Etching Mixed Media

This unique print is 1 of 3 in the series. The Rustling II is a monotype with mixed media on white BFK Rives printmaking paper and hand pulled by the Artist on the etching press. Th...

This unique print is 1 of 3 in the series. Behind Bars No. 3 is a monotype with mixed media on white BFK Rives printmaking paper and hand pulled by the Artist on the etching press. ...

Circadian rhythms dictate and regulate. This work, inspired by Alexander Calder’s architectural sculptures that embrace chance in their aesthetic, envelops the Kinetic art movement f...

Gravity, the greatest invisible force on planet Earth, sets the course for the moon and the rites of spring on planet Earth. Magnolia blossoms, harbingers of springtime, rely on forc...

Inspiration for this triptych work is derived from a photograph made in Iceland and Norse origin mythology. Borr was the husband of Bestia and they had three sons Odin, Vili, and Ve. According to the legend, these three sons made heaven and earth. The Schinkel's work has underpinnings from a photograph they made at sunset from behind Icelandic waterfall Seljalandsfoss. The artists use of color fields gives rise to new beginnings and sparks timeless majestic feelings. The artists use their original artists process to achieve the illusion of three dimensions on 2D aluminum sheet metal. This mixed media work was made with the original artist process known known as Metalagram®. It was developed at the intersection of art + science, and old world skills + 21st century technology. The artists create sculpturally in layers rendering the dimensional interactive appearance viewers experience. The Metalagram® works appear differently from 180 degree vantage points and at varying angles of incidence as photons dance across the work. Lighting impacts this artwork with photons meeting the hand cut layered aluminum at different angles of incidence. Viewers' perception of the work changes as one navigates 180 degrees around the work. Spot lighting...

Eyes are windows to sentient beings' souls. This work is inspired by animals, humans and ecosystems living together in harmony where a symbiotic relationship exists. The souls seen a...

Glossy textured mixed media painting by American artist Jim Jacobs (b. 1945). This unique abstract piece is made with enamel and etching on pressed wood, with highly textured details...

A faintly discernible globe of planet Earth can be found in this work inspiring dialog on where one might traverse via the world wide web. The original image, inspired by the Port of...

Are we destined to repeat history’s mistakes, or can we shape a better future—not just for ourselves, but for generations to come? Future Self invites viewers to see their reflection...

Viewers see and feel themselves gazing through this work in its' window of infinite possibilities. Einstein developed the ancient Greek philosophical nature of infinity. In this work...

Beaux or bows, which is it? Can a bow be found? Does the work conjure beaux or a beau in particular? This playful work at the intersection of saucy and sweet evokes wistful longing a...

While scouting in Death Valley, CA, the artists strongly sensed Yoda’s presence. This piece, inspired by the experience of a Padawan Jedi in training, evokes the guiding influence of...

"Within the series Everywhere, Always, I have combined a series of black and white images and a series of color photographs. In the black and white images planes of landscape appear to exist independently from one another like tectonic plates. Our sense of time and space is taken apart and re-ordered creating images where contemporary experiences and memory merge. How I see the world around me combines with recollections from multiple sources; the image of a water logged Washington State landscape...

Gaze upon the swirling starry sky as it orbits the North Star, unveiling a portal to the galaxies. Trekking three miles up a mountain in snowshoes, guided by headlamps, the artists e...

Manitoba - Swallowing the Unknown -2017 Digital print, made in 12 numbered copies, presented in an aluminium box in Plexiglas. The optical rendering sublimates the colors. Manitoba ...

Stumbling upon a haunting "graveyard" of dead trees, the artists' were captivated by its surreal beauty deep within Sleeping Bear Dunes National Lakeshore, MI. The following day, as ...

You too can chase the double rainbow in search of that elusive pot of gold—just as the artists found their inspiration. At Horsetail Falls on El Capitan in Yosemite National Park, CA...

It was one of those rare days with sheets of ice simultaneously creating treacherous conditions and stunningly out-of-this-world experiences. The artist braved the weather firmly com...

A breezy enigmatic day in South Miami Beach, FL inspired this almost surreal work straddling abstraction and representation. Energetic color fields unify this work found at the inter...

An unusually stunning clearing spontaneously arose amid a storm in the middle of Lake Superior, the largest of the fresh water Great Lakes located between Michigan and Canada. Arisin...

Spirits danced while the artists took in magical force fields during a trip throughout Iceland. This palpable energy comes alive through the artist's 2D sculptural work created by ha...

Understanding infinity was made possible through the work of Albert Einstein (b. 1879) - the guiding inspiration for this work. Color fields bring to life all that exists, was, is, a...

Hungry eyes consume the world, driven by the primal instincts that exist within us all. Our hunger extends beyond mere sustenance—it reaches for something greater. The journey to ful...

Nashville and the string theory at the intersection of music + technology ground and provide inspiration for this work. The "Ghost Ballet for the East Bank Machine...

This work embraces when the pieces fit accessing the what one needs to achieve their goals. Simon Sinek (b. 1973), "Start with Why" inspired the artists in creating this work. Starti...

