Fabric Mixed Media

Purple and gold mixed media abstract with reflective gold square and highly textured surface by artist and architect Peg Denney (American, 20th century...

Franco's work plays between the limit and the no limit, imagining the idea of ​​macro universes and micro cosmos, combining them in the same space, mixing, separating and uniting dim...

Beth Shields is a distinguished abstract artist whose work has captivated collectors and audiences worldwide. Based in Santa Cruz, California, Beth has dedicated her life to artistic...

Beth Shields is a distinguished abstract artist whose work has captivated collectors and audiences worldwide. Based in Santa Cruz, California, Beth has dedicated her life to artistic...

"First Rain at San Miguel de Allende", mixed media, acrylic and collage on canvas, signed lower left, titled, signed and dated 1984 verso, depicting a verdant tropical landscape with a pool with koi fish, in a n abstracted view with in an oak bullnose frame with burlap mat and gold liner, frame size: 53" x 37", canvas size: 48" x 32". Leonard Brooks (Canadian-Mexican artist) was born in Enfield, London, England, in 1911. He emigrated to Toronto, Canada with his parents. after seeing a lecture on Canadian art by Arthur Lismer, in which the Group of Seven painter described his love for the natural beauty surrounding them he decided he was going to become a painter. He took evening art classes at the Toronto Central Technical School (c. 1928); at the Ontario College of Art for six months under Frank Johnston. He then travelled and painted in England, France, Spain and in the United States at Woodstock, New York. On his return to Canada he settled in Toronto and in 1935 married Reva Silverman. He taught drawing, painting and graphic arts at the Northern Vocational School and was active in art circles and participated in most of the major exhibitions in Canada, and the U.S. and in the Canadian Section at the 1936 World's Fair. He began painting activities on the Great Lakes around 1939, visiting various docks and many of the ships that arrived and departed from the Great Lake ports. During World War II he left his teaching post in 1943 to enlist in the Navy (RCNVR) as an Able Seaman (1943). He was promoted to Petty Officer, then to Sub-Lieutenant in August of 1944. In September was appointed Official War Artist. Overseas he went aboard warships to paint the activities of minesweepers, motor torpedo boats off the coast of Normandy, in the Channel, off the East Coast and on the aircraft carrier HMS Puncher in waters off Scotland. On his return to Canada he was promoted to the rank of Lieutenant. Following his army discharge he went to Mexico on a D.V.A. grant to study and decided to take up residence there with his wife Reva. The couple were early members of what became a well known colony of artists in that town, other Canadian artists such as York Wilson, Fred Taylor, Michael Forster and Fred Powell followed him there. He studied under Mexican artist David Alfaro Siqueiros, while his wife Reva pursued photography. Their impressions of Mexico appeared in Canadian Art (Spring, 1950). Critic Rose MacDonald in the Evening Telegram wrote, "Like Siqueiros he paints in the abstract only as an exercise with a view to clarification, believing that this is the purpose of abstract painting . . . ." Since that time his figurative work evolved from abstract, to non-objective, to free-form collage acrylics with rich texture. Some of his paintings have been transposed into large tapestry works by five Mexican weavers under his direction. Leonard and Reva held a joint exhibition of their works in a number of centres including Eaton's Fine Art Galleries, Tor. (1949). Leonard Brooks has worked in a variety of media over the years including oils, acrylics, water colours, casein, duco, polymer, wax, and graphic mediums. He has written a number of books on painting techniques including: Watercolor A Challenge (1957); Oil Painting Traditional and New (1959); Wash Drawing and Casein (1961); Painting and Understanding Abstract Art (1964); Painter's Workshop (1969); Oil Painting, Basic and New Techniques (1971). He has had a lifelong love of music, is an accomplished player of the violin and has given free lessons to local Mexican children. He eventually was encouraged to head the music department at the Bellas Artes in San Miguel and as a result of his activity in music, an annual festival of chamber music is held which attracts players and listeners from around the world. He has held many solo shows during his career and his paintings have been exhibited at the following: Eaton's Fine Art Galleries, Tor.; Roberts Gallery, Tor.; the Cowie Galleries, L.A., Calif.; Childs Gal., Boston, Mass.; Ohio Univ., Athens; Kenyon College; Santa Barbara Museum of Art, San Francisco; San Antonio Biennial Interamericana, Mexico and at the 2nd Annual exhibition at San Miguel (1960) where he won 1st Prize. He is represented in the following collections: LAG, Lond., Ont.; U. Guelph; AGO, Tor.; NGC, Ott.; Can. War Museum, Ott.; Dartmouth College, N.S.; Worcester Art Museum, Mass.; Mus. of Modern Art, Mexico City; Ohio U., Athens; Slosberg Collection, Boston and in many private collections in Canada, Mexico and the United States. His teaching experience includes: Ohio U., Athens; Doon Sch. of Art, Ont.; UBC; Art Inst., San Antonio, Texas; Wells College, Aurora, N.Y. His wife Reva Silverman Brooks, began photographing his work to make a record, then gradually expanded her interest to record the Mexican people and their land. In 1952, Reva Brooks...

