Art by Medium: Woodcut

This artwork titled "Open Gate" c.1925 is an original color woodcut by renown Australian/British artist John Hall Thorpe, 1874-1947 It is hand signed ...

Logan, Herschel C. (American, 1901-1987) MORNING SUNLIGHT. woodcut, not dated. Initialed in the block and titled and signed in pencil. 5 1/2 x 7 5/8 inches, (image) 7 1/4 x 8 3/4 inc...

Tim Engelland (American, 1950-2012) Snowy Night - Hitchcock, 1993 Woodcut 8 1/2 x 9 in. Titled, numbered, signed, and dated bottom: A/Proof, "Snowy Nigh...

Pan with Flutes - Original Bay Area Woodblock Print Bold and dynamic print of the mythological figure Pan playing double flutes by John S. Cheatham (American.) Pan stands...

"Farewell" is an original color woodcut by Carol Summers. The artist signed the piece. This woodcut depicts a river flowing through green hills beneath a blood-red sky. The edition number is 20/50. 24 1/4" x 37" art 32" x 45" frame Carol Summers has worked as an artist throughout the second half of the 20th century and into the first years of the next, outliving most of his mid-century modernist peers. Initially trained as a painter, Summers was drawn to color woodcuts around 1950 and it became his specialty thereafter. Over the years he has developed a process and style that is both innovative and readily recognizable. His art is known for it’s large scale, saturated fields of bold color, semi-abstract treatment of landscapes from around the world and a luminescent quality achieved through a printmaking process he invented. In a career that has extended over half a century, Summers has hand-pulled approximately 245 woodcuts in editions that have typically run from 25 to 100 in number. His talent was both inherited and learned. Born in 1925 in Kingston, a small town in upstate New York, Summers was raised in nearby Woodstock with his older sister, Mary. His parents were both artists who had met in art school in St. Louis. During the Great Depression, when Carol was growing up, his father supported the family as a medical illustrator until he could return to painting. His mother was a watercolorist and also quite knowledgeable about the different kinds of papers used for various kinds of painting. Many years later, Summers would paint or print on thinly textured paper originally collected by his mother. From 1948 to 1951, Carol Summers trained in the classical fine and studio arts at Bard College and at the Art Students League of New York. He studied painting with Steven Hirsh and printmaking with Louis Schanker. He admired the shapes and colors favored by early modernists Paul Klee (Sw: 1879-1940) and Matt Phillips (Am: b.1927- ). After graduating, Summers quit working as a part-time carpenter and cabinetmaker (which had supported his schooling and living expenses) to focus fulltime on art. That same year, an early abstract, Bridge No. 1 was selected for a Purchase Prize in a competition sponsored by the Brooklyn Museum. In 1952, his work (Cathedral, Construction and Icarus) was shown the first time at the Museum of Modern Art in New York City in an exhibition of American woodcuts. In 1954, Summers received a grant from the Italian government to study for a year in Italy. Woodcuts completed soon after his arrival there were almost all editions of only 8 to 25 prints, small in size, architectural in content and black and white in color. The most well-known are Siennese Landscape and Little Landscape, which depicted the area near where he resided. Summers extended this trip three more years, a decision which would have significant impact on choices of subject matter and color in the coming decade. After returning from Europe, Summers’ images continued to feature historical landmarks and events from Italy as well as from France, Spain and Greece. However, as evidenced in Aetna’s Dream, Worldwind and Arch of...

An original woodcut print by the listed Italian-Argentinian artist Victor Luciano Rebuffo (1903-1983). Entitled 'Fuego En La Ribera' Fire on the Riverbank. Initialled within the prin...

This square woodcut print on paper is composed of an abstract pattern of clustered silver blue shapes over a navy blue background that complements that subtle metallic sheen of the s...

Signed, lower right, with artist's chop mark in Hiragana, 'Tensen-e' 天泉絵, for Ogyū Tensen 荻生天泉 (Japanese, 1882-1947) A large, early-20th-century, hand-colored Japanese woodblock sho...

This square woodcut print on paper is composed of an abstract pattern of clustered dark navy blue shapes over a silver background with a subtle metallic sheen. The monotype brings to...

The Reproaches of Virgil is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighieri. Not signed, as issued. Plate n...

Yes, o Beautiful Dione  is a woodcut print on Arches Paper realized in 1978 to illustrated "L'Art d'Aimer" (The Art of Love) by Ovid. Hand signed and numbered in pencil. Dali's Drys...

