Crayon Mixed Media

Larry Zox Study for Scissors Jack Series, 1965 Mixed media and colored ink drawing on draft paper Hand signed and dated on lower right recto (front). Bears Forager House Collection s...

For me, an artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual and e...

Just like its counterpart, Becoming I, the energy of the oblong orb in Becoming II is viscerally palpable as it rises and appears to unfold and extend outside of the canvas plane as ...

Things We See Towards the End, 2020, acrylic, oil, graphite, pastel, thread, nails and yarn on canvas. Spider web. Blue, yellow, red, black, white, pink abstract. Custom framed in a...

Danny Brown is a first-generation American urban artist born in Los Angeles. His parents relocated their family from Oaxaca, Mexico in search of opportunity in the United States. Dan...

Sally-Ann Johns’ striking work often depicts everyday birds and animals, sometimes portraits, displayed in a unique and exciting way. Set into a gold lined box, they conjure images o...

For me, an artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual and e...

Danny Brown’s artworks allocate an intrinsic connection between himself and the diverse communities occupying Los Angeles. Brown combines art history, streetwear trends, and pop art ...

Ilan Leas uses graffiti-like strokes and bold angles to converge creating an intriguing balance of organized chaos in his drawings. His dynamic linear design compositions are aborigi...

Days Fade Away (2019) by Roberto Fonfría Mixed media on canvas: Collage, acrylics, oil pastels, graphite Image size: 32 in. H x 23 in. W One of Kind Mixed Media _________________________________ Roberto Fonfría lives and works in Miami, Fl He was born in Caracas, Venezuela in 1969 Roberto Fonfría creates stories through a random mix of found images, photographs, drawings, and words. He combines these elements and builds layers and textures using acrylics, common objects, and collage. His work explores human behavior and social rules with a critical eye and humor, touching on personal themes such as dreams, fears, and memories. The images come from old magazines...

The Sorcerer, 2020, acrylic, oil, graphite, pastel, thread and yarn on canvas. Green, blue, pink, abstract. Custom framed in a white floating frame.

For me, an artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual and e...

Los Angeles street artist Gary John exploded onto the international art scene first during Art Basel Miami in 2013. John’s playfully bold work quickly gained attention and he was nam...

Danny Brown’s artworks allocate an intrinsic connection between himself and the diverse communities occupying Los Angeles. Brown combines art history, streetwear trends, and pop art ...

For me, an artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual and e...

Folk art, Naive, Latin American art , Family portrait in the style of a Chinese ancestor portrait. Maria Teresa Vieco is a Colombian artist born in 1953 in Bogota. She studied at th...

In LIVE FOREVER, the all-new series of acrylic and oil pastel on pigment print, Hunter & Gatti engage with the discursive and artistic discoveries of two major pillars of contemporar...

Samantha Millington’s unique style of figurative art pops and zings from the canvas. Both thoughtful and thought provoking Millington’s paintings are a joy to hang and enjoy. Oil an...

The artwork depicts a man in a state of relaxation, surrounded by a serene sitting room ambiance. The soft, cool tones of the blue sofa provide a tranquil backdrop, contrasting with ...

Listen Close by Murray Duncan is a striking abstract composition that merges bold gestural lines with an earthy, textured surface. Rendered in a muted, organic palette, the piece evo...

A dream landscape, this piece is ethereal and subtle. It would make a lovely addition to a bedroom or study. A figurative piece that's currently very on trend; the technique hints at...

Whimsical oil pastel drawing of an elaborate theater stage hosting a single ballerina made of a vintage photograph by Eli Berg, circa 1940. Original artwork on paper displayed on...

Paris born Alice Teichert is known for her bold ethereal and luminous graphic artwork inspired by a background in art, music and literature. These four panels feature a whirlwind of ...

