Framed Mixed Media

"Love is Gonna Getcha" is an original piece by Shawn Theodore made from found/family photos, polaroid lift, acrylic on wood panel. Theodore delves into the specific experiences of African American families, capturing a longing for lost photographs, missing heirlooms, and vanished archives. Using a blend of traditional portraiture, found photographs, paint, paper, pencils, and digital manipulation, Theodore creates archetypes representing hypothetical family members, spiritual guardians, and ancestors. These boldly crafted archetypes inhabit an imagined macro-family album, offering a unique perspective on portraiture, connection, and community. Theodore's work aims to deepen spiritual connections and encourage personal introspection. This pieces measures 12.5”h x 15.5”w, ships in the featured black frame, and comes with a gallery-issued Certificate of Authenticity. Shawn Theodore (b. 1970) was born in Germany to American parents from Philadelphia, and currently lives and works in Philadelphia. Theodore was awarded the prestigious PDN’s 30 New & Emerging Photographers to Watch (2019), the Getty Images / ARRAY ‘Where We Stand’ grant, and a grant from the Knight Foundation for ‘A Dream Deferred’. Theodore was a two-time nominee for the Pew Center for Arts & Heritage Fellowship and a nominee for the Magnum Foundation Fund. He is an Associate Adjunct Professor at the University of the Arts, a trustee of The Print Center, a trustee of the Rush Philanthropic Arts Foundation, and a former trustee of the Philadelphia Photo Arts Center. Theodore was announced as a two-time nominee of The Pew Center for Arts & Heritage Fellowship and a nominee of the Magnum Foundation Fund in 2018. In the following years 2019 and 2020, he was awarded the PDN's 30 New & Emerging Photographers to Watch and AI-AP American Photography 35. He has had several solo exhibitions and is included in several group exhibitions. His work is held in the permanent collections of the Philadelphia Museum of Art, Philadelphia; the collection of the Philadelphia Library, Drexel University's Center for Black Culture, the Mennello Museum of American Art, Orlando; the Whitney Museum of American Art, New York; the Museum of Contemporary Art, Chicago; the Walker Center, Minneapolis; the National Museum of African American History and Culture, Washington D.C.; the Dallas Museum of Art, Dallas; and the Legacy Museum, Montgomery, among others. Artist photo...

This mixed-media painting is complex and richly textured. As part of the Sages series, this painting features a Sage in the middle of the pictorial space. The rest of the space portr...

One of a kind Original mixed media art on heavy hand cut watercolor paper. Measures 12.5X16.5" comes in a 17X20X1.2" white shadow box frame. Signed dated and stamped on the fron...

Mary Abbott Untitled, circa 1953 Signed with initials lower right Oil and torn paper collage 17 x 14 1/2 inches Provenance: Thomas McCormick Gallery, Chicago Private Collection, New York (acquired directly from the above) Exhibited: Athens, Georgia, Georgia Museum of Art, Suitcase Paintings...

Signed Lower Left Frame: Antiqued, Black & Gilt presentation with 3 1/2"-wide Archival Mat. Condtion: Excellent original condition. 1/2-circle stain at top-center of image (above wr...

Barcelona native artist Raul de la Torre's vibrant abstract mixed media artworks pay homage to textiles. De La Torre allows the materials to take over during the process and collabor...

"Homage to Pollock" is an original mixed media artwork by Volker Kuhn. The work is hand-signed and numbered by the artist below the artwork on the mat. It is a witty reference formed...

Layers of nontraditional materials add texture to this contemporary abstract work in mixed media on paper by Eleanor White. Crushed opal and aquamarine in light blue with dry pigment...

*PLEASE NOTE UK BUYERS WILL ONLY PAY 5% VAT ON THIS PURCHASE. Composition by Sam Francis (1923-1994) Acrylic and paper collage on paper 57.2 x 81.3 cm (22 ¹/₂ x 32 inches) Stamped o...

Available at Madelyn Jordon Fine Art. 'Stonington Point' by Eugene Healy, 2024. Oil and mixed media on canvas, 48 x 60 in. / Frame: 48.5 x 60.5 in. This landscape painting features a...

