Casein Mixed Media

Betsy Enzensberger sculpts works that create a visceral longing and remembrance of the most nostalgic delights from childhood. The artist uses the familiarity of those sweet treats t...

Cheeky references to pop culture and the societal context. Grounded in a postmodern vernacular, Alben’s paintings and sculptures are a pastiche of art historical moments including P...

"LOVE in the Streets" Wall Sculpture 24" x 48" x 1" inch by Shawn Kolodny Resin, Wood, Acrylic paint Creating art to reflect the times we live in...

The present illuminated page was once part of a larger manuscript, as evidenced by the tears along the right edge, illustrating a story from the Islamic world. The scene presents two figures in a landscape, one on horseback and another gesturing to a fallen deer. The stylization of the landscape shows influence from the Byzantine tradition of painting, with jagged rocks jutting into a golden sky. The page contains handwritten text on both sides, and is surrounded by gold illustrations of peacocks and a running deer. 11 x 6.5 inches, artwork 18.63 x 14 inches, frame accompanied on the back with an image of the verso framed to conservation standards with a 100% rag silk-lined mat in a gold gilded frame A Persian miniature is a small Persian painting on paper, whether a book illustration or a separate work of art intended to be kept in an album of such works called a muraqqa. The techniques are broadly comparable to the Western and Byzantine traditions of miniatures in illuminated manuscripts. Although there is an equally well-established Persian tradition of wall-painting, the survival rate and state of preservation of miniatures is better, and miniatures are much the best-known form of Persian painting in the West, and many of the most important examples are in Western, or Turkish, museums. Miniature painting became a significant genre in Persian art in the 13th century, receiving Chinese influence after the Mongol conquests, and the highest point in the tradition was reached in the 15th and 16th centuries. The tradition continued, under some Western influence, after this, and has many modern exponents. The Persian miniature was the dominant influence on other Islamic miniature traditions, principally the Ottoman miniature...

*New Year Inventory Renewal Sale - 90 Days Until April 30th* *This Price Won't Be Repeated Again This Year* TRIO AMIGOS is the collectors' Toy/Disney pieces must have becaus...

Virgin of Tijvin, after a Russian icon of the 17th century. Egg tempera, gold leaf on gesso over a wooden board. Measurements in centimeters: 44 x 33 x 3 cm / In inches: 17.32 x 12.99 x 1.18 " Author: Oliver Samsinger...

Christ Pantocrator after a Russian icon of the 15th Century. Tempera and gold leaf on gesso over a wooden board. Measurements in centimeters: 38 x 29.5 x 3 cm. / In inches: 14.96 x 11.8 x 1.18 " This is how the artist sums up the technique used by him to create the icon: “The aim of these steps is to create a durable painting. The icon is eternal. The first step is to choose a support, traditionally made of wood, from the center of the trunk to avoid warping it. For this purpose, two hardwood bolts were often used on the back to give the picture panel additional stability. Often a frame is milled out. Then the image carrier is sanded smooth and now 12 or 14 thin layers of gesso are applied and sanded smooth as well. Then the preliminary drawing is applied and the drawing board is prepared with a special preparation called bolus. This bolus can be polished to a high gloss. Afterwards, the gold leaf is "shot" with special brushes. It dries up within a few hours and can now be polished with agate. Gold leaf is real 24-carat gold. Now does the actual process of painting begins. Egg tempera is made fresh from egg yolk, water, and a little vinegar. This is used to prepare the color pigments. Tempera painting is done in numerous layers from dark to light. When the icon is finished, it is left to dry for a few months and varnished with a special varnish called Olifa made from boiled linseed oil and other ingredients”. ABOUT THE ARTIST Oliver Samsinger (Vienna, 1968) began to take an interest in icons in 1990. He undertakes several trips to Bulgaria, Greece, and Cyprus to see in situ the original works treasured in these three countries. This experience will be crucial in his life since the studies carried out in Sofia, the Bulgarian capital, and his stay on Mount Athos...

Inspired by amateur archaeologists such as Heinrich Schliemann who discovered Troy and by past elaborate hoaxes like that of the Piltdown Man, Joshua travels the world performing sta...

