Vertical Mixed Media

At Escat Gallery, we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of A...

Edition version – 11 colour spray paint and stencils with paint marker hand drawn doodles on canvas Surface – canvas Edition size – edition of 6 Size – 7.75" x 19.75" (x 0.6" deep) ...

Untitled #535 by Murray Duncan – Contemporary Mixed Media on Paper Size: 32" x 40" Unframed, signed on the back A striking exploration of form and movement, Untitled #527 by Murray ...

Kim Frohsin, Third generation Bay Area Figurative artist began exhibiting in the San Francisco Bay Area in the early 1990s, and in 1993 was included with Nathan Olivera, Manuel Neri and Stephen De Staebler in an exhibit of 'Four Figures from the Bay...

Kim Frohsin, Third generation Bay Area Figurative artist began exhibiting in the San Francisco Bay Area in the early 1990s, and in 1993 was included with Nathan Olivera, Manuel Neri...

Kim Frohsin, Third generation Bay Area Figurative artist began exhibiting in the San Francisco Bay Area in the early 1990s, and in 1993 was...

This powerful mid-century mosaic panel presents a Navajo-style Thunderbird figure rendered in richly textured mixed media, combining ceramic tile, colored glass, and sand. The compos...

Gary Komarin Big Pink, Roma, 2020 Signed on overlap Mixed media on canvas 201 x 184 cm 79.13 x 72.44 inches Eschewing traditional materials in favor of tarps and drop cloths, spackl...

​Impressions of past lives, perceptions of future lives. The Records series carries that mystery. Simple and profound since its deed does not happen on the surface. Although it manif...

"This is not a Magritte I" is an original mixed media artwork by Volker Kuhn. The work is hand-signed by the artist below the artwork on the mat. It is a witty reference to a paintin...

Gary Komarin Big Pink, Luxor, 2020 Signed dated and titled on the overlap Mixed Media on canvas 203.2 x 167.7 cm 80 x 66 inches Eschewing traditional materials in favor of tarps and...

This painting is a rhythmic and energetic abstract composition that combines bold color, dynamic form, and the physical layering of materials. The artist employs sweeping shapes and ...

At Escat Gallery, we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of A...

"Open Surgery," 2013. Found materials collage. Figurative, abstract, pattern, candle, anatomy, yellow, tan, green, red, purple, black, blue, and white. ...

Artist Comments
Artist Gail Ragains captures a model mid-pose, depicting her figure with a blend of collage papers, acrylic glazes, and oil pastels. The vibrant color combina...

Champollion is a conceptual portrait by Natasha Lelenco, created as part of the limited edition series The Important Bigwigs. This work is number 15 of only 20 hand-finished pieces m...

Impasto-painted strokes of bright colors are the framework of artist Shiri Phillips’ abstract artworks. Her paintings are flooded with texture through the layering of acrylic paint i...

Artist Comments
Diagonal segments split a triangle into four parts. Solid black and orange fill the lower two sections, contrasting with the white spaces above. The minimalistic piece captures artist John Diehl's blend of geometric precision and freehand artistry, marked by simplicity and structural elegance. His focus on equilateral shapes and clean lines creates bold yet understated compositions. The artwork is part of his Flamingo Project, where he explored nomadic art-making by creating and exhibiting art in remote desert locations rather than traditional galleries. John started the series in early 2024 from Palm Springs and culminated in Wonder Valley.The artwork measures 12 by 9 inches, matted and framed to 14 by 11 inches, with a 6 3/4-inch by 5 11/16-inch mat opening and the signature placed beneath the mat.

About the Artist
Artist John Diehl creates large minimalist paintings...

The goat plays a strange role in mythology and legend; perhaps its ambivalence, appearing on both sides of the spectrum, give it the appeal it enjoys. Most ancient cultures from the Assyrians via the ancient Greeks and Vikings have a goat appear in their legends. Berlin’s goat skulls...

Never-Ending Spiral is a mixed media print realized by Jannis Kounellis.  Limited edition of 260. Hand signed and numbered. This artwork is from the portfolio The Unique Collectio...

Suzanne Benton has been a working artist in a wide range of media for more than 60 years, with more than 150 solo exhibitions, 110 group shows, and two retrospectives of her multi-fa...