5-3551a Mixed media abstract on paper under glass in black wood frame Image size 12x12" Signed Frank Rowland

Set of 2 From The Red Series Cotton wicks, watercolour pencil and acrylic on paper Overall size: Image size: 11.7 in H x 16.6 in W Frame size: 12.5 in H x 19 in W x 1.5 in D Individu...

"Sand Castle" is a framed mixed media work on canvas by Maura Segal, with abstract shapes and color blocking. The artist cuts hundreds of paper shapes and adheres them to the canvas ...

Blurring the distinction between figure and abstract settings, Swiss artist Edith Konrad’s spectral forms—human in shape—inhabit muted abstract environments punctuated by vivid burst...

"Boomerang" is a framed mixed media work on canvas by Maura Segal, with abstract shapes and color blocking. The artist cuts hundreds of paper shapes and adheres them to the canvas un...

Lesley Anne Spowart, an abstract artist hailing from Cape Cod, Massachusetts, is renowned for her transformative creations that blur the boundaries of mediums and styles. With a di...

Lesley Anne Spowart, an abstract artist hailing from Cape Cod, Massachusetts, is renowned for her transformative creations that blur the boundaries of mediums and styles. With a di...

XVII From The Red Series Cotton wicks, watercolour pencil and acrylic on paper Image size: 11.7 in H x 8.3 in W Frame size: 12.5 in H x 9.5 in W x 1.5 in D White wood frame Certifica...

Charcoal, ink and ink wash, and collage on paper, signed and dated (lower right), 70cm x 51cm (78cm x 59cm framed). The picture is floated within the frame, behind non-reflective UV glass. Renowned as Australia’s foremost surrealist painter and poet, James Gleeson...

Lesley Anne Spowart, an abstract artist hailing from Cape Cod, Massachusetts, is renowned for her transformative creations that blur the boundaries of mediums and styles. With a di...

"Mann mit Goldhelm" (1994) by Thomas Baumgaertel aka Der Bananensprayer 36 x 46 cm Mixed Technique Unique, dated and signed by the artist with “Bananasprayer” on the front and back ...

Belgian artist Greet Helsen masterfully layers acrylic paint with the effervescent transparency of watercolors in her large mixed-media abstract paintings. Reminiscent of abstract ex...

Homenaje al tapiz- original abstract mixed media painting. frame GRAU-GARRIGA, Josep (San Cugat del Valles, 1928 - Angers, 2011). Grau-Garriga was a Catalan artist, muralist and o...

Mixed Media on papier. Signed lover right: ZAZA. Framed. Measurements: 25.98 x 18.9 in ( 66 x 48 cm ) Zaza Tuschmalischvili ( born 15 May 1960 in Skra, Georgia ) is a Georgian painter...

Louis Carreon b. 1977 American Spirit Bird Signed “Louis Carreon” (lower right) Mixed media on canvas Louis Carreon's Spirit Bird represents a profound exploration of shamanic th...

Vous serez consolés dans Jérusalem by Theo Tobiasse (1927-2012) Mixed media on paper laid on canvas 65 x 50 cm (25 ⁵/₈ x 19 ³/₄ inches) Signed and dated 1966 Provenance Private coll...

The vibrant colours—burnt orange, turquoise, black-a touch of green and the dynamic form of this inspired composition is quintessentially Otto Rogers. The modernist artist was masterful in his use of acrylic paints and his work reflected the natural beauty that surrounded his country studio. Saskatchewan born Rogers (1935-2019) was recognized by the NY art critic, Clement Greenberg as a ‘big attack’ painter early in his career and stated that his artwork showed a ‘fullness of inspiration.’ A devout follower of the Baha’i faith, Rogers did not view art as simply a ‘decorative thing.’ “Nature is God...

The painting is being offered with a work and authenticity certificate

Tactile Memory #154, 2018 by Natasha Zupan From the series Tactile Memory Oil, and mixed media on canvas Size: 9.5 in. H x 7.5 in. W x 3 in D. Canvas on a stretcher Natasha Zupan be...

"Crayon Color 9" is a contemporary framed mixed media work on canvas by Maura Segal, with abstract shapes and color blocking. The artist cuts hundreds of paper shapes and adheres the...

2021, Unique edition forex and glass 23 3/5 × 30 7/10 in - 60 × 78 cm The artwork is dated and signed by the Artist & stamped with the logo of the studio of the Artist 'Crazy Noodles...

