Fabric Mixed Media

LOOK FOR FREE SHIPPING AT CHECKOUT. Automation of an Angel II 28" x 24" x 1" mixed media Cuba Automation of an Angel II was recently painted by the Cuban artist Brian Sanchez in 2...

On a Spanish Motif, 1956 – 1973, mixed media collage and painting on thick canvas, signed and dated lower right, 38 ½ x 26 inches, signed verso, labeled verso includes title, artist's name, address and size of work, presented in its original strip frame Justin Faivre...

OCBLK009102723 Oil, bitumen, graphite, marble powder, burlap on canvas 72" X 60" I am a visual artist whose work investigates small and large -scale abstraction primarily in the med...

John Baker’s “Down he Goes IV,” an acrylic painting on canvas with collage 20 x 16 inches in yellow and red ochres with blacks and greys, is from the artist’s “Fall of the White Male...

Ryan Snow is an environmental artist creating visual meditations through abstract painting, analog photography and digital media. His field process explores the tranquility of mind a...

Hannelore Baron Untitled (C82-142), 1982 Signed and dated on the reverse Mixed media collage Sheet 12 1/4 x 10 1/2 inches Provenance: Manny Silverman ...

Masri (Lebanese, born 1965) "Colorful Stories" 2018 Acrylic paint, Oil paint, Mixed Media, Canvas, Stretcher bars The artist signed the back of the painting. "Colorful Stories" by M...

Bernhard Zimmer produces deeply layered, subtly textured abstract paintings that contain diametrically opposed elements—order and chaos, abstraction and representation, boldness and ...

Oladimeji Alabi, a Nigerian contemporary artist, created a thought-provoking artwork titled "Energy," which emphasizes the essence of energy, both positive and negative, according to African spirituality. The artwork is a vivid depiction of the concept of karma, which is fundamental to African spirituality, and the law of nature, which states that what you give out, you get back in turn. The central piece of the artwork is a painting of a human figure, seemingly in a state of contemplation with her flowing hair. "What you give out, you get back in turn." This phrase is a direct reference to the concept of karma, which is prevalent in African spirituality. Karma is the belief that our actions have consequences, and that every action we take has an effect on our lives and the lives of those around us. Furthermore, the artwork emphasizes the importance of energy, both positive and negative, and how it affects our lives. According to African spirituality, everything in the universe is interconnected, and energy flows through all things. Positive energy is associated with good fortune, success, and happiness, while negative energy is associated with misfortune, failure, and sadness. In conclusion, Oladimeji Alabi's artwork "Energy" is a beautiful and thought-provoking piece that embodies the essence of African spirituality. The artwork's central message of karma and the law of nature is a powerful reminder that our actions have consequences and that we must be mindful of the energy we put out into the world. The artwork is a testament to the artist's skill and creativity, and it is sure to leave a lasting impression on all who view it. Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery) About Artist Oladimeji Alabi is an experimental contemporary visual artist based in Lagos. His works are based on social and environmental issues in modern Nigeria and the globe while highlighting and archiving the social customs of his Yoruba ethnicity. Oladimeji's works are in paintings (acrylics, charcoal, spray cans, and LED), graffiti, illustrations, wood works, street art, and wearable art. Oladimeji studied Fine Art at the Yaba College of Technology in Lagos and has created works shown in exhibitions, auctions, and magazines in Nigeria and beyond. Dimeji's work has been featured in Vogue Germany, Royal Academy, BLK Arthouse Washington, Artist Movement 2020, Galleries of the Community College of Baltimore County, Nike Art...

One of a kind Mixed Medium on Canvas Artwork: Original abstract mixed media work on canvas, which combines new media - digital original hand painting, printed on canvas, then hand p...

Peter Fischli / David Weiss Equilibres 1984–85/2006 Limited-edition book with photograph in linen-bound portfolio Photograph: 12 1/4 x 9 1/8 inches; 31 x 23 cm Book: 9 1/4 x 7 3/4 x 7/8 inches; 24 x 20 x 2 cm Portfolio: 15 x 11 1/2 x 1 1/2 inches; 38 x 29 x 4 cm Edition of 60 Photograph signed and numbered in ink (lower verso) Book signed and numbered in graphite on title page For Equilibres, the well-known series of photographs from the mid-1980s, Peter Fischli and David Weiss balanced everyday household items on top of each other in an absurd equilibrium. The Equilibres photographs anticipate Fischli and Weiss...