Lucy Boom is a framed naïve-style painting by Inés Silvalde, created in 2018 as part of her Influencers de Taberna series. The piece presents a red-haired, wide-eyed figure pointing ...

This Modern abstract oil painting on canvas by Modernist artist Stanley Bate features a geometric composition and a soft palette. The white and creme colors are complemented by earth...

Oil, Gesso, & Recycled Plastic on Canvas 70 x 36 in (178 x 91 cm) (Due to the abstract nature of this piece, it can be displayed vertically or horizontally at the discretio...

In this contemporary botanical textile, a group of leaves in various shapes are composed of delicately stitched donated clothing, textiles, notions, buttons and guitar string ball-en...

Hannah Reeves (American, b. 1981) Hannah Reeves is a Missouri native and holds an MFA in fibers from the University of Missouri. Her work explores themes of memory and the passage of...

Old constructs finally breaking down, 2020 Contemporary Textile Artwork Wool rowing, silk, Michigan wool, Japanese Cotton 24x24in Signed and dated

Jagannath Paul - Bond of Love Series 60 x 60 inches Charcoal & Acrylic on Canvas, 2025 (Rolled & Delivered) A lovely figurative work in Charcoal and Acrylic in red, blue, Orange, ye...

Mixed Media Original Painting on Canvas Artwork: Original abstract mixed media work on canvas, which combines new media - digital original hand painting, printed on canvas, then han...

Sanguine Drawing on Canvas Adja Yunkers b. 1900, Riga, Russia; d. 1983, New York Adja Yunkers was born Adolf Junkers on July 15, 1900, in Riga, Russia (now Latvia). He studied art i...

Mid Century Full of Colors Painting ORL-14064-1 Mid Century Full of Colors One of a kind Mixed Medium on Canvas Collector's Edition Mixed Media: Acrylic, Ink, Digital, Watercolor,...

Andrea Stella (1950-2019). The child of Greek immigrants raised in Italy, Andrea was destined to create. His first concentration in the art world was antique woodworking, which lead...

Blanche Lazzell Halloween, circa 1920-22 Batik 15 1/2 x 9 inches Provenance: The artist James & Janet Reed (gifted from the above) John Cuthbert, Morgantown, West Virginia Born ne...

This mixed media painting on canvas titled "Bocce players" was created by French artist Daniel Thérasse. The painting style of Daniel Thérasse can be summed up in two words : "abund...

Mixed media, acrylic paint and photography on canvas. One of a kind. O. Devan paints that which he doesn't really see. His camera captures a second in time, as if he stops at his t...

​Impressions of past lives, perceptions of future lives. The Records series carries that mystery. Simple and profound since its deed does not happen on the surface. Although it manif...

​Impressions of past lives, perceptions of future lives. The Records series carries that mystery. Simple and profound since its deed does not happen on the surface. Although it manif...

This beautiful Ziegler combines tradition with the best value for money. It suits any interior, as Zieglers are very typical rugs in the best sense of the word. The unusual name coul...

What greater pillar is there than a sister’s embrace, A refuge of strength, silent yet unshaken? To stand, to lift, to shield without chains, Bound not by words, but by unspoken trus...

Jagannath Paul - Entwined Heart 36 x 36 inches Charcoal & Acrylic on Canvas, 2025 (Rolled & Delivered) A lovely figurative work in Charcoal and Acrylic in red, blue, Orange, yellow,...

