Crayon Mixed Media

"I throw myself into the water almost every day- it grounds me, the body floats and the mind drifts. The "Swimmer series" has followed me over the years, resurfacing and evolving. Pr...

Collage, oil stick, vinyl, enamel, spray paint and glass Collage or other Work on Paper Hand-signed by artist Frame: Included This work includes a certificate of authenticity.

Kate Breakey is internationally known for her large-scale, richly hand-colored photographs including her acclaimed series of luminous portraits of birds, flowers and animals in a series called Small Deaths published in 2001 by University of Texas...

D. Tongen "Rust and Black" 1980s 18.5"x 13" Soft pastel and pencil on paper Initialed in pencil lower right

For me, an artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual and e...

D. Tongen Mint, Orange, Yellow, Black 1980s 11.75"x10.5" Soft pastel and pencil on paper Signed in pencil lower right

Collage, oil stick, vinyl, enamel, spray paint and glass Collage or other Work on Paper Hand-signed by artist Frame: Included This work includes a certificate of authenticity.

"Bodacious" 2022, 21.5" x 21.5" square. A small but mighty abstract painting consisting of acrylic, pencils, and oil pastels on flat board canvas by Argentine-born artist Karina Gentinetta (featured in Elle Decor, the New York Times, Traditional Home, Veranda Magazine, Luxe Interiors, and most recently in Introspective Magazine...

"Alphabet Colors" is an original mixed media drawing on canvas by Tom Shelton. The artist used crayon, colored pencil, and ink. The artist says: “Looking at cursive writing teachin...

Arab women working. Black and white pastel on thick grey paper. Monogrammed. Provenance : granddaughter of the artist. This work will be recorded in the catalogue raisonné of the work of the artist currently in preparation. Jules Van Biesbroeck...

This painting feels like a spark of creative energy—bold, vibrant, and full of movement. A glowing field of orange shifts into a hot salmon pink, its intensity heightened by a centra...

Artist: Hall, Stev’nn Title: Daydream No.1 Date: 2026 Medium: Photography, Oil, Ink and pastel with textured matte surface on birch panel Unframed Dimensions: 42" x 42" Signatur...

Alighiero Boetti (Turin 1940 - Rome 1994), Independent Thoughts (1985) Collage, pencil and pastel on paper 76 x 57 cm signed lower center. The work appears to be archived at the Al...

A dream landscape, this piece is ethereal and subtle. It would make a lovely addition to a bedroom or study. A figurative piece that's currently very on trend; the technique hints at...

Linda Stein, Wall Writing 29 - Signed Feminist LGBTQ+ Acrylic on Canvas Colorful Painting Wall Writing 29 is from Linda Stein's Missives series--a body of work born from her earlie...

Lazastellar presents his art from a unique perspective as a neuro-divergent creative. These pieces are of the moment, using 21st century materials but he also pays tribute to the for...

Sally Barclay (1911-2000) was a New Jersey Artist known for her painting and activities as an art teacher. Signed front and back.

oil stick, acrylic, & charcoal on raw linen

Artist: Hall, Stev’nn Title: Pilgrimage No.1 Date: 2026 Medium: Photography, Oil, Ink and pastel with textured matte surface on birch panel Unframed Dimensions: 40" x 60" Signat...

Susan Manchester’s drawings of feathers and flora are meditations on the ephemeral nature of life, and they reflect the artist’s fascination with beauty in all its strangeness. Manch...

In 1972 the Propylaen Verlag, Berlin approached Petersburg Press asking if some of the artists we were working with would contribute a print to the Hommage à Picasso portfolio they w...

The Sorcerer, 2020, acrylic, oil, graphite, pastel, thread and yarn on canvas. Green, blue, pink, abstract. Custom framed in a white floating frame.

Hachiya Persimmons & Fan, Modern Still Life with Red-Orange and Blue Lovely modern still-life of a fan and persimmons by Santa Cruz, California artist Anita Heckman (American, b.20th Century). This 1987 mixed media work on paper depicts three vivid Hachiya persimmons on a windowsill beside an elegant paper fan with a tassel. A decorative window drape...