Shawarma, a delicious culinary delight enjoyed by many, takes center stage in this artwork. The artist playfully emphasizes the word "Shawarma" on the tote bag, highlighting its significance as a symbol of enjoyment and pleasure. This whimsical representation serves as a reminder to relish the simple, gastronomic experiences that can bring moments of happiness and contentment to our lives. "You can't buy happiness, but buy shawarma." These words resonate deeply, encapsulating the idea that true happiness cannot be purchased, but it can be found in the small, fleeting moments of joy. The artwork encourages us to seek happiness in the every day and appreciate the simple pleasures that add flavor to our lives. By celebrating the act of indulging in a beloved food like shawarma, the artist reminds us to embrace the little things that bring us happiness. "Sometimes a sad day is a good day to enjoy life." This thought-provoking statement challenges our perspective on difficult times, suggesting that even in moments of sadness, we can find solace in the small joys that surround us. The artwork portrays a young woman, perhaps caught in a moment of contemplation, choosing to uplift her spirits through the simple act of enjoying shawarma. It serves as a reminder that even during challenging times, we can find solace and pleasure in life's little pleasures. "Life is too short to not Shawarma" serves as a gentle reminder to live fully in the present. It urges us to savor the flavors, experiences, and connections that make life beautiful. In a world that often rushes by, this artwork encourages us to slow down and appreciate the present moment, relishing the delicious tastes and sensations that bring us joy. Food has an incredible ability to bring people together, transcending cultural boundaries and creating moments of shared happiness. The artwork's focus on shawarma as a source of enjoyment underscores the significance of culinary delights in our lives. It invites us to celebrate the diverse flavors and experiences that the world of food offers, fostering connections and creating memories. "Life is too short to not Shawarma" is not just a whimsical artwork...

Surrounded by artistic inspiration from a very early age, Kate Salenfriend learned most of her technical skills from her great-grandfather, Stewart Robertson, the registered Californ...

This is acrylic, paint can stir stick, consumer packaging, fabric, wood, graphite, charcoal, sandpaper and sand.

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Daniel Oguche...

John Baker’s “Down he Goes I,” an acrylic painting on canvas with collage 20 x 16 inches in greys, greens and earth tones, is from the artist’s new “Fall of the White Male Series.” T...

Contextually within the framework of postmodern Neo-pop and Post-pop, Miller utilizes a semiotic process of mining familiar pictorial codes from the popular culture of his youth for ...

One of a kind Mixed Medium on Canvas Artwork: Original abstract mixed media work on canvas, which combines new media - digital original hand painting, printed on canvas, then hand p...

One of a kind Mixed Medium on Canvas Artwork: Original abstract mixed media work on canvas, which combines new media - digital original hand painting, printed on canvas, then hand p...

One of a kind Mixed Medium on Canvas Artwork: Original abstract mixed media work on canvas, which combines new media - digital original hand painting, printed on canvas, then hand p...