"My work principally consists of deeply abstracted figure compositions--intuitive constructions that begin with random marks establishing larger masses of torsos, heads, and limbs in an undefined setting. The emphasis is almost purely on intuition. The figures are born of their surrounding environment, emerging only partially and fugitively from the layers of pigment. A narrative is evident but never overt. A crown, a shield, a boat, a wheel. Though the subject has recently coalesced around my reading of Dante and Shakespeare, the settings remain extremely vague- a beach, an interior, a woodland. The paintings are, in the end, meditations on the relationship between the protagonists in a wordless drama. In my paintings, I use a cold wax medium combined with dry pigments, oil paint, and embedded fragments of burlap. The surfaces eventually build up into a dense, rugged terrain." --Thaddeus Radell

D. Tongen "Olive Green and Black" 1980s 19.75"x12.5" Soft pastel and pencil on paper Initialed in pencil lower right

Ceravolo's just completed mixed media, one of a kind, canvas with acrylic and oil stick based on his "Racing Queen" original painting. One of The Hampton's most popular urban Pop artists whose work is collected by Elton John, Rod Stewart, Pete Davidson...

Early mixed media painting composed of watercolor, gouache and oil pastel on card stock of a jester by the Canadian/American artist, Rolph Scarlett. Signed by the artist lower right ...

MORNING BREAKFAST is an original mixed media collage on board by Brooklyn artist Karl A. McIntosh. MORNING BREAKFAST is a somewhat amusing, colorful abstract portraying a black family seated together having breakfast. McIntosh's inventive use of cut bits of colored paper in shades of red, brown, blue, pink, black, and magazine print clippings for facial details, dishes, lettering layered with wildly expressive yellow, blue, green and white painted accents create an energetic and rambunctious morning gathering to start the day! The viewer can't help but continue gazing at the frenzied movement and visual chatter going on in MORNING BREAKFAST, a captivating and irresistible painted collage by Karl A. McIntosh. Framed size - 27.25 in. x 33.5 in. Image size - 221.25 in. x 27.5 in. Excellent condition, archival framing, cherry tone beveled wood frame with green and gold liner, hand signed by the artist "K.A.McIntosh" on upper left edge. About the artist: Karl A. McIntosh is a self taught artist who works is pastel, watercolor, acrylic, stone, wood and metal and is a known for his imaginative transformation of found objects into works of art. Born in Kingston, Jamaica, McIntosh moved to the United States at an early age and later took up art. Among his mentors are artist Otto Neals with whom he worked at the Bob Blackburn Printmaking Working Workshop and artist Marian Griffin. McIntosh is also a poet, drummer and dancer who draws his creative inspiration and expression from his study of African art and culture. McIntosh’s bold, bright colors dance off the page and tantalize the senses. His work is profound in its statement and deliciously whimsical. His work is an honest portrayal of everyday life and the people who live it but on occasion, takes on public figures and world events most often employing satire as thick as the layers of paint or paper he uses to depict them. McIntosh’s work has been exhibited at numerous venues across the country including Dorsey’s Art Gallery, The Skylight Gallery, MOCADA (The Museum of Contemporary Diasporan Art), 843 Studio Gallery, The National Black Fine Art...

Increspature is a beautiful artwork realized by  Maurizio Gracceva in the 2014. Colored mixed media on plywood.  Title, date, techinique and sign on the back. Author of numerous p...

Hachiya Persimmons & Fan, Modern Still Life with Red-Orange and Blue Lovely modern still-life of a fan and persimmons by Santa Cruz, California artist Anita Heckman (American, b.20th Century). This 1987 mixed media work on paper depicts three vivid Hachiya persimmons on a windowsill beside an elegant paper fan with a tassel. A decorative window drape...