21 1/2 × 30 in 54.61 × 76.2 cm

"Chandelier" is a recent work of German mid-career artist Melanie Richter. It is a color etching and aquatint work displaying a candle chandelier, which has both a decorative aspect...

This work invites viewers into a transcendent experience, evoking a sense of the eternal. The artists began with their original photography of the Mackinac Bridge spanning the Strait...

Before the first light of dawn, the artists sought the perfect dance partners for the sun and water at the rim of Horseshoe Bend. Located just outside Page, AZ, this iconic landmark ...

"Within the series Everywhere, Always, I have combined a series of black and white images and a series of color photographs. In the black and white images planes of landscape appear to exist independently from one another like tectonic plates. Our sense of time and space is taken apart and re-ordered creating images where contemporary experiences and memory merge. How I see the world around me combines with recollections from multiple sources; the image of a water logged Washington State landscape...

An extremely wet spring causing trees to submerge under water yet being able to survive is an allegory for the artist's lives. Donning waders at the crack of dawn, the artists made p...

Hope breathes life into this ethereal work, rooted in the historic city of Kraków, Poland, which dates back to the seventh century. Set within the UNESCO-listed Old Town, home to Eur...

Ascending from the depths of darkness a Navajo shaman led the artists to this secret sacred location. There once the sun began to rise the artists experienced ancient wisdom from wor...

Digital print, produced in 12 numbered copies, presented in an aluminium box in Plexiglass. The optical rendering sublimates the colors. Word of the artist: A muse invites herself t...

It was one of those rare days when sheets of ice simultaneously creating treacherous conditions and stunningly out-of-this-world experiences. The artist braved the weather firmly com...

Inspired by a photographic image made by the artists from behind the Seljalandsfoss waterfall in Iceland, this work generates feelings of flowing love and emotion. Affection is conta...

This work, deeply interwoven with  the moon, nurtures miraculous springtime bounty. Embracing all that nature provides, lunar movements regulating life's rhythms are seen and felt he...

Comfy cozy is conjured by this wondrous work, but what is it? A flower, an abstraction or something unique in nature? It's a delightful caterpillar curled up into a ball resting on t...

Right and left brain duality together with the male and female dichotomy inspired this series of two. In Jungian psychology the divine feminine component is depicted in this work, sh...

This work reflects back to viewers—fractured yet connected within the broken shards - the complexities of life. Deeply emotive and at times autobiographical, it encourages viewers to...

Pickaxe (Spitzhacke) Superimposed on a Drawing of the Site by E.L. Grimm, 1982 By Claes Oldenburg (Swedish, American, 1929-2022) Unframed: 26" x 20" Framed: 28.75" x 22.75" Signed and Dated Lower Right Whimsical sculpture of pop culture objects, many of them large and out-of-doors, is the signature work of Swedish-born Claes Oldenburg who became one of America's leading Pop Artists. He was born in Stockholm, Sweden. His father was a diplomat, and during Claes' childhood moved his family from Stockholm to a variety of locations including Chicago where the father was general consul of Sweden and where Oldenburg spent most of his childhood. He attended the Latin School of Chicago, and then Yale University where he studied literature and art history, graduating in 1950, the same year Claes became an American citizen. Returning to Chicago, he enrolled at the Art Institute of Chicago from 1952 to 1954 and also worked as a reporter at the City News Bureau. He opened his own studio, and in 1953, some of his satirical drawings were included in his first group show at the Club St. Elmo, Chicago. He also painted at the Oxbow School of Painting in Michigan. In 1956, he moved to New York where he drew and painted while working as a clerk in the art libraries of Cooper-Union Museum for the Arts of Decoration. Selling his first artworks during this time, he earned 25 dollars for five pieces. Oldenburg became friends with numerous artists including Jim Dine, Red Grooms and Allan Kaprow, who with his "Happenings" was especially influential on Oldenburg's interest in environmental art. Another growing interest was soft sculpture, and in 1957, he created a piece later titled Sausage, a free-hanging woman's stocking stuffed with newspaper. In 1959, he had his first one-man show, held at the Judson Gallery at Washington Square. He exhibited wood and newspaper sculpture and painted papier-mache objects. Some viewers of the exhibit commented how refreshing Oldenburg's pieces were in contrast to the Abstract Expressionism, a style which much dominated the art world. During this time, he was influenced by the whimsical work of French artist, Bernard Buffet, and he experimented with materials and images of the junk-filled streets of New York. In 1960, Oldenburg created his first Pop-Art Environments and Happenings in a mock store full of plaster objects. He also did Performances with a cast of colleagues including artists Lucas Samaras, Tom Wesselman, Carolee Schneemann, Oyvind Fahlstrom and Richard Artschwager, dealer Annina Nosei, critic Barbara Rose, and screenwriter Rudy Wurlitzer. His first wife (1960-1970) Pat Muschinski, who sewed many of his early soft sculptures, was a constant performer in his Happenings. This brash, often humorous, approach to art was at great odds with the prevailing sensibility that, by its nature, art dealt with "profound" expressions or ideas. In December 1961, he rented a store on Manhattan's Lower East Side to house "The Store," a month-long installation he had first presented at the Martha Jackson Gallery in New York. This installation was stocked with sculptures roughly in the form of consumer goods. Oldenburg moved to Los Angeles in 1963 "because it was the most opposite thing to New York I could think of". That same year, he conceived AUT OBO DYS, performed in the parking lot of the American Institute of Aeronautics and Astronautics in December 1963. In 1965 he turned his attention to drawings and projects for imaginary outdoor monuments. Initially these monuments took the form of small collages such as a crayon image of a fat, fuzzy teddy bear looming over the grassy fields of New York's Central Park (1965) and Lipsticks in Piccadilly Circus, London (1966). Oldenburg realized his first outdoor public monument in 1967; Placid Civic Monument took the form of a Conceptual performance/action behind the Metropolitan Museum of Art, New York, with a crew of gravediggers digging a 6-by-3-foot rectangular hole in the ground. Many of Oldenburg's large-scale sculptures of mundane objects elicited public ridicule before being embraced as whimsical, insightful, and fun additions to public outdoor art. From the early 1970s Oldenburg concentrated almost exclusively on public commissions. Between 1969 and 1977 Oldenburg had been in a relationship with Hannah Wilke, feminist artist, but in 1977 he married Coosje van Bruggen, a Dutch-American writer and art historian who became collaborator with him on his artwork. He had met her in 1970, when she curated an exhibition for him at the Stedelijk Museum in Amsterdam. Their first collaboration came when Oldenburg was commissioned to rework Trowel I, a 1971 sculpture of an oversize garden tool, for the grounds of the Kröller-Müller Museum in Otterlo, the Netherlands. Oldenburg has officially signed all the work he has done since 1981 with both his own name and van Bruggen's. In 1988, the two created the iconic Spoonbridge and Cherry sculpture for the Walker Art Center in Minneapolis, Minnesota that remains a staple of the Minneapolis Sculpture Garden as well as a classic image of the city. Typewriter Eraser...