Miriam Schapiro, "Curtain Call" 2002 Hand signed, dated and titled verso and signed and dated recto. acrylic paint, digital images, glitter and textile fabric on canvas, tooling with gold leaf embossing around self edge of painting. size: 60 x 50 in Miriam Schapiro (or Mimi Schapiro) (November 15, 1923 – June 20, 2015) was a Canadian-born artist based in America. She was a painter, sculptor and printmaker. She was a pioneer of feminist art. She was also considered a leader of the Pattern and Decoration art movement. Schapiro's artwork blurs the line between fine art and craft. Her paintings contain craft elements because crafts and decoration is associated with women and femininity. She used icons that are associated with women such as hearts, floral decorations, geometric patterns and the color pink. In the 1970s she made a small woman's object, the fan, heroic by painting it six feet by twelve feet. This bears the influence of the Pattern and Decoration movement artists such as Brad Davis, Mary Grigoriadis, Joyce Kozloff, Robert Kushner, Kim MacConnel, Sonya Rapoport, Miriam Schapiro and Valerie Jaudon. Shapiro was born in Toronto, Ontario, Canada. Her father was an industrial design artist who fostered her desire to be an artist and served as her role model and mentor. Her mother was a stay at home mother who worked part-time during the depression. As a teenager, Schapiro was taught by Victor d’Amico, her first modernist teacher at the Museum of Modern Art. In the evenings she joined WPA classes for adults to study drawing from the nude model. In 1943, Schapiro entered Hunter College in New York City, but eventually transferred to the University of Iowa. At the University of Iowa, Schapiro studied painting with Stuart Edie and James Lechay. She studied printmaking under Mauricio Lasansky and was his personal assistant, which then led her to help form the Iowa Print Group. Lasanky taught his students to use several different printing techniques in their work and to study the masters' work in order to find solutions to technical problems. At the State University of Iowa she met the artist Paul Brach, whom she married in 1946.. By 1951 they moved to New York City and befriended many of the Abstract expressionist artists of the New York School, including Joan Mitchell, Larry Rivers, Knox Martin and Michael Goldberg. Schapiro worked in the style of Abstract expressionism during this time period. Shapiro and Brach lived in New York City during the 1950s and 1960s. During this period Shapiro had a successful career as an abstract expressionist painter in the hard-edge style. In December 1957, André Emmerich selected one of her paintings for the opening of his gallery. Schapiro not only honored the craft tradition in women's art, but also paid homage to women artists of the past. In the early 1970s she made paintings and collages which included photo reproductions of Mary Cassatt's and Georgia O'keefe's paintings. Early in her career, Schapiro started looking for maternal symbols to unify her own roles as a woman. Her series, Shrines (1963), was her first artistically successful attempt at compartmentalizing her life roles. Her painting, Big Ox No. 1, from 1968, references Shrines, however no longer compartmentalized. The center O takes on the symbol of the egg which exists as the window into the maternal structure with outstretched limbs. Her series, Shrines was created in 1961–63. It is one of her earliest group of work that was also an autobiography. Each section of the work show an aspect of being a woman artist. They are also symbolic of her body and soul. In 1964 Schapiro and her husband Paul both worked at the Tamarind Lithography Workshop. One of Schapiro's biggest turning points in her art career was working at the workshop and experimenting with Josef Albers' Color-Aid paper, where she began making several new shrines and created her first collages. In the 1970s, Schapiro and Brach moved to California so that both could teach in the art department at the University of California. Subsequently, she was able to establish the Feminist Art Program at the California Institute of the Arts, in Valencia with Judy Chicago. The program set out to address the problems in the arts from an institutional position. They wanted the creation of art to be less of a private, introspective adventure and more of a public process through consciousness raising sessions, personal confessions and technical training. She participated in the Womanhouse exhibition in 1972. Schapiro's smaller piece within Womanhouse, called "Dollhouse", was constructed using various scrap pieces to create all the furniture and accessories in the house. Each room signified a particular role a woman plays in society and depicted the conflicts between them. Along with Nancy Spero, Joan Snyder, Joyce Kozloff, Audrey Flack and Judy Chicago, she is from that first generation of Jewish American feminist women artists and includes Judaica in her work. Schapiro's work from the 1970s onwards consists primarily of collages assembled from fabrics, which she called "femmages". As Schapiro traveled the United States giving lectures, she would ask the women she met for a souvenir. These souvenirs would be used in her collage like paintings. Her 1977-1978 essay Waste Not Want Not: An Inquiry into What Women Saved and Assembled - FEMMAGE (written with Melissa Meyer) describes femmage as the activities of collage, assemblage, découpage and photomontage practised by women using "traditional women's techniques - sewing, piercing, hooking, cutting, appliquéing, cooking and the like..." She was involved in Abstract expressionism, Minimalism, Computer art, and Feminist art. She worked with collage, printmaking, painting, femmage [fr] – using women's craft in her artwork, and sculpture. Schapiro not only honored the craft tradition in women's art, but also paid homage to women artists of the past. In the early 1970s she made paintings and collages which included photo reproductions of past artists such as Mary Cassatt. In the mid 1980s she painted portraits of Frida Kahlo on top of her old self-portrait paintings. In the 1990s Schapiro began to include women of the Russian Avant Garde in her work. The Russian Avant Garde was an important moment in Modern Art history for Schapiro to reflect on because women were seen as equals. Schapiro also did collaborative art projects, like her series of etchings Anonymous was a Woman from 1977. She was able to produce the series with a group of nine women studio-art graduates from the University of Oregon. Each print is an impression made from an untransformed doily that was placed in soft ground on a zinc plate, then etched and printed. Her image is included in the iconic 1972 poster Some Living American Women Artists by Mary Beth Edelson...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, this is not a print or other type of copy. Accompanied by a Certificate of...

