Carbon Pencil Mixed Media

David Korty (b. 1971, San Francisco, California) received an MFA at the University of California, Los Angeles CA (1998) following a BFA at Rhode Island School of Design, Providence R...

David Korty (b. 1971, San Francisco, California) received an MFA at the University of California, Los Angeles CA (1998) following a BFA at Rhode Island School of Design, Providence R...

A meditative suspended calm of color, recalling an iconic theme. Painting through dynamic and oblique forms mixing western and oriental zen colors as the sides of the paintings expan...

David Korty (b. 1971, San Francisco, California) received an MFA at the University of California, Los Angeles CA (1998) following a BFA at Rhode Island School of Design, Providence R...

"Masquerade" 2024, 48" H x 60" W. Large-scale, multi-colored abstract painting consisting of acrylic, house paint, pencils, and oil pastels on canvas by Argentine-born artist Karina ...

Working with a palette of graphite and gold leaf, Alessandra Maria masterfully weaves together elements of the earthly and ethereal. She is part sorceress, part alchemist, summoning ...

Working with a palette of graphite and gold leaf, Alessandra Maria masterfully weaves together elements of the earthly and ethereal. She is part sorceress, part alchemist, summoning ...

Working with a palette of graphite and gold leaf, Alessandra Maria masterfully weaves together elements of the earthly and ethereal. She is part sorceress, part alchemist, summoning ...

Working with a palette of graphite and gold leaf, Alessandra Maria masterfully weaves together elements of the earthly and ethereal. She is part sorceress, part alchemist, summoning ...

"Gioia" ("Joy" in Italian) 2023, 72" x 108" large scale acrylics, house paint, oil pastels, wax crayons, and pencils abstract work on canvas by Argentine born artist Karina Gentinett...

Pianographie Série de dessins réalisés selon des morceaux de musique joués pendant le dessin. dessin Mine de plomb et lavis d’encre de chine contre-collage sur Dibond : Format : 2...

"In A Mood" 2023, 72" H x 96" W. Large scale abstract painting consisting of acrylic, pencils, and oil pastels on canvas by Argentine-born artist Karina Gentinetta (featured in Elle ...

"Divine Spontaneity II" 2023, 48" H x 36" W. Vertical abstract painting consisting of acrylics, house paint, oil pastels, and carbon pencils on canvas by Argentine-born artist Karin...

"Adagio in Blue" 2023, 72" H x 96" W. Large Scale horizontal abstract painting consisting of acrylic, home paint, pencils and oil pastels on canvas by Argentine-born artist Karina G...

"Divine Spontaneity I" 2023, 48" H x 36" W. One of a pair of vertical abstract paintings (diptych) consisting of acrylics, house paint, and...

"On Distant Docks", 2023, 48" x 72" acrylics, pencils, and oil pastels on canvas by Argentine born artist Karina Gentinetta (featured in Elle Decor, the New York Times, Traditional H...

"Interlude" 2023, 72" H x 60" W. Vertical abstract painting consisting of acrylic, home paint, pencils and oil pastels on canvas by Argentine-born artist Karina Gentinetta (featured...

"Divine Spontaneity I and II" 2023, 48" H x 36" W each. Price is for pair. Pair of vertical abstract paintings (diptych) consisting of acry...

"Roman Holiday" 2023, 72" H x 72" W. Large-scale, multi-colored square abstract painting consisting of acrylic, pencils, and oil pastels on canvas by Argentine-born artist Karina Gen...

"NYFW 2022", 2022, 24" x 36". An edgy and unique abstract painting consisting of acrylic, pencils, and oil pastels on canvas by Argentine-born artist Karina Gentinetta (featured in Elle Decor, the New York Times, Traditional Home, Veranda Magazine, Luxe Interiors, and most recently in Introspective...

"People, the human figure, fascinate me. Regardless of age or social status, I take particular interest in grasping the one moment that belongs solely to an individual." - Rosemary Mahoney...

Working with a palette of graphite and gold leaf, Alessandra Maria masterfully weaves together elements of the earthly and ethereal. She is part sorceress, part alchemist, summoning ...

Chris Oatey’s practice has been consistently informed by a cartographic sensibility. He produces a wide range of works from the intricately hand-drawn to the raw, immediate recording...