Gaudi XX, (D. 1079), 1979 By. Joan Miro Signed Lower Right Edition 41/50 Lower Left Unframed: 37.5" x 30.75" Framed: 46.5" x 39" Joan Miro was born in Barcelona, Spain on April 20, 1893, the son of a watchmaker. From 1912 he studied at the Barcelona Ecole des Beaux-Arts and the Academie Gali. In the first quarter of the 20th century, Barcelona was a cosmopolitan, intellectual city with a craving for the new in...

Robert Motherwell's "The Red and Black No.52" is an abstract collage that incorporates oil based etching ink, pasted papers, and aquatint on paper. The piece was created between the ...

Artist : Jolynn Reigeluth Title : Take It Easy, Greasy Materials : Etching, collage and watercolor Date : 2017 Dimensions : 15" x 12" in. Jolynn Reigeluth is an artist and freelance...

Artist : Jolynn Reigeluth Title : These Are My Legs Materials : Etching, collage and watercolor Date : 2015 Dimensions : 18" x 13" in. Jolynn Reigeluth is an artist and freelance Gr...

Artist : Jolynn Reigeluth Title : Goofer Dust Blues Materials : Etching, collage and watercolor Date : 2016 Dimensions : 15" x 12" in. Jolynn Reigeluth is an artist and freelance Gr...

Artist : Jolynn Reigeluth Title : The Charmers Materials : Etching, collage and watercolor Date : 2017 Dimensions : 20" x 15" in. Jolynn Reigeluth is an artist and freelance Graphic...

Artist : Jolynn Reigeluth Title : Ear Whacks Materials : Etching, collage and watercolor Date : 2018 Dimensions : 12" x 9" in. Jolynn Reigeluth is an artist and freelance Graphic De...

Artist : Jolynn Reigeluth Title : Forbidden Fruit: Adam Materials : Etching, collage and watercolor Date : 2018 Dimensions : 19" x 13" in. Jolynn Reig...

Artist : Jolynn Reigeluth Title : Forbidden Fruit: Eve Materials : Etching, collage and watercolor Date : 2018 Dimensions : 19" x 13" in. Jolynn Reige...

David Drebin’s “Lips & Love” etching on crystal starfire glass are limited-edition masterpieces that add desire, love, sensuality, beauty and whimsical dimension to the eye of the be...

David Drebin’s “Lips & Love” etching on crystal starfire glass are limited-edition masterpieces that add desire, love, sensuality, beauty and whimsical dimension to the eye of the be...

David Drebin’s “Lips & Love” etching on crystal starfire glass are limited-edition masterpieces that add desire, love, sensuality, beauty and whimsical dimension to the eye of the be...

David Drebin’s “Lips & Love” etching on crystal starfire glass are limited-edition masterpieces that add desire, love, sensuality, beauty and whimsical dimension to the eye of the be...