As a printmaker, using traditional etching and aquatint techniques has allowed me to explore the ideas of nature, wildness, wilderness and the human attempt at wildlife management. I...

Based in Chicago, IL, contemporary artist Michael Thompson creates unique kites, collages and mixed media works assembled from material fragments of past and present collected in his...

Artist Comments
Circus Act is a mixed media painting on canvas. Various collaged papers were adhered to the canvas to create shape and form. Paint was applied layer after lay...

ABOUT THIS PIECE: 14.9" W x 18.8" H Original collage on paper UNFRAMED ABOUT THIS ARTIST: Anthony Zinonos is a British collage artist and illustrator based in the city of Orange, Ca...

John Baker’s “Imaginary Portrait of Empress Maria Theresa”, Eighteenth Century Empress of Austria, is an acrylic painting on canvas with collage 40 ...

A silkscreen mixed-media work that exhibits the word "Forefathers" in Hebrew across the bottom of the piece.

In her work, Rosario Briones uses the path of her body that becomes shapes, and the shapes, an indication of the artistic process, of the material choreography directed by the emotio...

Ricky Hunt’s mixed media minimalist wall art is influenced by his tumultuous past that led to a paradigm shift in creativity and life. He covers the wood panel with layers of acrylic...

Kim Frohsin, Third generation Bay Area Figurative artist began exhibiting in the San Francisco Bay Area in the early 1990s, and in 1993 was included with Nathan Olivera, Manuel Neri and Stephen De...

This large vertical painting measures 60 inches high and 48 inches wide. The sides are a continuation of the dyed linen. This artwork is stretched and ready to hang. Philip Letsu is a Ghanaian artist currently living and working in Ho, Ghana. Komla’s practice is driven by the significant need to document urban lifestyles and culture. Focusing on the power memories and imagination in relation to representation and identity formation, Philip creates paintings that confronts issues surrounding representation with the intention to document that which is neglected. In his words, Letsu expresses, “My greatest inspiration is the innermost satisfaction derived after a quiet time, when I take some time off to explore positive energies found within to make paintings that feed the visual need and breed the admiration from people." Philip Letsu studied in the prestigious Ghanatta College of Arts and design in Ghana in 2016 - the same school that has produced many significant artists like Amoako Boafo...

Part of the Mångata series, "Candy Apple Red" is an intimate, minimalist painting meticulously handcrafted on wood using diverse, layered techniques. This artwork combines the raw ma...

Jordi Prat Pons (Spanish, 1965) Mixed media painting on canvas. Torn paper collage A group of liquor bottles or a bar scene Hand signed lower left Provenance: Commenoz Gallery, Flo...

Screen print with stencil, acrylic and spray paint on wove paper. Hand signed on front; signed and dated on verso with studio catalog number and thumbprint. Artwork size: 30 x 22 ...

Untitled #501 by Murray Duncan, 2024 Mix media on paper Unframed Size: 32" x 40" Murray Duncan Studio: Murray Duncan, born in 1966, is a self-taught creative visionary celebrated f...

Artist Comments
Artist Guigen Zha paints two red peonies looking at each other in a white vase. The lively flowers bloom one after another in a rea...

Adrian HEATH (1920-1992) Untitled Composition Mixed media Signed and dated '64 Image 11.25" x 9"

Laser cut plywood with oil and acrylic on canvas

This vibrant textile collage is composed of layered sheer fabrics in a luminous palette of jewel tones and saturated brights. Carefully both hand-stitched and machine-stitched, the w...

At Escat Gallery, we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of A...

Nanotechnology Material, Lead, Galvanized Pipe and Caps on Aluminum Exhibited at the International Art Fair, Zona Maco 2019 in Mexico City. Exhibited at Mana Contemporary at Jersey ...

Imani Bilal is a contemporary abstract painter and poet based in Jersey City, New Jersey. Her work is deeply inspired by the many states of the human condition and is rooted in her s...

Artist Comments
Artist Roman Antopolsky creates a contrasting abstract between three solid colors. Structures of red, blue, and brown take for...