Original drawing of a woman heading to market by the well known American artist, Everett Shinn. Mixed media work created with charcoal, pastel and gouache. Signed with the artist’s initials lower right and dated 1916. Condition is very good. Under glass. Matted and in a period gold frame with restorations. Overall framed measurements are 23.5 by 17.25 inches. Provenance: A New York City estate. Everett Shinn (1876 – 1953) Everett Shinn, a realist artist associated with the Ashcan School and member of “The Eight” was born in New Jersey in 1876. After showing an aptitude for the arts as a child, at age 15, Shinn was enrolled at the Spring Garden Institute in Philadelphia. He quickly moved on to classes at the Pennsylvania Academy of the Fine Arts and by the age of 17, he was working as a staff artist for the Philadelphia Press. While working at the Press, Shinn befriended fellow artists William J. Glackens, George Luks, and John Sloan. This group, with Robert Henri and Joseph Laub, established the Charcoal Club, a social and intellectual sort of alternative art school. In 1897, Shinn moved to New York City to work as an illustrator at the New York World. He became fascinated by the drama of the city. While visiting Europe in 1900, Shinn took interest in the work of the Impressionists, particularly those of Degas. Degas’ influence can be read in Shinn’s depictions of American theater. From his acquaintances in the theater world, Shinn began to paint decorative “rococo revivalist” murals in the homes of the wealthy elite. He also worked extensively in pastel, portraying the rough life of the city. In 1908, Shinn exhibited alongside his Charcoal Club associates, with the addition of Arthur B. Davies, Ernest Lawson, and Maurice Prendergast...

Vivid and dynamic painting of a leopard print pillbox hat by Marc Foster Grant (American, b. 1947). Playful depiction of a pillbox hat rendered in leopard ...

Untitled #122 by Murray Duncan Mixed media on paper Size: 32" x 40” Unframed, signed A bold mixed-media work with dynamic lines and textures. This captivating piece by Murray Dunc...

D. Tongen "Yellow,Blue, Black" 1980s 12.75"x10" period frame 17.75"x16.75 Soft pastel and pencil on paper Initialed in pencil lower right

“It is terrifying to paint. When you start out, you are faced with this great unknown. And you think, am I ever going to paint again? Yet, as you work, it starts to formulate itself...

Gary John's pop-street artworks have a whimsical, yet exciting and bold quality inspired by classic cartoon and comic book characters. Blending pop sensibilities with a roughened fau...

Untitled #546 by Murray Duncan Mixed media on paper Size: 32" x 40” Unframed, signed A bold mixed-media work with dynamic lines and textures. This captivating piece by Murray Dunc...

Untitled #526 by Murray Duncan Mixed media on paper Size: 32" x 40” Unframed, signed A bold mixed-media work with dynamic lines and textures. This captivating piece by Murray Dunc...

Untitled #528 by Murray Duncan – Contemporary Mixed Media on Paper Size: 32" x 40" Unframed, signed on the back A striking exploration of form and movement, Untitled #527 by Murray ...

This unique artwork is created through interweaving and twisting strips of painted brown paper in order to create a complex composition with depth and texture. The works relate conce...

Scratching, pastel chalk. Signed and dated 'S. Schüffler 2021' lower right. From the series 'An Experiment on a Bird'. On white Mi-Teintes paper, Canson.

An impressive abstract expressionist painting by Christophe measuring 54"x38" framed.. There is an excitement in the art world when you find the artist that is going to be the next ...

Vista No 1 by Murray Duncan is a striking abstract composition that merges bold gestural lines with an earthy, textured surface. Rendered in a muted, organic palette, the piece evoke...