Rosas Signed Oil and Collage on Linen 39 3/8 x 39 3/8 in 100 x 100 cm Born in Huelva in the south of Spain in 1979, Fran Mora studied at the School of Fine Arts in Seville where he ...

Bright blue sculptural painting by contemporary artist Paul Reeves. The work features a found violin painted blue floating against a background of the same vibrant blue color. Curren...

"It's A Long Way" is an original mixed media artwork by Volker Kuhn. The work is hand-signed and numbered by the artist below the artwork on the mat. 51 x 49 cm framed in a silver-go...

Painting made with hand-cut stencils and spraypaint on canvas. Edition of 3 Finished with gloss varnish 11.8 x 15.75 in (30 x 40 cm) Framed (wood frame) Signed and with Certificate ...

Colourful decoupage harlequin portrait by Colobesa? '89 Art Sz: 8 1/2"H x 5 1/2"W Frame Sz: 13 1/4"H x 10 1/4"W w/ chrome frame w/ red & yellow mat

Inspired by George Byron's's poem – "Prometeus" Exhibited in Milan (Italy) in 2005. Part of a series o 10 Exclusively on 1stdibs measures are referred to the painting. Passepartout is 50x35cm Titan! To whose immortal eyes The sufferings of mortality, Seen in their sad reality, were nota s things that gods despise; What was thy pity’s recompense? A silent suffering, and intense; The rock, the vulture, and the chain, All that proud can feel of pain, The agony they do not show, The suffocating sense of woe, Which speaks but in its loneliness, And then is jealous lest the sky Should have a listener, nor will sigh Until its voice is echoless. George Byron – ( Prometheus ) These paintings on Windsor...

Mixed media on heavy paper mounted on canvas presumably by the Artist. Signed on top and again on artwork,titled verso. Great condition with strong vibrant colors. American/Canadian printmaker, painter, sculptor, author, and educator Norman Laliberte was born in Worcester, Massachussets, in 1925, to French Canadian parents. He was raised in Montreal, Canada, where he attended l'Ecole du Musee des beaux-arts. After graduation in 1948 he returned to the U.S. to continue his studies at the Institute of Design (BS, 1951) and the Illinois Institute of Technology Chicago (MS in art education, 1956). Additional courses took place at Worcester Museum and the Cranbrook Academy in Michigan, to which he was granted a painting scholarship. He then began an extensive exhibiting career in conjunction with his work as a teacher. He began teaching in 1959, first at Kansas City Art Institute in Missouri from 1959 to 1960. This was followed by positions at St. Mary's College at Notre Dame Univerity, Indiana (1960 - '65); Rhode Island School of Design (1965 - '66); Newton College, Massachusetts (1967); and RISD once again from 1976 - 1977. Additionally, he was a guest lecturer and workshop leader at a variety of schools in both the U.S. and Canada. He received an honorary doctorate from both Notre Dame and McGill University. During his time as a teacher he continued to show in group and solo exhibitions;nhis first solo show took place at the Waddington Galleries in Montreal in 1965. A major feature of Laliberte's early output was banners executed in fabric, inpired by a trip he took to the Italian city of Siena during their summer festivals. This would prove to be a key turn in his career, as he was commissioned to work a consultant at the 1964 New York World's Fair, creating a structure made of 88 banners to represent stained glass walls for the Vatican Pavilion; this job earned him international recognition as both an artist and a designer. His most recent commission was eighteen large panels for the International Terminal at the Logan Airport in Boston. Norman LaLiberté died at his home in Nahant, Massachusetts on September 10, 2021. Selected collections: Aetna Insurance, Hartford, Ct.; Air Canada; Albright-Knox Gallery, Buffalo, NY; Alcan, Montréal; American Airlines; Art Institute of Chicago; Arthur Heaney Memorial, Ottawa; Ashland Oil; Banque Nationale du Canada; Bishop’s University, Lennoxville, Québec; Blankman Investments, Miami; CBS Building, New York; C.Y.R.K., NY; Citicorp, NY; City of Binghampton, NY; Claridge, Montreal Columbia University, School of Architecture, NY; Conseil des Arts du Canada; Coopers and Lybrand, Boston; Corning Community College, Corning, NY; Cotton, New York; Createx, Simsbury, CT; Channel 13...