This black and white abstract piece on mylar is a study in shapes and contrast. The image floats within the black frame. The mylar is slightly slanted on the edges to add to the shapes contained within the image. Lisa Lightman...

Mixed Media. Abstract and Figurative. On hand made wood frame.

Signed lower right, 'Layton', for Gray Layton (American, 20th century) and created circa 1965. An exuberant and brilliantly colored, Post Impressionist collaged still-life painting comprising a bouquet of lilac blossoms, shown informally arranged in a patterned vase and set beside a jade glass bottle of absinthe and a ripe, yellow Boscobel pear, all contrasted against a background of scumbled and stippled rectangular elements in muted tones of ochre, violet and amethyst. Gray Layton first studied with Elizabeth Hazeltine at the University of Chicago and George Dutch at Peabody College. She furthered her training with Eliot O'Hara before studying watercolor with William Hollingsworth...

Black and white portrait of a woman done in a style that combines abstraction and cubism, much like the work of Fernand Leger. Signed and dated in lower left corner. Artist Biography: Valery Kleverov was born in Engels, Russian Federation, Soviet Union June 28, 1939 the son of a fighter test pilot in the Soviet Air Force. He exhibited an independent, rebellious, and highly artistic temperament from a young age. Conscription into the Red Army at the standard age of (18) was first and last straw in the young artist’s battle with the State, he lasted only a few months before making an unauthorized parachute jump over a forest to go permanently AWOL. After 3 weeks hiding in the woods, he eventually made his way to Leningrad, dropped his first name and the “ov” from the end of his name and began his life as the underground artist known as “KLEVER”. He fell in with a close-knit group of young anti-authoritarian rebels who eventually became known to the world as the “Non-Conformists”, a small gang of free thinkers mainly from Leningrad and Moscow who rebelled against State control of artistic expression and of free thought. In the Soviet Union, not only religion was outlawed - art, literature, music and dance were all subject to heavy censorship and state oversight. Among paintings historical, religious, abstract, anti-Soviet and erotic subjects were all against the law. From 1966 to 1977 Klever made a reputation for himself as one of the non-conformists most overtly critical of the Soviet state. Many of his paintings from this period can be described as nothing less than heroic- they are truly remarkable visual essays on the evils of the national security/surveillance state, propaganda and manipulation of cultural symbols, suppression of artistic and religious freedom, revisionist history, and unfilled promises for the future. All of them were painted stored and exhibited not only at great risk to the artist and his associates, but also to anybody who sought to view them. In spite of the secrecy, the KGB discovered the existence of these pieces and began to follow Klever’s every move. There were surprise visits to his studio, harassment wherever he went, friends and family being questioned all a direct result of his determination to express himself artistically against Soviet control. From this time forward Klever had an exhibit which was open for viewing at all times inside the apartment of Bob Kashilohov as part of a network which paralleled the Samizdat network for sharing of forbidden literature. Klever was arrested for his participation in the most important non- conformist exhibitions which took place during his time there. These were the Bulldozer Exhibition in Moscow, 1974, (so named because the KGB bulldozed the exhibition and destroyed much of the work) and the Nevski Dom exhibition in Leningrad, 1975. These exhibitions represented some of the early cracks in the foundations of the Soviet state’s control over the population’s basic aspirations for economic, personal and creative freedom that ended with collapse in 1991. Repercussions of the Bulldozer exhibition were that some of the painters were arrested or even killed. Approximately 70 artists were arrested, including Klever. Media outcry in the west allowed most of the artists to be released within a week. Two weeks later another exhibition was allowed to proceed and became known as “Half Day of Freedom” in the Soviet Union. The Nevsky exhibition caused a huge sensation and was a watershed moment in the cultural history of the Soviet Union. People lined up for 30 blocks long over the course of the two week exhibition to see the forbidden works. Klever showed a large collection of explicit anti-Soviet paintings...