Jose Luis Cuevas (Mexico, 1934-2017) 'Suite Sobre la vida V', 2005 woodcut on paper Rives BFK 300 g. 22.1 x 30 in. (56 x 76 cm.) Edition of 50 Unframed

AFTER - WINSLOW HOMER (1836-1910) THANKSGIVING IN THE ARMY - After Dinner: the Wishbone, 1864 Original wood engraving as published by Harpers Weekly December 3, 1864, after a drawing by Winslow Homer. Image 9 3/4" x 14, Sheet 10 3.\/4 x 15 3/4" . Generally good condition, a small stain in the upper right margin. Homer contributed drawings to Harper's Weekly from 1857 to 1875. They were converted to wood engravings by Harper's craftsman and published in Harper's Weekly. Although after his original drawings, they are now accepted as an important part of his body of work by museums and collectors. They were very large editions. As such, they occur often in the marketplace. Harper's published during the Civil War years as this was, were widely read and kept as people followed the war first hand and its aftermath over the years continuing today as both Homer and Civil War collectables

The Tyrants from the Series "The Divine Comedy" - Song 12 Hell is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighi...

Hatsune Riding Grounds, Bakuro-cho is a modern artwork realized in the mid-20th century after Utagawa Hiroshige. Mixed colored lithograph after a woodcut realized by Utagawa Hiroshi...

Lu Fang, Chinese (1932 - ) - Music in Morning, Year: 1983, Medium: Woodcut and water-soluble ink and Chine colle, signed, titled and dated in pencil, Image Size: 15 x 21 inches, S...

"Sergio Hernández (Mexico, 1957) 'La Mantis', 2015 woodcut on paper Velin Arches 300 g. 41 x 53.6 in. (104 x 136 cm.) Edition of 70 ID: HER-190"

Luis Miguel Valdes (Cuban, 1949). 'Albys en la ENA', 2020. Woodcut. Limited edition of 10. Overall size: 89.5 x 134.5 cm. (35-1/4 x 53 in.). Surface: Heavy-weight paper Hand-signed,...

Woodcut print realized by Escher for the series "Emblemata", and published in 1931. On Hollande van Gelder paper. Edition of 300. Unsigned, as issued. Excellent condition, matted....

Jose Luis Cuevas (Mexico, 1934-2017) 'Suite Sobre la vida VIII', 2005 woodcut on paper Rives BFK 300 g. 22.1 x 30 in. (56 x 76 cm.) Edition of 50 Unframed

The One and the Many is an Artwork realized by Mino Maccari  (1924-1989) in 1943. Colored woodcut on paper. Hand-signed on the lower, numbered 4/89 specimens and titled on the left ...

Fernando Aceves Humana (Mexico, 1969) 'Se volvió a salir el perro' (The dog came out again), 2007 woodcut on paper 17.6 x 23.1 in. (44.5 x 58.5 cm.) Edition of 10 ID: ACE-103 Unframed

The specific information regarding edition will be provided at the time of sale. Please contact the seller for more details. Roy Lichtenstein grounded his profoundly inventive caree...

Jose Luis Cuevas (Mexico, 1934-2017) 'Suite Sobre la vida III', 2005 woodcut on paper Rives BFK 300 g. 22.1 x 30 in. (56 x 76 cm.) Edition of 50 Unframed

Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...

Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...

Joan MIRO Seduction Original woodcut print Unsigned On heavy Arches vellum 38 x 56 cm (c. 15 x 22 inch) REFERENCE : Catalog raisonne Miro engraver, Dupin / Cramer #255 Woodcut crea...

A Buffalo, New York native, Kevin O'Callahan studied at the Carnegie Institute and worked on the WPA. He is known for his Arts and Crafts period woodcuts and his later industrial sce...

La Gloire is an Artwork realized by Mino Maccari  (1924-1989) in the Mid-20th Century. B./W. Woodcut on paper. Hand-signed on the lower, numbered 1/89 specimens and titled on the le...

This exquisite woodcut by Pietro Consagra (1920–2005), titled Sans titre (Untitled), from the album XXe Siecle, Nouvelle serie, XXIe Annee, N°13, Noel 1959, originates from the 1959 ...

Paper Size: 20 x 25.5 inches ( 50.8 x 64.77 cm ) Image Size: 12.5 x 21.5 inches ( 31.75 x 54.61 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional Det...

The Fraudulent  - Hell  is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighieri. Good conditions. Limited edition...

Zodiac Signs - Scorpio is original Black and white woodcut print, realized by Italian artist Piero C. Antinori. Excellent condition. Written on the lower left; Original woodcut by ...

Luis Miguel Valdes (Cuba, 1949) 'Vecindario I' (Neighborhood I), 2020 woodcut and watercolor on paper 44.5 x 80.4 in. (113 x 204 cm.) Edition of 10 ID: VAL-599 Unframed Luis Miguel ...

Wonderful etching, originally page 365 in a book De L'amerique by Alain Manesson Mallet, circa 1683, depicts the artist's concept of the appearance and activities of the native occupants of America in graphic detail. Unsigned. Displayed in a black and giltwood frame. Image, 6.5"H x 4.5"L. 1683 Manesson Mallet "Bresiliens" Amerindians, Indigenous Native Brazilians, Brazil, South America, Antique Print...