Original drawing of a woman heading to market by the well known American artist, Everett Shinn. Mixed media work created with charcoal, pastel and gouache. Signed with the artist’s initials lower right and dated 1916. Condition is very good. Under glass. Matted and in a period gold frame with restorations. Overall framed measurements are 23.5 by 17.25 inches. Provenance: A New York City estate. Everett Shinn (1876 – 1953) Everett Shinn, a realist artist associated with the Ashcan School and member of “The Eight” was born in New Jersey in 1876. After showing an aptitude for the arts as a child, at age 15, Shinn was enrolled at the Spring Garden Institute in Philadelphia. He quickly moved on to classes at the Pennsylvania Academy of the Fine Arts and by the age of 17, he was working as a staff artist for the Philadelphia Press. While working at the Press, Shinn befriended fellow artists William J. Glackens, George Luks, and John Sloan. This group, with Robert Henri and Joseph Laub, established the Charcoal Club, a social and intellectual sort of alternative art school. In 1897, Shinn moved to New York City to work as an illustrator at the New York World. He became fascinated by the drama of the city. While visiting Europe in 1900, Shinn took interest in the work of the Impressionists, particularly those of Degas. Degas’ influence can be read in Shinn’s depictions of American theater. From his acquaintances in the theater world, Shinn began to paint decorative “rococo revivalist” murals in the homes of the wealthy elite. He also worked extensively in pastel, portraying the rough life of the city. In 1908, Shinn exhibited alongside his Charcoal Club associates, with the addition of Arthur B. Davies, Ernest Lawson, and Maurice Prendergast...

chalk pastels, acrylic paints, spray paints My paintings explore the relationship between elements such as the skies, the oceans, the natural environment such as the formation of rocks, cliffs, and weathered material. In my work, I aim to bring together certain properties of each of these elements to create an experience and understanding of the world and the contrasting relationships between each of these ideas. The use of texture in my work is formed using material which has been subjected to the forces of the weather, and I love to use ‘untouched’ and ‘natural’ material in my work to form the basis of all my paintings. It is the idea of bringing together a number of natural materials in my work that inspires me. The contrast between elements such as the roughness of the texture, the smoothness of the ink or paint. and the reflection of the metallics brings about a composition and structure that is unique. The impact of the weather, space, and seasons has been important in determining the structure of each of the paintings and the way the different elements and materials react to one another. The use of ink in my work has been a work in progress that I have been experimenting with over the past year. The use of this new medium has proved to be invaluable to the message and direction that I would like my work to take. On each of the works, I manipulate the Ink using air from my mouth as I want to form a stronger relationship with the canvas and the way that the ink Is manipulated. I have particularly enjoyed the added contrast which has been created between the variety of mediums being used. Textured mixed media original abstract painting by Rajan Seth.

MORNING BREAKFAST is an original mixed media collage on board by Brooklyn artist Karl A. McIntosh. MORNING BREAKFAST is a somewhat amusing, colorful abstract portrait portraying a black family seated together having breakfast. McIntosh shows his inventive use of collage using cut bits of colored paper in shades of red, brown, blue, pink, black. Visible are magazine print clippings for facial details, dishes, lettering layered with wildly expressive yellow, blue, green and white painted accents that create an energetic and rambunctious breakfast table scene. The viewer can't help but continue gazing at the frenzied movement and visual chatter going on in MORNING BREAKFAST, a captivating and irresistible painted collage by Karl A. McIntosh. Framed size - 27.25 in. x 33.5 in. Image size - 221.25 in. x 27.5 in. Excellent condition, archival framing, beveled cherry wood colored frame with green and gold liner, hand signed by the artist "K.A.McIntosh" on upper left edge. About the artist: Karl A. McIntosh is a self taught artist who works is pastel, watercolor, acrylic, stone, wood and metal and is a known for his imaginative transformation of found objects into works of art. Born in Kingston, Jamaica, McIntosh moved to the United States at an early age and later took up art. Among his mentors are artist Otto Neals with whom he worked at the Bob Blackburn Printmaking Working Workshop and artist Marian Griffin. McIntosh is also a poet, drummer and dancer who draws his creative inspiration and expression from his study of African art and culture. McIntosh’s bold, bright colors dance off the page and tantalize the senses. His work is profound in its statement and deliciously whimsical. His work is an honest portrayal of everyday life and the people who live it but on occasion, takes on public figures and world events most often employing satire as thick as the layers of paint or paper he uses to depict them. McIntosh’s work has been exhibited at numerous venues across the country including Dorsey’s Art Gallery, The Skylight Gallery, MOCADA (The Museum of Contemporary Diasporan Art), 843 Studio Gallery, The National Black Fine Art...