This is a mixed media collage created by the gallery's own Director/Founder! Elements involved are archival inkjet prints, Dr. Ph. Martin's acrylics, and iridescent acrylic on white woven paper. All are mounted to rag mat board. David Barnett's Miami Crypto Man series of 2001 bridges the personal memory of the artist and art history. The figure's jacket has the look of textiles, but the work is a mixed media collage. An homage to the Surrealists, particularly Rene Magritte, the work uses the medium of collage employed by the Dadaists and Surrealists to create the effect of defamiliarization. The work consists of a figure wearing a patterned blue jacket with a sand dollar head and images of a Florida resort...

Clemens Wolf declares himself a champion of sensuality: 'I'm really interested in the process of transforming something trivial into a sensual object. The...

With his eyes gently shut and a serene expression, the character appears lost in a realm of self-reflection. The vibrant red fez, bold against the shadowed backdrop, serves as a stri...

Signed and dated by artist on back. Andrew W. Young (American) is an artist who lives in Manhattan and has life-long and abiding associations Downeast (Maine) and Down Cape (Cod). H...

Signed and dated by artist on back. Andrew W. Young (American) is an artist who lives in Manhattan and has life-long and abiding associations Downeast (Maine) and Down Cape (Cod). ...

Signed and dated by artist on back. Andrew W. Young (American) is an artist who lives in Manhattan and has life-long and abiding associations Downeast (Maine) and Down Cape (Cod). ...

Encaustic on panel. It's simple; I create art because it makes me happy. I try not to overthink the process of what I’m painting and let my intuition be my guide. I love laying do...

Pioneering female abstract artist Elsie Driggs paints stylized abstract organic forms in a warm palette of orange browns and tope. She merges abstraction with some figuration. A structured face composed of lines and tone emerges from an orange background. It's 1939, and even though Driggs is not well known, she is preceding many of the marquee names of abstraction by a decade. Although under the radar, this is a major work and is titled on the back stretcher is " Egyptian Gothic." It features the artist's inventiveness with her fine pencil lines incorporated in flat washes of color and collage elements. Signed lower right and inscribed on frame verso with title, artist and the date of 1939. Provenance, Christie's, Freemans. Framed under glass.. Elsie Driggs (1898 – July 12, 1992 in New York City) was an American painter known for her contributions to Precisionism, America's one indigenous modern-art movement before Abstract Expressionism, and for her later floral and figurative watercolors, pastels, and oils. She was the only female participant in the Precisionist movement, which in the 1920s and 1930s took a Cubist-inspired approach to painting the skyscrapers and factories that had come to define the new American landscape. Her works are in the collection of the Whitney Museum of American Art, the Houston Museum of the Fine Arts, the Fine Arts Museums of San Francisco, the James A. Michener Art Museum in Pennsylvania, and the Columbus Museum of Art, among others. She was married to the American abstract artist Lee Gatch. Career Born in Hartford, Connecticut, Driggs grew up in New Rochelle, a suburb of New York City, in a family that was supportive of her artistic interests. After a summer spent painting with her sister in New Mexico in her late teens, she felt she had found her life's calling. At twenty, she enrolled in classes at the Art Students League of New York, where she studied under George Luks and Maurice Sterne, both of whom were charismatic, inspirational figures in her early life. She also attended the evening criticism classes held at the home of painter John Sloan. Driggs spent fourteen months in Europe from late 1922 to early 1924, drawing and studying Italian art. There she met Leo Stein, first in Paris and later in Florence, who became an important intellectual influence, and who urged her to study Cézanne. He also introduced her to the works of Piero della Francesca, the Renaissance artist for whom she felt throughout her life the greatest admiration.[1] Driggs eventually settled in New York City, where she found representation with the progressive Charles Daniel Gallery.[2] (Advised that the old-fashioned and misogynistic Daniel would be unlikely to take on a woman artist, she signed the works she left for his consideration simply "Driggs" and waited to meet him in person until he had expressed his eagerness to include her in his gallery.)[3] In sympathy with those artists Daniel represented who were part of the burgeoning Precisionist movement, such as Charles Demuth, Charles Sheeler, George Ault, Niles Spencer, and Preston Dickinson, she too painted "the modern landscape of factories, bridges, and skyscrapers with geometric precision and almost abstract spareness."Impressionism and academic or Ashcan realism represented the past, in Driggs' view, and she intended to be resolutely modern. She was an attractive and engaging woman, but her demeanor belied a strong ambition and a clear sense of what it would take to make her mark in the New York art world. Driggs was part of the pre-eminent first group of Precisionist painters, including Demuth and Sheeler, who exhibited at the Daniel Gallery in the 1920s. Although a later group of Precisionist painters, including Louis Lozowick, Ralston Crawford and others, came on the American Art scene during the 1930s, Driggs felt that the style came to an end with the 1929 stock market crash.[5] In 1926 she painted her most famous work, Pittsburgh, a dark and brooding picture now in the permanent collection of the Whitney Museum of American Art, which depicts the gargantuan smokestacks of the Jones & Laughlin steel mills in Pittsburgh. Its focus is an overpowering mass of black and gray smokestacks, thick piping, and crisscrossing wires with only clouds of smoke to relieve the severity of the image, yet it was an image in which she found an ironic beauty. She called the picture "my El Greco" and expressed surprise that viewers in later years interpreted the painting as a work of social criticism. Like the other Precisionists (e.g., Demuth, Charles Sheeler, Louis Lozowick, Stefan Hirsch), she was concerned with applying modernist techniques to renderings of the new industrial and urban landscape, not in commenting on potential dangers the overly mechanized modern world of 1920s America might present. If anything, Precisionism, like Futurism, was a celebration of man-made energy and technology. One year later, she painted Blast Furnaces, in a similar vein. As noted above, Piero della Francesca's mural depicting "The Story of the True Cross" in Arezzo, with its tubular, static and frozen forms was the major influence on Driggs' "Pittsburgh" (it may have been the major influence for "Blast Furnaces" as well).[7] After Pittsburgh, Driggs' most acclaimed work was probably Queensborough Bridge...