À la guerre is an original artwork realized by Laura D'Andrea in 2018. Oil, acrylic and carbon on canvas. Hand signed by the artist on the lower right margin. Perfect conditions. The artwork, realized by the artist with oil, acrylic colors, and carbon on canvas, shows an abstract composition with circular shapes. The dominant color is violet, yet there are also some blue and green shades. The title of the artwork recalls a battle: indeed, we can visualize some horses among the abstract lines. The composition suggests a sensation of movement. Laura D’Andrea is an Italian artist and engraver. She was born in Sicily, where she currently lives and works. She studied printing techniques and especially xylography at the Academies of Fine Arts in Rome and Urbino, as well as Philosophy and Literature at the University of Grenoble. Her first exhibition was “La mia Sicilia” (My Sicily) in 1969 at the Galleria Flaccovio in Palermo, where, a few years later, she exhibited with “Hippies a Londra” (Hippies in London). In the 1980s, she moved to Il Cairo in Egypt, where she studied Arabic calligraphy and found the opportunity to realize a series of graphic works to be exhibited at the Egypt Academy of Rome. In those years, she dedicated herself to doing research on the historical Sicilian Baroque art and culture. Between 1986 and 1988, her solo show “L’Immaginario nel Barocco” (The Baroque Culture) took place at the Galleria Artivisive in Rome, at the Museum and Library of Ursino, at the Recupero in Sicily, and at the European Parliament in Strasbourgh. In 2002, she participated in the exhibition “Memoria Greca nel Mediterraneo” (Greek memory in the Mediterranean) in Sicily. In 2007, she exhibited in Rome and in Saudi Arabia. Between 2011 and 2015, she started exploring the world of jazz music, which would become an important subject for her future artworks; in those same years, she exhibited her works in England and in Belgium. Her artworks represent a leap in the Mediterranean Sea, between Sicilian and Arab cultures. Laura D’Andrea loves jazz music: on her canvases, we can perceive the sounds of places and people far in both place and time. Other important elements of her works are calligraphy and Archeoscrittura. Archeoscrittura is a fascinating practice consisting of artists exploring their own genetic memories for finding signs of archaic scriptures. Laura D'Andrea draws inspiration from the depths of her personal memory, and from the study of symbols found in the Archaic writing in the Mediterranean. Her works can be viewed at the Museum of Modern Art Pecci in Florence; at the Museum of woodcut Carpi in Modena; at the Museum of Modern Art Maga in Varese, Milan; at the Museum of Modern Art in Valencia, Spain; at the Museum of Art Mart in Trento and Rovereto with the donation of Mirella Bentivoglio.

Untitled I and II by Daniela Padilla Mainero Individual Frame Size: 11.88 in. H x 15.13 in. W x 1.1 in. D Overall size: 23.76 in. H x 15.15 in. W x 1.1 in. D Vintage book pages where...

#draw #scketch #pencil #frame #box Por un lado está el diario de lo que ha estado sucediendo durante los últimos meses alrededor del mundo. De pequeño formato, los dibujos muestran e...

#draw #scketch #pencil #frame #box Por un lado está el diario de lo que ha estado sucediendo durante los últimos meses alrededor del mundo. De pequeño formato, los dibujos muestran e...

#draw #scketch #pencil #frame #box Por un lado está el diario de lo que ha estado sucediendo durante los últimos meses alrededor del mundo. De pequeño formato, los dibujos muestran e...

#draw #scketch #pencil #frame #box Por un lado está el diario de lo que ha estado sucediendo durante los últimos meses alrededor del mundo. De pequeño formato, los dibujos muestran e...

#draw #scketch #pencil #frame #box Por un lado está el diario de lo que ha estado sucediendo durante los últimos meses alrededor del mundo. De pequeño formato, los dibujos muestran e...

Working with a palette of graphite and gold leaf, Alessandra Maria masterfully weaves together elements of the earthly and ethereal. She is part sorceress, part alchemist, summoning ...

"Ebullient" 2023, 72" H x 72" W. Large-scale, multi-colored square abstract painting consisting of acrylic, house paint, pencils, and oil pastels on canvas by Argentine-born artist K...

Working with a palette of graphite and gold leaf, Alessandra Maria masterfully weaves together elements of the earthly and ethereal. She is part sorceress, part alchemist, summoning ...

Mexican Contemporary Art This piece was painted in the heart of Mexico City, it is painted over an open book canvass. Each book was carefully assembled and then worked over with wate...

LEON POLK SMITH Collage #34, 1970 Canvas collage, and pencil on paper 50 x 25-1/2 inches 54-1/2 x 40-3/16 inches Lower right - "Leon Polk Smith 1970"