Beth Shields is a distinguished abstract artist whose work has captivated collectors and audiences worldwide. Based in Santa Cruz, California, Beth has dedicated her life to artistic...

Best Laid Plans Oil, bitumen, collage, marble powder, burlap on canvas 96" x 48" I am a visual artist whose work investigates small and large -scale abstraction primarily in the med...

The surfaces Susan Washington works with are derived from her memories of the graffitied subway car, public telephone booths, and rolling steel cages that secure neighborhood stores ...

In Indigo 1, Chloe Hedden invites us into a meditative field of texture, movement, and hue. Part of her Fold series, this work uses hand-dyed linen in deep, inky indigo tones that ri...

Willi Kissmer - "Black series No. 2". Giclée print on cotton. Signed. A beautiful artwork that looks good in every room and especially in the living room or bedroom. Can be frame...

Janet Hamilton (b. 1970) is a contemporary abstract painter in Nashville, TN.  Her work is deeply inspired by color and the relationships that develop from its interactions. She crea...

I live in the woods in northern California looking out across the San Francisco Bay towards the hills of Marin, San Francisco and Angel Island. The distant blue hills of my “Faraway ...

Gayle Fraas and Duncan Slade (American, 20th Century) Mixed Technique Textile Art Dye painted and printed on cotton fabric, machine and hand stitched, fused metal foil (gold leaf). 2002 'North Woods Suite' This listing is for one piece. i am showing a picture of all 4 so you can see them. I currently have the 4 available. Dimensions: 36.25 X 36.25 frame. Quilt is 28 X 28 inches Float mounted behind acrylic in wood frames bearing Fraas / Slade studio labels verso Collaborating artists Gayle Fraas and Duncan Slade's work has always explored the relationship of ornamental surface and portrayal of landscape in quest of a sense beyond place. Recognized for developing techniques for screen printing and painting with dye on fabric, other mediums include paint and ink on paper, metal, and wood. Their work sits at the junction of fine and applied arts with an influence of naive and folk art. Their collaborative dialogue has been continuous since the mid 1970’s. Fraas-Slade’s work has been selected for some of the defining exhibitions that have influenced the field of Art Quilts: “The New American Quilt”; originating at the Museum of Contemporary Crafts, New York City in 1976, (along with Helen Bitar, Katherine Westphal, Radka Donnell, Anne Raymo) “The Art Quilt” at the Los Angeles Municipal Museum in 1986 (including Nancy Crow, Jean Hewes, Terrie Mangat, Jan Myers-Newbury, Theresa May, Pamela Studstill and Pauline Burbidge) and “Six Continents of Quilts: the Permanent Collection of the Museum of Art and Design,” NYC, touring internationally from 2002-2005. (the show included Jenny Hearn, Anne Marie Kenny, Gayle Fraas and Duncan Slade, Susan Denton, Sanae Hattori, Joan Schultze, Jenny Hearn and Mary Baxter). Books where work is featured include : Paintings of Maine by Carl Little, American Quilts: the Democratic Art 1780-2007 by Robert Shaw, The Art Quilt by Robert Shaw, Quilts Today by Robert Shaw, The Art Quilt by Penny McMorris and Michael Kile and Art to Wear by Julie Schafler Dale. Fraas and Slade continue to teach and lecture on their work. Workshops have been taught at conferences, art centers and colleges including: Haystack Mt. School of Crafts, ME, Arrowmont School of Crafts, TN and the School of Visual Arts, NYC. In 1989 and 2003, the artist team received Maine Visual Artist Fellowships and in 1995 a National Endowment for the Arts/ New England Foundation Visual Artist Fellowship. Collections include the Philadelphia Museum, Baltimore Museum, MD, Peabody Essex Museum, Museum of Art and Design, NYC., the International Quilt Study Center at the University of Nebraska and the corporate