration from every...

Shana Wilson (Canadian, born 1966) "Evening Wash" 2012 Oil Paint, Wood Panel The artist signed the back of the painting. Shana Wilson, born in Edmonton in 1966, has carved a distinc...

With the medium of traditional oil paint, this charming piece by Chaval is exceptionally detailed and thought-provoking. Following a realist approach, yet depicting some playful impe...

Collaboration between artists Elsa Marie Keefe & John Mazlish. Shot during the height of the pandemic in June 2020. At that time more than ever, natur...

Giuseppe Costa (Italian, 1852-1912) Untitled, c. late 19th-early 20th century Oil on wood panel 12 x 7 in. Framed: 16 1/2 x 11 2/3 x 1 in. Signed lower right Giuseppe Costa was an I...

Marinas 17, is a unique oil on wood painting by Spanish contemporary artist Calo Carratalá, dimensions are 22 × 35 cm (8.7 × 13.8 in). The artwork is signed, sold unframed and comes ...

Calvin Lai's (US based) "Approaching Equilibrium" is an original, handmade oil painting that depicts a nude female figure, standing, with her face in profile and dappled in light. ...

Lindsey Kustusch's "The Monarch on Shades of Olive & Stone" is an original handmade oil on wood panel artwork, measuring 12 x 12 x 1.50 inches. This 2023 piece is a primary market it...

Khmer temple, sketch on panel, early 20th century. Panel: 33 x 23.5 cm Frame: 37.5 x 30 cm

Crevice is a unique sculpture by contemporary artist Sharon Brill. This sculpture is made of porcelain, wall putty and paint on wooden frame, dimensions are 40 × 40 × 12 cm (15.7 × 1...

Rather than re-creating a literal landscape on canvas or paper, I aim to express its essence in a rich and complex form of delicately painted organic subjects that float and trail ac...

Dutch School, Fishing Scene, Oil on Wood Panel, 19th century, inscribed to verso, giltwood frame. Image: 5.5" H x 19.75" W; frame: 9" H x 13" W.

Los Angeles artist Marc Raphael captivates by his abstract expressionism paintings influenced by New York's abstract expressionist movement. After encountering Jackson Pollock’s work...

Crevice 2 is a unique sculpture by contemporary artist Sharon Brill. This sculpture is made of clay, wall putty, textured paint, wooden frame, dimensions are 45 × 45 × 10 cm (17.7 × ...

Will Beger and his contemporary-minimalist paintings, take on an entirely unique approach to southwest art. Influenced by his youth and inspired by nature, he effortlessly captures a...