Pencil, ball point pen, acrylic paint, industrial varnish, and paper collage on canvas board. Hand signed, dated and numbered on verso by Donald Baechler. From a series of 100 unique...

These works were created by the artist Anna Pennati in the first decade of the 2000s and represent the transition from the figurative to the abstract and symbolic. The symbolism of the butterfly is mixed here with that of classical myths, as far as the poetry of William Blake and...

Lee Herring focuses his contemporary paintings on vibrant, textured, and abstract landscapes that convey fleeting moments. Herring's energetic artworks are inspired by everyday moments and memories as he captures these ephemeral spaces within the context of a spontaneous, dream-like landscape. This 25-inches square original pop landscape painting on canvas is signed by the artist on the front and back. This artwork is framed in a simple white frame and is wired and ready to hang. Size and price include the frame. Free local Los Angeles delivery. Affordable Continental U.S. and International shipping. A Certificate of Authenticity issued by the gallery is included. Lee Herring was born in Sunderland, in northeast England. After excelling in art throughout his early education, he went on to study Fine Art at the University of Chester where he developed his painting style. Herring graduated with 1st class honors and was awarded the University Prize for his work. Years of dedication to his creative practice have cultivated Herring’s current multimedia style. Each of Herring’s paintings evolves through a spontaneous process. The conventional paintbrush is abandoned as Herring employs layers of impasto pastel hues in acrylic, markers, neon spray paint, and a glaze of varnish with pallet knives, trowels, and scrapers. The physicality of his work is evident in the visceral nature of his paintings. Sell-out shows and professional collaborations characterize Herring's international presence as his style constantly develops. His artworks are displayed and represented internationally with a strong following of investors, collectors, and reputable galleries. REPRESENTATION Artplex Gallery, Los Angeles, CA, USA EXHIBITIONS 2023 Fragmented Fluorescence, Artplex Gallery, Los Angeles, CA VJB Arts, London, UK 2022 Artplex Gallery, Los Angeles, CA The Other Art Fair, London, UK 2021 Artplex Gallery, Los Angeles, CA Manchester Art Fair, UK 2019 “Neon Love...