collections of Fidelity Investments, Nuveen, IL., Hilton Corporation and Elmira College. Public collections in Maine include Portland Public Library, Department of Transportation, Department of Marine Resources and the University of Maine/Orono. In 1989 and 2003 the artist team received Maine Visual Artist Fellowships and in 1995 a National Endowment for the Arts/ New England Foundation Visual Artist Fellowship. There has been a huge surge of interest in textile and tapestry art led by Anni Albers, Sheila Hicks, El Anatsui, Judith Scott, Nick Cave, Tanya Aguiñiga, Faith Ringgold and Olga de Amaral. More museums are showing and collecting this work. Selected Solo Exhibitions 2018 - Silo Gallery, Nantucket Island School of Design and the Arts 2011 - Silo Gallery, Nantucket Island School of Design and the Arts 2010 - New Work, Silo Gallery, Nantucket Island School of Design and the Arts, 2009 - Island Images, Silo Gallery, Nantucket Island School of Design and the Arts, Nantucket, MA. 2007 - Watermarks, James Patrick Gallery, Wiscasset, ME; Frankie Weems Gallery, Meredith College, Raleigh, NC. Along the Coast, Maine Fiberarts Gallery, Topsham, ME Varieties of Disturbance. Susan Maasch Fine Art, Portland, ME 2005 - Nauticals, Gleason Gallery, Boothbay Harbor, ME 2003 - New Work, Winfisky Gallery, Salem State College, Salem, MA 2001 - New Work, Works Gallery, Philadelphia, PA. Selected Group Exhibitions 2020 - Maine Quilts: 250 Years of Community, Maine State Museum 2016 - Museum Collection: New Arrivals, Baltimore Museum of Art, Berman Gallery 2015 - Shared Sensibilities: The Piano Roll Project, Bates Mill Complex, Lewiston, ME 2014 - Masters: Contemporary Fiber Art, Maine Fiberarts Gallery, “Masters: Contemporary Fiber Art,” May - June 2013 - Layers: The John Walsh II Collection, Arnot Museum, Elmira College 2012 - Man-Made Quilts, Shelburne Museum, Shelburne, VT Tribute to Ardis, University of Nebraska, Lincoln, International Quilt Study Center/Museum 2011 - Instruct, The Studios at Key West Artpark 1974-1984, University of Buffalo Center for the Arts, 2009 - Reservoir, the John M. Walsh Collection, San Jose Museum of Quilts, San Jose, CA 2008 - Visual Systems, University of Nebraska, Lincoln, Howard Gallery 2005 - Rooted in Tradition, Foothills Art Center, Golden, CO 2004 - Envision 20/20, Colby College Museum of Art Another Layer, Portland Museum of Art 2002 - The Portland Show, Greenhut Galleries Six Continents of Quilts, Museum of Art and Design, NYC, traveling to: National Museum of Fine Arts, Taiwan Kaohsiung Museum of Fine Arts, Taiwan Selected Collections Elmira College, Cowles Hall, commissioned by John Walsh III 2017 Philadelphia Museum, Philadelphia, PA Museum of Art and Design, NYC Baltimore Museum of Art, Baltimore, MD Peabody Essex Museum, Salem, MA. Bowdoin College, Walker Art Museum, Brunswick, ME John Nuveen Inc. Chicago, Ill., commissions 1985, 1994, 2000, 2001 University of Nebraska, Lincoln International Quilt Study Center, The James Collection Rocky Mountain Quilt Museum, Golden, CO Mass Mutual, Boston MA Waban, Inc. Boston, MA University of Wisconsin, Madison, WI Selected Awards and Fellowships 2012- The Studios at Key West, artist residency 2008, 2007 - Nantucket Island School of Design and the Arts. A.I.R. program 2007 - Robert M. MacNamara Foundation 2003, 1989 - Maine Visual Artist Fellowships 2004 - Maine Art Commission Good Idea Grant Selected Biography Art Quilts Unfolding: 50 Years of Innovation, Bavor, Ellis, Sielman, Sider – 10/2018 Artpark: 1974-1984, Sandra Firmin, University of Buffalo Art Galleries /Princeton Architectural 2010 Masters: Art Quilts Volume 2, Sterling Publications, 2011 American Quilts: The Democratic Art 1750-2007 by Robert Shaw- Sterling Press 2009 Paintings of Maine, by Carl Little and Arnold Skolnick, Downeast Press, 2006 Six Continents of Quilts, The Museum of Art and Design Collection, 2005 Contemporary Art Quilts...