Nayla Saroufim creates glossy balloon sculptures for display on a table or hanging on a wall or ceiling that challenge the traditional notion of the passive viewer. Saroufim's art is a rich mix of media. She was always captivated by the dialogue between painting, illustration, and graphics. Her work embodies her attraction to colors and interest in all forms of expression, especially installations. Her technique is unique and personalized: a fusion of mixed media and installations in layers of steel, copper, paint, and other elements. Saroufim strives to make her positivity and love of happiness appear in her art, sparking emotion and thoughts in viewers. This sculpture measures 26-inches high by 12-inches wide and has an 8-inch wide steel base. It is signed and dated underneath the base of the artwork. This sculpture is numbered 19 out of 35. This sculpture can be displayed easily on any flat surface and may be viewed from any vantage point. Free local Los Angeles delivery. Affordable Continental U.S. and International shipping are available. A certificate of authenticity issued by the art gallery is included. Nayla Saroufim was born in Beirut, Lebanon in 1982. She graduated from the Académie Lebanese des Beaux-Arts with a degree in Illustration and Art Direction. While working in the publicity field at several multinational advertising agencies, Saroufim began rekindling her interest in art. Creative, a dreamer, and a lover of color and beauty, Saroufim has been engaging in a creative expression of her personality through art for over a decade. She hopes that by looking at her art, people will realize that there is beauty and happiness in the simplest things. Nayla Saroufim’s work has graced the walls of solo exhibitions including a show in London in December 2015 and one in Beirut in October 2013. Her work has been exhibited at the Beirut Art Fair, in Singapore, and at Asia Contemporary Art. Artspace Warehouse Los Angeles has exhibited her sculptural artworks since 2020. REPRESENTATION Artspace Warehouse, Los Angeles, California, USA EXHIBITIONS 2023 LA Art Show, Los Angeles, California, USA Affordable Art Fair Battersea, London, UK Affordable Art Fair NYC, New York 2022 Affordable Art Fair Battersea, London, UK Affordable Art Fair NYC, New York 2021 Affordable Art Fair Battersea, London, UK Design week Marbella, Marbella, Spain, Curator Galería Javier Roman Affordable Art Fair New York Beirut rise from the ashes, La Biennale de Venice, Italy Affordable Art Fair NYC, New York Josephine Clavel Gallery, London, UK 2020 Artsfemin, Gstaad, Switzerland Dessine moi un Cedre, Green Cedar Lebanon...

"Birth of Christ", after a Russian icon of the 15th century. Tempera and gold leaves on gesso, wooden board. Dimensions: (H) 68 x (W) 52 x (D) 4 cm. This icon sums up the events of the birth of Christ. At the top left the three wise men from the Orient approach on horses. ABOUT THE ARTIST Oliver...

Saint John, The Forerunner, after a Russian Icon from the 16th Century. Tempera and gold leave on gesso over a wooden board. Dimensions: (H) 33 x (W) 25,5 x (D) 4 cm. John, The Forerunner, is depicted as an ascetic desert saint with a tousled beard and a coat made from camel hair. The expression that transmits his beautiful face is very intense. This is how the artist sums up the technique used by him to create the icon: “The aim of these steps is to create a durable painting. The icon is eternal. The first step is to choose a support, traditionally made of wood, from the center of the trunk to avoid warping it. For this purpose, two hardwood bolts were often used on the back to give the picture panel additional stability. Often a frame is milled out. Then the image carrier is sanded smooth and now 12 or 14 thin layers of gesso are applied and sanded smooth as well. Then the preliminary drawing is applied and the drawing board is prepared with a special preparation called bolus. This bolus can be polished to a high gloss. Afterward, the gold leaf is "shot" with special brushes. It dries up within a few hours and can now be polished with agate. Gold leaf is real 24-carat gold . Now does the actual process of painting begins. Egg tempera is made fresh from egg yolk, water, and a little vinegar. This is used to prepare the color pigments. Tempera painting is done in numerous layers from dark to light. When the icon is finished, it is left to dry for a few months and varnished with a special varnish called Olifa made from boiled linseed oil and other ingredients”. ABOUT THE ARTIST Oliver Samsinger...

This tabletop indoor figurative sculpture of animals is made of resin. Award-winning sculptor Nicholas Crombach’s detailed and realistic figurative pieces often explore the complex...