Miriam Schapiro, "Curtain Call" 2002 Hand signed, dated and titled verso and signed and dated recto. acrylic paint, digital images, glitter and textile fabric on canvas, tooling with gold leaf embossing around self edge of painting. size: 60 x 50 in Miriam Schapiro (or Mimi Schapiro) (November 15, 1923 – June 20, 2015) was a Canadian-born artist based in America. She was a painter, sculptor and printmaker. She was a pioneer of feminist art. She was also considered a leader of the Pattern and Decoration art movement. Schapiro's artwork blurs the line between fine art and craft. Her paintings contain craft elements because crafts and decoration is associated with women and femininity. She used icons that are associated with women such as hearts, floral decorations, geometric patterns and the color pink. In the 1970s she made a small woman's object, the fan, heroic by painting it six feet by twelve feet. This bears the influence of the Pattern and Decoration movement artists such as Brad Davis, Mary Grigoriadis, Joyce Kozloff, Robert Kushner, Kim MacConnel, Sonya Rapoport, Miriam Schapiro and Valerie Jaudon. Shapiro was born in Toronto, Ontario, Canada. Her father was an industrial design artist who fostered her desire to be an artist and served as her role model and mentor. Her mother was a stay at home mother who worked part-time during the depression. As a teenager, Schapiro was taught by Victor d’Amico, her first modernist teacher at the Museum of Modern Art. In the evenings she joined WPA classes for adults to study drawing from the nude model. In 1943, Schapiro entered Hunter College in New York City, but eventually transferred to the University of Iowa. At the University of Iowa, Schapiro studied painting with Stuart Edie and James Lechay. She studied printmaking under Mauricio Lasansky and was his personal assistant, which then led her to help form the Iowa Print Group. Lasanky taught his students to use several different printing techniques in their work and to study the masters' work in order to find solutions to technical problems. At the State University of Iowa she met the artist Paul Brach, whom she married in 1946.. By 1951 they moved to New York City and befriended many of the Abstract expressionist artists of the New York School, including Joan Mitchell, Larry Rivers, Knox Martin and Michael Goldberg. Schapiro worked in the style of Abstract expressionism during this time period. Shapiro and Brach lived in New York City during the 1950s and 1960s. During this period Shapiro had a successful career as an abstract expressionist painter in the hard-edge style. In December 1957, André Emmerich selected one of her paintings for the opening of his gallery. Schapiro not only honored the craft tradition in women's art, but also paid homage to women artists of the past. In the early 1970s she made paintings and collages which included photo reproductions of Mary Cassatt's and Georgia O'keefe's paintings. Early in her career, Schapiro started looking for maternal symbols to unify her own roles as a woman. Her series, Shrines (1963), was her first artistically successful attempt at compartmentalizing her life roles. Her painting, Big Ox No. 1, from 1968, references Shrines, however no longer compartmentalized. The center O takes on the symbol of the egg which exists as the window into the maternal structure with outstretched limbs. Her series, Shrines was created in 1961–63. It is one of her earliest group of work that was also an autobiography. Each section of the work show an aspect of being a woman artist. They are also symbolic of her body and soul. In 1964 Schapiro and her husband Paul both worked at the Tamarind Lithography Workshop. One of Schapiro's biggest turning points in her art career was working at the workshop and experimenting with Josef Albers' Color-Aid paper, where she began making several new shrines and created her first collages. In the 1970s, Schapiro and Brach moved to California so that both could teach in the art department at the University of California. Subsequently, she was able to establish the Feminist Art Program at the California Institute of the Arts, in Valencia with Judy Chicago. The program set out to address the problems in the arts from an institutional position. They wanted the creation of art to be less of a private, introspective adventure and more of a public process through consciousness raising sessions, personal confessions and technical training. She participated in the Womanhouse exhibition in 1972. Schapiro's smaller piece within Womanhouse, called "Dollhouse", was constructed using various scrap pieces to create all the furniture and accessories in the house. Each room signified a particular role a woman plays in society and depicted the conflicts between them. Along with Nancy Spero, Joan Snyder, Joyce Kozloff, Audrey Flack and Judy Chicago, she is from that first generation of Jewish American feminist women artists and includes Judaica in her work. Schapiro's work from the 1970s onwards consists primarily of collages assembled from fabrics, which she called "femmages". As Schapiro traveled the United States giving lectures, she would ask the women she met for a souvenir. These souvenirs would be used in her collage like paintings. Her 1977-1978 essay Waste Not Want Not: An Inquiry into What Women Saved and Assembled - FEMMAGE (written with Melissa Meyer) describes femmage as the activities of collage, assemblage, découpage and photomontage practised by women using "traditional women's techniques - sewing, piercing, hooking, cutting, appliquéing, cooking and the like..." She was involved in Abstract expressionism, Minimalism, Computer art, and Feminist art. She worked with collage, printmaking, painting, femmage [fr] – using women's craft in her artwork, and sculpture. Schapiro not only honored the craft tradition in women's art, but also paid homage to women artists of the past. In the early 1970s she made paintings and collages which included photo reproductions of past artists such as Mary Cassatt. In the mid 1980s she painted portraits of Frida Kahlo on top of her old self-portrait paintings. In the 1990s Schapiro began to include women of the Russian Avant Garde in her work. The Russian Avant Garde was an important moment in Modern Art history for Schapiro to reflect on because women were seen as equals. Schapiro also did collaborative art projects, like her series of etchings Anonymous was a Woman from 1977. She was able to produce the series with a group of nine women studio-art graduates from the University of Oregon. Each print is an impression made from an untransformed doily that was placed in soft ground on a zinc plate, then etched and printed. Her image is included in the iconic 1972 poster Some Living American Women Artists by Mary Beth Edelson...