Large scale modern abstract, minimal art painting. Somewhere Somehow carries a quiet sense of recognition, where color becomes a kind of location and the surface becomes a record of...

This intriguing piece challenges the viewer to explore their own imagination and interpretation of the world it portrays. It is a combination of vibrant colors, bold and abstract sha...

Born in Paris in 1946 and raised in the heart of an idyllic French countryside near the Loire Valley, Jacques Lamy began painting at a very early age. Jacques completed his formal artistic training at the prestigious Ecole Nationale Superieur des Arts Decoratifs (Paris) in 1971. While there, he received the highest peer recognition in European Arts; the coveted Prix de Rome award for painting. Jacques Lamy’s career as an artist, designer and art teacher took him from his native France to life abroad in Spain, Africa, and the United States. His broad artistic interests and his classic training in art and design have enabled him to enjoy a wide variety of artistic experiences from designing furniture, lamps, tapestries, and elegant garden statuary to creating large scale murals for public viewing and enjoyment. in addition to his renowned mural work, Jacques received international recognition for his decorative fresco paintings. Jacques personal artistic style is very much a melding of old and new – a merging of a classically trained artist with a modern artistic vision. The medium is multi-media and the composition has a modern, abstract quality but the Old World training in design and composition lends the whole an air of classical grace. Examples can be seen in his studio-gallery in Dallas, Texas. ​Art Education Ecole National Superieure des Arts Decoratifs – Paris Art Teaching Casa de Velasquez – Madrid, Spain. National Institute of Art, Dakar, Senegal. Has taught art in France, Spain, and Africa Art Awards Prix de Rome de Peinture – Casa de Velasquez - 1971 Silver Medal for Industrial Creation - 1981 ​Museums Musee D'Art Roger Quillot, Clermont-Ferrand, France Jesuit Art Museum – Dallas, TX Exhibits 2012-current Represented by Wall Gallery – Dallas, TX, USA 2004 Jesuit Art Museum – Dallas, TX, USA ​ 2001-current Galerie Fine Art – Nantes, France 2000 City Hall, Chamalieres – France 1998 Ivanffy – Uhler Gallery – Dallas, TX 1994-1996 Jacques Lamy Fine Art Gallery 1995 Neiman Marcus- Dallas and Atlanta 1981-1984 Gallery Frederic Mechiche...

Minimalist Abstract Aesthetic White Mixed Media Painting - Clouds interwoven with purple In this unique painting "Clouds Woven in Purple" by the artist Skadi Engeln, white clouds p...

John Baker’s “He Stayed Behind in Katmandu II” is an acrylic portrait painting on canvas with collage 20.25 x 17.75 x 1.5 inches in blues, tans, pinks and flesh tones. The western “s...

Technique: mixed media: digital images with paint, and then collage of materials such as beads, crystals, sequins, fabric, and flowers (handmade with castings of resin). Re...

Janet Hamilton (b. 1970) is a contemporary abstract painter in Nashville, TN.  Her work is deeply inspired by color and the relationships that develop from its interactions. She crea...

"Hey Did We Scratch?" - Abstract Expressionist Composition Detailed and layered composition by Leroy W. Parker (American, 1941). This piece is divided into a checkerboard, with a variety of overlaid patterns and textures. There are several types of handmade paper applied to the canvas, likely made by Parker himself. Signed "Leroy Wheeler Parker" in the lower right corner. "#1" and an up arrow are written on verso. Tag on verso with artist info, title, media, and date. No frame, but the edges of the canvas are painted for a frame-less display. Leroy W. Parker (American, b. 1941) is an artist from Oklahoma who now resides in Lafayette, California. Parker earned his BFA in painting from the California College of Arts and Crafts in 1966, and then went on to earn his MFA in 1968 from the same institution. He is a Professor of Art at San Jose State University. He has taught classes in fine arts, life drawing, ceramics, paper making (which he instituted in 1984), and sculpture since 1969. Parker has also served on the State Art Commission for sculptural grants. One of his pieces is held in the San Jose Museum of Art. Selected Exhibitions: Drawings and Paintings - ACCI Gallery, Berkeley, CA - 1974 “Artistry in Clay” - Forge Patio Art Gallery, Lafayette, CA - 1980 “A Most Elegant Show” - Sunshine Art Gallery, Fair Oaks, CA - 1982 “Flora” - Harcourts Contemporary, San Francisco, CA - 1983 Idea Gallery, Sacramento, CA - 1985 “Multi-Media Man” - Sacramento Center for Textile Arts, Sacramento, CA - 1994 “The Art of the Family” - Works Gallery, San Jose, CA - 1999 Artist’s Statement: I was born in Eagletown, Oklahoma to Southern Baptist parents, and my father was a preacher. We were two boys and six girls in the family. The most mundane things were magical and special to me. I liked to draw, color, make things, and plant things. I loved the woods and the earth, and watching storms with thunder and lightning. We moved from Oklahoma when I was 11. In the late 1950s, I attended Oakland Technical High School where I met artist Sam Richardson...

