Etching Mixed Media

An original mixed media, Photo Etching, Aquatint, Drypoint on paper by the collaboration of two artists, Robert Flemming and Mizin Shin. This piece entitled Judgment Hour measure ...

Abstract Oval Composition with Birds and Other Images Signed and numbered in pencil Etching with carborundum

WILLIAM WALCOT (1874-1943) The Temple Signed and dated l.r.: W Walcot 1919 Oil on paper over an etched base Framed 45 by 57 cm., 17 ¾ by 22 ½ in. (frame size 62 by 74 cm., 24 ½ b...

Nele Zirnite (1959) 2003 Associate Professor, Art Department, the Latvian Christian Academy 2000 M.F.A., the Latvian Art Academy 1995 – 2003 Lecturer, Graphic Arts Department...

Nele Zirnite (1959) 2003 Associate Professor, Art Department, the Latvian Christian Academy 2000 M.F.A., the Latvian Art Academy 1995 – 2003 Lecturer, Graphic Arts Department...

This serigraph print is for sale from Roy Fairchild's Personal Collection. This print will come with a certificate of authenticity from London Contemporary Gallery and a unique signe...

This serigraph print is for sale from Roy Fairchild's Personal Collection. This print will come with a certificate of authenticity from London Contemporary Gallery and a unique signe...

Limited editions layered paper and etching composition of an abstracted urban landscape, with fractured yellow and green color fields, by Julia Pitcher (American, b. 1942). Numbered ...

"Chandelier" is a recent work of German mid-career artist Melanie Richter. It is a color etching and aquatint work displaying a candle chandelier, which has both a decorative aspect...

Abstract Composition is a little mixed media etching realized by an artist of late 20th century. In good conditions the artwork is mounted on a white cardboard (24x30). No signatur...

"Musical Notes" is a beautiful artwork in collage and etching, realized by Tommaso Cascella. Hand-signed on the lower right. Numbered on the lower left in pencil, edition of 49/100 ...

This serigraph print is for sale from Roy Fairchild's Personal Collection. This print will come with a certificate of authenticity from London Contemporary Gallery and a unique signe...

This ltd edition print is for sale from Roy Fairchild's Personal Collection. This print will come with a certificate of authenticity from London Contemporary Gallery and a unique signed letter from Roy Fairchild himself authenticating the work and detailing that this is from his personal collection. Roy Fairchild-Woodard was born in 1953 in Surrey, England. He currently lives and works most of the year in the peaceful environment of his Country home. The rest of the year he travels throughout Europe; Italy in particular, to obtain new sources of inspiration. His affinity with Italy is the painters of the Renaissance, especially their frescos, tapestries and paintings. The plasterwork of the frescos is alluded to in his use of plaster as a base for his acrylic and oil overpaints. Also the influence of Egon Schiele and Gustave Klimpt can be seen in his occasional reference of line and decoration. He received a degree in graphic design and started working under the name Woodard to produce more commercial...

color etching and aquatint. Edition 1/100 Fantastical Surreal Fantasy

Steve Sorman has had over 80 solo artist exhibitions throughout the United States . I have included, just for reference, some images of his museum show so that you can see the body...

This serigraph print is for sale from Roy Fairchild's Personal Collection. This print will come with a certificate of authenticity from London Contemporary Gallery and a unique signe...

This serigraph print is for sale from Roy Fairchild's Personal Collection. This print will come with a certificate of authenticity from London Contemporary Gallery and a unique signe...

This Artist Proof print is for sale from Roy Fairchild's Personal Collection. This print will come with a certificate of authenticity from London Contemporary Gallery and a unique si...

This Artist Proof print is for sale from Roy Fairchild's Personal Collection. This print will come with a certificate of authenticity from London Contemporary Gallery and a unique si...

This is a collage of proofs of etchings that I had saved for years then one day I decided to construct new images from them. They are dry point, aqua tint with the addition of paint ...

Digital print, produced in 12 numbered copies, presented in an aluminium box in Plexiglass. The optical rendering sublimates the colors. Word of the artist: A muse invites herself t...

Printmaking became a focus in Karin Bruckner’s work in 2006. She found the medium a congenial way of creating art given her professional background in architecture. Its unique combin...

Printmaking became a focus in Karin Bruckner’s work in 2006. She found the medium a congenial way of creating art given her professional background in architecture. Its unique combin...

Printmaking became a focus in Karin Bruckner’s work in 2006. She found the medium a congenial way of creating art given her professional background in architecture. Its unique combin...