Fonfria's work explores human behavior and social rules with a critical eye and humor, touching on personal themes such as dreams, fears, and memories. The images come from old magaz...

Fonfria's work explores human behavior and social rules with a critical eye and humor, touching on personal themes such as dreams, fears, and memories. The images come from old magaz...

Fonfria's work explores human behavior and social rules with a critical eye and humor, touching on personal themes such as dreams, fears, and memories. The images come from old magaz...

Kim Fonder loves texture and touch. Her paintings and furniture reflect her infatuation with these two characteristics. From the materials Fonder selects, to the way she crafts each ...

Beth Shields is a distinguished abstract artist whose work has captivated collectors and audiences worldwide. Based in Santa Cruz, California, Beth has dedicated her life to artistic...

Les Taylor is an artist who has embraced a lifelong love for both music and art. In the sanctuary of her studio, always accompanied by a melodic backdrop, she finds true inspiration...

Adrian Barquero For Now, 2025 Mixed media 60h x 40w in 152.40h x 101.60w cm ABQ018 Influenced by his Colombian heritage and background, Barquero uses his personal experience to exp...

Masri Hayssam (Lebanese, Italian, born 1965) "Challenge 22" 2019 Oil Paint, Acrylic Paint, Mixed Media, Canvas, Stretcher Bars The artist signed the back of the painting. "Challenge...

Rodrigo Franzão born 1982 in Sao Paulo, is a contemporary Brazilian artist based in New Orleans, whose work explores the relationship between form, texture, and color. Innovative in ...

40H x 60W inch, Innovative and Contemporary Original New Media Abstract Black And White Work on Canvas Minimalist New Media Original Painting on Canvas ❘❘❙❙❚❚ Invest in original pai...

Green Bikini #2 A figurative mixed media painting on canvas by artist Brad Fisher 72 × 60 × 1.5 in Shipping is not included. See our shipping policies. Please contact us for shipp...

Green Bikini #3 A figurative mixed media painting on canvas by artist Brad Fisher 60 × 72 × 1.5 in Shipping is not included. See our shipping policies. Please contact us for shipp...

Robertson focuses on creating paintings that move beyond portraying reality. Driven by a synthesis of gestural brushstrokes and expressive smears, he offers viewers a liminal space o...

This framed mixed media painting by Eric Mack combines his grid work created through collaged pieces of paper, nylon mesh, ink, gesso, and acrylic. Imagery i...

OYV-19 is part of Eric Mack's ongoing body of work utilizing multi-media, complex compositions, and a grid centered around urban design. Using a grid to create the framework of the painting, Mack has re-purposed an old Lenny Kravitz album cover as the structure of the piece. On the edges of the piece you can see a complex edge consisting of a faux leather album cover, nylon mesh, and torn paper. As imagery, Mack has chosen musical notes, tape measure, and other music composition elements through Zerox copy adhered by matte medium to the surface. Mack then creates his own color to further tweak and personalize the piece. Eric Mack (b.1976, Charleston) creates mathematically based renderings with a distinct post-modern twist. Works are informed with super imposed grids, patterns, and portals. Layered surfaces are created with paint, found objects, natural fibers, and synthetic substrates that explore the systems of our visual world. His most recent show “Charting the Terrain” is on view now at the California African American Museum in Los Angeles was covered by the Los Angeles Times, KCRW, and LALA Magazine. His last solo exhibition was titled "Impossible Architectures" at The University of North Carolina at Chapel Hill in 2017. Recent group shows include "Abstract Mind" at the Czong Institute of Contemporary Art, South Korea, "Small Works 2017 at Trestle Gallery, Brooklyn, "Checkered History", Outpost Artist Resources, Brooklyn, N.Y. 2015; Collections include High Museum Atlanta, Ing Investments, Hartsfield Jackson International Airport - Atlanta + Atlanta Gas & Light Co. Pepsi Cola, Tate Properties, Heath Gallery, Harold Dawson Properties, Turner Field/Atlanta Braves...