"Navajita" (2018) is a mixed media painting on canvas by Inés Silvalde, measuring 20 x 25 x 3.5 cm. This work, part of the Influencers de Taberna series, captures a surreal yet intim...

This oriental rug is classic in the best sense of the word and fits in with any interior style, because oriental rugs are currently experiencing a true renaissance. Oriental rugs are...

This oriental rug is classic in the best sense of the word and fits in with any interior style, because oriental rugs are currently experiencing a true renaissance. Oriental rugs are...

Beth Shields is a distinguished abstract artist whose work has captivated collectors and audiences worldwide. Based in Santa Cruz, California, Beth has dedicated her life to artistic...

Dramatic mixed media composition of fabric, inlaid wood veneers, paint and gold leaf laid down on masonite. Circa 1950. Condition is very good. Ran Su Studio l...

LOOK FOR FREE SHIPPING AT CHECKOUT. Dreams in Pink was recently painted by the Cuban artist Brian Sanchez in 2023. It is oil and mixed media on linen .Dreams in Pink by Brian Sanchez shows the hyperrealism of modern Cuban art...

Traces collage and paint on linen canvas 46x55 cm 2019 this painting is sold stretched out on a wooden frame ready to hang The aesthetics of the "Sign" in Marilina Marchica's pi...

Wall Mounting Mixed Media Sculpture, Iron on Wood Panel, Populace by Mary Giles Mary Giles (1944-2018) received her BS in Art Education from Mankato State University in Minnesota. ...

"Four Injections of Light" mixed media painting on canvas in wooden frame by street artist Omar Hassan, who is diabetic. Inspired by the daily insulin injections taken by the artist ...

John Baker’s “A Family of Means” is an acrylic painting on canvas with collage 38 x 50 inches in blues, reds, and pinks. Depicted in their commodious library, the wealthy family exudes a sense of arrogant privilege and shameless materialism. The matriarch displays her rings to the spectator as though their monetary value was proof of her worth as a person, while her son, in his prep school blazer...

Andrea Stella (1950-2019). The child of Greek immigrants raised in Italy, Andrea was destined to create. His first concentration in the art world was antique woodworking, which lead...

“Sex, lust, desire, high fashion, and a tumultuous young life are the main motifs of my work. I didn’t have the easiest upbringing, but my experiences are what I illustrate through m...

Marta Moreno is a textile artist based in Mexico City who embraces embroidery as her primary medium of expression. What began in childhood as a playful activity has evolved into a po...

Mid Century Modern Painting. One of a kind Mixed Medium on Canvas Mid Century Full of Colors. Collector's Edition With rich texture. Mixed Media: Acrylic, Ink, Glass beads, 3D pai...

On Hansen is a Scandinavian-born artist and the pseudonym of photographer Cristian Hunter, a third-generation artist whose practice has shifted from the lens toward a deeply material...

Steven H. Rehfeld (American, born 1954) "Symphony" 2010 Oil paint and mixed media on canvas, stretcher bars The artist signed the back of the artwork. "Symphony" is a captivating pi...

Mixed media by Meriem Delacroix, realized in 2021. Thick, matte black paint applied with textured, materic brushes to create a suffocating darkness t...