Young Model II Expressionist Portrait Rutsch is always "scribbling and scrabbling." He is an artist of the purest breed—an artist who has no choice but to paint. He is a chosen traveler of the depths of existence; a man who follows a longing to explore his inner self and relate his findings with the energy and identity of the universe. The celebrated Austrian artist approaches painting and sculpture as he lives life—with the eyes of a child and the hand of a poet. Constantly in the quest for rhythms of form and vibrations of color, he catches those "sparks in the shadow" and evidences their fullest reality and beauty in his creations. Each of his paintings is a careful construction as it is a spontaneous act of love. While he might attribute certain artistic expressions to "coincidence," his inspiration comes from such diverse sources as: memories, dreams, sounds, numbers, telephone poles and drift wood. Rutsch has an affinity to vibrant colors, strong contours and rich brush strokes which are apparent in his oils, mixed media works and ink drawings. He has a sensitivity to the unusual, the discarded and a fondness for the ugly as well as the chaotic. These, he often transforms into poignant welded steel abstractions. Rutsch has an aversion to politics, citing dates and expounding upon honors achieved. There is no talk about 'profound symbolism' in his work and as Carlo McCormick writes in the introduction to Rutsch's monograph, "Meaning is not a seed that Rutsch plants, nurtures and then harvests. It is what grows wild in a volcanic swamp of fossilized, decaying and new-born fancies—as an afterthought and aftershock." Alexander Rutsch is not concerned with interpretations; he is, however, passionate about the process of making art and surrenders his entire being as an instrument to the act of creation. The geometry of his imagination overflows with figures, profiles and penetrating strong eyes—windows to a deeper place. Their vitality and sensuality pulsate through the "dreamscapes" of Rutsch's created worlds. At times romantic, yet always wild with energy, human forms and experiences are essential to the artist's vocabulary. The son of opera singers and a singer himself, Rutsch speaks of "the art of painting as the art of silence" and the job of the painter "to dedicate himself to the silence." He adds though, "that this silence is the greatest existing sound in the universe." One wonders why then, if painting is "the art of silence," that Rutsch's paintings scream with sound. Sometimes melancholy, sometimes sensual, sometimes dissonant and sometimes whispering, the rhythms are always rich in the celebration of life and our shared humanity. Painter, sculptor and poet, Rutsch's oeuvre over the past four decades is tremendous. Celebrated and collected especially in Vienna, Paris, Brussels and New York, he studied with renowned teachers like Boeckl and Dorowsky and collaborated with such geniuses as Salvador Dali. Having left Vienna in the fifties, Rutsch moved to Paris and took the city's art scene by storm. There, Picasso was so enthralled with a portrait Rutsch has done of him that, in a state of great excitement, he countersigned it. Biography Alexander Rutsch was born in Russia in 1916 but raised in Belgrade, Yugoslavia. After studying voice in Austria he became an opera singer like his parents, but after WWII, Rutsch's love for visual expression propelled him to change careers. He was a painter, sculptor, philosopher, musician, singer and poet. His life as a romantic is reflected in his work, as he sought to perfect his soul and humanity, "I paint my dreams," said Rutsch. "My dreams are color and life. They soar in my head like millions of symphonies. I can never stop building dreams." In 1952, after studying under Josef Dobrowsky, Josef Hoffmann and Herbert Boeckl at the Vienna Academy of Fine Arts, Alexander Rutsch received a scholarship to study in France. There he made contacts and began collaborations with his contemporaries, Picasso and Dali. Rutsch said of his experiences with Picasso, "Picasso played a short but important moment in my life in Paris that affected my entire artistic future. I learned from him that it is not important if art is not aesthetically finished. It can be raw, uncooked, rough. If an artist feels he has said it—it is not important to polish or finish it. Because of Picasso, I learned that if I don't feel the need to finish—I don't have to." In 1954 he exhibited his work at the Salon Artistique International de Saceux and won first prize for abstract painting, the first of may awards received during his prolific career. During the 13 years he lived in Paris, Rutsch exhibited in many prominent galleries there and throughout Europe. In 1958, The City of Paris awarded him the prestigious Arts, Science and Letters Silver Medal. In 1966, Jean Desvilles presented his prize winning film "Le Monde de Rutsch" at the Cannes Film Festival and the Venice Biennial. In 1968 Rutsch moved to Pelham, New York where he continued to work in his studio and exhibit in galleries and museums worldwide. Rutsch's work, as seen through his mastery of many art forms—sculpture, painting, print-making, and drawing, and a wide variety of other media has been described as "vibrating showers of lines, bold geometries, wounded anatomically rambling scrap-wood skeletons...