Printmaking became a focus in Karin Bruckner’s work in 2006. She found the medium a congenial way of creating art given her professional background in architecture. Its unique combin...

Printmaking became a focus in Karin Bruckner’s work in 2006. She found the medium a congenial way of creating art given her professional background in architecture. Its unique combin...

Printmaking became a focus in Karin Bruckner’s work in 2006. She found the medium a congenial way of creating art given her professional background in architecture. Its unique combin...

Printmaking became a focus in Karin Bruckner’s work in 2006. She found the medium a congenial way of creating art given her professional background in architecture. Its unique combin...

Printmaking became a focus in Karin Bruckner’s work in 2006. She found the medium a congenial way of creating art given her professional background in architecture. Its unique combin...

60 x 42.9 cms ( 23.62 x 16.89 ins) Edition of 26 Signature:Signed "Motherwell" in pencil lower right Inscriptions:Numbered in pencil lower right; artist's chop mark lower right Publ...

This unique print is 1 of 5 in the series. TumbleWeed 05 is a monotype with mixed media on white BFK Rives printmaking paper and hand pulled by the Artist on the etching press. Thes...

This unique print is 1 of 5 in the series. TumbleWeed 01 is a monotype with mixed media on white BFK Rives printmaking paper and hand pulled by the Artist on the etching press. Thes...

This unique print is 1 of 5 in the series. TumbleWeed 03 is a monotype with mixed media on white BFK Rives printmaking paper and hand pulled by the Artist on the etching press. Thes...

Mind Over Matter is a monotype with mixed media on white BFK Rives printmaking paper and hand pulled by the Artist on the etching press. These small,...

Turning Over A New Leaf is a monotype with mixed media on white BFK Rives printmaking paper and hand pulled by the Artist on the etching press. These small, one of a kind prints mak...

This unique print is 1 of 3 in the series. The Rustling II is a monotype with mixed media on white BFK Rives printmaking paper and hand pulled by the Artist on the etching press. Th...

This unique print is 1 of 3 in the series. Behind Bars No. 1 is a monotype with mixed media on white BFK Rives printmaking paper and hand pulled by the Artist on the etching press. ...

This unique print is 1 of 3 in the series. The Rustling I is a monotype with mixed media on white BFK Rives printmaking paper and hand pulled by the Artist on the etching press. The...

This unique print is 1 of 3 in the series. Behind Bars No. 2 is a monotype with mixed media on white BFK Rives printmaking paper and hand pulled by the Artist on the etching press. ...

hand watercolored drypoint etching on extremely fine Japanese paper, edited in 1969 limited edition of 145 copies water-colored , numbered in lower left corner ea ( artist proof ) si...

Aquatint and watercolor collage by Jenny Toth, mixed media artist, professor, graduate of Yale School of Art

This serigraph print is for sale from Roy Fairchild's Personal Collection. This print will come with a certificate of authenticity from London Contemporary Gallery and a unique signe...

Manitoba - Swallowing the Unknown -2017 Digital print, made in 12 numbered copies, presented in an aluminium box in Plexiglas. The optical rendering sublimates the colors. Manitoba ...