'Leonardo & Rodin Dreaming of Jona Lisa' is an original mixed media collage, signed and dated by the artist in the lower right. Part of Barnett's 'Famous Artist Series,' this vibrant collage pays homage to artists Leonardo da Vinci and Aguste Rodin by staging a visual conversation between their oeuvres. Below da Vinci's self-portrait, the Mona Lisa dreams of Rodin's thinker, played by artist and Barnett's close friend Joan Dvorsky, whom Barnett has nicknamed 'Joan of Art' and 'Jona Lisa,' an allusion to Joan d'Arc and the Mona Lisa respectively. The scene is surrounded by Rodin's figural drawings of dynamic nude forms in the upper and lower left and upper right corners of the composition. Although principally an homage to da Vinci, Rodin, and Dvorsky, the composition features a number of other artistic 'easter eggs' like the glass flowers that surround Dvorsky—the work of artist Dale Chihuly at the Garfield Park Conservatory—and the birch bark next to Dvorsky, a sample taken from Barnett's own 'Birch Bark Series.' Mixed media iridescent acrylic collage signed and dated lower right 23.5 x 20.875 inches, art 35.625 x 32.9375 inches, frame Signed and dated in lower right Framed to conservation standards using archival materials including 100 percent rag matting with a 1/4 inch beige bevel, Museum Glass to inhibit fading and reduce glare, and housed in a rosewood-style wood moulding. David Barnett, an artist, collector, appraiser and gallerist has been passionate about art from the early age of five. David’s career as an art dealer began at age nineteen when, as a fine arts student, he sponsored an exhibition of work by fellow student artists. In 1966, he opened his first gallery in a converted basement apartment at Wisconsin Avenue and 21st Street. In 1985 David moved his gallery from Wisconsin Avenue into the Old Button Mansion on State Street and has been active ever since. David’s talents for recognizing undervalued artists and for meeting the needs of art lovers, art collectors and artists have created a vibrant, flourishing gallery and collection of over 6,000 works of art. David was born and raised in Wisconsin. He has been painting in watercolors, acrylics, oil pastels as well as fine art photography. David has more than 10 different series he has developed over the years. They include Abstract, Surrealism, Morph Dog, Up North Birch Bark, Impressions of Mexico City, Southwest, Fireworks, Famous Artist Paying Homage and Garden Panorama. Influential artists include Vermeer, Miro, Kandinsky, Chagall, Nolde and Klee. David has been featured in many magazines, newspapers and public television programs regarding his beautiful gallery, collection and knowledge and passion of fine art. David also has work in the permanent collection Scottsdale Museum of Contemporary Art, Arizona. Since its opening in 1966, The David Barnett Gallery has flourished to become Wisconsin's premier gallery and has the most diverse range of art available in any Wisconsin gallery, including works of art that represent more than 600 artists. The gallery also offers custom framing, art appraisals...

original abstract mixed media painting. frame GRAU-GARRIGA, Josep (San Cugat del Valles, 1928 - Angers, 2011). Grau-Garriga was a Catalan artist, muralist and one of the innovato...

Signed with the artist's initials E.S.G.E. (lower right) Exhibited: Philadelphia, Pennsylvania, Pennsylvania Academy of the Fine Arts, Thirteenth Annual Philadelphia Water Color Ex...

Robert Indiana Star of Hope, 1972 Enamel on Metal with Artists Stamped Name. Date and Copyright Artist stamped name and copyright on lower right front Frame Included: held in a white...

"Pebbles I" is contemporary framed mixed media work on canvas by Maura Segal, with abstract shapes and color blocking. The artist cuts hundreds of paper shapes and adheres them to th...

Sewing on Korean Paper 7 3/10 × 7 3/10 in 18.5 × 18.5 cm This is a unique work. This work includes a Certificate of Authenticity. The patchwork of Ro, Shin Kyoung Weaving the networ...

Untitled, 2024 by Rodrigo Zampol From Umbra Series Mixed technique - leather and bee wax on canvas and wooden structure Dimensions: 70 cm H x 60 cm W Weight: 7 kg Package: 15 kg Un...

"Cloudy Dreams Unreal" is an abstract mixed media on panel by Carly Allen Martin. The artists use of organic brushstrokes and colors makes this piec...

A magnificent work in Indian ink and "levi" ink, counter glued on strong paper and accompanied by a certificate from the Zao Wou-Ki Foundation. Zao Wou-Ki was born in Beijing on 1 F...