The 1975 first American edition published by Leon Amiel in New York from the XXieme Siècle Review is a meticulously crafted volume that showcases a wide range of modern and contempor...

This black and white wood cut print is part of my private collection. It is artist signed and approved and a limited edition.

This artwork titled "Jonah on the Way" 1975, is an original colors wood block print on thin paper by noted Austrian artist Bernd Kroeber, b.1942. It is hans signed, titled, dated and...

An evocative late 19th century Japanese woodblock by the master artist Toyohara Kunichika (1835-1900), depicting a Kabuki actor in the dramatic role of a fierce samurai. The composit...

Wakana (Gengjie) is an original modern artwork realized by Utagawa Kunisada in 1850s. Woodcut print Oban yokoe format From the series "Sono sugata yukari no utsushie" (Faithful im...

An original woodcut print by the listed Italian-Argentinian artist Victor Luciano Rebuffo (1903-1983). Entitled 'Fotografo De La Ribera' Photographer of the Ribera. Pencil signed, ti...

BERNARD LORJOU – "PIROUETTE AU GALOP" ⚜ Woodcut ⚜ Hand Signed Lower Left ⚜ Numbered H.C. from the Edition of 80 ⚜ Conservation Frame ENERGY AND DRAMA FROM “LE CIRQUE” Created in 197...

Woodcut print realized by Escher for the series "Emblemata", and published in 1931. On Hollande van Gelder paper. Edition of 300. Unsigned, as issued. Excellent condition, matted....

This artwork titled " Etoile de Mer Rouge (Red Star Fish)" From the suite "Si je Mourais la Bas" is a rare original color woodcut on L.B hand made paper ...

Hairy Woodpecker is a modern artwork realized in 1870 by the British artist Alexander Francis Lydon (1836-1917). Woodcut print on ivory-colored paper. Hand-colored, published by Lo...

Osakae is an original artwork realized in the 1857 by Ichiyôsai Yoshitaki. Woodcut print Chuban. The actor Nakamura Kanjaku I as Dote no Oroku, scene in the first act third scene o...

Luke Gilliam has a highly unusual woodcut technique. Here it is used to contain a fruit plate in an impressionistically-inspired environment made up of earth tones. It's a fascinatin...

Woodcut print realized by Lucien Pissarro to illustrate Gerard de Nerva's Hitoire de la Reine du Matin et des Soliman Princes des Genies. Hand signed Edition of 50 copies (41/50)

Frans Masereel - Exposition is an artwork realized in 1967. Woodcut. Signed on plate. Good condition.

Landscape is an original modern artwork realized by the Italian artist Mino Maccari (Siena, 1898 - Rome, 1989). Original woodcut on Ivory paper. Excellent conditions. Cat. Electa....

Tim Engelland (American, 1950-2012) Untitled, 1989 Woodcut 11 x 8 1/2 in. Signed and dated lower right Numbered lower left 29/250 A lifelong artist, Engelland specialized in oil po...

Kabukie is an original modern artwork realized by Utagawa Kuniyoshi (1798 – 1861) in the half of the 19th Century. Original woodcut from the series...

A piece from a fantasy series about fairy characters :: Hand Printed Work :: Romanticism :: This piece comes with an official certificate of authenticity signed by the artist :: Read...

Goosander is a modern artwork realized in 1870 by the British artist Alexander Francis Lydon (1836-1917) . Woodcut print, hand colored, published by London, Bell & Sons, 1870. Nam...

Clinton Hill (1922-2003), lived in SoHo, New York, and was a frequent Gallery visitor. Born in Idaho and raised on a working ranch, he joined the US Navy during World War II and beca...

Marc Chagall (1887-1985) - Bouquet and Bird (trial proof) Woodcut print from 1960. Trial proof - unique work. Dimensions of sheet: 45 x 32 cm Dimensions in frame: 73.2 x 53.3 cm ...

Luis Camnitzer and Martin Buber (1878-1965), New York: JMB Publishers Ltd, 1970. Printed at The New York Graphic Workshop. Hand signed on Arches paper. (Edition 24/100, numbered on...

Artist: Kiyoshi Saito (Japanese, 1907-1997) Title: Children II Year: Circa 1960 Medium: Color woodcut Edition: Unknown Paper: Japan Image (block mark) size: 9.85 x 5.35 inc...

The Traitor of Montaperti from the Series "The Divine Comedy" - Hell tav. 32 is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" ...

Detlef Willand Dance Woodcut Year: Circa 1980s Size: 15.9 × 13.8 on 25.3 × 21.8 in Titled "Tanz" in the print COA provided Ref.: 924802-2047 Tags: Earth Tone, Dark, Gestural, Moveme...