"Window IV" captures the sun peering in behind sheer curtains. This painting is is part of an on-going series that explores the light and landscape in T...

A great tribute to Vermeer, this is an intricate hole punch paper mosaic/collage from Ibbitson. The work is the same size as the Vermeer original and by t...

Monica DeSalvo’s “Throwing Stones” is a diptych of two 4.25 x 6 inch collages on abstract acrylic monotypes. Green lettuce, tan and ivory eggs, and blurred fields of red, maroon, and...

Green Bikini #2 A figurative mixed media painting on canvas by artist Brad Fisher 72 × 60 × 1.5 in Shipping is not included. See our shipping policies. Please contact us for shipp...

Lithograph realized by Yannis Kounellis in occasion of the Olympic Games of Beijing, China, in 2008. Hand signed and numbered, perfect condition. This work is from the portfolio Th...

Artist Comments
Derived from a section of repurposed children’s art, the piece embodies memories of playful antics on the playground. It boasts a naive style of imagery, le...

Nude is an  artwork on white cardboard realized after Italian Artist Mario Sironi (1885-1961) in 1913. Phototype print. Signed on the low corner. Good conditions.  Printed on the...

Mintu Naiya - Jesus Christ - 9 x 7 inches ( unframed size ) Mixed Media on paper ** Shipped in roll form. About the Artist & his Art work : Born : November, 1976. Education : Gradu...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

Original Mixed Media Figurative Painting by Cuban Painter Hector Frank. International acclaim as one Cuba’s foremost living artists, Havana born Hector Frank. Now, in his artistic p...

"Surprise" (2018) is a charming mixed media work on canvas by Inés Silvalde, measuring 22.4 x 32.3 x 5 cm, and presented in a complementary wooden frame. Part of her Influencers de T...

Cotton sewn on paper

"Grindelwa" Small Collage by Michael Pauker Small abstract paper collage by Bay Area artist Michael Pauker (American, b. 1957). This piece is created from a few pieces of antique pa...

Los Angeles street artist Gary John exploded onto the international art scene during the Art Basel Miami art fair in 2013. John’s playfully bold work quickly gained attention and he ...

Mr. Brainwash "Chaolin" Unique 1/1 Mixed Media Original Hand-signed and numbereD 1/1 (One of a kind Silkscreen and Mixed media variation) Verso dated 2023 with thumbprint and hand dr...

Artist: Peter Max (1937) Title: Spring Year: 1982 Medium: Unique, mixed media with lithography and hand coloring on Arches paper Size: 6.25 x 5.25 inches Condition: Excellent Inscrip...