Waterline Fine Art, Austin, TX is pleased to present the following work: Oil, pastel, and paper collage on canvas. Signed and dated verso. 52.75 x 47.75 in. 54 x 49 in. (framed) Gilded floater frame. Provenance Compass Rose, Chicago Born Sylvan Irwin Goldberg in 1924 and raised in the Bronx, Michael Goldberg was an important figure in American Abstract Expressionism, who began taking art classes at the Art Students League in 1938. A gifted student, Goldberg finished high school at the age of 14 and enrolled in City College. He soon found New York’s jazz scene to be a more compelling environment, and he began skipping classes in favor of the Harlem jazz clubs near campus. Goldberg’s love of jazz would become a lifelong passion and a key component to his approach to composition in his paintings. From 1940 to 1942, like many of the leading artists of the New York School, Goldberg studied with Hans Hofmann. In 1943, he put his pursuit of painting on hold and enlisted in the U.S. Army. Serving in North Africa, Burma, and India, Goldberg received a Purple Heart and a Bronze Star before being discharged in 1946. After his service, he traveled and worked in Venezuela before returning to the United States, settling back in New York and resuming studies with Hofmann and at the Art Students League. Living downtown and frequenting the Cedar Bar, Goldberg befriended many of the artists of the New York School. In 1951, his work was included in the groundbreaking Ninth Street Show, co-organized by Leo Castelli, Conrad Marca-Relli, and the Eighth Street Club, and featuring the work of - among others - Hofmann, Jackson Pollock, Willem de Kooning, and Franz Kline. In 1953, the Tibor de Nagy...

An original mixed media painting of a portrait and still life images by Israeli artist, Michael Eisemann. The artwork is hand-signed and dated in ink...

Sunil Das - Old Horse 11 x 9 inches (unframed size) 18 x 16 ( Expected framed size) Pastel on Sand Paper Circa, 1958 ( Delivered framed ) A very old unique and rare work by the M...

0946 and 0971, Diptych, 2022 by Salvatore Arnone From the ONE series 0946: Photography, pencil, ink and acrylic on fabric 0971: Photography, pencil, ink and pastel on fabric Overall ...

Known for her painting and sculpture as well as printmaking. Nancy Randall’s work is featured in collections at the Smithsonian Institution, the Walker Art Center, the Nelson Atkins ...

This unique artwork is created through interweaving and twisting strips of painted fabriano paper in order to create a complex composition with depth and texture. The artwork is fram...

Easy Over by Murray Duncan is a striking abstract composition that merges bold gestural lines with an earthy, textured surface. Rendered in a muted, organic palette, the piece evokes...

Original work on Arches paper by Mary Early. "The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available." Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries. Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record. In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space. Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007). Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...

Los Angeles street artist Gary John exploded onto the international art scene first during Art Basel Miami in 2013. John’s playfully bold work quickly gained attention and he was nam...

This unique artwork is created through interweaving strips of painted fabriano paper in order to create a complex composition with depth and texture. The artwork is framed and floate...

Jogen Chowdhury Landscape, Felt Pen with Pastel on Paper 8.5 x 11.5 inches, 2023 ( Delivered ) Style : He has immense contribution in inspiring young artists of India. Jogen Chowdhu...

Vista No 2 by Murray Duncan is a striking abstract composition that merges bold gestural lines with an earthy, textured surface. Rendered in a muted, organic palette, the piece evoke...

Santi Moix Consilience, 2009 Crayon and pencil on paper Signed and dated 2009 in crayon on the front Unique Frame included Provenance: the Artist and Kasmin Gallery This exquisite, u...

Medium: Oil stick, wax pencil, graphite, archival pigment print on 100% Hahnemuhle cotton-rag paper. PLEASE NOTE ACTUAL Paper Size: 24” h x 42” w Image Size: 20” x 37” includes a 2”...