Samantha Millington imbues her Sister series of paintings with gentle colour ways and precision delineation. Reminiscent of 1960’s pop culture thes...

In 1972 the Propylaen Verlag, Berlin approached Petersburg Press asking if some of the artists we were working with would contribute a print to the Hommage à Picasso portfolio they w...

Title (FR) : Fleurs du jardin This original artwork features a delicate arrangement of yellow, purple, and pink flowers displayed in a slender glass vase. Executed with refined color...

"My work principally consists of deeply abstracted figure compositions--intuitive constructions that begin with random marks establishing larger masses of torsos, heads, and limbs in an undefined setting. The emphasis is almost purely on intuition. The figures are born of their surrounding environment, emerging only partially and fugitively from the layers of pigment. A narrative is evident but never overt. A crown, a shield, a boat, a wheel. Though the subject has recently coalesced around my reading of Dante and Shakespeare, the settings remain extremely vague- a beach, an interior, a woodland. The paintings are, in the end, meditations on the relationship between the protagonists in a wordless drama. In my paintings, I use a cold wax medium combined with dry pigments, oil paint, and embedded fragments of burlap. The surfaces eventually build up into a dense, rugged terrain." --Thaddeus Radell

For Peacock, 2025 a.muse captures the energy associated with sun-drenched St. Tropez in a 24 x 18in work on rag paper. Using pastels the artist reimagines a peacock's elegance in pi...

Octopus, 2025 by a.muse is a 24 x 18in contemporary semi-abstract work on rag paper of an octopus floating through horizontal planes of pink, ochre, and lime green sea. The artist ...

This drawing by Austin Reavis is from a series of abstract works that build lines and forms, suggestive of construction elements, as a foreground to chan...

"My work principally consists of deeply abstracted figure compositions--intuitive constructions that begin with random marks establishing larger masses of torsos, heads, and limbs in an undefined setting. The emphasis is almost purely on intuition. The figures are born of their surrounding environment, emerging only partially and fugitively from the layers of pigment. A narrative is evident but never overt. A crown, a shield, a boat, a wheel. Though the subject has recently coalesced around my reading of Dante and Shakespeare, the settings remain extremely vague- a beach, an interior, a woodland. The paintings are, in the end, meditations on the relationship between the protagonists in a wordless drama. In my paintings, I use a cold wax medium combined with dry pigments, oil paint, and embedded fragments of burlap. The surfaces eventually build up into a dense, rugged terrain." --Thaddeus Radell

Title : Smug Materials : Stamp,xerox transfer,pastel,ink Date : 2015 Dimensions : 8×9″ COA provided Art school took Olivia Gibb away from Oklahoma and up to Kansas City, which she h...

George Errol Fleming 1941 - is a Northern Irish born artist and lecturer, who is known for his social pictures of the Belfast region including an ability to draw in the manner of William Coldstream, without direct imitation. His early career was spent in the Royal Navy and the Merchant Navy later he attended Ulster University where he eventually became a tutor. This picture is unsigned. Below is a brief biography of the artist which I have listed for your information. The picture is in very good original condition and we are cataloguing the picture as unsigned . George Errol Fleming (born 1941) is a Northern Irish painter and lecturer whose work is deeply rooted in the social and historical landscape of Belfast. He is particularly noted for his figurative style, often executing charcoal drawings in the manner of William Conor...