The beauty of the female form.

Surrounded by artistic inspiration from a very early age, Kate Salenfriend learned most of her technical skills from her great-grandfather, Stewart Robertson, the registered Californ...

My Emotional Baggage Carts are vessels to dispose of racial trauma. The act of making, weaves the sting of macro and microaggressions into the cart, freeing me from these constraints. Each recovered shopping cart is unique, but they all are woven with upcycled materials like rope, paracord, grocery bags, rope lights, beads, fabric, and bottle caps. The cart is with a protective zip tie blanket to trap trauma and prevent its escape. For me, my Emotional Baggage Carts are a release, for you, they are an opportunity to look within and recognize any emotional baggage you, yourself may be carrying and release it. Theda Sandiford...

"AMY", 2023, 100 x 75 cm, is a mixed media work by German pop artist Devin Miles. The mixed media work on canvas creates an impressive depth and three-dimensionality due to the artis...

One of a kind Mixed Medium on Canvas Artwork: Original abstract mixed media work on canvas, which combines new media - digital original hand painting, printed on canvas, then hand p...

Blue and orange abstract contemporary circular painting by Houston, TX artist David Hardaker. Signed, titled, and dated by the artist on the reverse. Artist Statement: The work is ...

Beth Shields is a distinguished abstract artist whose work has captivated collectors and audiences worldwide. Based in Santa Cruz, California, Beth has dedicated her life to artistic...

One of a kind Mixed Medium on Canvas Artwork: Original abstract mixed media work on canvas, which combines new media - digital original hand painting, printed on canvas, then hand p...

Andrea Stella (1950-2019). The child of Greek immigrants raised in Italy, Andrea was destined to create. His first concentration in the art world was antique woodworking, which lead...

"Hepburn Hermes", 2019, 100 x 75 cm, is a mixed media work by German artist Devin Miles. The mixed media work on canvas creates an impressive depth and three-dimensionality due to th...

John Baker’s “Old Madman #3”, an imaginary portrait 24 x 18 x 1.5 inches in flesh tones, greys, browns and whites, is from the artist’s important “Madman Series”. As Yeats wrote: “An...

Masri Hayssam (Lebanese, Italian, born 1965) "Symphony" 2019 Oil Paint, Acrylic Paint, Mixed Media, Canvas, Stretcher Bars The artist signed the bottom left and the back of the paint...

Red lips pop art clay wall sculpture with lollipop in hand molded ceramic forming a 3D mosaic high relief panel. This figurative wall sculpture is constructed from individually hand...

Steven H. Rehfeld (American, born 1954) "Blue Impressions" 1980 Oil Paint, Mixed Media, Paper, Tape, Graphite, Ink, Canvas, Stretcher Bars The artist signed the back of the painting....

Mixed Media. Female centric. Figurative art. About the Artist: Cabell Molina is a contemporary artist transplanted from California to the east. Where Cabell has proved hersel...

Orange and gray abstract contemporary circular painting by Houston, TX artist David Hardaker. Signed, titled, and dated by the artist on the reverse. Artist Statement: The work is ...

Andrea Stella (1950-2019). The child of Greek immigrants raised in Italy, Andrea was destined to create. His first concentration in the art world was antique woodworking, which lead...

Grace Awe's "Submission to Authority (1)" is an original 2024 artwork that intertwines thread and acrylic on a 20 x 16 inch canvas. The portrait, rich in texture and color, reflects ...

Surrounded by artistic inspiration from a very early age, Kate Salenfriend learned most of her technical skills from her great-grandfather, Stewart Robertson, the registered Californ...

This is an abstract painting by Bianca Wellwood. The colors are vibrant but subtle. Frame: unframed, further framing possible Signature: verso Medium...

Neutral toned gestural abstract painting by contemporary artist Ian Francis. The work features a variety of gestural marks in black and tan, accented by an orange line. Signed by the...

Spray Paint and acrylic on wood panel painted 3-D but its flat Artist Statement: Stephen Eric Lee, better known as E.LEE, is a full time artist living and working in Chicago. His w...

ANNE-VALÉRIE DUPOND (b. 1976, France) Anne-Valérie Dupond, born in 1976, studied at Marc Bloch University in Strasbourg, and obtained her Master’s degree in Fine Arts in 2000. Since...