In 2020, amidst the lockdown's intensity, my art journey ignited professionally. With ample time to delve deep, I explored figurative painting and abstract drawings until early 2022. I created a different series of paintings, one standout series, "Black, Bold, and Beautiful," celebrated the radiant essence of black women through six vibrant portraits clad in Ankara suits. While one found a home with a collector in Tel Aviv, the rest lingered in my studio. Two years on, a spark ignites within me to revisit this series, infusing it with the evolved narrative that aligns and fits into the conversation my works now engage in as a Contemporary Gospeller. The notions of “Restoration and restitution” weigh heavily in my heart, reflecting on personal and global scales. While global discourse focuses on returning stolen artefacts from Africa back to their origins, my perspective delves deeper into the restoration of lost time and purpose. My point of view on Restoration and Restitution is from this notion that man can lose years of his life in futility, and when the time of profit comes, it occurs mostly at the brink of life. A profound scripture, "I'll restore the years that the locust has eaten," resonates deeply, offering a beacon of hope amidst perceived futility. When I read this verse, it distinctly jumped out at me. Wow! Years can be restored! There is hope! To make this revisiting more contextual, I look out for material which can be regarded as “used-up”, “less-value”, or “wasted” - then it appears to me that Jute sack fits into this context! The Jute sack stands for the lost years of glory, having exchanged hands from one country to another before ending up in my studio to take a new life, different from what it has been used for. Thus, the series finds renewal through the symbolism of jute bags...

In 2020, amidst the lockdown's intensity, my art journey ignited professionally. With ample time to delve deep, I explored figurative painting and abstract drawings until early 2022. I created a different series of paintings, one standout series, "Black, Bold, and Beautiful," celebrated the radiant essence of black women through six vibrant portraits clad in Ankara suits. While one found a home with a collector in Tel Aviv, the rest lingered in my studio. Two years on, a spark ignites within me to revisit this series, infusing it with the evolved narrative that aligns and fits into the conversation my works now engage in as a Contemporary Gospeller. The notions of “Restoration and restitution” weigh heavily in my heart, reflecting on personal and global scales. While global discourse focuses on returning stolen artefacts from Africa back to their origins, my perspective delves deeper into the restoration of lost time and purpose. My point of view on Restoration and Restitution is from this notion that man can lose years of his life in futility, and when the time of profit comes, it occurs mostly at the brink of life. A profound scripture, "I'll restore the years that the locust has eaten," resonates deeply, offering a beacon of hope amidst perceived futility. When I read this verse, it distinctly jumped out at me. Wow! Years can be restored! There is hope! To make this revisiting more contextual, I look out for material which can be regarded as “used-up”, “less-value”, or “wasted” - then it appears to me that Jute sack fits into this context! The Jute sack stands for the lost years of glory, having exchanged hands from one country to another before ending up in my studio to take a new life, different from what it has been used for. Thus, the series finds renewal through the symbolism of jute bags...

In 2020, amidst the lockdown's intensity, my art journey ignited professionally. With ample time to delve deep, I explored figurative painting and abstract drawings until early 2022. I created a different series of paintings, one standout series, "Black, Bold, and Beautiful," celebrated the radiant essence of black women through six vibrant portraits clad in Ankara suits. While one found a home with a collector in Tel Aviv, the rest lingered in my studio. Two years on, a spark ignites within me to revisit this series, infusing it with the evolved narrative that aligns and fits into the conversation my works now engage in as a Contemporary Gospeller. The notions of “Restoration and restitution” weigh heavily in my heart, reflecting on personal and global scales. While global discourse focuses on returning stolen artefacts from Africa back to their origins, my perspective delves deeper into the restoration of lost time and purpose. My point of view on Restoration and Restitution is from this notion that man can lose years of his life in futility, and when the time of profit comes, it occurs mostly at the brink of life. A profound scripture, "I'll restore the years that the locust has eaten," resonates deeply, offering a beacon of hope amidst perceived futility. When I read this verse, it distinctly jumped out at me. Wow! Years can be restored! There is hope! To make this revisiting more contextual, I look out for material which can be regarded as “used-up”, “less-value”, or “wasted” - then it appears to me that Jute sack fits into this context! The Jute sack stands for the lost years of glory, having exchanged hands from one country to another before ending up in my studio to take a new life, different from what it has been used for. Thus, the series finds renewal through the symbolism of jute bags...