Pickaxe (Spitzhacke) Superimposed on a Drawing of the Site by E.L. Grimm, 1982 By Claes Oldenburg (Swedish, American, 1929-2022) Unframed: 26" x 20" Framed: 28.75" x 22.75" Signed and Dated Lower Right Whimsical sculpture of pop culture objects, many of them large and out-of-doors, is the signature work of Swedish-born Claes Oldenburg who became one of America's leading Pop Artists. He was born in Stockholm, Sweden. His father was a diplomat, and during Claes' childhood moved his family from Stockholm to a variety of locations including Chicago where the father was general consul of Sweden and where Oldenburg spent most of his childhood. He attended the Latin School of Chicago, and then Yale University where he studied literature and art history, graduating in 1950, the same year Claes became an American citizen. Returning to Chicago, he enrolled at the Art Institute of Chicago from 1952 to 1954 and also worked as a reporter at the City News Bureau. He opened his own studio, and in 1953, some of his satirical drawings were included in his first group show at the Club St. Elmo, Chicago. He also painted at the Oxbow School of Painting in Michigan. In 1956, he moved to New York where he drew and painted while working as a clerk in the art libraries of Cooper-Union Museum for the Arts of Decoration. Selling his first artworks during this time, he earned 25 dollars for five pieces. Oldenburg became friends with numerous artists including Jim Dine, Red Grooms and Allan Kaprow, who with his "Happenings" was especially influential on Oldenburg's interest in environmental art. Another growing interest was soft sculpture, and in 1957, he created a piece later titled Sausage, a free-hanging woman's stocking stuffed with newspaper. In 1959, he had his first one-man show, held at the Judson Gallery at Washington Square. He exhibited wood and newspaper sculpture and painted papier-mache objects. Some viewers of the exhibit commented how refreshing Oldenburg's pieces were in contrast to the Abstract Expressionism, a style which much dominated the art world. During this time, he was influenced by the whimsical work of French artist, Bernard Buffet, and he experimented with materials and images of the junk-filled streets of New York. In 1960, Oldenburg created his first Pop-Art Environments and Happenings in a mock store full of plaster objects. He also did Performances with a cast of colleagues including artists Lucas Samaras, Tom Wesselman, Carolee Schneemann, Oyvind Fahlstrom and Richard Artschwager, dealer Annina Nosei, critic Barbara Rose, and screenwriter Rudy Wurlitzer. His first wife (1960-1970) Pat Muschinski, who sewed many of his early soft sculptures, was a constant performer in his Happenings. This brash, often humorous, approach to art was at great odds with the prevailing sensibility that, by its nature, art dealt with "profound" expressions or ideas. In December 1961, he rented a store on Manhattan's Lower East Side to house "The Store," a month-long installation he had first presented at the Martha Jackson Gallery in New York. This installation was stocked with sculptures roughly in the form of consumer goods. Oldenburg moved to Los Angeles in 1963 "because it was the most opposite thing to New York I could think of". That same year, he conceived AUT OBO DYS, performed in the parking lot of the American Institute of Aeronautics and Astronautics in December 1963. In 1965 he turned his attention to drawings and projects for imaginary outdoor monuments. Initially these monuments took the form of small collages such as a crayon image of a fat, fuzzy teddy bear looming over the grassy fields of New York's Central Park (1965) and Lipsticks in Piccadilly Circus, London (1966). Oldenburg realized his first outdoor public monument in 1967; Placid Civic Monument took the form of a Conceptual performance/action behind the Metropolitan Museum of Art, New York, with a crew of gravediggers digging a 6-by-3-foot rectangular hole in the ground. Many of Oldenburg's large-scale sculptures of mundane objects elicited public ridicule before being embraced as whimsical, insightful, and fun additions to public outdoor art. From the early 1970s Oldenburg concentrated almost exclusively on public commissions. Between 1969 and 1977 Oldenburg had been in a relationship with Hannah Wilke, feminist artist, but in 1977 he married Coosje van Bruggen, a Dutch-American writer and art historian who became collaborator with him on his artwork. He had met her in 1970, when she curated an exhibition for him at the Stedelijk Museum in Amsterdam. Their first collaboration came when Oldenburg was commissioned to rework Trowel I, a 1971 sculpture of an oversize garden tool, for the grounds of the Kröller-Müller Museum in Otterlo, the Netherlands. Oldenburg has officially signed all the work he has done since 1981 with both his own name and van Bruggen's. In 1988, the two created the iconic Spoonbridge and Cherry sculpture for the Walker Art Center in Minneapolis, Minnesota that remains a staple of the Minneapolis Sculpture Garden as well as a classic image of the city. Typewriter Eraser...

Gaudi XX, (D. 1079), 1979 By. Joan Miro Signed Lower Right Edition 41/50 Lower Left Unframed: 37.5" x 30.75" Framed: 46.5" x 39" Joan Miro was born in Barcelona, Spain on April 20, 1893, the son of a watchmaker. From 1912 he studied at the Barcelona Ecole des Beaux-Arts and the Academie Gali. In the first quarter of the 20th century, Barcelona was a cosmopolitan, intellectual city with a craving for the new in...

Robert Motherwell's "The Red and Black No.52" is an abstract collage that incorporates oil based etching ink, pasted papers, and aquatint on paper. The piece was created between the ...

David Drebin’s “Lips & Love” etching on crystal starfire glass are limited-edition masterpieces that add desire, love, sensuality, beauty and whimsical dimension to the eye of the be...

David Drebin’s “Lips & Love” etching on crystal starfire glass are limited-edition masterpieces that add desire, love, sensuality, beauty and whimsical dimension to the eye of the be...

David Drebin’s “Lips & Love” etching on crystal starfire glass are limited-edition masterpieces that add desire, love, sensuality, beauty and whimsical dimension to the eye of the be...

David Drebin’s “Lips & Love” etching on crystal starfire glass are limited-edition masterpieces that add desire, love, sensuality, beauty and whimsical dimension to the eye of the be...