“Mystic Ladders” is an original 1960 mixed media abstract painting by celebrated Colorado modernist Edward Marecak. This expressive work reflects the artist’s distinctive visual lang...

Johnny Banks (1912-1988) San Antonio Artist Size: 11 x 15 Frame: 16.75 x 20.75 Medium: Mixed Media "On Pay Day" Biography Johnny Banks (1912-1988) In my opinion one of the greatest T...

"My work principally consists of deeply abstracted figure compositions--intuitive constructions that begin with random marks establishing larger masses of torsos, heads, and limbs in an undefined setting. The emphasis is almost purely on intuition. The figures are born of their surrounding environment, emerging only partially and fugitively from the layers of pigment. A narrative is evident but never overt. A crown, a shield, a boat, a wheel. Though the subject has recently coalesced around my reading of Dante and Shakespeare, the settings remain extremely vague- a beach, an interior, a woodland. The paintings are, in the end, meditations on the relationship between the protagonists in a wordless drama. In my paintings, I use a cold wax medium...

Gorgeous botanical of apricot Angel Trumpet (Brugmansia) by Miriam Prince Pinkerton (American, 1933-2013), circa 2000. Pastel and Gouache. Signed lower l...

This artwork was made in the Colorfield concept with the character elements - the formulas on the painting are from mathematical game theory. In game theory, the battle of the sexes...

Olympia Mare, 2019 Collage, encaustic wax & oil colour on deep-fame board 600 x 600 mm

This 11.5" x 15.5" abstract female nude was painted by Maurice Soulet in 1982. In a landscape orientation, the abstracted nude figure lays horizontally within the composition. The fi...

Misty Morning Winter Trees Landscape with Pinks & Purples by British Artist, Gabrielle Craven Mixed Media on Board Art measures 20 x 11 inches Fram...

Subject : Pointe de Congrigoux (Title - FR) / Atlantic French Seascape Work : Original & Handmade artwork, Unique Work. Medium : Oil Painting and Oil Pastel on Hahnemühle Fine Ar...

"My work principally consists of deeply abstracted figure compositions--intuitive constructions that begin with random marks establishing larger masses of torsos, heads, and limbs in an undefined setting. The emphasis is almost purely on intuition. The figures are born of their surrounding environment, emerging only partially and fugitively from the layers of pigment. A narrative is evident but never overt. A crown, a shield, a boat, a wheel. Though the subject has recently coalesced around my reading of Dante and Shakespeare, the settings remain extremely vague- a beach, an interior, a woodland. The paintings are, in the end, meditations on the relationship between the protagonists in a wordless drama. In my paintings, I use a cold wax medium...

Artist: Hall, Stev’nn Title: Distant Thunder No.1 Date: 2026 Medium: Photography, Oil, Ink and pastel with textured matte surface on birch panel Unframed Dimensions: 36" x 36" S...

I'm interested in the physicality of the painting process, and how this physical process connects me to the messy processes of paint application and decision-making. I'm interested i...

Bill Shields "Micro Biomorphic Abstract Drawing II" 1990's Pastel, pencil charcoal on illustration board Site measures 3.5"x2.5" silver wood frame 10.5"x10.5" Unsigned came from arti...

"Twilight Colored Pencil" - Original Pastel and Charcoal on Paper Original charcoal and pastel drawing of a man and woman looking off into the distance. Their backs are to the viewe...

charcoal & pastel on paper

TECHNIQUE PHOTO-PAINTING- DIGITAL PROCESSING The technique used was defined as PHOTO-PAINTING by the art critic Silvia Pegoraro of Ravenna Italy and was my invention in 1994. In fact...

Jogen Chowdhury - Untitled, 14 x 11 inches ( Unframed Size ) Ink with Brush & Dry Pastel on Paper, 2014 Style : He has immense contribution in inspiring young artists of India. Jogen Chowdhury had developed his individual style after his return from Paris. Jogen Chowdhury has been widely acknowledged to be, the master of the unbroken line. Like Léger, Chowdhury has been stirred by the linear Kalighat pat tradition, but his lines are emotive and used to express and suggest the character of a person. This is done by, distorting the form without breaking the line and in the world of young, contemporary art; distortion has been Jogen Chowdhury’s most significant impact. Perhaps, because of this, a common observation of his work is that his “people” are caricatures. The person feels familiar to the viewer but it is far more individualised - the face is imaginary but the psyche or characteristics are real. The power and beauty of his technique and line is this play between the known and unknown. In Jogen Chowdhury’s work, the figure is always in the foreground, it is primary, it conveys everything. He uses colour to give volume to his figures and the fluidity of his lines bring a sensual aspect to his forms. About the Artist & his works : Born : 1939 in Daharpara Village, Faridpur, Bangladesh. Jogen Chowdhury is an eminent Indian painter and considered an important painter of 21st century India. Family Background: His father Pramatnath Chowdhury was a Brahmin zamindar. Both his parents took interest in art, Jogen Chowdhury's father Pramatnath Chowdhury painted several mythological scenes from the village theatres and also sculpted various Hindu icons. Whereas his mother was an expert in Alpana drawings. 1939-47 Jogen Chowdhury lived in a village atmosphere. And after partition in 1948, the whole family shifted. Till 1951 the whole family stayed at the police department quarter of his uncle, where on the walls Jogen Chowdhury painted his first painting, 1962 Jogen Chowdhury was employed as Designer in the Handloom Board. Education: 1955-60: Studied at the Government College of Art and Crafts, Kolkata. 1965 : He went to paris to study in Ecole des Beaux Arts, in William Hayter’s Atelier 17. Professional Experience: 1968-72 : He worked as an Art-Designer, Madras Handloom Board, Madras. 1970 : A collection of his poems were published, titled 'Hridoy Train Beje Othey'. 1987 : Joined Kala Bhavan , Santiniketan as a professor of painting. Selected Exhibitions: 1972, 1975 & 1978 respectively : I, III, IV Triennales at New Delhi . 1979: The Sao Paolo Biennale . 1980: The exhibitions at the Fukuoka Museum, Japan. 1982: The Royal Academy, London. 1982: The Hirschhorn Museum, Washington D.C. 1986: The II Havana Biennale 1989: 'Festival of India', in Geneva 2002: Saffron art...

Gloria Dudfield Yellow and Black Abstract Gouache and Oil Pastel on paper 35 x 36 in c. 1960 Framed Size: 38.5 x 39.5 x 1.5 Good Condition - Wear consistent with age and history. Cr...

An extraordinary work from an extraordinary mind expressed through unique imagery, poetry and calligraphy. Simon Lewty (1941-2021) Visions of a non-resident Signed and dated 1988 an...

James Spencer Russell "#2" 1958 Pastel, gouache and sand collage on paper Signed in pencil lower right 24x18" James Spencer Russell (1915-2000) was born in Monticello, Indiana, but ...

Painted from life - kitchen still life. Quality Fabriano watercolour paper 300gsm - pastel and watercolour on paper. ADDITIONAL INFORMATION: Pastel, Watercolour on Paper 40 H x 30...

James Spencer Russell "#3" 1958 Collage with paper, sand, and gouache Signed in pencil lower right 24x18" James Spencer Russell (1915-2000) was born in Monticello, Indiana, but spen...

Karl Gerber was born in 1912 and died in 1974. He specialized in scenes of the Swiss countryside, both in mixed media and oils. Mixed media of watercolor, gouache and oil pastel on...

The paintings I create are referential. Through process and symbol, I use heavily affected information as context in which to introduce contemporary concept and question. The p...